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"_Per Bacco!_" said the man who was holding Moratti up; "but it was an affair between the skin and the flesh, signore--steady!" and his arm tightened round the captain. As he did this, a long defiant howl floated back to them through the night, and Guido Moratti knew no more. He seemed to have dropped suddenly, into an endless night. He seemed to be flying through s.p.a.ce, past countless millions of stars, which, bright themselves, were unable to illumine the abysmal darkness around, and then--there was nothing.
When Moratti came to himself again, he was lying in a bed, in a large room, dimly lighted by a shaded lamp, set on a tall Corinthian pillar of marble. After the first indistinct glance around him, he shut his eyes, and was lost in a dreamy stupor. In a little, he looked again, and saw that the chamber was luxuriously fitted, and that he was not alone, for, kneeling at a _prie-dieu_, under a large picture of a Madonna and Child, was the figure of a woman. Her face was from him; but ill as he was, Moratti saw that the tight-fitting dress showed a youthful and perfect figure, and that her head was covered with an abundance of red-gold hair. The man was still in the shadowland caused by utter weakness, and for a moment he thought that this was nothing but a vision of fancy; but he rallied half unconsciously, and looked again; and then, curiosity overcoming him, attempted to turn so as to obtain a better view, and was checked by a twinge of pain, which, coming suddenly, brought an exclamation to his lips. In an instant the lady rose, and moving towards him, bent over the bed. As she did this, their eyes met, and the fierce though dulled gaze of the bravo saw before him a face of ideal innocence, of such saintlike purity, that it might have been a dream of Raffaelle. She placed a cool hand on his hot forehead, and whispered softly: "Be still--and drink this--you will sleep." Turning to a side table, she lifted a silver goblet therefrom, and gave him to drink. The draught was cool and refres.h.i.+ng, and he gathered strength from it.
"Where am I?" he asked; and then, with a sudden courtesy, "Madonna--pardon me--I thank you."
"Hus.h.!.+" she answered, lifting a small hand. "You are in Pieve, and you have been very ill. But I must not talk--sleep now, signore."
"I remember now," he said dreamily--"the wolves; but it seems so long ago."
She made no reply, but stepped softly out of the room, and was gone.
Moratti would have called out after her; but a drowsiness came on him, and closing his eyes, he slept.
It takes a strong man some time to recover from wounds inflicted by a wild animal; and when a man has, like Guido Moratti, lived at both ends, it takes longer still, and it was weeks before the captain was out of danger. He never saw his fair visitor again. Her place was taken by a staid and middle-aged nurse, and he was visited two or three times daily by a solemn-looking physician. But although he did not see her whom he longed to see, there was a message both morning and evening from the Count of Pieve and his daughter, hoping the invalid was better--the former regretting that his infirmities prevented his paying a personal visit, and the inquiries of the latter being always accompanied by a bouquet of winter flowers. But strange as it may seem, when he was under the influence of the opiate they gave him nightly, he was certain of the presence of the slight graceful figure of the lady of the _prie-dieu_, as he called her to himself. He saw again the golden-red hair and the sweet eyes, and felt again the touch of the cool hand. He began to think that this bright presence which lit his dreams was but a vision after all, and used to long for the night and the opiate.
At last one fine morning t.i.to appeared, and began to set out and brush the captain's apparel as if nothing had ever happened. Moratti watched him for a s.p.a.ce, and then rising up against his pillows, spoke: "t.i.to!"
"Signore!"
"How is it that you have not been here before?"
"I was not allowed, Excellency, until to-day--your wors.h.i.+p was too ill."
"Then I am better."
"Excellency!"
There was a silence of some minutes, and the captain spoke again: "t.i.to!"
"Signore!"
"Have you seen the Count and his daughter?"
"Excellency!"
"What are they like?"
"The Count old, and a cripple. Madonna Felicita, small, thin, red-haired like my wife Sancia."
Moratti sank down again upon the bed, a satisfied smile upon his lips.
So there was truth in his dreams. The vision of the night was a reality. He would see her soon, as soon as he could rise, and he was fast getting well, very fast. He had gone back many years in his illness. He had thoughts stirred within him that he had imagined dead long ago. He was the last man to day-dream, to build castles in the air; but as he lay idly watching t.i.to, who was evidently very busy cleaning something--for he was sitting on a low chair with his back towards the captain, and his elbow moving backwards and forwards rapidly--the bravo pictured himself Guido Moratti as he might have been, a man able to look all men in the face, making an honourable way for himself, and worthy the love of a good woman. The last thought brought before him a fair face and sweet eyes, and a dainty head crowned with red-gold hair, and the strong man let his fancy run on with an uprising of infinite tenderness in his heart. He was lost in a cloudland of dreams.
"Signore!"
t.i.to's harsh voice had pulled down the castle in Spain, and t.i.to himself was standing at the bedside holding a bright and glittering dagger in his hand. But he had done more than upset his master's dreams. He had, all unwittingly, brought him back in a flash to the hideous reality, for, as a consequence of his long illness, of the weeks of fever and delirium, Moratti had clean forgotten the dreadful object of his coming to Pieve. It all came back to him with a blinding suddenness, and he closed his eyes with a shudder of horror as t.i.to laid the poniard upon the bed, asking: "Will the signore see if the blade is keen enough? A touch of the finger will suffice."
