Anna Karenina Part 57

"Oh, no!" he said, and his face beamed with pleasure. "If you could only have seen that court last spring!"

And he began, at first rather diffidently, but more and more carried away by the subject as he went on, to draw her attention to the various details of the decoration of his house and garden. It was evident that, having devoted a great deal of trouble to improve and beautify his home, Vronsky felt a need to show off the improvements to a new person, and was genuinely delighted at Darya Alexandrovna's praise.

"If you would care to look at the hospital, and are not tired, indeed, it's not far. Shall we go?" he said, glancing into her face to convince himself that she was not bored. "Are you coming, Anna?" he turned to her.

"We will come, won't we?" she said, addressing Sviazhsky. "Mais il ne faut pas laisser le pauvre Veslovsky et Tushkevitch se morfondre la dans le bateau. We must send and tell them."

"Yes, this is a monument he is setting up here," said Anna, turning to Dolly with that sly smile of comprehension with which she had previously talked about the hospital.

"Oh, it's a work of real importance!" said Sviazhsky. But to show he was not trying to ingratiate himself with Vronsky, he promptly added some slightly critical remarks.

"I wonder, though, count," he said, "that while you do so much for the health of the peasants, you take so little interest in the schools."

"C'est devenu tellement commun les ecoles," said Vronsky. "You understand it's not on that account, but it just happens so, my interest has been diverted elsewhere. This way then to the hospital," he said to Darya Alexandrovna, pointing to a turning out of the avenue.

The ladies put up their parasols and turned into the side path. After going down several turnings, and going through a little gate, Darya Alexandrovna saw standing on rising ground before her a large pretentious-looking red building, almost finished. The iron roof, which was not yet painted, shone with dazzling brightness in the suns.h.i.+ne. Beside the finished building another had been begun, surrounded by scaffolding. Workmen in ap.r.o.ns, standing on scaffolds, were laying bricks, pouring mortar out of vats, and smoothing it with trowels.

"How quickly work gets done with you!" said Sviazhsky. "When I was here last time the roof was not on."

"By the autumn it will all be ready. Iside almost everything is done," said Anna.

"And what's this new building?"

"That's the house for the doctor and the dispensary," answered Vronsky, seeing the architect in a short jacket coming towards him; and excusing himself to the ladies, he went to meet him.

Going round a hole where the workmen were slaking lime, he stood still with the architect and began talking rather warmly.

"The front is still too low," he said to Anna, who had asked what was the matter.

"I said the foundation ought to be raised," said Anna.

"Yes, of course it would have been much better, Anna Arkadyevna," said the architect, "but now it's too late."

"Yes, I take a great interest in it," Anna answered Sviazhsky, who was expressing his surprise at her knowledge of architecture. "This new building ought to have been in harmony with the hospital. It was an afterthought, and was begun without a plan."

Vronsky, having finished his talk with the architect, joined the ladies, and led them inside the hospital.

Although they were still at work on the cornices outside and were painting on the ground floor, upstairs almost all the rooms were finished. Going up the broad cast-iron staircase to the landing, they walked into the first large room. The walls were stuccoed to look like marble, the huge plate-gla.s.s windows were already in, only the parquet floor was not yet finished, and the carpenters, who were planing a block of it, left their work, taking off the bands that fastened their hair, to greet the gentry.

"This is the reception room," said Vronsky. "Here there will be a desk, tables, and benches, and nothing more."

"This way; let us go in here. Don't go near the window," said Anna, trying the paint to see if it were dry. "Alexey, the paint's dry already," she added.

From the reception room they went into the corridor. Here Vronsky showed them the mechanism for ventilation on a novel system. Then he showed them marble baths, and beds with extraordinary springs. Then he showed them the wards one after another, the storeroom, the linen room, then the heating stove of a new pattern, then the trolleys, which would make no noise as they carried everything needed along the corridors, and many other things. Sviazhsky, as a connoisseur in the latest mechanical improvements, appreciated everything fully. Dolly simply wondered at all she had not seen before, and, anxious to understand it all, made minute inquiries about everything, which gave Vronsky great satisfaction.

"Yes, I imagine that this will be the solitary example of a properly fitted hospital in Russia," said Sviazhsky.

"And won't you have a lying-in ward?" asked Dolly. "That's so much needed in the country. I have often..."

In spite of his usual courtesy, Vronsky interrupted her.

"This is not a lying-in home, but a hospital for the sick, and is intended for all diseases, except infectious complaints," he said. "Ah! look at this," and he rolled up to Darya Alexandrovna an invalid chair that had just been ordered for the convalescents. "Look." He sat down in the chair and began moving it. "The patient can't walk--still too weak, perhaps, or something wrong with his legs, but he must have air, and he moves, rolls himself along...."

