Seeing Europe with Famous Authors Volume VII Part 3

The quarries of the third quality were, or rather one of them was, discovered on February 7, 1872, in the Vigna Querini, outside the Porta St. Lorenzo, near the first milestone of the Vicolo di Valle Cupa. It was a surface quarry, comprising five trenches 16 feet wide, 9 feet deep. Some of the blocks, already squared, were lying on the floor of the trenches, others were detached on two or three sides only, the size of others was simply traced on the rock by vertical or horizontal lines.

This tufa, better known by the name of cappellaccio, is very bad. The only buildings in which it was used, besides the inner wall of the Servian agger, are the platform of the temple of Jupiter Capitolinus, in the gardens of the German Emba.s.sy, and the "puticuli" in the burial-grounds of the Esquiline. Its use must have been given up before the end of the period of the Kings, in consequence of the discovery of better quarries on the right bank of the Tiber, at the foot of the hills now called Monte Verde....

They cover a s.p.a.ce one mile in length and a quarter of a mile wide on each side of the valley of Pozzo Pantaleo. In fact, this valley, which runs from the Via Portuensis toward the lake of the Villa Pamphili, seems to be artificial; I mean, produced by the extraction of the rock of millions of cubic meters in the course of twenty-four centuries. If the work of the ancient quarrymen could be freed from the loose material which conceals it from view, we should possess within a few minutes'

drive from the Porta Portese a reproduction of the famous mines of El Masarah, with beds of rock cut into steps and terraces, with roads and lanes, shafts, inclines, underground pa.s.sages, and outlets for the discharge of rain-water. When a quarry had given out, its galleries were filled up with the refuse of the neighboring ones--chips left over after the squaring of the blocks; so that, in many cases, the color and texture of the chips do not correspond with those of the quarry in which they are found. This layer of refuse, transformed by time into humus, and worked upon by human and atmospheric forces, has given the valley a different aspect, so that it looks as if it were the work not of quarrymen, but of nature.

Tufa may be found used in many existing monuments of ancient Rome, such as the drains of the middle and southern basin of the left bank, the channels and arches of the Marcia and Anio Vetus, the Servian walls, the temples of Fortuna Virilis, of Hercules Magnus Custos, the Rostra, the embankment of the Tiber, etc. The largest and most magnificent quarries in the suburban district are the so-called Grotte della Cervara. No words can convey an idea of their size and of the regularity of their plan. They seem to be the work of a fanciful architect who has hewn out of the rock halls and galleries, courts and vestibules, and imitated the forms of an a.s.syrian palace.

For the study of the peperino mines, which contain a stone special to the Alban district, formed by the action of hot water on gray volcanic cinders, the reader should follow on foot the line of the new Albano railway, from the place called Il Sa.s.sone to the town of Marino. Many of the valleys in this district, now made beautiful by vineyards and oliveyards, owe their existence to the pickax of the Roman stonecutter, like the valley of Pozzo Pantaleo. The most curious sight is a dolmen or isolated rock 10 meters high, left in the center of one of the quarries to certify the thickness of the bed of rock excavated. In fact, the whole district is very interesting both to the archeologist and to the paysagiste. The mines of Marino, still worked in the neighborhood of the railway station, would count, like the Grotte della Cervara, among the wonders of the Campagna, were they known to the student as they deserve to be.

The princ.i.p.al Roman buildings in which the lapis Alba.n.u.s has been used are: the Claudian aqueduct, the Cloaca Maxima, the temples of Antonius and Faustina, of Cybele, of the Eventus Bonus, of Neptune, the inclosure wall of the Forum Augustum, Forum Transitorium, and Forum Pacis, the Porticus Argonautarum, Porticus Pompeii, the Ustrinum of the Appian Way, etc. The sarcophagus of Cornelius Scipio Barbatus in the Vatican museum, and the tomb of the Tibicines in the Museo Munic.i.p.ale al Celio are also of this stone.

Travertine stone was quarried in the plains of Tivoli at places now called Le Caprine, Casal Bernini, and Il Barco. This last was reopened after an interval of many centuries by Count G. Brazza, brother of the African explorer. Lost in the wilderness and overgrown with shrubs, it had not been examined, I believe, since the visit of Brocchi. It can be reached by stopping at the station of the Aquae Albulae, on the Tivoli line, and following the ancient road which led to the works. This road, twice as wide as the Appian Way, is flanked by substructures, and is not paved, but macadamized. Parallel with it runs an aqueduct which supplied the works with motive power, derived probably from the sulfur springs.

There are also remains of tombs, one of which, octagonal in shape, serves as a foundation to the farmhouse del Barco.

