The Rainbow Part 68

Shyly, stiffly, Ursula went into the bungalow, and began to remove her clothes. The lamp was turned low, she stood in the shadow. By another chair Winifred Inger was undressing.

Soon the naked, shadowy figure of the elder girl came to the younger.

"Are you ready?" she said.

"One moment."

Ursula could hardly speak. The other naked woman stood by, stood near, silent. Ursula was ready.

They ventured out into the darkness, feeling the soft air of night upon their skins.

"I can't see the path," said Ursula.

"It is here," said the voice, and the wavering, pallid figure was beside her, a hand grasping her arm. And the elder held the younger close against her, close, as they went down, and by the side of the water, she put her arms round her, and kissed her.

And she lifted her in her arms, close, saying, softly:

"I shall carry you into the water."

[Ursula lay still in her mistress's arms, her forehead against the beloved, maddening breast.

"I shall put you in," said Winifred.

But Ursula twined her body about her mistress.]

After awhile the rain came down on their flushed, hot limbs, startling, delicious. A sudden, ice-cold shower burst in a great weight upon them. They stood up to it with pleasure. Ursula received the stream of it upon her b.r.e.a.s.t.s and her limbs. It made her cold, and a deep, bottomless silence welled up in her, as if bottomless darkness were returning upon her.

So the heat vanished away, she was chilled, as if from a waking up. She ran indoors, a chill, non-existent thing, wanting to get away. She wanted the light, the presence of other people, the external connection with the many. Above all she wanted to lose herself among natural surroundings.

She took her leave of her mistress and returned home. She was glad to be on the station with a crowd of Sat.u.r.day-night people, glad to sit in the lighted, crowded railway carriage. Only she did not want to meet anybody she knew. She did not want to talk.

She was alone, immune.

All this stir and seethe of lights and people was but the rim, the sh.o.r.es of a great inner darkness and void. She wanted very much to be on the seething, partially illuminated sh.o.r.e, for within her was the void reality of dark s.p.a.ce.

For a time Miss Inger, her mistress, was gone; she was only a dark void, and Ursula was free as a shade walking in an underworld of extinction, of oblivion. Ursula was glad, with a kind of motionless, lifeless gladness, that her mistress was extinct, gone out of her.

In the morning, however, the love was there again, burning, burning. She remembered yesterday, and she wanted more, always more. She wanted to be with her mistress. All separation from her mistress was a restriction from living. Why could she not go to her to-day, to-day? Why must she pace about revoked at Cossethay whilst her mistress was elsewhere? She sat down and wrote a burning, pa.s.sionate love-letter: she could not help it.

The two women became intimate. Their lives seemed suddenly to fuse into one, inseparable. Ursula went to Winifred's lodging, she spent there her only living hours. Winifred was very fond of water,--of swimming, of rowing. She belonged to various athletic clubs. Many delicious afternoons the two girls spent in a light boat on the river, Winifred always rowing. Indeed, Winifred seemed to delight in having Ursula in her charge, in giving things to the girl, in filling and enrichening her life.

So that Ursula developed rapidly during the few months of her intimacy with her mistress. Winifred had had a scientific education. She had known many clever people. She wanted to bring Ursula to her own position of thought.

They took religion and rid it of its dogmas, its falsehoods.

Winifred humanized it all. Gradually it dawned upon Ursula that all the religion she knew was but a particular clothing to a human aspiration. The aspiration was the real thing,--the clothing was a matter almost of national taste or need. The Greeks had a naked Apollo, the Christians a white-robed Christ, the Buddhists a royal prince, the Egyptians their Osiris.

Religions were local and religion was universal. Christianity was a local branch. There was as yet no a.s.similation of local religions into universal religion.

In religion there were the two great motives of fear and love. The motive of fear was as great as the motive of love.

Christianity accepted crucifixion to escape from fear; "Do your worst to me, that I may have no more fear of the worst." But that which was feared was not necessarily all evil, and that which was loved not necessarily all good. Fear shall become reverence, and reverence is submission in identification; love shall become triumph, and triumph is delight in identification.

So much she talked of religion, getting the gist of many writings. In philosophy she was brought to the conclusion that the human desire is the criterion of all truth and all good.

Truth does not lie beyond humanity, but is one of the products of the human mind and feeling. There is really nothing to fear.

The motive of fear in religion is base, and must be left to the ancient wors.h.i.+ppers of power, wors.h.i.+p of Moloch.

We do not wors.h.i.+p power, in our enlightened souls. Power is degenerated to money and Napoleonic stupidity.

Ursula could not help dreaming of Moloch. Her G.o.d was not mild and gentle, neither Lamb nor Dove. He was the lion and the eagle. Not because the lion and the eagle had power, but because they were proud and strong; they were themselves, they were not pa.s.sive subjects of some shepherd, or pets of some loving woman, or sacrifices of some priest. She was weary to death of mild, pa.s.sive lambs and monotonous doves. If the lamb might lie down with the lion, it would be a great honour to the lamb, but the lion's powerful heart would suffer no diminis.h.i.+ng. She loved the dignity and self-possession of lions.

