The Diary of an Ennuyee Part 11

The descent was infinitely more slow and difficult than the ascent, and much more trying to the nerves. I had not Salvador at my side, nor the mountain before me, to beguile me from my fears; at length I prevailed on one of our attendants, a fine tall figure of a man, to sing to me; and though he had been up the mountain _six_ times in the course of the day, he sang delightfully and with great spirit and expression, as he strided along with his hand upon my bridle, accompanied by a magnificent rumbling ba.s.s from the mountain, which every now and then drowned the melody of his voice, and made me start.

It was past three when we reached Resina, and nearly five when we got home: yet I rose this morning at my usual hour, and do not feel much fatigued. About twelve to-day I saw Mount Vesuvius, looking as quiet and placid as the first time I viewed it. There was little smoke, and neither the glowing lava nor the flames were visible in the glare of the suns.h.i.+ne. The atmosphere was perfectly clear, and as I gazed, almost mis...o...b..ing my senses, I could scarcely believe in the reality of the tremendous scene I had witnessed but a few hours before.

26.--The eruption burst forth again to-day, and is exceedingly grand; though not equal to what it was on Sunday night. The smoke rises from the crater in dense black ma.s.ses, and the wind having veered a few points to the southward, it is now driven in the direction of Naples.

At the moment I write this, the skies are obscured by rolling vapours, and the sun, which is now setting just opposite to Vesuvius, s.h.i.+nes, as I have seen him through a London mist, red, and shorn of his beams.

The sea is angry and discoloured; the day most oppressively sultry, and the atmosphere thick, sulphureous, and loaded with an almost impalpable dust, which falls on the paper as I write.

_March 4._--We have had delicious weather almost ever since we arrived at Naples, but these last three days have been perfectly heavenly. I never saw or felt any thing like the enchantment of the earth, air, and skies. The mountain has been perfectly still, the atmosphere without a single cloud, the fresh verdure bursting forth all around us, and every breeze visits the senses, as if laden with a renovating spirit of life, and wafted from Elysium. Whoever would truly enjoy nature, should see her in this delicious land: "ou la plus douce nuit succede au plus beau jour;" for here she seems to keep holiday all the year round. To stand upon my balcony, looking out upon the suns.h.i.+ne and the glorious bay; the blue sea, and the pure skies--and to feel that indefinite sensation of excitement, that _superflu de vie_, quickening every pulse and thrilling through every nerve, is a pleasure peculiar to this climate, where the mere consciousness of existence is happiness enough. Then evening comes on, lighted by a moon and starry heavens, whose softness, richness, and splendour, are not to be conceived by those who have lived always in the vapoury atmosphere of England--dear England! I love, like an Englishwoman, its fireside enjoyments, and home-felt delights: an English drawing-room, with all its luxurious comforts--carpets and hearth-rugs, curtains let down, sofas wheeled round, and a group of family faces round a blazing fire, is a delightful picture; but for the languid frame, and the sick heart, give me this pure elastic air, "redolent of spring;" this reviving suns.h.i.+ne and all the witchery of these deep blue skies!--

Numbers of people set off post-haste from Rome to see the eruption of Mount Vesuvius, and arrived here Wednesday and Thursday; just time enough to be too late. Among them our Roman friend Frattino, who has afforded me more amus.e.m.e.nt than all our other acquaintance together, and deserves a niche in my gallery of characters.

