The Complete Writings of Charles Dudley Warner Part 3

"It had a winder in the top of it, and silver handles," says one.

"Well, I declare; and you could 'a looked right in?"

"If I'd been a mind to."

"Who has died?" I ask.

"It's old woman Larue; she lived on Gilead Hill, mostly alone. It's better for her."

"Had she any friends?"

"One darter. They're takin' her over Eden way, to bury her where she come from."

"Was she a good woman?" The traveler is naturally curious to know what sort of people die in Nova Scotia.

"Well, good enough. Both her husbands is dead."

The gossips continued talking of the burying. Poor old woman Larue!

It was mournful enough to encounter you for the only time in this world in this plight, and to have this glimpse of your wretched life on lonesome Gilead Hill. What pleasure, I wonder, had she in her life, and what pleasure have any of these hard-favored women in this doleful region? It is pitiful to think of it. Doubtless, however, the region isn't doleful, and the sentimental traveler would not have felt it so if he had not encountered this funereal flitting.

But the horses are in. We mount to our places; the big doors swing open.

"Stand away," cries the driver.

The hostler lets go Kitty's bridle, the horses plunge forward, and we are off at a gallop, taking the opposite direction from that pursued by old woman Larue.

This last stage is eleven miles, through a pleasanter country, and we make it in a trifle over an hour, going at an exhilarating gait, that raises our spirits out of the Marshy Hope level. The perfection of travel is ten miles an hour, on top of a stagecoach; it is greater speed than forty by rail. It nurses one's pride to sit aloft, and rattle past the farmhouses, and give our dust to the cringing foot tramps. There is something royal in the swaying of the coach body, and an excitement in the patter of the horses' hoofs. And what an honor it must be to guide such a machine through a region of rustic admiration!

The sun has set when we come thundering down into the pretty Catholic village of Antigonish,--the most home-like place we have seen on the island. The twin stone towers of the unfinished cathedral loom up large in the fading light, and the bishop's palace on the hill--the home of the Bishop of Arichat--appears to be an imposing white barn with many staring windows. At Antigonish--with the emphasis on the last syllable--let the reader know there is a most comfortable inn, kept by a cheery landlady, where the stranger is served by the comely handmaidens, her daughters, and feels that he has reached a home at last. Here we wished to stay. Here we wished to end this weary pilgrimage. Could Baddeck be as attractive as this peaceful valley?

Should we find any inn on Cape Breton like this one?

"Never was on Cape Breton," our driver had said; "hope I never shall be. Heard enough about it. Taverns? You'll find 'em occupied."

"Fleas?

"Wus."

"But it is a lovely country?"

"I don't think it."

Into what unknown dangers were we going? Why not stay here and be happy? It was a soft summer night. People were loitering in the street; the young beaux of the place going up and down with the belles, after the leisurely manner in youth and summer; perhaps they were students from St. Xavier College, or visiting gallants from Guysborough. They look into the post-office and the fancy store.

They stroll and take their little provincial pleasure and make love, for all we can see, as if Antigonish were a part of the world. How they must look down on Marshy Hope and Addington Forks and Tracadie!

What a charming place to live in is this!

But the stage goes on at eight o'clock. It will wait for no man.

There is no other stage till eight the next night, and we have no alternative but a night ride. We put aside all else except duty and Baddeck. This is strictly a pleasure-trip.

The stage establishment for the rest of the journey could hardly be called the finest on the continent. The wagon was drawn by two horses. It was a square box, covered with painted cloth. Within were two narrow seats, facing each other, affording no room for the legs of pa.s.sengers, and offering them no position but a strictly upright one. It was a most ingeniously uncomfortable box in which to put sleepy travelers for the night. The weather would be chilly before morning, and to sit upright on a narrow board all night, and s.h.i.+ver, is not cheerful. Of course, the reader says that this is no hards.h.i.+p to talk about. But the reader is mistaken. Anything is a hards.h.i.+p when it is unpleasantly what one does not desire or expect.

