LightNovesOnl.com

The Art of Fencing Part 3

The Art of Fencing - LightNovelsOnl.com

You're reading novel online at LightNovelsOnl.com. Please use the follow button to get notifications about your favorite novels and its latest chapters so you can come back anytime and won't miss anything.

The Wrist must not be so much turned up, nor so high as in _Quart_ within; the Body should be more inward, and bending more forward. (Refer to the 7th Plate.)

In case the Adversary pushes _Quart_, in order to take the Time, you must lunge the Foot strong inward, to throw the Body farther from the Line of the Adversary's Sword.

In recovering from this Thrust, the Wrist must be in _Tierce_, and the Sword without the Enemy's whilst the other Parts take their Situation.

The Parade of this Thrust is made by a Half-circle of the Sword within, the Wrist raised in _Quart_, and the Point low. _See the 7th Plate_.

[Ill.u.s.tration: _7th Plate. Thrust under the Wrist_.]

[Ill.u.s.tration: _It's Parade_.]

[Ill.u.s.tration: _8th. Plate. Flannconade.]

[Ill.u.s.tration: The Opposition of the Hand to the lowering the body_.]

CHAP. IX.

_Of_ Flanconnade.

This Thrust is to be made only in engaging or _risposting_ when the Adversary carries his Wrist too far inward, or drops the Feeble of his Sword, then you must press a little within, and with your Feeble on his, in order to lower it, and by that means get an Opening in his Flank.

The Body, in this Thrust, is not so strait as in _Quart_ within, tho'

the Arms are. _See the 8th_ Plate.

It is necessary to oppose with the Left hand, in order to avoid a low Thrust on your engaging, pus.h.i.+ng or _risposting_. This is the last Thrust of the Five which are to be made in our Art. The first us _Quart_ within the Sword, the second _Tierce_ without the Sword, the third _Seconde_ under the Sword, the fourth _Quart_ under the Sword, and the fifth, _Flanconnade_; and there is not any Attack, Thrust, Feint, Time or Rispost in this extensive Art, but what depends on one of these.

The Recovery from _Flanconnade_, should be the same as from _Quart_ within the Sword.

Flanconnade is generally avoided by taking the Time in _Seconde_ with the Body low; the Hand must oppose to shun the Thrust, and hit the Adversary at the same time. Instead of pus.h.i.+ng at the Flank, you should push within the Body. _See the 8th_ Plate.

Besides the taking Time in _Seconde_, there is another very good Parade, very little practised in Schools; either because few Masters know it, or because it is more difficult to execute it justly. This Parade is made by lowering the Adversary's Sword, bringing it under your's to the Inside, and parrying a little lower on the Feeble of his Sword, you make your _Rispost_ where he intended his Thrust, that is to say in the Flank.

CHAP. X.

_Of Parades_.

There are two Sorts of Parades, the one by binding the Blade, the other by a dry beat. The binding Parade is to be used when you are to _rispost_ in _Quart_ within, in _Tierce_ without, in _Seconde_ under, in _Flanconnade_, and in all _Feints_: And the Beat, giving a favourable Opportunity of _risposting_, is to be used when you _rispost_ to a Thrust in _Seconde_; or when after having parryed a Thrust in _Quart_ within, you see an Opening under the Wrist. To these two Thrusts, you must _rispost_ almost as soon as the adversary pushes, quitting his Blade for that Purpose, which is to be done only by a smart Motion, joining again immediately, in order to be in Defence if the Adversary should thrust.

There are three Things more to be observed in parrying. First, that you are to parry all Thrusts with the inmost Edge, except in yeilding Parades, which are made with the Flat. Secondly, that your Fort be to the Middle, and your Middle to the Feeble of the Adversary's Sword.

And thirdly, that your situation be as rear to the guard as possible, as to favour your riposte.

The ripostes.

In order to riposte well, you must observe the adversary's time and recovery in guard. The time is to be taken in the thrusts of opposition when he is recovering, and the other as soon as you have parryed. There are three ways of riposting on the adversary's recovery in guard: when he does not come enough to the sword, or not at all: the second, when he comes too much, and the third, when his recovery and parade are just. To the first, you must riposte strait; to the second by disengaging, or cutting over or under, according as you see light; and to the last, by making a strait feint or Half-thrust, to oblige the adversary to come to the parade, and then pus.h.i.+ng where there is an opening, which is called baulking the parade.

CHAP. XI.

_Of the demarches, or manner of advancing and retiring._

Most of the Faults committed in making Thrusts when the Measure is to be closed, proceed from the Disorder of the Body, occasioned by that of the Feet, so that for want of moving well, you are not only in danger of being taken on your Time, but likewise you cannot execute your Thrusts neatly, justly, nor swiftly; the Body being disordered and weak. There are ten Demarches in Fencing; four in advancing, five in retiring, and one to turn your Adversary, or hinder him from turning you. The first Demarche in advancing, is made by lifting and carrying your Left-foot the length of your Shoe before the right, keeping it turned as in guard, with the Knee bent, lifting up the Heel of the Right-foot, leaning the body forward, which, on this occasion, gives it more strength and a better air; then carrying the Right-foot about two foot before the left, in order to be in Guard, which is done by a smart Beat of the Right-foot.

