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Epistles from Pap: Letters from the man known as 'The Will Rogers of Indiana' Part 32

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He said, "Maybe you like to go to the Thieves Market, where they sell stolen goods and pick your pockets." . . . We could drive slowly, and stop now and then, and see from the car. . .

The street was crowded. Everything that wasn't old was shoddy. If all that stuff had been stolen goods, it would have taken the entire population months to have actually stolen the articles, and when they got done the value of the whole thing would have been in the low thousands of dollars. No the Thieves Market in my opinion is a part of the "dress" of Mexico City. The words sound mysterious and dangerous, and give the tourists a shot in the arm. Still I was glad I had taken Enrique's advice and kept to the car. Six or eight dirty hands in my pocket could have left enough germs to have contaminated everybody west of Stilesville.

We also encountered a singer and serenader and his band who a.s.sembled around our car and played for us for five pesos (less than 60 cents) a song. We had five fiddles, one cornet, three whopping big guitars, two regular size guitars and one mandolin.

I was asked what I wanted. I suggested "The Fire Scene" from Wagner or Lilly Pon's latest song, but they didn't know those so I told them anything purely Mexican. . . It was what I would call a big Carnegie Hall success. We left amid profuse thanks.

TREASURED HOMES

I thought a change might not be a bad idea. We drove into what he said was the finest residential district--very fine and elaborate homes. The proportion will not equal that of any American city.

The proportion of poor and poverty stricken people is high here.

The most striking feature of these homes to me is the extravagant use of wrought iron grillwork in the openings in the walls surrounding the premises and the framing of all windows and gates. The designs are intricate. These homes are built with the idea of exclusion. It is hard to see the grounds unless a gate or doors are left open. Enrique would stop very candidly where there was an opening. What we saw was always immaculately kept. Labor is cheap.

Enrique saved "the three finest homes in Mexico" for last. They were really fine homes. And they were big of course. One was built by a rich Spanish merchant, the other two by politicians, both of whom at one time or another had been connected with the Treasury of Mexico. Quite a coincidence I thought--best two out of three.

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