Yiddish Tales Part 51

"Grune!"

"Hus.h.!.+ What is it? What makes you call out in that strange voice?" asked Grune, crossly, running in.

"Well, well, let me live!" said the cantor. "Why do you say 'in that strange voice'? Whose voice was it? eh? What is the matter now?"

There was a sound as of tears as he spoke.

"You're cracked to-day! As nonsensical--Well, what do you want?"

"Beat up one or two eggs for me!" begged the cantor, softly.

"Here's a new holiday!" screamed Grune. "On a Wednesday! Have you got to chant the Sabbath prayers? Eggs are so dear now--five kopeks apiece!"

"Grune," commanded the cantor, "they may be one ruble apiece, two rubles, five rubles, one hundred rubles. Do you hear? Beat up two eggs for me, and don't talk!"

"To be sure, you earn so much money!" muttered Grune.

"Then you think it's all over with me?" said the cantor, boldly. "No, Grune!"

He wanted to tell her that he wasn't sure about it yet, there was still hope, it might be all a fancy, perhaps it was imagination, but he was afraid to say all that, and Grune did not understand what he stammered out. She shrugged her shoulders, and only said, "Upon my word!" and went to beat up the eggs.

The cantor sat and sang to himself. He listened to every note as though he were examining some one. Finding himself unable to take the high octave, he called out despairingly:

"Grune, make haste with the eggs!" His one hope lay in the eggs.

The cantoress brought them with a cross face, and grumbled:

"He wants eggs, and we're pinching and starving--"

The cantor would have liked to open his heart to her, so that she should not think the eggs were what he cared about; he would have liked to say, "Grune, I think I'm done for!" but he summoned all his courage and refrained.

"After all, it may be only an idea," he thought.

And without saying anything further, he began to drink up the eggs as a remedy.

When they were finished, he tried to make a few cantor-like trills. In this he succeeded, and he grew more cheerful.

"It will be all right," he thought, "I shall not lose my voice so soon as all that! Never mind Meyer Lieder, he drank! I don't drink, only a little wine now and again, at a circ.u.mcision."

His appet.i.te returned, and he swallowed mouthful after mouthful.

But his cheerfulness did not last: the erstwhile unsuccessful "death"

rang in his ears, and the worry returned and took possession of him.

The fear of losing his voice had tormented the cantor for the greater part of his life. His one care, his one anxiety had been, what should he do if he were to lose his voice? It had happened to him once already, when he was fourteen years old. He had a tenor voice, which broke all of a sudden. But that time he didn't care. On the contrary, he was delighted, he knew that his voice was merely changing, and that in six months he would get the baritone for which he was impatiently waiting.

But when he had got the baritone, he knew that when he lost that, it would be lost indeed--he would get no other voice. So he took great care of it--how much more so when he had his own household, and had taken the office of cantor in Klemenke! Not a breath of wind was allowed to blow upon his throat, and he wore a comforter in the hottest weather.

It was not so much on account of the Klemenke householders--he felt sure they would not dismiss him from his office. Even if he were to lose his voice altogether, he would still receive his salary. It was not brought to him to his house, as it was--he had to go for it every Friday from door to door, and the Klemenke Jews were good-hearted, and never refused anything to the outstretched hand. He took care of his voice, and trembled to lose it, only out of love for the singing. He thought a great deal of the Klemenke Jews--their like was not to be found--but in the interpretation of music they were uninitiated, they had no feeling whatever. And when, standing before the altar, he used to make artistic trills and variations, and take the highest notes, that was for _himself_--he had great joy in it--and also for his eight singers, who were all the world to him. His very life was bound up with them, and when one of them exclaimed, "Oi, cantor! Oi, how you sing!" his happiness was complete.

The singers had come together from various towns and villages, and all their conversations and their stories turned and wrapped themselves round cantors and music. These stories and legends were the cantor's delight, he would lose himself in every one of them, and give a sweet, deep sigh:

"As if music were a trifle! As if a feeling were a toy!" And now that he had begun to fear he was losing his voice, it seemed to him the singers were different people--bad people! They must be laughing at him among themselves! And he began to be on his guard against them, avoided taking a high note in their presence, lest they should find out--and suffered all the more.

And what would the neighboring cantors say? The thought tormented him further. He knew that he had a reputation among them, that he was a great deal thought of, that his voice was much talked of. He saw in his mind's eye a couple of cantors whispering together, and shaking their heads sorrowfully: they are pitying him! "How sad! You have heard? The poor Klemenke cantor----"

The vision quite upset him.

"Perhaps it's only fancy!" he would say to himself in those dreadful moments, and would begin to sing, to try his highest notes. But the terror he was in took away his hearing, and he could not tell if his voice were what it should be or not.

In two weeks time his face grew pale and thin, his eyes were sunk, and he felt his strength going.

"What is the matter with you, cantor?" said a singer to him one day.

"Ha, what is the matter?" asked the cantor, with a start, thinking they had already found out. "You ask what is the matter with me? Then you know something about it, ha!"

"No, I know nothing. That is why I ask you why you look so upset."

"Upset, you say? Nothing more than upset, ha? That's all?"

"The cantor must be thinking out some new piece for the Solemn Days,"

decided the choir.

Another month went by, and the cantor had not got the better of his fear. Life had become distasteful to him. If he had known for certain that his voice was gone, he would perhaps have been calmer. Verfallen!

No one can live forever (losing his voice and dying was one and the same to him), but the uncertainty, the tossing oneself between yes and no, the Olom ha-Tohu of it all, embittered the cantor's existence.

At last, one fine day, the cantor resolved to get at the truth: he could bear it no longer.

It was evening, the wife had gone to the market for meat, and the choir had gone home, only the eldest singer, Yossel "ba.s.s," remained with the cantor.

The cantor looked at him, opened his mouth and shut it again; it was difficult for him to say what he wanted to say.

At last he broke out with:

"Yossel!"

"What is it, cantor?"

"Tell me, are you an honest man?"

Yossel "ba.s.s" stared at the cantor, and asked:

"What are you asking me to-day, cantor?"

"Brother Yossel," the cantor said, all but weeping, "Brother Yossel!"

That was all he could say.

"Cantor, what is wrong with you?"