Frattino is a young Englishman, who, if he were in England, would probably be pursuing his studies at Eton or Oxford, for he is scarce past the age of boyhood; but having been abroad since he was twelve years old, and early plunged into active and dissipated life, he is an accomplished man of fas.h.i.+on, and of the world, with as many airs and caprices as a spoiled child. He is by far the most _beautiful_ creature of his s.e.x I ever saw; so like the Antinous, that at Rome he went by that name. The exquisite regularity of his features, the graceful air of his head, his _antique_ curls, the faultless proportions of his elegant figure, make him a _thing_ to be gazed on, as one looks at a statue. Then he possesses talents, wit, taste, and information: the most polished and captivating manners, where he wishes to attract,--high honour and generosity, where women are not concerned,--and all the advantages attending on rank and wealth: but under this fascinating exterior, I suspect our Frattino to be a very worthless, as well as a very unhappy being. While he pleases, he repels me. There is a want of heart about him, a want of fixed principles--a degree of profligacy, of selfishness, of fickleness, caprice and ill-temper, and an excess of vanity, which all his courtly address and _savoir faire_ cannot hide. What would be insufferable in another, is in him bearable, and even interesting and amusing: such is the charm of manner. But all this cannot last: and I should not be surprised to see Frattino, a few years hence, emerge from his foreign frippery, throw aside his libertine folly, a.s.sume his seat in the senate, and his rank in British society; and be the very character he now affects to despise and ridicule--"a true-bred Englishman, who rides a thorough-bred horse."

Our excursion to Pompeii yesterday was "a pic-nic party of pleasure,"

_a l'Anglaise_. Now a party of pleasure is proverbially a _bore_: and our expedition was in the beginning so unpromising, so mismanaged--our party so numerous, and composed of such a heterogeneous mixture of opposite tempers, tastes, and characters, that I was in pain for the result. The day, however, turned out more pleasant than I expected: exterior polish supplied the want of something better, and our excursion had its pleasures, though they were not such as I should have sought at Pompeii. I felt myself a simple _unit_ among many, and found it easier to sympathise with others, than to make a dozen others sympathise with me.

We were twelve in number, distributed in three light barouches, and reached Pompeii in about two hours and a half--pa.s.sing by the foot of Vesuvius, through Portici, Torre del Greco, and l'Annonziata. The streams of lava, which overwhelmed Torre del Greco in 1794, are still black and barren; but the town itself is rising from its ruins; and the very lava which destroyed it serves as the material to rebuild it.

We entered Pompeii by the street of the tombs: near them are the semicircular seats, so admirably adapted for conversation, that I wonder we have not sofas on a similar plan, and similar scale. I need not dwell on particulars, which are to be found in every book of travels: on the whole, my expectations were surpa.s.sed, though my curiosity was not half gratified.

The most interesting thing I saw--in fact the only thing, for which paintings and descriptions had not previously prepared me, was a building which has been excavated within the last fortnight: it is only partly laid open, and labourers are now at work upon it.

Antiquarians have not yet p.r.o.nounced on its name and design; but I should imagine it to be some public edifice, perhaps dedicated to religious purposes. The paintings on the walls are the finest which have yet been discovered: they are exquisitely and tastefully designed; and though executed merely for _effect_, that effect is beautiful. I remarked one female figure in the act of entering a half-open door: she is represented with pencils and a palette of colours in her hand, similar to those which artists now use: another very graceful female holds a lyre of peculiar construction. These, I presume, were two of the muses: the rest remained hidden. There were two small pannels occupied by sea-pieces, with gallies; and two charming landscapes, so well coloured, and drawn with such knowledge of perspective and effect, that if we may form a comparative idea of the best pictures, from the specimens of taste and skill in mere house-painting, the ancients must have excelled us as much in painting as in sculpture. I remarked on the wall of an entrance or corridor, a dog starting at a wreathed and crested snake, vividly coloured, and full of spirit and expression. While I lingered here a little behind the rest, and most reluctant to depart, a ragged lazzarone boy came up to me, and seizing my dress, pointed to a corner, and made signs that he had something to show me. I followed him to a spot where a quant.i.ty of dust and ashes was piled against a wall. He began to scratch away this heap of dirt with hands and nails, much after the manner of an ape, every now and then looking up in my face and grinning. The impediment being cleared away, there appeared on the wall behind, a most beautiful aerial figure with floating drapery, representing either Fame or Victory: but before I had time to examine it, the little rogue flung the earth up again so as to conceal it completely, then pointing significantly at the other workmen, he nodded, shrugged, gesticulated, and held out both his paws for a recompense, which I gave him willingly; at the same time laughing and shaking my head to show I understood his knavery. I rewarded him apparently beyond his hopes, for he followed me down the street, bowing, grinning, and cutting capers like a young savage.