The same _Demarche_ in retiring, is made by lifting and carrying the Right foot the Length of the Shoe behind the Left, with the Knee a little bent, then carrying the Left-foot on the Line, and to the Distance of Guard.

The second _Demarche_ is called closing the Measure; which is done by lifting and advancing the Right-foot a bout a Foot with a Beat, drawing the Left the same Length; because by drawing it more or less you would lose your Strength or your Measure, which few People have observed.

There is such a _Demarche_ backward, which is called breaking Measure; which is done by lifting and carrying the Left-foot a Foot back, drawing or bringing back the Right in Proportion according as the Ground will permit.

If the Ground be uneven, or that you have a mind to surprize an unskilful Man by gaining Measure unperceived, or to oblige one, a little expert, to push at the time you advance your Body; you must, I say, if your Adversary is unskilful, bring the Left-foot more or less near the Right, as you are more or less out of Measure, which gains more Ground, and less visibly than the foregoing _Demarche_, and is more favourable to your Thrust: If your Adversary is a little expert, and pushes on this your advancing you must bring back the Left-foot to it's Place, and he will be out of Measure, tho' by Means of his Lunge you will be well in Measure, which is a great Advantage.

The same _Demarche_ may be made in retiring, where the Ground is uneven, lifting the Right-foot, bringing it near the Left, and putting back the Left in Guard.

To make a Thrust in three Motions, being out of Measure, you must make a double Beat, which is done by a small Beat of the Right-foot in the same Place, beginning immediately with the same Foot to close the Measure.

The three Ways of retiring which I have shewn, are done from the Situation in Guard. The two which are done after a Lunge are, first by lifting and bringing the Right-foot back from the Place of the Lunge behind the Left, and then carrying the Left behind the Right, in order to be in Guard.

The late Monsieur De Latouche, and Monsieur De Liancour, found this demarche better than the following one, tho' it is not so generally used.

The second Retreat after having pushed, is made by drawing back the Right-foot about the length of the Shoe, bending the Knees, in order to be in a condition to chace or drive back the Left-foot with the Right, keeping the Hams very supple, the Body free, and the Sword before you; not only that you may spring the farther, but also to be in a better Posture of defence. The Point of the Right-foot should come down first, leaning immediately after on the Heel; the Left-foot must fall on the Line at the distance, and in the Situation in Guard, as I before observed, in order to be ready to take the Time, or to make a Riposte.

The two Masters that I have quoted, condemned this Retreat very much, especially Monsieur De Latouche, who says in springing back, three motions are necessary; first to draw back the Right-foot in guard, secondly to bend the Knee, and thirdly to chace or fly back. Any Master, will find that there should be but two motions, it being easy to bend the Knees and draw back the Right-foot at the same Time.

Besides, his rule for springing back is false; for by drawing the Right-foot back so far as in guard; you lose Time, the first Motion being too long, and the Feet being so close together, the Body has not sufficient Strength, and consequently cannot go far. From this it is plain that three Motions are not necessary for springing back, there being but two in all. He likewise says that the leaping back, requires such an effort, that you have not Power to parry; but Experience sufficiently shows that you may easily parry and spring back. Indeed on a moving Sand, or slippery Ground, it is very difficult to leap back; and if we consider things rightly, we cannot find our purpose answered at all times and places; and tho' the first Retreat that I recommended, and which these Gentlemen esteemed, is very good, yet if you are followed closely in retreating thus, as the two Steps do not place you at so great a Distance, by much, as the springing back, you may be put to a Nonplus by a redouble.

When you know the just Length of your Adversary's Thrust, you may break or steal out of measure, by leaning back the Body, without stirring the Foot.

If in the Field, you have the Disadvantage of the Ground, the Wind, or the Sun, or that in a School, you are exposed to too much Light, or, pus.h.i.+ng with an awkard Man; in order to obviate these Inconveniencies, you must go round him, which may be done within or without according as you have Room.

The Turning must be done out of Measure, and with great Caution: When 'tis within your Sword, you must begin with your Left-foot, carrying it to that Side, and then bring the Right-foot to it's proper Line and Distance; and if your Adversary turns on the Outside, you must carry the Right-foot to that Side, and the Left in Guard, as well to avoid his Thrusts, as to lay hold on every favourable Opportunity, in case he should persist in his _Demarche_.

You should never give Measure but to your Inferior: Giving Measure, is when the Body and Feet advance too much, or in Disorder; or advancing before you are well situated, although corrected in the _Demarche_, or advancing when you are near enough, except you be much superior to the Enemy.

The Measure should be given to oblige the Adversary to push; in order to get an Opportunity of taking the Time, or of _risposting_.

Click Like and comment to support us!

RECENTLY UPDATED NOVELS

About The Art of Fencing Part 3 novel

You're reading The Art of Fencing by Author(s): Monsieur L'Abbat. This novel has been translated and updated at LightNovelsOnl.com and has already 534 views. And it would be great if you choose to read and follow your favorite novel on our website. We promise you that we'll bring you the latest novels, a novel list updates everyday and free. LightNovelsOnl.com is a very smart website for reading novels online, friendly on mobile. If you have any questions, please do not hesitate to contact us at [email protected] or just simply leave your comment so we'll know how to make you happy.