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Tales of Wonder Every Child Should Know Part 2

Tales of Wonder Every Child Should Know - LightNovelsOnl.com

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This man had an only child, a boy of about thirteen or fourteen years of age, cheerful, strong, and healthy. All of a sudden he fell ill; took to his bed and moped whole days away. No one could tell what was the matter with him, and the boy himself could not, or would not, tell how he felt. He was wasting away fast; getting thin, old, and yellow; and his father and all his friends were afraid that he would die.

At last one day, after the boy had been lying in this condition for a long time, getting neither better nor worse, always confined to bed, but with an extraordinary appet.i.te--one day, while sadly revolving these things, and standing idly at his forge, with no heart to work, the smith was agreeably surprised to see an old man, well known for his sagacity and knowledge of out-of-the-way things, walk into his workshop. Forthwith he told him the occurrence which had clouded his life.

The old man looked grave as he listened; and after sitting a long time pondering over all he had heard, gave his opinion thus: "It is not your son you have got. The boy has been carried away by the '_Daione Sith_,' and they have left a _Sibhreach_ in his place."

"Alas! and what then am I to do?" said the smith. "How am I ever to see my own son again?"

"I will tell you how," answered the old man. "But, first, to make sure that it is not your own son you have got, take as many empty egg-sh.e.l.ls as you can get, go into his room, spread them out carefully before his sight, then proceed to draw water with them, carrying them two and two in your hands as if they were a great weight, and arrange them when full, with every sort of earnestness around the fire."

The smith accordingly gathered as many broken egg-sh.e.l.ls as he could get, went into the room, and proceeded to carry out all his instructions.

He had not been long at work before there arose from the bed a shout of laughter, and the voice of the seeming sick boy exclaimed, "I am eight hundred years of age, and I have never seen the like of that before." The smith returned and told the old man.

"Well, now," said the sage to him, "did I not tell you that it was not your son you had: your son is in Borracheill in a digh there (that is, a round green hill frequented by fairies). Get rid as soon as possible of this intruder, and I think I may promise you your son. You must light a very large and bright fire before the bed on which this stranger is lying. He will ask you, 'What is the use of such a fire as that?' Answer him at once, 'You will see that presently!' and then seize him, and throw him into the middle of it. If it is your own son you have got, he will call out to you to save him; but if not, the thing will fly through the roof."

The smith again followed the old man's advice: kindled a large fire, answered the question put to him as he had been directed to do, and seizing the child flung him in without hesitation. The _Sibhreach_ gave an awful yell, and sprang through the roof, where a hole had been left to let the smoke out.

On a certain night the old man told him the green round hill, where the fairies kept the boy, would be open, and on that date the smith, having provided himself with a Bible, a dirk, and a crowing c.o.c.k, was to proceed to the hill. He would hear singing and dancing, and much merriment going on, he had been told, but he was to advance boldly; the Bible he carried would be a certain safeguard to him against any danger from the fairies. On entering the hill he was to stick the dirk in the threshold, to prevent the hill from closing upon him; "and then," continued the old man, "on entering you will see a s.p.a.cious apartment before you, beautifully clean, and there, standing far within, working at a forge, you will also see your own son. When you are questioned, say you come to seek him, and will not go without him."

Not long after this, the time came round, and the smith sallied forth, prepared as instructed. Sure enough as he approached the hill, there was a light where light was seldom seen before. Soon after, a sound of piping, dancing, and joyous merriment reached the anxious father on the night wind.

Overcoming every impulse to fear, the smith approached the threshold steadily, stuck the dirk into it as directed, and entered. Protected by the Bible he carried on his breast, the fairies could not touch him; but they asked him, with a good deal of displeasure, what he wanted there. He answered, "I want my son, whom I see down there, and I will not go without him."

Upon hearing this the whole company before him gave a loud laugh, which wakened up the c.o.c.k he carried dozing in his arms, who at once leaped up on his shoulders, clapped his wings l.u.s.tily, and crowed loud and long.

The fairies, incensed, seized the smith and his son, and throwing them out of the hill, flung the dirk after them, and in an instant all was dark.

For a year and a day the boy never did a turn of work, and hardly ever spoke a word; but at last one day, sitting by his father and watching him finis.h.i.+ng a sword he was making for some chief, and which he was very particular about, he suddenly exclaimed, "That is not the way to do it;" and taking the tools from his father's hands he set to work himself in his place, and soon fas.h.i.+oned a sword, the like of which was never seen in the country before.

From that day the young man wrought constantly with his father, and became the inventor of a peculiarly fine and well-tempered weapon, the making of which kept the two smiths, father and son, in constant employment, spread their fame far and wide, and gave them the means in abundance, as they before had the disposition, to live content with all the world and very happily with each other.

_The Grateful Crane_[1]

"Fighting sparrows fear not man," as the old proverb says. Yet it was not a sparrow but a crane that fell down out of the air. Near the feet of Musai, the farmer's boy, it lay, as he waded in the ooze of his rice field, working from daybreak to sundown.

[Footnote 1: From "The Fire-fly's Lovers," by William Elliot Griffis, copyright, 1008, by T. Y. Crowell & Co.]

The farmer's boy was used to cranes, for in the plough's furrow on the dry land these long-legged birds walked close behind, not the least afraid in the Mikado's dominions. For who would hurt the white-breasted creature, that every one called the Honourable Lord Crane? The graceful birds seemed to love to be near man, when he worked in the wet or paddy fields, where under four inches of water the seeds were planted and the rice plants grew. So graceful in all its movements is the crane that many a dainty little maid who acts politely hears herself spoken of as the "bird that rises from the water without muddying the stream."