The streets of Pompeii are narrow, the houses are very small, and the rooms, though often decorated with exquisite taste, are constructed without any regard to what _we_ should term comfort and convenience; they are dark, confined, and seldom communicate with each other, but have a general communication with a portico, running round a central court. This court is in general beautifully paved with mosaic, having a fountain or basin in the middle, and possibly answered the purpose of a drawing-room. It is evident that the ancient inhabitants of this lovely country lived like their descendants mostly in the open air, and met together in their public walks, or in the forums, and theatres. If they _saw company_, the guests probably a.s.sembled under the porticoes, or in the court round the fountain. The houses seem constructed on the same principle as birds construct their nests; as places of retreat and shelter, rather than of a.s.semblage and recreation: the grand object was to exclude the sunbeams; and this, which gives such gloomy and chilling ideas in our northern climes, must here have been delicious.

Hurried on by a hungry, noisy, merry party, we at length reached the Caserna (the ancient barracks, or as Forsyth will have it, the praetorium). The central court of this building has been converted into a garden: and here, under a weeping willow, our dinner table was spread. Where Englishmen are, there will be good cheer if possible; and our banquet was in truth most luxurious. Besides more substantial cates, we had oysters from Lake Lucrine, and cla.s.sically excellent they were; London bottled porter, and half a dozen different kinds of wine. Our dinner went off most gaily, but no order was kept afterwards: the purpose of our expedition seemed to be forgotten in general mirth: many witty things were said and done, and many merry ones, and not a few silly ones. We visited the beautiful public walk and the platform of the old temple of Hercules (I call it _old_, because it was a ruin when Pompeii was entire); the Temple of Isis, the Theatres, the Forum, the Basilica, the Amphitheatre, which is in a perfect state of preservation, and more elliptical in form than any of those I have yet seen, and the School of Eloquence, where R** mounted the rostrum, and gave us an oration extempore, equally pithy, cla.s.sical and comical. About sunset we got into the carriages, and returned to Naples.

Of all the heavenly days we have had since we came to Naples, this has been the most heavenly: and of all the lovely scenes I have beheld in Italy, what I saw to-day has most enchanted my senses and imagination.

The view from the eminence on which the old temple stood, and which was anciently the public promenade, was splendidly beautiful, the whole landscape was at one time overflowed with light and suns.h.i.+ne, and appeared as if seen through an impalpable but dazzling veil.

Towards evening the outlines became more distinct: the little white towns perched upon the hills, the gentle sea, the fairy island of Rivegliano with its old tower, the smoking crater of Vesuvius, the bold forms of Mount Lactarius and Cape Minerva, stood out full and clear under the cloudless sky: as we returned, I saw the sun sink behind Capri, which appeared by some optical illusion like a glorious crimson transparency suspended above the horizon: the sky, the earth, the sea, were flushed with the richest rose colour, which gradually softened and darkened into purple: the short twilight faded away, and the full moon, rising over Vesuvius, lighted up the scenery with a softer radiance.

Thus ended a day which was not without its pleasures:--yet had I planned a party of pleasure to Pompeii, methinks I could have managed better. _Par exemple_, I would have deferred it a fortnight later, or till the vines were in leaf; I would have chosen for my companions two or at most three persons whom I could name, whose cultivated minds and happy tempers would have heightened their own enjoyment and mine.