These travelers had spent wakeful nights, in the forests, in a cold rain, and never thought of complaining. It is useless to talk about the Polar sufferings of Dr. Kane to a guest at a metropolitan hotel, in the midst of luxury, when the mosquito sings all night in his ear, and his mutton-chop is overdone at breakfast. One does not like to be set up for a hero in trifles, in odd moments, and in inconspicuous places.

There were two pa.s.sengers besides ourselves, inhabitants of Cape Breton Island, who were returning from Halifax to Plaster Cove, where they were engaged in the occupation of distributing alcoholic liquors at retail. This fact we ascertained incidentally, as we learned the nationality of our comrades by their brogue, and their religion by their lively e.j.a.c.u.l.a.t.i.o.ns during the night. We stowed ourselves into the rigid box, bade a sorrowing good-night to the landlady and her daughters, who stood at the inn door, and went jingling down the street towards the open country.

The moon rises at eight o'clock in Nova Scotia. It came above the horizon exactly as we began our journey, a harvest-moon, round and red. When I first saw it, it lay on the edge of the horizon as if too heavy to lift itself, as big as a cart-wheel, and its disk cut by a fence-rail. With what a flood of splendor it deluged farmhouses and farms, and the broad sweep of level country! There could not be a more magnificent night in which to ride towards that geographical mystery of our boyhood, the Gut of Canso.

A few miles out of town the stage stopped in the road before a post-station. An old woman opened the door of the farmhouse to receive the bag which the driver carried to her. A couple of sprightly little girls rushed out to "interview" the pa.s.sengers, climbing up to ask their names and, with much giggling, to get a peep at their faces. And upon the handsomeness or ugliness of the faces they saw in the moonlight they p.r.o.nounced with perfect candor. We are not obliged to say what their verdict was. Girls here, no doubt, as elsewhere, lose this trustful candor as they grow older.

Just as we were starting, the old woman screamed out from the door, in a shrill voice, addressing the driver, "Did you see ary a sick man 'bout 'Tigonish?"

"Nary."

"There's one been round here for three or four days, pretty bad off; 's got the St. Vitus's. He wanted me to get him some medicine for it up to Antigonish. I've got it here in a vial, and I wished you could take it to him."

"Where is he?"

"I dunno. I heern he'd gone east by the Gut. Perhaps you'll hear of him." All this screamed out into the night.

"Well, I'll take it."

We took the vial aboard and went on; but the incident powerfully affected us. The weird voice of the old woman was exciting in itself, and we could not escape the image of this unknown man, dancing about this region without any medicine, fleeing perchance by night and alone, and finally flitting away down the Gut of Canso. This fugitive mystery almost immediately shaped itself into the following simple poem:

"There was an old man of Canso, Unable to sit or stan' so.

When I asked him why he ran so, Says he, 'I've St. Vitus' dance so, All down the Gut of Canso.'"

This melancholy song is now, I doubt not, sung by the maidens of Antigonish.

In spite of the consolations of poetry, however, the night wore on slowly, and soothing sleep tried in vain to get a lodgment in the jolting wagon. One can sleep upright, but not when his head is every moment knocked against the framework of a wagon-cover. Even a jolly young Irishman of Plaster Cove, whose nature it is to sleep under whatever discouragement, is beaten by these circ.u.mstances. He wishes he had his fiddle along. We never know what men are on casual acquaintance. This rather stupid-looking fellow is a devotee of music, and knows how to coax the sweetness out of the unwilling violin. Sometimes he goes miles and miles on winter nights to draw the seductive bow for the Cape Breton dancers, and there is enthusiasm in his voice, as he relates exploits of fiddling from sunset till the dawn of day. Other information, however, the young man has not; and when this is exhausted, he becomes sleepy again, and tries a dozen ways to twist himself into a posture in which sleep will be possible. He doubles up his legs, he slides them under the seat, he sits on the wagon bottom; but the wagon swings and jolts and knocks him about. His patience under this punishment is admirable, and there is something pathetic in his restraint from profanity.