Darya Alexandrovna was interested by everything. She liked everything very much, but most of all she liked Vronsky himself with his natural, simple-hearted eagerness. "Yes, he's a very nice, good man," she thought several times, not hearing what he said, but looking at him and penetrating into his expression, while she mentally put herself in Anna's place. She liked him so much just now with his eager interest that she saw how Anna could be in love with him.

Chapter 21.

"No, I think the princess is tired, and horses don't interest her," Vronsky said to Anna, who wanted to go on to the stables, where Sviazhsky wished to see the new stallion. "You go on, while I escort the princess home, and we'll have a little talk," he said, "if you would like that?" he added, turning to her.

"I know nothing about horses, and I shall be delighted," answered Darya Alexandrovna, rather astonished.

She saw by Vronsky's face that he wanted something from her. She was not mistaken. As soon as they had pa.s.sed through the little gate back into the garden, he looked in the direction Anna had taken, and having made sure that she could neither hear nor see them, he began: "You guess that I have something I want to say to you," he said, looking at her with laughing eyes. "I am not wrong in believing you to be a friend of Anna's." He took off his hat, and taking out his handkerchief, wiped his head, which was growing bald.

Darya Alexandrovna made no answer, and merely stared at him with dismay. When she was left alone with him, she suddenly felt afraid; his laughing eyes and stern expression scared her.

The most diverse suppositions as to what he was about to speak of to her flashed into her brain. "He is going to beg me to come to stay with them with the children, and I shall have to refuse; or to create a set will receive Anna in Moscow.... Or isn't it Va.s.senka Veslovsky and his relations with Anna? Or perhaps about Kitty, that he feels he was to blame?" All her conjectures were unpleasant, but she did not guess what he really wanted to talk about to her.

"You have so much influence with Anna, she is so fond of you," he said; "do help me."

Darya Alexandrovna looked with timid inquiry into his energetic face, which under the lime-trees was continually being lighted up in patches by the suns.h.i.+ne, and then pa.s.sing into complete shadow again. She waited for him to say more, but he walked in silence beside her, scratching with his cane in the gravel.

"You have come to see us, you, the only woman of Anna's former friends--I don't count Princess Varvara--but I know that you have done this not because you regard our position as normal, but because, understanding all the difficulty of the position, you still love her and want to be a help to her. Have I understood you rightly?" he asked, looking round at her.

"Oh, yes," answered Darya Alexandrovna, putting down her sunshade, "but..."

"No," he broke in, and unconsciously, oblivious of the awkward position into which he was putting his companion, he stopped abruptly, so that she had to stop short too. "No one feels more deeply and intensely than I do all the difficulty of Anna's position; and that you may well understand, if you do me the honor of supposing I have any heart. I am to blame for that position, and that is why I feel it."

"I understand," said Darya Alexandrovna, involuntarily admiring the sincerity and firmness with which he said this. "But just because you feel yourself responsible, you exaggerate it, I am afraid," she said. "Her position in the world is difficult, I can well understand."

"In the world it is h.e.l.l!" he brought out quickly, frowning darkly. "You can't imagine moral sufferings greater than what she went through in Petersburg in that fortnight...and I beg you to believe it."

"Yes, but here, so long as neither Anna...nor you miss society..."

"Society!" he said contemptuously, "how could I miss society?"

"So far--and it may be so always--you are happy and at peace. I see in Anna that she is happy, perfectly happy, she has had time to tell me so much already," said Darya Alexandrovna, smiling; and involuntarily, as she said this, at the same moment a doubt entered her mind whether Anna really were happy.

But Vronsky, it appeared, had no doubts on that score.

"Yes, yes," he said, "I know that she has revived after all her sufferings; she is happy. She is happy in the present. But I?... I am afraid of what is before us...I beg your pardon, you would like to walk on?"

"No, I don't mind."

"Well, then, let us sit here."

Darya Alexandrovna sat down on a garden seat in a corner of the avenue. He stood up facing her.

"I see that she is happy," he repeated, and the doubt whether she were happy sank more deeply into Darya Alexandrovna's mind. "But can it last? Whether we have acted rightly or wrongly is another question, but the die is cast," he said, pa.s.sing from Russian to French, "and we are bound together for life. We are united by all the ties of love that we hold most sacred. We have a child, we may have other children. But the law and all the conditions of our position are such that thousands of complications arise which she does not see and does not want to see. And that one can well understand. But I can't help seeing them. My daughter is by law not my daughter, but Karenin's. I cannot bear this falsity!" he said, with a vigorous gesture of refusal, and he looked with gloomy inquiry towards Darya Alexandrovna.