After spending a few hours in taking a general view of the whole city, we would have sat down on the platform of the old Greek Temple which commands a view of the mountains and the bay; or, if the heat were too powerful, under the shade of the hill near it. There we would make our cheerful and elegant repast, on bread and fruits, and perhaps a bottle of Malvoisie or Champagne: the rest of the day should be devoted to a minute examination of the princ.i.p.al objects of interest and curiosity: we would wait till the shadows of evening had begun to steal over the scene, purpling the mountains and the sea; we would linger there to enjoy all the splendours of an Italian sunset; and then, with minds softened and elevated by the loveliness and solemnity of the scenes around, we would get into our carriage, and drive back to Naples beneath the bright full moon; and, by the way, we would "talk the flowing heart," and make our recollections of the olden time, our deep impressions of the past, heighten our enjoyment of the present: and this would be indeed a day of _pleasure_, of such pleasure as I think I am capable of feeling--of imparting--of remembering with unmixed delight. Such was _not_ yesterday.

M** brought with him this evening, for our amus.e.m.e.nt, an old man, a native of Cento, who gains his livelihood by a curious exhibition of his peculiar talents. He is blind, and plays well on the violin: he can recite the whole of the Gerusalemme from beginning to end without missing a word: he can repeat any given stanza or number of stanzas either forwards or backwards: he can repeat the last words one after another of any stanzas: if you give him the first word and the last, he can name immediately the particular line, stanza, and book: lastly, he can tell instantly the exact number of words contained in any given stanza. This exhibition was at first amusing; but as I soon found that the man's head was a mere machine, that he was dest.i.tute of imagination, and that far from feeling the beauty of the poet, he did not even understand the meaning of the lines he thus repeated up and down, and backwards and forwards, it ceased to interest me after the first sensations of surprise and curiosity were over.

After I had read Italian with Signior B** this evening, he amused me exceedingly by detailing to me the plan of two tragedies he is now writing or about to write. He has already produced one piece on the story of Boadicea, which is rather a drama than a regular tragedy. It was acted here with great success. After giving his drama due praise, I described to him the plan and characters of Fletcher's Bonduca; and attempted to give him in Italian some idea of the most striking scenes of that admirable play: he was alternately in enchantment and despair, and I thought he would have torn and bitten his Boadicea to pieces, in the excess of his vivacity.

The subject of one of his tragedies is to be the Sicilian Vespers.

Casimir Delavigne, who wrote _Les Vepres Siciliennes_, which obtained some years ago such amazing popularity at Paris, and in which the national vanity of the French is flattered at the expense of the Italians, received a pension from Louis XVIII. B** spoke with contempt of Casimir Delavigne's tragedy, and with indignation of what he called "his wilful misrepresentation of history." He is determined to give the reverse of the picture: the French will be represented as "_gente crudeli--tiranni--oppressori, senza fede_;" Giovanni di Procida, as a hero and patriot, _a l'antique_, and the Sicilians as rising in defence of their freedom and national honour. The other tragedy is to be founded on the history of the famous _Congiura dei Baroni_ in the reign of Ferdinand the First, as related by Giannone. The simple facts of this history need not any ornaments, borrowed from invention or poetry, to form a most interesting tale, and furnish ample materials for a beautiful tragedy, in incident, characters, and situations. B**

is a little man, dwarfish and almost deformed in person; but full of talent, spirit, and enthusiasm. I asked him why he did not immediately finish these tragedies, which appeared from the sketches he had given me, so admirably calculated to succeed. He replied, that under the present regime, he dared not write up to his own conceptions; and if he curbed his genius, he could do nothing; "Besides," added he mournfully, "I have no time; I am poor--poverissimo! I must work hard all to-day to supply the wants of to-morrow: I am always surveille by the police, as a known liberal and _literato_." "_Davvero_," added he, gaily, "I would soon do, or say, or write something to attract the honour of their more particular notice, if I could be certain they would only imprison me for a couple of years, and ensure me during that time a blanket, bread and water, and the use of pen and ink: then I would write! I would write! _dalla mattina alla sera_; and thank my gaolers as my best friends: but pens are poignards, ink is poison in the eyes of the present government; imprisonment for life, or banishment, is the least I could expect. Now the mere idea of imprisonment for life would kill me in a week, and banishment!--_Ah lungi dalla mia bella Patria, come cantare! come scrivere! come vivere! moriro io anzi nell' momento di partire!_"

