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He stopped there. I turned around to see what Terry was looking at and there was Max Repper in the doorway, with his Henry. Max was grinning, which he hadn't done in a month, and he came forward keeping the barrel trained at Terry.
"I knew he'd show," Repper said, "soon as I saw you hanging around. I came for two things. Him"-he swung the barrel to indicate the boy-"and my nugget."
"Yours?" I said.
"The boy stole it from me."
"You never saw it before you peeked in that window."
"That's your say," Repper answered.
Terry said, "What do you want with the boy?"
"I got work for him till the reservation people take him away."
"He doesn't belong on a reservation," Terry said.
"That's not my worry." Repper shrugged. "That's what they're saying at Dos Fuegos will happen to him."
Terry shook his head slowly, saying, "That wouldn't be right."
Repper lifted the Henry a little higher. "Just hand me the nugget."
Terry hesitated. Then he said, "You come and take it."
"I can do that too," Repper said. He was concentrating on Terry and started to move toward him. His eyes went to the nugget momentarily, two seconds at best, and as they did the boy went for him. He was at Repper's throat in one lunge, dragging him down. Terry moved then, pus.h.i.+ng the rifle barrel up and against Repper's face. Repper went down, the boy on top of him, and then a knife was in Regalo's hand.
Deelie screamed and Terry lifted the boy off of Repper, saying, "Wait a minute!" Then, in Spanish, he was talking more quietly, calming the boy.
Repper sat up with his hand to his face. He had a welt across his forehead where the rifle barrel hit, but he was more mad than hurt. He said, "You think I'm going to let you get away with this?"
Terry was himself again. He said, "I don't think you got a choice."
"I haven't?" Max said. "I'll make d.a.m.n sure he gets put the h.e.l.l on that reservation."
"If you can prove he's Indian," Terry answered.
Max gave us his sly look. "Either way," he said. "If he ain't Indian then he's white, with white kin, and no authority's going to let him get adopted by a saddle tramp who ain't worked in two years."
It was a good thing Max was sitting down when he said that. Max was through, and he probably knew it, but if Terry wanted the boy, then he'd sure make it plain h.e.l.l for Terry to keep him.
I told Repper, "That's up to the authorities. The thing is, this boy's got no recollection of white kin and the only other person who knew his parents is dead. And he's said himself he wants to live with Terry."
487 487 Max grinned. "And I imagine Terry wants the boy, and his nugget, to live with him. But like I said, the authorities won't see it that way."
And then Deelie had something to say. She was looking at Max Rep-per, but I think talking to Terry, and she said, "No, they wouldn't let the boy live with a saddle tramp who hasn't worked in two years . . . but I'm sure they would agree that a successful mining man of Mr. McNeil's character would be more than they could hope for . . . especially since he'll be married within the week."
That was exactly how Deelie did it. I've often wondered if she ever thought Terry married her just so he could raise the boy. I didn't think he did, knowing Terry, and I doubt if Deelie really cared ...long as she had him.
28 Only Good Ones
Western Roundup, New York, Macmillan, 1961 ( New York, Macmillan, 1961 (Western Writers of America Anthology) PICTURE THE GROUND rising on the east side of the pasture with scrub trees thick on the slope and pines higher up. This is where everybody was. Not all in one place but scattered in small groups: about a dozen men in the scrub, the front-line men, the shooters who couldn't just stand around. They'd fire at the shack when they felt like it or, when Mr. Tanner pa.s.sed the word, they would all fire at once. Other people were up in the pines and on the road which ran along the crest of the hill, some three hundred yards from the shack across the pasture. Those watching made bets whether the man in the shack would give himself up or get shot first.
It was Sat.u.r.day and that's why everybody had the time. They would arrive in town that morning, hear about what had happened, and, shortly after, head out to the cattle-company pasture. Almost all of the men went out alone, leaving their families in town: though there were a few women who came. The other women waited. And the people who had business in town and couldn't leave waited. Now and then somebody came back to have a drink or their dinner and would tell what was going on. No, they hadn't got him yet. Still inside the line shack and not showing his face.
But they'd get him. A few more would go out when they heard this. Also a wagon from De Spain's went out with whiskey. That's how the saloon was set up in the pines overlooking the pasture and why n.o.body went back to town after that.
Barely a mile from town those going out would hear the gunfire, like a skirmish way over on the other side of a woods, thin specks of sound, and this would hurry them. They were careful, though, topping the slope, looking across the pasture, getting their bearings, then peering to see who was present. They would see a friend and ask about this Mr. Tanner and the friend would point him out.