She made no answer, but simply gazed at him. He went on: "One day a son may be born, my son, and he will be legally a Karenin; he will not be the heir of my name nor of my property, and however happy we may be in our home life and however many children we may have, there will be no real tie between us. They will be Karenins. You can understand the bitterness and horror of this position! I have tried to speak of this to Anna. It irritates her. She does not understand, and to her I cannot speak plainly of all this. Now look at another side. I am happy, happy in her love, but I must have occupation. I have found occupation, and am proud of what I am doing and consider it n.o.bler than the pursuits of my former companions at court and in the army. And most certainly I would not change the work I am doing for theirs. I am working here, settled in my own place, and I am happy and contented, and we need nothing more to make us happy. I love my work here. Ce n'est pas un pis-aller, on the contrary..."

Darya Alexandrovna noticed that at this point in his explanation he grew confused, and she did not quite understand this digression, but she felt that having once begun to speak of matters near his heart, of which he could not speak to Anna, he was now making a clean breast of everything, and that the question of his pursuits in the country fell into the same category of matters near his heart, as the question of his relations with Anna.

"Well, I will go on," he said, collecting himself. "The great thing is that as I work I want to have a conviction that what I am doing will not die with me, that I shall have heirs to come after me,--and this I have not. Conceive the position of a man who knows that his children, the children of the woman he loves, will not be his, but will belong to someone who hates them and cares nothing about them! It is awful!"

He paused, evidently much moved.

"Yes, indeed, I see that. But what can Anna do?" queried Darya Alexandrovna.

"Yes, that brings me to the object of my conversation," he said, calming himself with an effort. "Anna can, it depends on her.... Even to pet.i.tion the Tsar for legitimization, a divorce is essential. And that depends on Anna. Her husband agreed to a divorce--at that time your husband had arranged it completely. And now, I know, he would not refuse it. It is only a matter of writing to him. He said plainly at that time that if she expressed the desire, he would not refuse. Of course," he said gloomily, "it is one of those Pharisaical cruelties of which only such heartless men are capable. He knows what agony any recollection of him must give her, and knowing her, he must have a letter from her. I can understand that it is agony to her. But the matter is of such importance, that one must pa.s.ser par-dessus toutes ces finesses de sentiment. Il y va du bonheur et de l'existence d'Anne et de ses enfants. I won't speak of myself, though it's hard for me, very hard," he said, with an expression as though he were threatening someone for its being hard for him. "And so it is, princess, that I am shamelessly clutching at you as an anchor of salvation. Help me to persuade her to write to him and ask for a divorce."

"Yes, of course," Darya Alexandrovna said dreamily, as she vividly recalled her last interview with Alexey Alexandrovitch. "Yes, of course," she repeated with decision, thinking of Anna.

"Use your influence with her, make her write. I don't like--I'm almost unable to speak about this to her."

"Very well, I will talk to her. But how is it she does not think of it herself?" said Darya Alexandrovna, and for some reason she suddenly at that point recalled Anna's strange new habit of half-closing her eyes. And she remembered that Anna drooped her eyelids just when the deeper questions of life were touched upon. "Just as though she half-shut her eyes to her own life, so as not to see everything," thought Dolly. "Yes, indeed, for my own sake and for hers I will talk to her," Dolly said in reply to his look of grat.i.tude.

They got up and walked to the house.

Chapter 22.

When Anna found Dolly at home before her, she looked intently in her eyes, as though questioning her about the talk she had had with Vronsky, but she made no inquiry in words.

"I believe it's dinner time," she said. "We've not seen each other at all yet. I am reckoning on the evening. Now I want to go and dress. I expect you do too; we all got splashed at the buildings."

Dolly went to her room and she felt amused. To change her dress was impossible, for she had already put on her best dress. But in order to signify in some way her preparation for dinner, she asked the maid to brush her dress, changed her cuffs and tie, and put some lace on her head.

"This is all I can do," she said with a smile to Anna, who came in to her in a third dress, again of extreme simplicity.

"Yes, we are too formal here," she said, as it were apologizing for her magnificence. "Alexey is delighted at your visit, as he rarely is at anything. He has completely lost his heart to you," she added. "You're not tired?"

There was no time for talking about anything before dinner. Going into the drawing room they found Princess Varvara already there, and the gentlemen of the party in black frock-coats. The architect wore a swallow-tail coat. Vronsky presented the doctor and the steward to his guest. The architect he had already introduced to her at the hospital.

A stout butler, resplendent with a smoothly shaven round chin and a starched white cravat, announced that dinner was ready, and the ladies got up. Vronsky asked Sviazhsky to take in Anna Arkadyevna, and himself offered his arm to Dolly. Veslovsky was before Tushkevitch in offering his arm to Princess Varvara, so that Tushkevitch with the steward and the doctor walked in alone.

