Dancing with Mr. Darcy Part 3

They turned the corner and Chris knew this was the place, even before he saw the sign. He gripped the steering wheel to hide the onset of trembling.

Beside him his mother peered through her new-for-the-trip prescription sungla.s.ses at the handsome red-brick house. 'We're here,' she cried, and slapped the dashboard.

He still hadn't told her.

There was nowhere to park directly outside the house which he liked, it reminded him this wasn't North America but they found a place down a leafy side street. His arm under hers, Chris led his mother towards the house. They pa.s.sed an open area with a few swings where a young boy and his dad (Chris presumed) rugbytackled each other on to the long gra.s.s, rolled in the last warm days of summer. No sign of the mother... was she in the house? He both hoped and hoped not.

He took in the large, square building set sideways to the road so that the white front door faced a green expanse of garden. He scanned the big Georgian windows on the ground floor.

'I wonder which one she sat by to write.' He tried to remember the snippets he'd once learnt about Jane Austen, this extraordinarily witty writer, favourite author of the two women he admired and, yes, loved most in all the world. One of them was Catherine, his mother, leaning on his arm now and quietly wheezing. She wore a pink summer hat and had brought a different one for each day. She didn't do bald well and wigs made her itch. He thought again of Ms Austen hadn't she written the whole of Persuasion while she lived here in a hurry, it was thought, already feeling ill?

Catherine squeezed his arm. 'Thank you for bringing me here, Chris,' she said. 'It's the best birthday present you could have ever given me.'

'You're only fifty once, Mom.'

'Thank G.o.d,' she said. 'I don't think much of it so far apart from this trip, of course. I have much higher hopes for sixty and seventy.'

He smiled but his eyes stung. They both knew she'd be lucky to reach fifty-one.

Time to confess. He turned to face her, placed his hands on her shoulders, felt her bones through her s.h.i.+rt.

'Mom,' he said. 'There's something I need to tell you before we go in. I should have told you before but didn't know how. Can we stroll round the garden a bit first?'

She tilted her head back to study his face. 'I thought there was something,' she said. 'Lead on.'

Five minutes later, they stood together at the white front door, a little giddy from the scent of mint and roses and their conversation.

'We're still early,' Catherine said. 'She won't be here for a while.' She sounded preoccupied no wonder it had been a lot for her to take in. And for Chris to explain to compress eight years of intense and private longing into the five minutes it took to tell all. He'd tried to make his mother understand that the Jane Austen pilgrimage to England (they'd been to Bath first), and the visit to Oxford, Catherine's hometown, was all about her, about him and her sharing the adventure. The other idea had come later.

Chris bent to get through the doorway and led Catherine into a small entrance room, where they were greeted by a smiling lady about his mother's age. A collection of Jane Austen postcards, pens and notebooks lay on a few wooden tables and shelves but the commercialisation of Jane was nothing by American standards much to Chris's relief.

'Thank you,' said Chris, admiring the gleaming wooden floor, the light through the window, the painted white shutters. 'We're delighted to be here.'

'Oh' said the lady, eyes bright with interest. 'Where are you from?'

'Well,' Chris began. 'I'm from Vancouver, Canada but my mom here, Catherine, came from England originally.'

'Many years ago,' Catherine added. 'I went to Canada to visit a friend and never came back.'

Her lovely voice, still distinctively English after 30 years in Canada, had developed a raspy edge of late and Chris noticed she spoke less and less.

'I tried to beat the Canadian accent out of my son but to no avail,' she said. 'Peer pressure and all that young people nowadays what more can I say?'

Chris grinned. This was more like the old Catherine. 'Sorry to be such a disappointment to you, Mom.'

'If you've come all this way just to bring your mum to Chawton,' the lady said, 'you can't be all bad.'

Catherine winked at her. 'Oh I'm not the only reason we're here.'

Chris winced. This was getting a little too much like the old Catherine. 'Shall we go look around?' he said. 'While we have time?'

The house felt smaller inside than out, but there was much to marvel at. A little wooden table, placed by a window in the parlour, was the highlight. A sign on it read Do Not Touch. But Catherine would never get another chance and so Chris held her hand and, while n.o.body was looking, brushed both their fingertips across an inch of the actual surface Jane Austen must have touched herself. His hand tingled violently but perhaps it was nerves.

Next they inspected a display of family letters painstakingly written with quill and ink. When was the last time he'd actually written anything? Email had all but wiped out the personal letter. Even his undeniably romantic plea had been typed. Typed!

Catherine lingered over the letters, and Chris left her to it. Such a gift to see her wrapt withal. He wandered through or peeked into the small rooms alone, bending under the low door frames, inhaling the comforting smell of wood and ancient wallpaper. The floorboards creaked and squeezing himself down the narrow staircase he felt huge, like a bear, over-sized and clumsy amongst all these dainty artefacts and impossibly tiny period clothes.