The most remarkable monument of the whole group is the Roman quarry from which five and a half million cubic meters of travertine have been extracted, as proved by the measurement of the hollow s.p.a.ce between the two opposite vertical sides. That this is the most important ancient quarry of travertine, and the largest one used by the Romans, is proved, in the first place, by its immense size. The sides show a frontage of more than two and a half kilometers; the surface amounts to 500,000 square meters. The sides are quite perpendicular, and have the peculiarity of projecting b.u.t.tresses, at an angle of 90 degrees. Some of these b.u.t.tresses are isolated on three sides, and still preserve the grooves, by means of which they could be separated from the solid ma.s.s....

In order to keep the bottom of the works clean and free from the movement of the carts, for the action of the cranes, and for the maneuvres of the workmen, the chips, or useless product of the squaring of the blocks, were transported to a great distance, as far as the banks of the Anio, and there piled up to a great height. This is the origin of that chain of hills which runs parallel to the river, and of whose artificial formation no one, as far as I know, had the least suspicion.

One of these hills, visible from every point of the neighboring district, from Hadrian's villa as well as from the Sulfur Baths, is elliptical in shape, 22 meters high, 90 meters long, and 65 meters wide.

It can with reason be compared with our Testaccio. It is easy to imagine how immense must have been the number of blocks cut from the Cava del Barco during the period of the formation of this hill alone. Another proof of the antiquity of the quarry, and of its abandonment from imperial times down to our own day, is given by this fact....

There are three collections of brick-stamps in Rome; one, of little value, in the Kircherian museum; the second in the last room of the Vatican library, past the "Nozze aldobrandine;" the third and best in the Museo Munic.i.p.ale al Celio. This last contains over a thousand specimens, and a unique set of the products of Roman kilns. In fact, the first hall of the Museo is set apart exclusively for the study of ancient building and decorative materials.

Roman bricks were square, oblong, triangular, or round, the latter being used only to build columns in the Pompeiian style. The largest bricks that have been discovered in my time measure 1.05 meters in length.

They were set into an arch of one of the great stairs leading to the avenue or boulevard established in Imperial times on the top of the agger of Servius. Roman bricks are very often stamped with a seal, the legend of which contains the names of the owner and the manager of the kilns, of the maker of the tile, of the merchant entrusted with the sale of the products, and of the consuls under whose term of office the bricks were made. These indications are not necessarily found all in one seal.

The most important of them is the consular date, because it helps the student to determine, within certain limits, the date of the building itself. The rule, however, is far from being absolute, and before fixing the date of a Roman structure from that of its brick stamps one must take into consideration many other points of circ.u.mstantial evidence.

When we examine, for instance, the grain warehouses at Ostia, or Hadrian's villa at Tivoli, and find that their walls have never undergone repairs, that their masonry is characteristic of the first quarter of the second century, that their bricks bear the dates of Hadrian's age and no others, we may rest a.s.sured that the stamps speak the truth. Their evidence is, in such a case, conclusive. But if the bricks are variously dated, or bear the names of various kilns, and not of one or two only, then their value as an evidence of the date of a building is diminished, if not lost altogether....

The bricks, again, occasionally bear curious signs, such as footmarks of chickens, dogs, or pigs, which stept over them while still fresh, impressions of coins and medals, words or sentences scratched with a nail, etc. A bricklayer, who had perhaps seen better times in his youth, wrote on a tile the first verse of the Aeneid.

The great manufacturing center of Roman bricks was the district between the viae Triumphalis, Cornelia, and the two Aureliae, now called the Monti della Creta, which includes the southern slopes of the Vatican ridge and the northern of the Janiculum. Here also, as at Pozzo Pantaleo, the traces of the work of man are simply gigantic. The valleys del Gelsomino, delle Fornaci, del Vicolo delle Cave, della Balduina, and a section of the Val d'Inferno, are not the work of nature, but the result of excavations for "creta figulina," which began 2,300 years ago, and have never been interrupted since. A walk through the Monti della Creta will teach the student many interesting things. The best point of observation is a bluff between the Vicolo della Cave and the Vicolo del Gelsomino, marked with the word "Ruderi" and with the alt.i.tude of 75 meters, in the military map of the suburbs. The bluff rises 37 meters above the floor of the brick-kilns of the Gelsomino....

Roman bricks were exported to all the sh.o.r.es of the Mediterranean; they have been found in the Riviera, on the coasts of Benetia, of Narbonensis, of Spain and Africa, and in the island of Sardinia. The brick-making business must have been very remunerative, if we judge from the rank and wealth of many personages who had an interest in it. Many names of emperors appear in brick-stamps, and even more of empresses and princesses of the imperial family.

