The Rainbow Part 69

The place had the strange desolation of a ruin. Colliers hanging about in gangs and groups, or pa.s.sing along the asphalt pavements heavily to work, seemed not like living people, but like spectres. The rigidity of the blank streets, the h.o.m.ogeneous amorphous sterility of the whole suggested death rather than life. There was no meeting place, no centre, no artery, no organic formation. There it lay, like the new foundations of a red-brick confusion rapidly spreading, like a skin-disease.

Just outside of this, on a little hill, was Tom Brangwen's big, red-brick house. It looked from the front upon the edge of the place, a meaningless squalor of ash-pits and closets and irregular rows of the backs of houses, each with its small activity made sordid by barren cohesion with the rest of the small activities. Farther off was the great colliery that went night and day. And all around was the country, green with two winding streams, ragged with gorse, and heath, the darker woods in the distance.

The whole place was just unreal, just unreal. Even now, when he had been there for two years, Tom Brangwen did not believe in the actuality of the place. It was like some gruesome dream, some ugly, dead, amorphous mood become concrete.

Ursula and Winifred were met by the motor-car at the raw little station, and drove through what seemed to them like the horrible raw beginnings of something. The place was a moment of chaos perpetuated, persisting, chaos fixed and rigid. Ursula was fascinated by the many men who were there--groups of men standing in the streets, four or five men walking in a gang together, their dogs running behind or before. They were all decently dressed, and most of them rather gaunt. The terrible gaunt repose of their bearing fascinated her. Like creatures with no more hope, but which still live and have pa.s.sionate being, within some utterly unliving sh.e.l.l, they pa.s.sed meaninglessly along, with strange, isolated dignity. It was as if a hard, h.o.r.n.y sh.e.l.l enclosed them all.

Shocked and startled, Ursula was carried to her Uncle Tom's house. He was not yet at home. His house was simply, but well furnished. He had taken out a dividing wall, and made the whole front of the house into a large library, with one end devoted to his science. It was a handsome room, appointed as a laboratory and reading room, but giving the same sense of hard, mechanical activity, activity mechanical yet inchoate, and looking out on the hideous abstraction of the town, and at the green meadows and rough country beyond, and at the great, mathematical colliery on the other side.

They saw Tom Brangwen walking up the curved drive. He was getting stouter, but with his bowler hat worn well set down on his brows, he looked manly, handsome, curiously like any other man of action. His colour was as fresh, his health as perfect as ever, he walked like a man rather absorbed.

Winifred Inger was startled when he entered the library, his coat fastened and correct, his head bald to the crown, but not s.h.i.+ny, rather like something naked that one is accustomed to see covered, and his dark eyes liquid and formless. He seemed to stand in the shadow, like a thing ashamed. And the clasp of his hand was so soft and yet so forceful, that it chilled the heart.

She was afraid of him, repelled by him, and yet attracted.

He looked at the athletic, seemingly fearless girl, and he detected in her a kins.h.i.+p with his own dark corruption.

Immediately, he knew they were akin.

His manner was polite, almost foreign, and rather cold. He still laughed in his curious, animal fas.h.i.+on, suddenly wrinkling up his wide nose, and showing his sharp teeth. The fine beauty of his skin and his complexion, some almost waxen quality, hid the strange, repellent grossness of him, the slight sense of putrescence, the commonness which revealed itself in his rather fat thighs and loins.

Winifred saw at once the deferential, slightly servile, slightly cunning regard he had for Ursula, which made the girl at once so proud and so perplexed.

"But is this place as awful as it looks?" the young girl asked, a strain in her eyes.

"It is just what it looks," he said. "It hides nothing."

"Why are the men so sad?"

"Are they sad?" he replied.

"They seem unutterably, unutterably sad," said Ursula, out of a pa.s.sionate throat.

"I don't think they are that. They just take it for granted."

"What do they take for granted?"

"This--the pits and the place altogether."

"Why don't they alter it?" she pa.s.sionately protested.

"They believe they must alter themselves to fit the pits and the place, rather than alter the pits and the place to fit themselves. It is easier," he said.

"And you agree with them," burst out his niece, unable to bear it. "You think like they do--that living human beings must be taken and adapted to all kinds of horrors. We could easily do without the pits."

He smiled, uncomfortably, cynically. Ursula felt again the revolt of hatred from him.

"I suppose their lives are not really so bad," said Winifred Inger, superior to the Zolaesque tragedy.