I drove to-day, tete-a-tete with Laura, to the Lago d'Agnano, about a mile and a half beyond Pausilippo. This lovely fair lake is not more than two miles in circuit; and embosomed in romantic woody hills: innumerable flocks of wild fowl were skimming over its surface, and gave life and motion to the beautiful but quiet landscape. While we were wandering here, enjoying the stillness and solitude, so delightfully contrasted with the unceasing noise, bustle, and crowd of the city, the charm was rudely broken by the appearance of the king; who, attended by a numerous party of his guards and huntsmen, had been wild boar shooting in the neighbouring woods. The waterfowl, scared by the report of fire arms, speedily disappeared, and the guards shouted to each other, and galloped round the smooth sloping banks; cutting up the turf with their horses' hoofs, and deforming the whole scene with uproar, confusion, and affright. Devoutly did I wish them all twenty miles off. The famous Grotto del Cane is on the south bank of the lake, a few yards from the edge of the water. We saw the torch, when held in the vapour, instantaneously extinguished. The ground all around the entrance of the grotto is hot to the touch; and when I plunged my hand into the deleterious gas, which rises about a foot, or a foot and a half, above the surface of the ground, it was so warm I was glad to withdraw it. The disagreeable old woman who showed us this place, brought with her a wretched dog with a rope round his neck, bleared eyes, thin ribs, and altogether of a most pitiful aspect. She was most anxious to exhibit the common but cruel experiment of suspended animation, by holding his head over the mephitic vapour, insisting that he was accustomed to it, and even liked it; of course, we would not suffer it. The poor animal made no resistance; only drooped his head, and put his tail between his legs, when his tyrant attempted to seize him.

Though now so soft, so lovely, and so tranquil, the Lago d'Agnano owes its existence to some terrible convulsion of the elements. The basin is the crater of a sunken volcano, which, bursting forth here, swallowed up a whole city. And the whole region round, bears evident marks of its volcanic origin.

This morning we visited several churches, not one of them worthy of a remark. The architecture is invariably in the vilest taste; and the interior decorations, if possible, still worse: white-was.h.i.+ng gilding, and gaudy colours, every where prevail. We saw, however, some good pictures. At the San Gennaro are the famous frescos of Domenichino and Lanfranco: the church itself is hideous. At the Girolomini there is no want of magnificence and ornament; but a barbarous misapplication of both, as usual. The church of the convent of Santa Chiara was painted in fres...o...b.. Ghiotto: it is now white-washed all over. At this church, which I first visited during the merry days of the carnival, I saw a large figure of our Saviour suspended on the cross, dressed in a crimson domino, and blue sash. To what a pitch, thought I, must the love of white-was.h.i.+ng and masquerading be carried in this strange city, where the Deity himself is burlesqued, and bad taste is carried to profanation! To-day I saw the same crucifix in a suit of mourning; why should not our South Sea missionaries come and preach here?

The church of San Severo is falling to ruins, owing to some defect in the architecture. It is only remarkable for containing three celebrated statues. The man enveloped in a net, and the Pudicita draped from head to foot, pleased me only as specimens of the patience and ingenuity of the sculptor. The dead Christ covered with a veil, by Corradini, has a merit of a higher cla.s.s: it is most painful to look upon; and affected me so strongly, that I was obliged to leave the church, and go into the air.

I went to-day with two agreeable and intelligent friends, to take leave of the Studeo and the Museum. I have often resolved not to make my little journal a mere catalogue of objects, which are to be found in my pocket guide, and bought for a few pence; but I cannot resist the temptation of making a few notes of admiration, and commemoration, for my own peculiar use.

The Gallery of Painting contains few pictures; but among them are some master-pieces. The St. John of Leonardo da Vinci (exquisite as it is, considered as a mere painting), provoked me. I am sick of his eternal simpering face: the aspect is that of a Ganymede or a young Bacchus; and if instead of _Ecce Agnus Dei_, they had written over it, _Ecce vinum bonum_, all would have been in character.