The dinner, the dining room, the service, the waiting at table, the wine, and the food, were not simply in keeping with the general tone of modern luxury throughout all the house, but seemed even more sumptuous and modern. Darya Alexandrovna watched this luxury which was novel to her, and as a good housekeeper used to managing a household--although she never dreamed of adapting anything she saw to her own household, as it was all in a style of luxury far above her own manner of living--she could not help scrutinizing every detail, and wondering how and by whom it was all done. Va.s.senka Veslovsky, her husband, and even Sviazhsky, and many other people she knew, would never have considered this question, and would have readily believed what every well-bred host tries to make his guests feel, that is, that all that is well-ordered in his house has cost him, the host, no trouble whatever, but comes of itself. Darya Alexandrovna was well aware that even porridge for the children's breakfast does not come of itself, and that therefore, where so complicated and magnificent a style of luxury was maintained, someone must give earnest attention to its organization. And from the glance with which Alexey Kirillovitch scanned the table, from the way he nodded to the butler, and offered Darya Alexandrovna her choice between cold soup and hot soup, she saw that it was all organized and maintained by the care of the master of the house himself. It was evident that it all rested no more upon Anna than upon Veslovsky. She, Sviazhsky, the princess, and Veslovsky, were equally guests, with light hearts enjoying what had been arranged for them.

Anna was the hostess only in conducting the conversation. The conversation was a difficult one for the lady of the house at a small table with persons present, like the steward and the architect, belonging to a completely different world, struggling not to be overawed by an elegance to which they were unaccustomed, and unable to sustain a large share in the general conversation. But this difficult conversation Anna directed with her usual tact and naturalness, and indeed she did so with actual enjoyment, as Darya Alexandrovna observed. The conversation began about the row Tushkevitch and Veslovsky had taken alone together in the boat, and Tushkevitch began describing the last boat races in Petersburg at the Yacht Club. But Anna, seizing the first pause, at once turned to the architect to draw him out of his silence.

"Nikolay Ivanitch was struck," she said, meaning Sviazhsky, "at the progress the new building had made since he was here last; but I am there every day, and every day I wonder at the rate at which it grows."

"It's first-rate working with his excellency," said the architect with a smile (he was respectful and composed, though with a sense of his own dignity). "It's a very different matter to have to do with the district authorities. Where one would have to write out sheaves of papers, here I call upon the count, and in three words we settle the business."

"The American way of doing business," said Sviazhsky, with a smile.

"Yes, there they build in a rational fas.h.i.+on..."

The conversation pa.s.sed to the misuse of political power in the United States, but Anna quickly brought it round to another topic, so as to draw the steward into talk.

"Have you ever seen a reaping machine?" she said, addressing Darya Alexandrovna. "We had just ridden over to look at one when we met. It's the first time I ever saw one."

"How do they work?" asked Dolly.

"Exactly like little scissors. A plank and a lot of little scissors. Like this."

Anna took a knife and fork in her beautiful white hands covered with rings, and began showing how the machine worked. It was clear that she saw nothing would be understood from her explanation; but aware that her talk was pleasant and her hands beautiful she went on explaining.

"More like little penknives," Veslovsky said playfully, never taking his eyes off her.

Anna gave a just perceptible smile, but made no answer. "Isn't it true, Karl Fedoritch, that it's just like little scissors?" she said to the steward.

"Oh, ja," answered the German. "Es it ein ganz einfaches Ding," and he began to explain the construction of the machine.

"It's a pity it doesn't bind too. I saw one at the Vienna exhibition, which binds with a wire," said Sviazhsky. "They would be more profitable in use."

"Es kommt drauf an.... Der Preis vom Draht muss ausgerechnet werden." And the German, roused from his taciturnity, turned to Vronsky. "Das laesst sich ausrechnen, Erlaucht." The German was just feeling in the pocket where were his pencil and the notebook he always wrote in, but recollecting that he was at a dinner, and observing Vronsky's chilly glance, he checked himself. "Zu compliziert, macht zu viel Klopot," he concluded.

"Wuenscht man Dochots, so hat man auch Klopots," said Va.s.senka Veslovsky, mimicking the German. "J'adore l'allemand," he addressed Anna again with the same smile.

"Cessez," she said with playful severity.

"We expected to find you in the fields, Va.s.sily Semyonitch," she said to the doctor, a sickly-looking man; "have you been there?"

"I went there, but I had taken flight," the doctor answered with gloomy jocoseness.

"Then you've taken a good const.i.tutional?"

"Splendid!"

"Well, and how was the old woman? I hope it's not typhus?"

"Typhus it is not, but it's taking a bad turn."