He turned with his polite, distant attention.

"Yes, they are pretty bad. The pits are very deep, and hot, and in some places wet. The men die of consumption fairly often.

But they earn good wages."

"How gruesome!" said Winifred Inger.

"Yes," he replied gravely. It was his grave, solid, self-contained manner which made him so much respected as a colliery manager.

The servant came in to ask where they would have tea.

"Put it in the summer-house, Mrs. Smith," he said.

The fair-haired, good-looking young woman went out.

"Is she married and in service?" asked Ursula.

"She is a widow. Her husband died of consumption a little while ago." Brangwen gave a sinister little laugh. "He lay there in the house-place at her mother's, and five or six other people in the house, and died very gradually. I asked her if his death wasn't a great trouble to her. 'Well,' she said, 'he was very fretful towards the last, never satisfied, never easy, always fret-fretting, an' never knowing what would satisfy him. So in one way it was a relief when it was over--for him and for everybody.' They had only been married two years, and she has one boy. I asked her if she hadn't been very happy. 'Oh, yes, sir, we was very comfortable at first, till he took bad--oh, we was very comfortable--oh, yes--but, you see, you get used to it. I've had my father and two brothers go off just the same. You get used to it'."

"It's a horrible thing to get used to," said Winifred Inger, with a shudder.

"Yes," he said, still smiling. "But that's how they are.

She'll be getting married again directly. One man or another--it does not matter very much. They're all colliers."

"What do you mean?" asked Ursula. "They're all colliers?"

"It is with the women as with us," he replied. "Her husband was John Smith, loader. We reckoned him as a loader, he reckoned himself as a loader, and so she knew he represented his job.

Marriage and home is a little side-show.

"The women know it right enough, and take it for what it's worth. One man or another, it doesn't matter all the world. The pit matters. Round the pit there will always be the sideshows, plenty of 'em."

He looked round at the red chaos, the rigid, amorphous confusion of Wiggiston.

"Every man his own little side-show, his home, but the pit owns every man. The women have what is left. What's left of this man, or what is left of that--it doesn't matter altogether.

The pit takes all that really matters."

"It is the same everywhere," burst out Winifred. "It is the office, or the shop, or the business that gets the man, the woman gets the bit the shop can't digest. What is he at home, a man? He is a meaningless lump--a standing machine, a machine out of work."

"They know they are sold," said Tom Brangwen. "That's where it is. They know they are sold to their job. If a woman talks her throat out, what difference can it make? The man's sold to his job. So the women don't bother. They take what they can catch--and vogue la galere."

"Aren't they very strict here?" asked Miss Inger.

"Oh, no. Mrs. Smith has two sisters who have just changed husbands. They're not very particular--neither are they very interested. They go dragging along what is left from the pits. They're not interested enough to be very immoral--it all amounts to the same thing, moral or immoral--just a question of pit-wages. The most moral duke in England makes two hundred thousand a year out of these pits. He keeps the morality end up."

Ursula sat black-souled and very bitter, hearing the two of them talk. There seemed something ghoulish even in their very deploring of the state of things. They seemed to take a ghoulish satisfaction in it. The pit was the great mistress. Ursula looked out of the window and saw the proud, demonlike colliery with her wheels twinkling in the heavens, the formless, squalid ma.s.s of the town lying aside. It was the squalid heap of side-shows. The pit was the main show, the raison d'etre of all.

How terrible it was! There was a horrible fascination in it--human bodies and lives subjected in slavery to that symmetric monster of the colliery. There was a swooning, perverse satisfaction in it. For a moment she was dizzy.

Then she recovered, felt herself in a great loneliness, where-in she was sad but free. She had departed. No more would she subscribe to the great colliery, to the great machine which has taken us all captives. In her soul, she was against it, she disowned even its power. It had only to be forsaken to be inane, meaningless. And she knew it was meaningless. But it needed a great, pa.s.sionate effort of will on her part, seeing the colliery, still to maintain her knowledge that it was meaningless.

But her Uncle Tom and her mistress remained there among the horde, cynically reviling the monstrous state and yet adhering to it, like a man who reviles his mistress, yet who is in love with her. She knew her Uncle Tom perceived what was going on.

But she knew moreover that in spite of his criticism and condemnation, he still wanted the great machine. His only happy moments, his only moments of pure freedom were when he was serving the machine. Then, and then only, when the machine caught him up, was he free from the hatred of himself, could he act wholely, without cynicism and unreality.