How I coveted the beautiful "Carita," the Capo d'Opera of Schidone!--and next to it, Parmegiano's Gouvernante--a delicious picture. A portrait of Columbus, said to be by the same master, is not like him, I am sure; for the physiognomy is vacant and disagreeable.

Domenichino's large picture of the Angel s.h.i.+elding Innocence from a Demon pleases me, as all his pictures do--but not perfectly: the devil in the corner, with his fork, and hoofs, and horns, shocks my taste as a ludicrous and vulgar idea, far removed from poetry; but the figure of the angel stretching a s.h.i.+eld over the infant, is charming. There are also two fine Claudes, two Holy Families, by Raffaelle, in his sweetest style; and one by Correggio, scarcely less beautiful.

The Gallery of Sculpture is so rich in chef-d'oeuvres, that to particularise would be a vain attempt. Pa.s.sing over those which every one knows by heart, the statue of Aristides struck me most. It was found in Herculaneum; and is marked with ferruginous stains, as if by the action of fire or the burning lava; but it is otherwise uninjured, and the grave, yet graceful simplicity of the figure and att.i.tude, and the extreme elegance of the drapery, are truly Grecian.

It is the union of _power_ with _repose_--of perfect _grace_ with perfect _simplicity_, which distinguishes the ancient from the modern style of sculpture. The sitting Agrippina, for example, furnished Canova with the model for his statue of Madame Let.i.tia--the two statues are, in point of fact, nearly the same, except that Canova has turned Madame Let.i.tia's head a little on one side; and by this single and trifling alteration has destroyed that quiet and beautiful simplicity which distinguishes the original, and given his statue at once a modern air.

The Flora Farnese is badly placed, in a s.p.a.ce too confined for its size, and too near the eye; so that the exquisite harmony and delicacy of the figure are partly lost in its colossal proportions: it should be placed at the end of a long gallery or vista.

There is here a statue of Nero when he was ten years old; from which it would seem that he was not by nature the monster he afterwards became. The features are beautiful; and the expression all candour and sweetness.

One statue struck me exceedingly--not by the choice of the subject, nor the beauty of the workmans.h.i.+p, but from its wonderful force of expression. It is a dying gladiator; but very different from the gladiator of the Capitol. The latter declines gradually, and sickens into death; but memory and feeling are not yet extinct: and what thoughts may pa.s.s through that brain while life is thus languis.h.i.+ng away! what emotions may yet dwell upon the last beatings of that heart! it is the _sentiment_ which gives such profound pathos to that matchless statue: but the gladiator of the Studii has only physical expression: it is sudden death in all its horrors: the figure is still erect, though the mortal blow has been given; the sword has dropt from the powerless hand; the limbs are stiffening in death; the eyes are glazed; the features fixed in an expression of mortal agony; and in another moment you expect the figure to fall at your feet.

The Venus, the Hercules, the Atlas, the Antinous (not equal to that in the Capitol,) the Ganymede, the Apollo, the equestrian statues of the two Balbi, etc. are all familiar to my imagination, from the numerous copies and models I have seen: but the most interesting department of the Museum is the collection of antiques from Herculaneum and Pompeii, which have lately been removed hither from Portici. One room contains specimens of cooking utensils, portable kitchens, tripods, instruments of sacrifice, small bronze Lares, and Penates, urns, lamps, and candelabras of the most elegant forms, and the most exquisite workmans.h.i.+p. Another room contains specimens of ancient armour, children's toys, etc. I remarked here a helmet which I imagine formed part of a trophy; or at least was intended for ornament rather than use. It is exceedingly heavy; and on it is represented in the most exquisite relievo the War of Troy. Benvenuto Cellini himself never produced any thing equal to the chased work on this helmet.