He checked his watch. It was time. It felt like he'd just been whacked with a baseball bat in the back of the knees.

So many unknowns: would she have seen his notice in those Jane Austen online newsletters? And if she had, would she come? And if she came would she still be free? He hadn't thought further than that.

Back downstairs, he heard his mother back in the front entry room.

'The thing is,' she was saying, 'my son has a deep, dark secret.'

'Oh?'

'Yes he loves Jane Austen! He was always a great reader. I think he read his first when he was about fourteen. We were on some camping trip in the rain and he'd read everything including the camping stove instruction manual excuse me, it's just a cough anyway, he got so desperate he picked up my copy of Persuasion. He was so embarra.s.sed to be found reading it, poor boy.'

Persuasion. Where his story had started.

Chris, aged seventeen, usually ran straight past the gla.s.s-fronted Starbucks on his way to the trail path through the woods, but that morning in late August, something or rather someone made him stop and stare inside.

A person no longer a girl but hardly old enough to be called a woman sat curled in the big armchair in the corner, wearing a simple white summer dress and reading Persuasion. She even looked like the writer pet.i.te, intelligent, impish. Prettier, though but didn't everyone say that the one surviving likeness of Jane Austen didn't do her justice? Maybe this was how she'd really looked.

His heart rate spiked and he'd hardly started his run. Chris is rather timid, they said in his school reports, like it was a sin. He stared inside, wanted so much to go in, to go up and talk to her, maybe ask her about the book. He'd read it too, hadn't he? And loved it. She wouldn't find that odd. Surely.

But he didn't. He was too scared. He took one last look and pounded along the sidewalk towards the woods.

By the time he started back at school the following month he must have wandered into Starbucks about twenty times in the hope of seeing the girl again. He carried Persuasion in his backpack and was all set with his master plan to sit himself near her and 'coincidentally' produce the same book as hers. But she never showed he'd blown his chance.

'We'd like you all to welcome our new English teacher,' the princ.i.p.al announced at the first a.s.sembly in September. 'Miss Anderson.'

And there she was the girl from the coffee shop. She looked 19, but she had to be 23 minimum. And she was his English teacher.

Obviously, he told himself to forget it.

But never had he looked forward to a cla.s.s so much and never had he wanted more for time to slow down during it. Miss Jean Anderson was sweet and clever and funny and spoke with a soft English accent. Like Jane Austen whom she adored. She wore summer dresses at first, and then in fall exchanged them for long wool skirts and lace-up boots, and a purple velvet cloak that was totally impractical in the Vancouver rain but he loved to see her in it. He feared others would mock her for her eccentricity but n.o.body did. She was English, after all, only been in Canada since college, so that seemed to explain it. Everybody loved her.

As did he. But differently from the rest. She was six years his senior and his teacher, and to make any kind of approach to her seemed to him to be not just preposterous and out of the question, but to be a gross imposition on her sweetness, her sunny innocence.

But he couldn't hide his feelings altogether. He sought extra 'help', would 'swing by' her cla.s.sroom during breaks to 'ask her advice' about whatever project was in play. He even got Catherine to invite her over for dinner since they were both such ardent admirers of Jane Austen. The more he saw of her the more he loved her but she never so much as held his gaze.

Until that evening in May, when she'd let him walk her home. You pierce my soul.

She left at the end of the school year. Not just the school, but the country. Everyone was shocked. She had only just arrived, she was such a wonderful teacher why would she leave so soon?

Only Chris understood. If she'd stayed, something would have happened. They'd acknowledged their attraction with their eyes; that was all. But Chris felt it, heard it, like a hum in the air. Perhaps she did too. In any case, to his modern-day Jane, the territory was too dangerous.

There were other girls, of course but none to compare. He always thought of her. Furtively he'd read the novels of Jane Austen over and over because they made him feel connected to Miss Jean Anderson. He could hear her voice when he read, could even catch her trademark lavender scent. Chris was a romantic who badly wanted to find his true love. But knew in his heart he'd already met her his very own Anne Elliot only he didn't know how to find her again.

Chris and his mother were back in the front room having revisited the garden, examined the donkey carriage, reread every letter. Always listening for the sound of new footsteps.

It was eight years since he'd last seen her, and one hour and eight minutes past the time. Miss Anderson wasn't coming.

'Are you ready to go, Mom?' Chris said gently.

His mother hesitated. 'I was so sure she would come it's very odd.' She glanced once more at the clock. 'Do you mind if I get some postcards, dear?'

She took a while choosing and the lady behind the counter glanced at her watch and kept glancing at the door as if wanting to lock up. After Chris paid for the postcards (he insisted), the woman said, 'It's closing soon, but you've just time to visit Chawton House too while you're here.' She paused. 'It's just down the road and the library is superb.'

Chris dropped his change on the floor.

