Clover and Blue Grass Part 5

Mary was opening doors and drawers in a hasty but conscientious search.

"You'd better help me look for the chart, Sally," she said gently. "Two pairs of eyes are better than one, and you know Dan's in a hurry." But Sally did not move. Her eyes were fixed on the purple haze that hung over old Pilot, and her mind was lost in memories of her grandfather's legends.

"Dan's always in a hurry," she remarked placidly. "I tell him he gets mighty little pleasure out of life, rus.h.i.+n' through it the way he does.

That white spot over on that tallest k.n.o.b must be the stone quarry. If it was a clear day, I believe you could see the big rocks. And here comes a locomotive. How pretty the white smoke looks streamin' back and settlin' in the valleys."

"We might as well go down," said Mary. "There's no use looking in the spare room; that hasn't been opened for a week."

"Sally!" cried Dan, putting his head in at the front door and giving a backward glance at his restless horse, "if that note I've got in the bank is protested, you and your jacket'll be to blame. It's after two o'clock, and I can't wait any longer."

"All right," said Sally, "me and the children will go to town with you."

"Where are the children?" asked Mary.

"My gracious! have we lost the chart and the children, too?" laughed Sally. "No, there they are, 'way down by the duck pond. Sarah! Daniel!

Come right here! We're goin' to town."

"Hurry up!" shouted their father, "or I'll leave you here."

The prospect of a trip to town and the fear of being left behind doubled the children's speed and brought them breathless and excited to the front gate. Dan tossed them into the wagon, as if each had been a sack of meal, and Sally clambered in without a.s.sistance.

"As soon as I find the chart, Sally, I'll send it over to you by the first person that pa.s.ses," said Mary. The loss of the chart seemed a breach of hospitality, a discourtesy to her guest, and she wanted to make amends.

"That wouldn't be a bit of use," said Sally, "for I can't tell head nor tail of the thing unless you show me. I'll drop in again in a day or so and do my cuttin' and fittin' here."

"Yes," said John heartily, "that'll be the best way. If Mary was to send you the chart, the person she sent it by might lose it, and that'd be a pity, as it's the only one in the neighborhood. You come over and bring the children with you and spend the day, and you and Mary can have a good time sewin' and talkin'."

"That's what I'll do. Look for me day after to-morrow or the day after that. I reckon the chart'll certainly turn up by that time."

"I'm sure it will," said John, "for I'm goin' to spend all my spare time lookin' for it."

Dan clucked to the horse and shook the reins over its back.

"Well, good-by," cried Sally blithely, "I'll be certain to--"

But the rest of her words were drowned in the rattle of wheels and clatter of hoofs, for Dan was laying on the whip in a desperate resolve to get to town before the bank closed.

Mary stood silent with a hurt look on her face. How could John ask Sally to spend the day when he knew how tired she was? It was all she could do to keep the tears back.

"It's my opinion," said John, "that we'll never see that chart again. I believe it's gone like grandfather Ervin's beaver hat."

Mary knew the story of the beaver hat. It was a family legend of the supernatural that John was fond of telling. But she had little faith that her chart had gone the way of grandfather Ervin's hat, and she went back to the kitchen, wondering how John could have been so thoughtless, and dreading the day after to-morrow that would bring Sally and those troublesome children. John followed her, and opening the stove door, he gently stirred the ashes within, thus effacing the last trace of the chart; then he took his way to the barn, where he sank down on a pile of fodder and laughed till the tears ran down his face.

"Edwin Booth couldn't 'a' done it better," he gasped. "I reckon I'll have to quit farmin' and go on the stage. Didn't know I was such a born actor. It was actin' a lie, too, but it's put a stop to Mary's troubles, and I don't feel like repentin' yet. I reckon you might call it a lie of 'necessity and mercy', like the work that's allowed on the Sabbath day."

And at that precise moment Sally was saying to Dan:

"Did you ever see a man so put out over anything as John Crawford was over not findin' that chart? If he'd lost his watch or his purse, he couldn't have put himself to more pains to find it. There never was a more accommodatin' neighbor than Mary, and John's just like her. You don't often see a couple as well matched. Generally, if one's accommodatin' and neighborly, the other's stingy and mean. But Mary wasn't a bit more anxious to find that chart for me than John was."

That night after supper John seated himself on the front porch. The warm spring air was sweet with the perfume of May bloom, and from every pond there was a chorus of joy over the pa.s.sing of winter. He heard the voices of his children and his wife talking together as Mary washed the dishes, Lucy Ellen wiped them, and little John placed them on the table.

Home, wife, children, and the spring of the year! The heart of the man was glad and he smiled at the thought of the deed he had done that afternoon.

"John," said Mary, coming out on the porch with the dish towel over her arm, "hadn't you better be looking for that chart? You know you promised Sally, and I don't want her to be disappointed again."