She did not see how lambs could love. Lambs could only be loved. They could only be afraid, and tremblingly submit to fear, and become sacrificial; or they could submit to love, and become beloveds. In both they were pa.s.sive. Raging, destructive lovers, seeking the moment when fear is greatest, and triumph is greatest, the fear not greater than the triumph, the triumph not greater than the fear, these were no lambs nor doves. She stretched her own limbs like a lion or a wild horse, her heart was relentless in its desires. It would suffer a thousand deaths, but it would still be a lion's heart when it rose from death, a fiercer lion she would be, a surer, knowing herself different from and separate from the great, conflicting universe that was not herself.

Winifred Inger was also interested in the Women's Movement.

"The men will do no more,--they have lost the capacity for doing," said the elder girl. "They fuss and talk, but they are really inane. They make everything fit into an old, inert idea. Love is a dead idea to them. They don't come to one and love one, they come to an idea, and they say 'You are my idea,'

so they embrace themselves. As if I were any man's idea! As if I exist because a man has an idea of me! As if I will be betrayed by him, lend him my body as an instrument for his idea, to be a mere apparatus of his dead theory. But they are too fussy to be able to act; they are all impotent, they can't take a woman. They come to their own idea every time, and take that.

They are like serpents trying to swallow themselves because they are hungry."

Ursula was introduced by her friend to various women and men, educated, unsatisfied people, who still moved within the smug provincial society as if they were nearly as tame as their outward behaviour showed, but who were inwardly raging and mad.

It was a strange world the girl was swept into, like a chaos, like the end of the world. She was too young to understand it all. Yet the inoculation pa.s.sed into her, through her love for her mistress.

The examination came, and then school was over. It was the long vacation. Winifred Inger went away to London. Ursula was left alone in Cossethay. A terrible, outcast, almost poisonous despair possessed her. It was no use doing anything, or being anything. She had no connection with other people. Her lot was isolated and deadly. There was nothing for her anywhere, but this black disintegration. Yet, within all the great attack of disintegration upon her, she remained herself. It was the terrible core of all her suffering, that she was always herself.

Never could she escape that: she could not put off being herself.

She still adhered to Winifred Inger. But a sort of nausea was coming over her. She loved her mistress. But a heavy, clogged sense of deadness began to gather upon her, from the other woman's contact. And sometimes she thought Winifred was ugly, clayey. Her female hips seemed big and earthy, her ankles and her arms were too thick. She wanted some fine intensity, instead of this heavy cleaving of moist clay, that cleaves because it has no life of its own.

Winifred still loved Ursula. She had a pa.s.sion for the fine flame of the girl, she served her endlessly, would have done anything for her.

"Come with me to London," she pleaded to the girl. "I will make it nice for you,--you shall do lots of things you will enjoy."

"No," said Ursula, stubbornly and dully. "No, I don't want to go to London, I want to be by myself."

Winifred knew what this meant. She knew that Ursula was beginning to reject her. The fine, unquenchable flame of the younger girl would consent no more to mingle with the perverted life of the elder woman. Winifred knew it would come. But she too was proud. At the bottom of her was a black pit of despair.

She knew perfectly well that Ursula would cast her off.

And that seemed like the end of her life. But she was too hopeless to rage. Wisely, economizing what was left of Ursula's love, she went away to London, leaving the beloved girl alone.

And after a fortnight, Ursula's letters became tender again, loving. Her Uncle Tom had invited her to go and stay with him.

He was managing a big, new colliery in Yorks.h.i.+re. Would Winifred come too?

For now Ursula was imagining marriage for Winifred. She wanted her to marry her Uncle Tom. Winifred knew this. She said she would come to Wiggiston. She would now let fate do as it liked with her, since there was nothing remaining to be done.

Tom Brangwen also saw Ursula's intention. He too was at the end of his desires. He had done the things he had wanted to. They had all ended in a disintegrated lifelessness of soul, which he hid under an utterly tolerant good-humour. He no longer cared about anything on earth, neither man nor woman, nor G.o.d nor humanity. He had come to a stability of nullification. He did not care any more, neither about his body nor about his soul.

Only he would preserve intact his own life. Only the simple, superficial fact of living persisted. He was still healthy. He lived. Therefore he would fill each moment. That had always been his creed. It was not instinctive easiness: it was the inevitable outcome of his nature. When he was in the absolute privacy of his own life, he did as he pleased, unscrupulous, without any ulterior thought. He believed neither in good nor evil. Each moment was like a separate little island, isolated from time, and blank, unconditioned by time.

He lived in a large new house of red brick, standing outside a ma.s.s of h.o.m.ogeneous red-brick dwellings, called Wiggiston.

Wiggiston was only seven years old. It had been a hamlet of eleven houses on the edge of healthy, half-agricultural country.

Then the great seam of coal had been opened. In a year Wiggiston appeared, a great ma.s.s of pinkish rows of thin, unreal dwellings of five rooms each. The streets were like visions of pure ugliness; a grey-black macadamized road, asphalt causeways, held in between a flat succession of wall, window, and door, a new-brick channel that began nowhere, and ended nowhere.

Everything was amorphous, yet everything repeated itself endlessly. Only now and then, in one of the house-windows vegetables or small groceries were displayed for sale.

In the middle of the town was a large, open, shapeless s.p.a.ce, or market-place, of black trodden earth, surrounded by the same flat material of dwellings, new red-brick becoming grimy, small oblong windows, and oblong doors, repeated endlessly, with just, at one corner, a great and gaudy public house, and somewhere lost on one of the sides of the square, a large window opaque and darkish green, which was the post office.