It is enough to look out upon the magnificent night; the moon is now high, and swinging clear and distant; the air has grown chilly; the stars cannot be eclipsed by the greater light, but glow with a chastened fervor. It is on the whole a splendid display for the sake of four sleepy men, banging along in a coach,--an insignificant little vehicle with two horses. No one is up at any of the farmhouses to see it; no one appears to take any interest in it, except an occasional baying dog, or a rooster that has mistaken the time of night. By midnight we come to Tracadie, an orchard, a farmhouse, and a stable. We are not far from the sea now, and can see a silver mist in the north. An inlet comes lapping up by the old house with a salty smell and a suggestion of oyster-beds. We knock up the sleeping hostlers, change horses, and go on again, dead sleepy, but unable to get a wink. And all the night is blazing with beauty. We think of the criminal who was sentenced to be kept awake till he died.

The fiddler makes another trial. Temperately remarking, "I am very sleepy," he kneels upon the floor and rests his head on the seat.

This position for a second promises repose; but almost immediately his head begins to pound the seat, and beat a lively rat-a-plan on the board. The head of a wooden idol couldn't stand this treatment more than a minute. The fiddler twisted and turned, but his head went like a triphammer on the seat. I have never seen a devotional att.i.tude so deceptive, or one that produced less favorable results.

The young man rose from his knees, and meekly said,

"It's dam hard."

If the recording angel took down this observation, he doubtless made a note of the injured tone in which it was uttered.

How slowly the night pa.s.ses to one tipping and swinging along in a slowly moving stage! But the harbinger of the day came at last.

When the fiddler rose from his knees, I saw the morning-star burst out of the east like a great diamond, and I knew that Venus was strong enough to pull up even the sun, from whom she is never distant more than an eighth of the heavenly circle. The moon could not put her out of countenance. She blazed and scintillated with a dazzling brilliance, a throbbing splendor, that made the moon seem a pale, sentimental invention. Steadily she mounted, in her fresh beauty, with the confidence and vigor of new love, driving her more domestic rival out of the sky. And this sort of thing, I suppose, goes on frequently. These splendors burn and this panorama pa.s.ses night after night down at the end of Nova Scotia, and all for the stage-driver, dozing along on his box, from Antigonish to the strait.

"Here you are," cries the driver, at length, when we have become wearily indifferent to where we are. We have reached the ferry. The dawn has not come, but it is not far off. We step out and find a chilly morning, and the dark waters of the Gut of Canso flowing before us lighted here and there by a patch of white mist. The ferryman is asleep, and his door is shut. We call him by all the names known among men. We pound upon his house, but he makes no sign. Before he awakes and comes out, growling, the sky in the east is lightened a shade, and the star of the dawn sparkles less brilliantly. But the process is slow. The twilight is long. There is a surprising deliberation about the preparation of the sun for rising, as there is in the movements of the boatman. Both appear to be reluctant to begin the day.

The ferryman and his s.h.a.ggy comrade get ready at last, and we step into the clumsy yawl, and the slowly moving oars begin to pull us upstream. The strait is here less than a mile wide; the tide is running strongly, and the water is full of swirls,--the little whirlpools of the rip-tide. The morning-star is now high in the sky; the moon, declining in the west, is more than ever like a silver s.h.i.+eld; along the east is a faint flush of pink. In the increasing light we can see the bold sh.o.r.es of the strait, and the square projection of Cape Porcupine below.

On the rocks above the town of Plaster Cove, where there is a black and white sign,--Telegraph Cable,--we set ash.o.r.e our companions of the night, and see them climb up to their station for retailing the necessary means of intoxication in their district, with the mournful thought that we may never behold them again.

As we drop down along the sh.o.r.e, there is a white sea-gull asleep on the rock, rolled up in a ball, with his head under his wing. The rock is dripping with dew, and the bird is as wet as his hard bed.