PALM SUNDAY IN ST. PETER'S[17]

BY GRACE GREENWOOD (Mrs. Lippincott)

Yesterday began Holy Week with the imposing but tedious ceremonies of Palm Sunday at St. Peter's. At nine o'clock in the morning we were in our places--seats erected for the occasion near the high altar, drest in the costume prescribed by church etiquette--black throughout, with black veils on our heads. At about ten the Pope entered, and the rites, ordinary and extraordinary, the ma.s.ses and processions, continued until one.

The entrance of the Pope into this his grandest basilica was, as usual, a beautiful and brilliant sight. He came splendidly vested, wearing his miter, and borne in his chair of state under a gorgeous canopy, between the flabelli--two enormous fans of white peac.o.c.k feathers. He was preceded and followed by cardinals, bishops, arch-bishops, monsignori, abbots, the apostolic prothonotaries, generals of the religious orders, officers of the state, of the army, of his household, and the Guardia n.o.bile.

He took his seat on the throne, and received the homage of the cardinals, who, kneeling, kissed his right hand. This is a ceremony which is always gone through with in the most formal, mechanical, business-like manner possible. Some palms, not in natural branches, but cut and wreathed in various strange, fantastic forms, lay on the altar.

The Pope's chief sacristan took one of these, a deacon another, a sub-deacon a third, and knelt at the foot of the throne. His Holiness read prayers over them, sprinkled them with holy water, and incensed them three times. One of these is held beside the throne by the prince a.s.sistant during the service; another is borne by the Pope when in procession.

After this, mult.i.tudes of palms were brought up for the Papal benediction. First came the cardinals, each, as he received his palm from the Pope, kissing it, the right hand and knee of His Holiness; then the bishops, who only kissed the palm and his right knee; then the abbots, who were only ent.i.tled to kiss the palm and his foot; then the governor of Rome, the prince a.s.sistant, the auditor, the treasurer, the maggiordomo, the secretaries, the chamberlains, the mace bearers, the deacons and sub-deacons, generals of the religious orders and priests in general, masters of the ceremonies, singers, clerks of the Papal chapel, students of Roman colleges, foreign ministers and their attaches, Italian, French, Spanish, Austrian, Russian, Prussian officers, n.o.blemen and gentlemen, all came up in turn, knelt, received blest palms, and kissed the foot of the Sovereign Pontiff.

During the distribution of the palms, anthems were sung by the choir, who were caged up in a sort of trellice workbox at the right of the altar. This long but brilliantly picturesque ceremony through, the Pope, after was.h.i.+ng his hands, again mounted into his "sedia gestatoria," and bearing his palm, preceded and followed by all those to whom he had given palms, pa.s.sed slowly down the nave of the church, blessing the kneeling and bending mult.i.tude right and left. This procession of palms was very striking and gorgeous from the beauty and variety of military arms and uniforms, and more than royal richness of the priestly vestments, the gleam of miters and maces, and of innumerable sacred symbols and insignia.

THE ELECTION OF A POPE[18]

BY CARDINAL WISEMAN

The interval between the close of one pontificate and the commencement of another is a period of some excitement, and necessarily of much anxiety. Time is required for the electors to a.s.semble, from distant provinces, or even foreign countries; and this is occupied in paying the last tribute of respect and affection to the departed Pontiff. His body is embalmed, clothed in the robes of his office, of the penitential color, and laid on a couch of state within one of the chapels in St.

Peter's, so that the faithful may not only see it, but kiss its feet.

This last act of reverence to the mortal remains of the immortal Pius VIII., the writer well recollects performing.

These preliminaries occupy three days; during which rises, as if by magic, or from the crypts below, an immense catafalque, a colossal architectural structure, which fills the nave of that basilica ill.u.s.trated by inscriptions, and adorned by statuary. Before this huge monument, for nine days funeral rites are performed, closed by a funeral oration. For the body of the last Pope there is a uniform resting-place in St. Peter's--a plain sarcophagus, of marbled stucco, hardly noticed by the traveler, over a door beside the choir, on which is simply painted the t.i.tle of the latest Pontiff. On the death of his successor it is broken down at the top, the coffin is removed to the under-church, and that of the new claimant for repose is subst.i.tuted. This change takes place late in the evening, and is considered private. I can not recollect whether it was on this or on a subsequent occasion that I witnessed it with my college companions....

In the afternoon of the last day of the novendiali, as they are called, the cardinals a.s.semble in a church near the Quirinal palace, and walk thence in procession, accompanied by their conclavisiti, a secretary, a chaplain, and a servant or two, to the great gate of the royal residence, in which one will remain as master and supreme lord. Of course the hill is crowded by persons lining the avenue kept open for the procession. Cardinals never before seen by them, or not for many years, pa.s.s before them; eager eyes scan and measure them, and try to conjecture, from fancied omens in eye, or figure, or expression, who will shortly be the sovereign of their fair city, and, what is more, the Head of the Catholic Church from the rising to the setting sun.