In a third room is the paraphernalia of a lady's toilette: mirrors of different sizes, fragments of combs, a small crystal box of rouge, etc. Then follow flutes and pipes, all carved out of bone, surgical instruments, moulds for pastry, sculptors' tools, locks and keys, bells, etc.

The room containing the antique gla.s.s, astonished me more than any thing else. I knew that gla.s.s was an ancient invention: but I thought that its application to domestic purposes was of modern date. Here I found window panes, taken from the Villa of Diomed at Pompeii; bottles of every size and form, white and coloured; pitchers and vases; necklaces; imitations of gems, etc.

There is a little jeu d'esprit of Voltaire's "La Toilette de Madame de Pompadour," in which he wittily exalts the moderns above the ancients, and ridicules their ignorance of the luxuries and comforts of life: but Voltaire had not seen the museum of Portici. We can add few distinct articles to the list of comforts and luxuries it contains: though it must be confessed that we have improved upon them, and varied them _ad infinitum_. In those departments of the mechanics which are in any way connected with the fine arts, the ancients appear to have attained perfection. To them belongs the invention of all that embellishes life, of all the graceful forms of imitative art, varied with such exquisite taste, such boundless fertility of fancy, that nothing is left to us but to refine upon their ideas, and copy their creations. With all our new invented machines, and engines, we can do little more than what the ancients performed without them.

I ought not to forget one room containing some objects, more curious and amusing than beautiful, princ.i.p.ally from Pompeii, such as loaves of bread, reduced to a black cinder, figs in the same state, grain of different kinds, colours from a painter's room, ear-rings and bracelets, gems, specimens of mosaic, etc. etc.

_March 7._--Frattinto brought me to-day the last numbers of the Edinburgh and Quarterly Reviews: a great treat so far from home. Both contain some clever essays: among them, an article on prisons, in the Edinburgh, interested me most.

Methinks these two Reviews stalk through the literary world, like the two giants in Pulci's Morgante Maggiore: the one pounding, slaying, mangling, despoiling with blind fury, like the heavy orthodox club-armed Morgante; the other, like the sneering, witty, half-pagan, half-baptized Margutte, slas.h.i.+ng and cutting, and piercing through thick and thin; _a tort et a travers_. Truly the simile is more a-propos than I thought when it first occurred to me.

I went the other day to a circulating library and reading-room kept here by a little cross French-woman, and asked to see a catalogue. She showed me, first, a list of all the books, Italian, French, and English, she was allowed to keep and sell: it was a thin pamphlet of about one hundred pages. She then showed me the catalogue of prohibited books, which was at least as thick as a good sized octavo.

The book to which I wished to refer, was the second volume of Robertson's Charles the Fifth. After some hesitation, Madame P** led me into a back room; and opening a sliding pannel, discovered a shelf let into the wall, on which were arranged a number of authors, chiefly English and French. I was not surprised to find Rousseau and Voltaire among them; but am still at a loss to guess what Robertson has done or written to ent.i.tle him to a place in such select company.

8th.--Forsyth might well say that Naples has no parallel on earth.

Viewed from the sea it appears like an amphitheatre of palaces, temples and castles, raised one above another, by the wand of a necromancer: viewed within, Naples gives me the idea of a vast Bartholomew fair. No street in London is ever so crowded as I have seen the streets of Naples. It is a crowd which has no pause or cessation: early in the morning, late at night, it is ever the same.

The whole population seems poured into the streets and squares; all business and amus.e.m.e.nt is carried on in the open air: all those minute details of domestic life, which, in England, are confined within the sacred precincts of _home_, are here displayed to public view. Here people buy and sell, and work, wash, wring, brew, bake, fry, dress, eat, drink, sleep, etc. etc. all in the open streets. We see every hour, such comical, indescribable appalling sights; such strange figures, such wild physiognomies, picturesque dresses, att.i.tudes and groups--and eyes--no! I never saw such eyes before, as I saw to-day, half languor and half fire, in the head of a ruffian Lazzarone, and a ragged Calabrian beggar girl. They would have _embrase_ half London or Paris.