The man there in the dark suit: thin and bony, not big but looking like he was made of gristle and hard to kill, with a mustache and a thin nose and a dark dusty hat worn square over his eyes. That was him. n.o.body had ever seen him before that morning. They would look at Mr. Tanner, then across the pasture again to the line shack three hundred yards away. It was a little bake-oven of a hut, wood framed and made of sod and built against a rise where there were pines so the hut would be in shade part of the day. There were no windows in the hut, no gear lying around to show anybody lived there. The hut stood in the sun now with its door closed, the door chipped and splintered by all the bullets that had poured into it and through it.
Off to the right where the pine shapes against the sky rounded and became willows, there in the trees by the creek bed, was the man's wagon and team. In the wagon were the supplies he had bought that morning in town before Mr. Tanner spotted him.
Out in front of the hut, about ten or fifteen feet, was something on the ground. From the slope three hundred yards away n.o.body could tell what it was until a man came who had field gla.s.ses. He looked up and said, frowning, it was a doll: one made of cloth sc.r.a.ps, a stuffed doll with b.u.t.tons for eyes.
The woman must have dropped it, somebody said.
The woman? the man with the field gla.s.ses said.
A Lipan Apache woman who was his wife or his woman or just with him. Mr. Tanner hadn't been clear about that. All they knew was she was in the hut with him and if the man wanted her to stay and get shot, that was his business.
Bob Valdez, twenty years old and town constable for three weeks, carrying a shotgun and glad he had something to hold on to, was present at the Maricopa pasture. He arrived about noon. He told Mr. Tanner who he was, speaking quietly and waiting for Mr. Tanner to answer.
491 491 Mr. Tanner nodded but did not shake hands and turned away to say something to an R. L. Davis, who rode for Maricopa when he was working. Bob Valdez stood there and didn't know what to do.
He watched the two men. Two of a kind, uh? Both cut from the same stringy hide and looking like father and son: Tanner talking, never smiling, hardly moving his mouth; R. L. Davis standing hip-c.o.c.ked, posing with his revolver and rifle and a cartridge belt over his shoulder and the funneled, pointed brim of his sweaty hat nodding up and down as he listened to Mr. Tanner, smiling at what Mr. Tanner said, laughing out loud while still Mr. Tanner did not even show the twitch of a lip. Bob Valdez did not like R. L. Davis or any of the R. L. Davises he had met. He was civil, he listened to them, but, G.o.d, there were a lot of them to listen to.
A Mr. Beaudry, who leased land to the cattle company, was there. Also Mr. Malsom, manager of Maricopa, and a horsebreaker by the name of Diego Luz, who was big for a Mexican but never offensive and he drank pretty well.
Mr. Beaudry, nodding and also squinting so he could picture the man inside the line shack, said, "There was something peculiar about him. I mean having a name like Orlando Rincon."
"He worked for me," Mr. Malsom said. He was looking at Mr. Tanner. "I mistrusted him and I believe that was part of it, his name being Orlando Rincon."
"Johnson," Mr. Tanner said.
"I hired him two, three times," Mr. Malsom said. "For heavy work. When I had work you couldn't kick a man to doing."
"His name is Johnson," Mr. Tanner said. "There is no fuzz-head by the name of Orlando Rincon. I'm telling you, this one is a fuzz-head from the Fort Huachuca Tenth fuzz-head cavalry and his name was Johnson when he killed James C. Baxter a year ago and nothing else."
He spoke as you might speak to young children to press something into their minds. This man had no warmth and he was probably not very smart. But there was no reason to doubt him.
Bob Valdez kept near Mr. Tanner because he was the center of what was going on here. They would discuss the situation and decide what to do. As the law-enforcement man he, Bob Valdez, should be in on the discussion and the decision. If someone was to arrest Orlando Rincon or Johnson or whatever his name was, then he should do it; he was town constable. They were out of town maybe, but where did the town end? The town had moved out here now; it was the same thing.
Wait for Rincon to give up. Then arrest him.
If he wasn't dead already.
"Mr. Malsom." Bob Valdez stepped toward the cattle-company manager, who glanced over but looked out across the pasture again, indifferent.
"I wondered if maybe he's already dead," Valdez said.
Mr. Malsom, standing heavier and taller and twenty years older than Bob Valdez, said, "Why don't you find out?"
"I was thinking," Valdez said, "if he was dead we could stand here a long time."
R. L. Davis adjusted his hat, which he did often, grabbing the funneled brim, loosening it on his head and pulling it down close to his eyes again and s.h.i.+fting from one c.o.c.ked hip to the other. "This constable here's got better things to do," R. L. Davis said. "He's busy."
"No," Bob Valdez said. "I was thinking of the man, Rincon. He's dead or he's alive. He's alive maybe he wants to give himself up. In there he has time to think, uh? Maybe-" He stopped. Not one of them was listening. Not even R. L. Davis.