CHAPTER IV.
CONCLUSION--THE TORRE DOLOROSA.
Days were yet to pa.s.s before Guido Moratti was able to leave his chamber; but at last the leech who attended him said he might do so with safety; and later on, the steward of the household brought a courteous invitation from the Count of Pieve to dine with him. As already explained, Moratti had not as yet seen his host; and since he was well enough to sit up, there were no more dreamy visions of the personal presence of Felicita. He had made many resolutions whilst left to himself, and had determined that as soon as he was able to move he would leave the castle, quit Italy, and make a new name for himself, or die in the German wars. He was old enough to build no great hopes on the future; but fortune might smile on him, and then--many things might happen. At any rate, he would wipe the slate clean, and there should be no more ugly scores on it.
Not that he was a reformed man; he was only groping his way back to light. Men do not cast off the past as a snake sheds his skin. He knew that well enough, but he knew, too, that he had seen a faint track back to honour; and difficult as it was, he had formed a determination to travel by it. He had been so vile, he had sunk so low, that there were moments when a despair came on him; but with a new country and new scenes, and the little flame of hope that was warming his dead soul back to life, there might yet be a chance. He knew perfectly that he was in love, and when a man of his age loves, it is for the remainder of his life. He was aware--none better--that his love was madness, all but an insult, and that it was worse than presumption to even entertain the thought that he had inspired any other feeling beyond that of pity in the heart of Felicita. It is enough to say that he did not dare to hope in this way; but he meant to so order his future life, as to feel that any such sentiment as love in his heart towards her would not be sacrilege.
He sent back a civil answer to the invitation; and a little after eleven, descended the stairway which led from his chamber to the Count's apartments, looking very pale and worn, but very handsome. For he was, in truth, a man whose personal appearance took all eyes. The apartments of the Count were immediately below Moratti's own chamber, and on entering, he saw the old knight himself reclining in a large chair. He was alone, except for a hound which lay stretched out on the hearth, its muzzle between its forepaws, and a dining-table set for three was close to his elbow. Bernabo of Pieve received his guest with a stately courtesy, asking pardon for being unable to rise, as he was crippled. "They clipped my wings at Arx Sismundea, captain--before your time; but of a truth I am a glad man to see you strong again. It was a narrow affair."
"I cannot thank you in words, Count; you and your house have placed a debt on me I can never repay."
"Tush, man! There must be no talk of thanks. If there are to be any, they are due to the leech, and to Felicita, my daughter. She is all I have left, for my son was killed at Santa Croce."
"I was there, Count."
"And knew him?"
"Alas, no. I was on the side of Spain."
"With the besieged, and he with the League. He was killed on the breach--poor lad."
At this moment a curtain at the side of the room was lifted, and Felicita entered. She greeted Moratti warmly, and with a faint flush on her cheeks, inquired after his health, hoping he was quite strong again.
"So well, Madonna, that I must hurry on my journey to-morrow."
"To-morrow!" Her large eyes opened wide in astonishment, and there was a pain in her look. "Why," she continued, "it will be a fortnight ere you can sit in the saddle again."
"It might have been never, but for you," he answered gravely, and her eyes met his, and fell. At this moment the steward announced that the table was ready; and by the time the repast was ended, Moratti had forgotten his good resolutions for instant departure, and had promised to stay for at least a week, at the urgent intercession of both the Count and his daughter. He knew he was wrong in doing so, and that, whatever happened, it was his duty to go at once; but he hesitated with himself. He would give himself one week of happiness, for it was happiness to be near her, and then--he would go away forever. And she would never know, in her innocence and purity, that Guido Moratti, bravo--he shuddered at the infamous word--loved her better than all the world beside, and that for her sake he had become a new man.
After dinner the Count slept, and, the day being bright, they stepped out into a large balcony and gazed at the view. The balcony, which stretched out from a low window of the dining chamber, terminated on the edge of a precipice which dropped down a clear two hundred feet; and leaning over the moss-grown battlements, they looked at the white winter landscape before them. Behind rose the tower they had just quitted, and Felicita, turning, pointed to it, saying: "We call this the Torre Dolorosa."
"A sad name, Madonna. May I ask why?"
"Because all of our house who die in their beds die here."
"And yet you occupy this part of the castle."
"Oh, I do not. My chamber is there--in Count Ligo's Tower;" and she pointed to the right, where another grey tower rose from the keep.
"But my father likes to occupy the Torre Dolorosa himself. He says he is living with his ancestors--to whom he will soon go, as he always adds."
"May the day be far distant."
And she answered "Amen."
After this, they went in, and the talk turned on other matters. The week pa.s.sed and then another, but at last the day came for Moratti's departure. He had procured another horse. It was indeed a gift which the old Count pressed upon him, and he had accepted it with much reluctance, but much grat.i.tude. In truth, the kindness of these people towards him was unceasing, and Moratti made great strides towards his new self in that week. He was to have started after the mid-day dinner; but with the afternoon he was not gone, and sunset found him on the balcony of the Torre Dolorosa with Felicita by his side.
"You cannot possibly go to-night," she said.