Musai hurried to the gra.s.sy bank at the edge of the paddy field as fast as he could wade through the liquid mud, to see what was the matter with the crane. Throwing down his hoe, and looking in the gra.s.s, he saw that an arrow was sticking in the crane's back, and that red drops of blood dappled its white plumage. Instead of seeming frightened when the man came near, the bird bent down its neck, as if to submit to whatever the farmer's boy should do.

Gently Musai plucked out the arrow and helped the bird to rise, pus.h.i.+ng back the undergrowth so that its broad white pinions could have free play. After a few feeble attempts to fly it spread its wings, rose up from the earth, and after circling several times round its benefactor as though to thank him, it flew off to the mountain.

Musai went back to his work, hoping that in season his labor would yield a good crop. He had his widowed mother to support and must needs toil every day. His one delight was to come home, weary after the long hours of labour in the muddy rice field, and have a hot bath. This his mother always had ready for him. Then, clean and with a fresh kimono, and a little rest before supper-time, he was ready for a quiet evening with the neighbours.

So in routine the days pa.s.sed by until autumn was near at hand. One day, returning before the sun was fully set, he found seated beside his mother a lovely girl. In spite of his contemptible appearance after a day's toil, working barelegged in the mire, she welcomed him with the grace of a princess.

Not thinking of returning the salute in his unwashed condition, he took off his head-kerchief, drew in his breath, and bowing to his mother asked.

"Who is the honourable That Side, and how comes she into this miserable hut?"

"My son," replied his mother, "though you are a man, you have as yet no wife. Your virtues of obedience, filial reverence, fidelity, and politeness have made you well known. Hence this fair damsel is not unwilling to become your wife. But, without your consent, I could not answer her proposal. What do you think about it?"

The young farmer, though highly complimented, at first said little, but he thought hard. "Daintily reared, and perhaps of n.o.ble birth is she, but should I gratify her desire, how can she bear the poverty to which we are accustomed? Will she be patient, when she has to suffer hunger? Or, shall we be separated, and that which promises love and happiness last only a little while, to pa.s.s away, leaving gloom and sorrow behind?"

But as the days slipped along, and when he saw how kind she was to her new mother, ever patient and self-denying in loving reverence, all his fears were driven away like clouds before the wind. So the young man and woman were married.

But when the full autumn-time came for the rice ears to fill and round out, nothing was found but husk and sh.e.l.l. The crop was a total failure. With heavy taxes unpaid and no food in the house, starvation loomed before them. By winter, all were in dire distress.

Then the patient wife revealed new powers and cheered her husband, saying,

"I can spin such cloth as was never made in this province, if you will build me a separate room. I cannot weave here, or make the fine pattern of red and white except when alone and in perfect silence.

Build me a room, and the money you need will flow in."

The old mother was doubtful as to her daughter-in-law's project and even Musai was but half-hearted. Yet he went to work diligently. With beam, and wattle, and thatch, floor of mats and window of latticed paper, with walls made tight because well daubed with clay, he built the room apart. There alone, day by day, secluded from all, the sweet wife toiled unseen. The mother and husband patiently waited, until after a week, the little woman rejoined the family circle. In her hands she bore a roll of woven stuff, white and s.h.i.+ning, as l.u.s.trous and pure as fresh fallen snow. Yet here and there, a crimson thread in the stuff did but intensify the purity of the otherwise unflecked whiteness. Pure red and pure white were the only colours of this wonderful fabric.

"What shall we call it?" inquired the amazed husband.

"It has no name, for there is none other in the world like it," said the fair weaver.

"But I must have a name. I shall take it to the Daimio. He will not buy, if he does not know how it is called."

"Then," said the wife, "tell him its name is 'White Crane's-down cloth.'"

Quickly pa.s.sed the snowy fabric into the hands of the lord of the castle, who sent it as a present to the Empress in Kioto. All were amazed by it, and the Empress commanded the donor to be richly rewarded. The farmer husband, bearing a thousand pieces of coin in his bag, hastened home to spread the s.h.i.+ning silver at his mother's feet and to thank the wife who had brought him fortune. A feast followed, and for many weeks the family lived easily on the money thus gained.

Then, when again on the edge of need, Musai asked his wife if she were willing to weave another web of the wonderful Crane's-down cloth.

Cheerfully she agreed, cautioning him to leave her in privacy, and not to look upon her until she came forth with the cloth.

But alas for the spirit of prying impertinence and wicked curiosity!

Not satisfied with having been delivered from starvation by a wife that served him like a slave, Musai stealthily crept up to the paper part.i.tion, touched his tongue to the latticed pane, and poked his finger noiselessly through, thus making a round hole to which he glued his eye and looked in.

What a sight! There was no woman at work, but a n.o.ble white crane--the same that he had seen in the field, and from whose back he had extracted the hunter's arrow. Bending over the spinning wheel, the bird pulled from her own breast the silky down, and by twining and twisting made it into the finest thread which mortals ever beheld.

From time to time, she pressed from her heart's blood red drops with which to dye some strands, and thus the weaving went on. The web of the cloth was nearly finished.

Musai astounded looked on without moving, until suddenly called by his mother, he cried out in response, "Yes, I'm coming."

The startled crane turned and saw the eye in the wall. Throwing down thread and web she moved angrily to the door, gave a shrill scream and flew out under the sky. Like a white speck against the blue hills, she appeared for a little while and then was lost to sight.

Son and mother once more faced poverty and loneliness, and Musai again splashed barelegged in the rice field.

_Little Surya Bai_

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