The light from one of the front windows shone full on John's face, and something about his eyes and mouth gave Mary a sudden revelation.

"John," she said severely, "do you know where that chart is?"

John returned her gaze with unflinching eyes. "Mary," he said slowly and deliberately, "I do not know where that chart is."

Another lie? Oh, no! When a thing is dust and ashes, who knows where it is?

But the answer did not satisfy Mary. She continued to look at him as a mother might look at a naughty child.

"John," she said, "did you--I believe--yes, I know you did. Oh, John!

How could you? What made you do it?"

"Yes, I did, and I'd do it again," said John doggedly. "Do you think I'm goin' to have the neighbors tormentin' the life out of you on account of that--"

He stopped short, for a damp towel was against his face, and Mary's bare arms were around his neck.

"Oh, John! And that was the reason you asked Sally to come back. I've been feeling so hurt, for I thought it looked as if you didn't care for me. I might have known better. Please forgive me. I'll never think such a thing of you again."

There was something damp on the other side of his face now, and reaching around John drew the tired wife down on the bench beside him and let her sob out her joy and her weariness on his shoulder.

"But it was a help," she sighed at last, wiping her eyes on her kitchen ap.r.o.n. "And I don't know how I'm going to do my spring sewing without it."

John stretched out his right leg, thrust his hand into his pocket, and pulled out a ragged leather purse, not too well filled.

"What's mine's yours, Mary," he said, tossing it into her lap. "Get a seamstress to do your sewing. If I catch you at that machine again, I'll make kindlin' wood and old iron out of it, and if that agent ever comes on the place again with his blamed charts, there's a loaded shotgun waitin' for him."

OLD MAHOGANY

"Come in, Maria Marvin, come in. No, it ain't too early for visitors.

I've jest finished sweepin' and dustin', and that's exactly the time I want to see company; and when company comes at exactly the right time, they get a double welcome from me. Have this chair, and I'll lay your bonnet right here on the table.

"Yes, I've been refurnis.h.i.+n' some. Got rid o' all the old plunder that 'd been acc.u.mulatin' under this roof ever since Noah built his ark, and bought a spick and span new outfit, golden oak every bit of it, and right up to day before yesterday, and to-day, and day after to-morrow, when it comes to style. I reckon Mother and grandmother and great-grandmother have turned over in their graves, but I can't help it.

That old mahogany furniture has been my cross, and I've borne it faithfully from a child up, and when I saw a chance o' layin' it down, I didn't stop to think what my ancestors would say about it; I jest dropped the cross and drew one good, long breath.

"You'd think I'd hate to part with the family belongin's? Well, you wouldn't think so if you knew how much trouble these same belongin's have been to me all my born days. You know everybody has idols. Some women make idols of their children, and now and then you'll find a woman bowin' down and wors.h.i.+ppin' her husband, but Mother's idols were chairs and tables and bedsteads. You've noticed, haven't you, that there's always one child in a family that'll get nearly everything belongin' to the family? They'll claim this and that and the other, and the rest o'

the children will give in to 'em jest to keep from havin' a quarrel.

Well, Mother was the claimin' one in our family, and whatever she claimed she got, and whatever she got she held on to it. If Mother'd been content with the things that her mother handed down to her, it wouldn't 'a' been so bad, but there never was a member o' the family died that Mother didn't manage to get hold o' some of the belongin's. If there was a sale, she was the first one there, and she'd take her seat right under the auctioneer's hammer, and if she made up her mind to have an old chair or an old table, why, n.o.body ever could outbid her; and in the course o' time the house got to be more like an old junk shop than a home. I used to tell Mother she got everything belongin' to her dead kinfolks except their tombstones, and I wouldn't 'a' been surprised any day to come home and find one or two nice old gravestones settin' up on the mantel-piece for ornaments, or propped up handy in a corner.

"And every piece of that old mahogany, Maria, was polished till you could see your face in it. The first thing after breakfast, Mother'd get a piece o' chamois skin or an old piece o' flannel, and she'd go around rubbin' up her chairs and tables and lookin' for scratches on 'em; and as soon as I was old enough to hold a rag, I had to do a certain amount o' polis.h.i.+n' every day, and when Mother's rheumatism settled in her arms, all the polis.h.i.+n' fell to me. It looked like the furniture was on Mother's mind night and day, and it was: 'Samantha, have you polished your grandfather's secretary?' 'Samantha, don't forget to rub off the parlor center-table.' No matter what I wanted to do, I couldn't do it till that old furniture was attended to. When I look back, Maria, it seems to me I've been livin' all my life in the valley of the shadow of old mahogany. You know how it is when the sun comes out after a long spell of cloudy weather. Well, that's jest the way it was the day that old mahogany furniture went out o' the house, and this pretty yellow furniture came in. I really believe that was the happiest day of my life.