Equal they pa.s.s the threshold of that gate; they share together the supreme rule, temporal and spiritual; there is still embosomed in them all the voice yet silent, that soon will sound, from one tongue, over all the world, and the dormant germ of that authority which will soon again be concentrated in one man alone. To-day they are all equal; perhaps to-morrow one will sit enthroned, and all the rest will kiss his feet; one will be sovereign, the others his subjects; one the shepherd, and the others his flock....

While we have been thus sketching, hastily and imperfectly, one of many who pa.s.sed almost unnoticed in the solemn procession to conclave, on the 2d of September, 1823, we may suppose the doors to have been inexorably closed on those who composed it. The conclave, which formerly used to take place in the Vatican, was on this occasion, and has been subsequently, held in the Quirinal palace. This n.o.ble building, known equally by the name of Monte Cavallo, consists of a large quadrangle, round which run the papal apartments. From this stretches out, along a whole street, an immense wing, its two upper floors divided into a great number of small but complete suites of apartments, occupied permanently, or occasionally, by persons attached to the Court.

During conclave these are allotted, literally so, to the cardinals, each of whom lives apart, with his attendants. His food is brought daily from his own house, and is examined, and delivered to him in the shape of "broken victuals," by the watchful guardians of the turns and lattices, through which alone anything, even conversation, can penetrate into the seclusion of that sacred retreat. For a few hours, the first evening, the doors are left open, and the n.o.bility, the diplomatic body, and in fact all presentable persons, may roam from cell to cell, paying a brief compliment to their occupants, perhaps speaking the same good wishes to fifty, which they know can be accomplished in only one.

After that all is closed; a wicket is left accessible for the entrance of any cardinal who is not yet arrived; but every aperture is jealously guarded by faithful janitors, judges and prelates of various tribunals, who relieve one another. Every letter even is opened and read, that no communications may be held with the outer world. The very street on which the wing of the conclave looks is barricaded and guarded by a picket at each end; and as, fortunately, there are no private residences opposite, and all the buildings have access from the back, no inconvenience is thereby created.

While conclave lasts, the administrative power rests in the hands of the Cardinal Chamberlain, who strikes his own coins during its continuance; and he is a.s.sisted by three cardinals, called the "Heads of Orders,"

because they represent the three orders in the sacred college, of bishops, priests and deacons. The amba.s.sadors of the great powers receive fresh credentials to the conclave, and proceed in state, to present them to this delegation, at the grille. An address, carefully prepared, is delivered by the envoy, and receives a well-pondered reply from the presiding cardinal.

Twice a day the cardinals meet in the chapel contained within the palace, and there, on tickets so arranged that the voter's name can not be seen, write the name of him for whom they give their suffrage. These papers are examined in their presence, and if the number of votes given to any one do not const.i.tute the majority, they are burned, in such a manner that the smoke, issuing through a flue, is visible to the crowd usually a.s.sembled in the square outside.

Some day, instead of this usual signal to disperse, the sound of pick and hammer is heard, and a small opening is seen in the wall which had temporarily blocked up the great window over the palace gateway. At last the masons of the conclave have opened a rude door, through which steps out on the balcony the first Cardinal Deacon, and proclaims to the many, or to the few, who may happen to be waiting, that they again possess a sovereign and a Pontiff.

AN AUDIENCE WITH PIUS X[19]

BY MARY EMOGENE HAZELTINE

We arrived in Rome at three in the afternoon, with letters which ensured us an audience with the Pope. A friend, long resident in Rome, who advised us to present them at once, accompanied us to the Vatican.

Pa.s.sing through an interesting part of the city, including the St.

Angelo Bridge across the Tiber, we soon found ourselves in the world-famous Colonnade of St. Peter's. Ascending the steps leading to the Vatican, we pa.s.sed the Swiss Guard in their famous uniforms designed by Michelangelo, and climbed what seemed like endless stairs, pa.s.sing guards at almost every turn, who pointed out the way indicated by the address on our credentials.

Arriving at an anteroom, a priestly secretary, speaking excellent English, read our letter with what seemed to us, from the expression of his face, great interest and evident approval. Why should this not have been? Our letter was from the Apostolic Delegate then in Was.h.i.+ngton--the Pope's own representative in America. It was in Italian, in the highest official form, and conveyed the intelligence that we were traveling in Italy for a brief vacation, mentioned all four of us by name, and said that, while we were not Catholics, we respected the faith and would carefully observe all the forms prescribed for an audience. The monseigneur whom we were to see was at that time engaged with several bishops. Because of this, we were asked to present ourselves at the same hour on Sat.u.r.day, meanwhile leaving our letter.