The Ordeal of Richard Feverel Part 39

His commander quietly pa.s.sed his likes or dislikes.

"But when he goes to the train, and finds she's not there?" Ripton suggested.

"I've provided for that. The fool went to the South-east instead of the South-west. All warmth, all sweetness, comes with the South-west!--I've provided for that, friend Rip. My trusty Tom awaits him there, as if by accident. He tells him he has not seen her, and advises him to remain in town, and go for her there to-morrow, and the day following. Tom has money for the work. Young Tom ought to see London, you know, Rip!--like you. We shall gain some good clear days. And when old Blaize hears of it--what then? I have her! she's mine!--Besides, he won't hear for a week. This Tom beats that Tom in cunning, I'll wager. Ha! ha!" the hero burst out at a recollection. "What do you think, Rip? My father has some sort of System with me, it appears, and when I came to town the time before, he took me to some people--the Grandisons--and what do you think? one of the daughters is a little girl--a nice little thing enough--very funny--and he wants me to wait for her! He hasn't said so, but I know it. I know what he means. n.o.body understands him but me. I know he loves me, and is one of the best of men--but just consider!--a _little girl_ who just comes up to my elbow. Isn't it ridiculous? Did you ever hear such nonsense?"

Ripton emphasized his opinion that it certainly was foolish.

"No, no! The die's cast!" said Richard. "They've been plotting for a year up to this day, and this is what comes of it! If my father loves me, he will love her. And if he loves me, he'll forgive my acting against his wishes, and see it was the only thing to be done.

Come! step out! what a time we've been!" and away he went, compelling Ripton to the sort of strides a drummer-boy has to take beside a column of grenadiers.

Ripton began to wish himself in love, seeing that it endowed a man with wind so that he could breathe great sighs, while going at a tremendous pace, and experience no sensation of fatigue. The hero was communing with the elements, his familiars, and allowed him to pant as he pleased. Some keen-eyed Kensington urchins, noticing the discrepancy between the pedestrian powers of the two, aimed their wit at Mr. Thompson junior's expense. The pace, and nothing but the pace, induced Ripton to proclaim that they had gone too far, when they discovered that they had overshot the mark by half a mile. In the street over which stood love's star, the hero thundered his presence at a door, and evoked a flying housemaid, who knew not Mrs.

Berry. The hero attached significance to the fact that his instincts should have betrayed him, for he could have sworn to that house. The door being shut he stood in dead silence.

"Haven't you got her card?" Ripton inquired, and heard that it was in the custody of the cabman. Neither of them could positively bring to mind the number of the house.

"You ought to have chalked it, like that fellow in the Forty Thieves," Ripton hazarded a pleasantry which met with no response.

Betrayed by his instincts, the magic slaves of Love! The hero heavily descended the steps.

Ripton murmured that they were done for. His commander turned on him, and said: "Take all the houses on the opposite side, one after another. I'll take these." With a wry face Ripton crossed the road, altogether subdued by Richard's native superiority to adverse circ.u.mstances.

Then were families aroused. Then did mortals dimly guess that something portentous was abroad. Then were labourers all day in the vineyard, harshly wakened from their evening's nap. Hope and Fear stalked the street, as again and again the loud companion summonses resounded. Finally Ripton sang out cheerfully. He had Mrs. Berry before him, profuse of mellow curtsies.

Richard ran to her and caught her hands: "She's well?--upstairs?"

"Oh, quite well! only a trifle tired with her journey, and fluttering-like," Mrs. Berry replied to Ripton alone. The lover had flown aloft.

The wise woman sagely ushered Ripton into her own private parlour, there to wait till he was wanted.

CHAPTER XXVII

CONTAINS AN INTERCESSION FOR THE HEROINE

"In all cases where two have joined to commit an offence, punish one of the two lightly," is the dictum of THE PILGRIM'S SCRIP.

It is possible for young heads to conceive proper plans of action, and occasionally, by sheer force of will, to check the wild horses that are ever fretting to gallop off with them. But when they have given the reins and the whip to another, what are they to do? They may go down on their knees, and beg and pray the furious charioteer to stop, or moderate his pace. Alas! each fresh thing they do redoubles his ardour. There is a power in their troubled beauty women learn the use of, and what wonder? They have seen it kindle Ilium to flames so often! But ere they grow matronly in the house of Menelaus, they weep, and implore, and do not, in truth, know how terribly two-edged is their gift of loveliness. They resign themselves to an incomprehensible frenzy; pleasant to them, because they attribute it to excessive love. And so the very sensible things which they can and do say, are vain.

I reckon it absurd to ask them to be quite in earnest. Are not those their own horses in yonder team? Certainly, if they were quite in earnest, they might soon have my gentleman as sober as a carter. A hundred different ways of disenchanting him exist, and Adrian will point you out one or two that shall be instantly efficacious. For Love, the charioteer, is easily tripped, while honest jog-trot Love keeps his legs to the end. Granted dear women are not quite in earnest, still the mere words they utter should be put to their good account. They do mean them, though their hearts are set the wrong way. 'Tis a despairing, pathetic homage to the judgment of the majority, in whose faces they are flying. Punish Helen, very young, lightly. After a certain age you may select her for special chastis.e.m.e.nt. An innocent with Theseus, with Paris she is an advanced incendiary.

The fair young girl was sitting as her lover had left her; trying to recall her stunned senses. Her bonnet was unremoved, her hands clasped on her knees; dry tears in her eyes. Like a dutiful slave, she rose to him. And first he claimed her mouth. There was a speech, made up of all the pretty wisdom her wild situation and true love could gather, awaiting him there; but his kiss scattered it to fragments. She dropped to her seat weeping, and hiding her shamed cheeks.

By his silence she divined his thoughts, and took his hand and drew it to her lips.

He bent beside her, bidding her look at him.

"Keep your eyes so."

She could not.

"Do you fear me, Lucy?"

A throbbing pressure answered him.

"Do you love me, darling?"

She trembled from head to foot.

"Then why do you turn from me?"

She wept: "O Richard, take me home! take me home!"

"Look at me, Lucy!"

Her head shrank timidly round.

"Keep your eyes on me, darling! Now speak!"

But she could not look and speak too. The lover knew his mastery when he had her eyes.

"You wish me to take you home?"

She faltered: "O Richard? it is not too late."

"You regret what you have done for me?"

"Dearest! it is ruin."

"You weep because you have consented to be mine?"

"Not for me! O Richard!"

"For me you weep? Look at me! For me?"

"How will it end! O Richard!"

"You weep for me?"

"Dearest! I would die for you!"

"Would you see me indifferent to everything in the world? Would you have me lost? Do you think I will live another day in England without you? I have staked all I have on you, Lucy. You have nearly killed me once. A second time, and the earth will not be troubled by me. You ask me to wait, when they are plotting against us on all sides? Darling Lucy! look on me. Fix your fond eyes on me. You ask me to wait when here you are given to me--when you have proved my faith--when we know we love as none have loved. Give me your eyes!

Let them tell me I have your heart!"