'Chawton House?' he said. 'I thought this was Chawton House?'

'Oh no, dear, this is just the cottage belonging to the estate. This is Jane Austen's house, yes, but Chawton House is the grand Elizabethan mansion where her brother-'

'I told her the wrong place,' he told his mother, already pulling her towards the door. 'I can't believe it.'

'It's straight down that road,' said the lady, in the doorway now. 'On your left you can't miss it.'

Chris just about dragged his poor mother back to the car and they sped off towards the real Chawton House, turned into a cla.s.sic long driveway with the mansion standing proud and imposing at the other end. It was 4.50 p.m. and it closed in ten minutes. Would she even be there?

A bright red mini came speeding along the driveway towards them. Chris caught a glimpse of the driver as she pa.s.sed and did a hand brake turn.

They found the mini in their old parking spot.

Thank you G.o.d, Chris thought as, once again, he led his mother more urgently this time back into Jane Austen's house.

He found Miss Jean Anderson in the entry room. She turned as they came in and her smile, after eight long years, re-booted his heart.

'You read my posting,' he said.

She nodded. 'Yes I'd give it an A for resourcefulness... but a D for research.'

He grinned. 'I know I got the house wrong. But look we're both here now, aren't we?'

'So you're the young man with the message!' exclaimed the lady. 'I had a feeling it was you.'

'So you suggested we go to Chawton House?' Chris said. 'Just in case?'

She winked. 'Being here all the time, Jane's genius can't help but rub off a little, you know.'

He looked with love on these three extraordinary women and had an overwhelming sense of there being four people in the room with him.

'Maybe it's being in Jane Austen's house,' he said, 'but I have the oddest sensation-'

'The end of Persuasion, right?' Jean said. 'You feel like we're in it?'

'I need to check the rooms before closing up,' the lady said to Catherine 'would you care to join me?' They both withdrew.

Chris stepped forward, took Jean's hand. Her cool palm pressed against his... no rings. He'd found her. He was 25 now, she was 31. She was probably still an English teacher but not his. He loved her. So far so good on his side.

But what about hers?

He took a deep breath. 'I am half agony, half hope.' She smiled. 'You're late,'

she said. 'But not too late.'

My inspiration: In Jane Austen's Persuasion I love the idea of finding again a love you thought was lost and wanted to recreate Captain Wentworth's 'half agony, half hope' in a modern context. Captain Wentworth and his impa.s.sioned letter to Anne inspired the idea of a male viewpoint in my story. I also thought it would be fun to base the action at Jane Austen's house in Chawton albeit not Chawton House itself.

BROKEN WORDS.

Suzy Ceulan Hughes.

'So, how are things?' he said.

She held the lead rope loosely in one hand and scurried the fingers of the other through the pony's mane. As he lifted a foot to remove the old shoe, the pony leant into her and rested its muzzle against her arm.

'Life is good,' she said. 'Though I'm not sleeping very well.'

At night, in the long hours, she was beset by ghosts and poisonous regrets. Why are they called the small hours, she thought, when they are so very long? To sleep, she had to turn her back to the north, to feel the weight of the mountain behind her, protecting her.

'Have you tried counting sheep?' he said.

She gazed across the fields to the ridge of hills on the north side of the Dyfi. In the foreground, the gra.s.s dazzled green in the sunlight, polka-dotted white with sheep.

'No,' she said. 'I can't bear them. I've tried counting stars, but there are too many of them and I soon give up.'

Her mother used to talk about stars. 'You should count your lucky stars. Wish upon a falling star and your dreams will come true. It's all in the stars.' The star sayings went along with others. 'You've made your bed, so you must lie in it. You can't have your cake and eat it. When your time is up...' It all made life seem rather hopeless. As though you occasionally had the power to choose and create bad things for yourself, but never anything good.

Frost was lying in shaded pockets and on north-facing slopes. The pony's feet steamed and its breath hovered in the air. In the village, smoke from the chimneys hung heavily, drifting in curling waves over the rooftops.

'Perhaps I'll try counting waves,' she said. 'I've always loved sleeping on boats, though it's something I haven't done for years.'

Her father had had a boat. He had always had boats but, for a while, he had one with a proper cabin and sleeping berths. They would sail out to the islands and moor up for the night off one of the beaches. She had loved to swim in the ink-black sea, to watch the phosph.o.r.escence play around her barely visible legs. Her father never swam at night. He said somebody had to stay on board just in case. She had sometimes wondered about that. Just in case of what? At the time, it had never crossed her mind that it might be dangerous. To swim at night, out there.

'I'm not sure I'd fancy that,' he said.

He stood at the pony's left shoulder, his back towards its head, and bent over to lift its left foot and slip it between his legs, so that the back of the pony's knee rested against the back of his, and its foot was cradled in his hand. The clipped horn fell to the ground like crescent moons.