Mr. Malsom was looking at the whiskey wagon; it was on the road above them and over a little ways with men standing by it, being served off the tailgate. "I think we could use something," Mr. Malsom said. His gaze went to Diego Luz the horsebreaker, and Diego straightened up; not much, but a little. He was heavy and very dark and his s.h.i.+rt was tight across the thickness of his body. They said that Diego Luz hit green horses on the muzzle with his fist and they minded him. He had the hands for it; they hung at his sides, not touching or fooling with anything. They turned open, gestured, when Mr. Malsom told him to get the whiskey and as he moved off, climbing the slope, one hand held his holstered revolver to his leg.
Mr. Malsom looked up at the sky, squinting and taking his hat off and putting it on again. He took off his coat and held it hooked over his shoulder by one finger, said something, gestured, and he and Mr.
493 493 Beaudry and Mr. Tanner moved a few yards down the slope to a hollow where there was good shade. It was about two or two-thirty then, hot, fairly still and quiet considering the number of people there. Only some of them in the pines and down in the scrub could be seen from where Bob Valdez stood wondering whether he should follow the three men down to the hollow. Or wait for Diego Luz, who was at the whiskey wagon now, where most of the sounds that carried came from: a voice, a word or two that was suddenly clear, or laughter, and people would look up to see what was going on. Some of them by the whiskey wagon had lost interest in the line shack. Others were still watching, though: those farther along the road sitting in wagons and buggies. This was a day, a date, uh? that people would remember and talk about. Sure, I was there, the man in the buggy would be saying a year from now in a saloon over in Benson or St. David or somewhere. The day they got that army deserter, he had a Big-Fifty Sharps and an old Walker and I'll tell you it was ticklish business.
Down in that worn-out pasture, dusty and spotted with desert growth, p.r.i.c.kly pear and brittlebush, there was just the sun. It showed the ground cleanly all the way to just in front of the line shack where now, toward the midafternoon, there was shadow coming out from the trees and from the mound the hut was set against.
Somebody in the scrub must have seen the door open. The shout came from there, and Bob Valdez and everybody on the slope was looking by the time the Lipan Apache woman had reached the edge of the shade. She walked out from the hut toward the willow trees carrying a bucket, not hurrying or even looking toward the slope.
n.o.body fired at her; though this was not so strange. Putting the front sight on a sod hut and on a person are two different things. The men in the scrub and in the pines didn't know this woman. They weren't after her. She had just appeared. There she was; and no one was sure what to do about her.
She was in the trees a while by the creek, then she was in the open again, walking back toward the hut with the bucket and not hurrying at all: a small figure way across the pasture almost without shape or color, with only the long skirt reaching to the ground to tell it was the woman.
So he's alive, Bob Valdez thought. And he wants to stay alive and he's not giving himself up.
He thought about the woman's nerve and whether Orlando Rincon had sent her out or she had decided this herself. You couldn't tell about an Indian woman. Maybe this was expected of her. The woman didn't count; the man did. You could lose the woman and get another one.
Mr. Tanner didn't look at R. L. Davis. His gaze held on the Lipan Apache woman, inched along with her toward the hut; but must have known R. L. Davis was right next to him.
"She's saying she don't give a G.o.dd.a.m.n about you and your rifle," Mr. Tanner said.
R. L. Davis looked at him funny. Then he said, "Shoot her?" Like he hoped that's what Mr. Tanner meant.
"Well, you could make her jump some," Mr. Tanner said.
Now R. L. Davis was onstage and he knew it and Bob Valdez could tell he knew it by the way he levered the Winchester, raised it, and fired all in one motion, and as the dust kicked behind the Indian woman, who kept walking and didn't look up, R. L. Davis fired and fired and fired as fast as he could lever and half aim and with everybody watching him, hurrying him, he put four good ones right behind the woman. His last bullet socked into the door just as she reached it and now she did pause and look up at the slope, staring up like she was waiting for him to fire again and giving him a good target if he wanted it.
Mr. Malsom laughed out loud. "She still don't give a G.o.dd.a.m.n about your rifle."
It stung R. L. Davis, which it was intended to do. "I wasn't aiming at her!"
"But she doesn't know that." Mr. Malsom was grinning, turning then and reaching out a hand as Diego Luz approached them with the whiskey.
"h.e.l.l, I wanted to hit her she'd be laying there, you know it."
"Well, now, you go tell her that," Mr. Malsom said, working the cork loose, "and she'll know it." He took a drink from the bottle and pa.s.sed it to Mr. Beaudry, who drank and handed the bottle to Mr. Tanner. Mr. Tanner did not drink; he pa.s.sed the bottle to R. L. Davis, who was stand 495 495 ing, staring at Mr. Malsom. Finally R. L. Davis jerked the bottle up, took a long swallow, and that part was over.
Mr. Malsom said to Mr. Tanner, "You don't want any?"
"Not today," Mr. Tanner answered. He continued to stare out across the pasture.
Mr. Malsom watched him. "You feel strongly about this army deserter."
"I told you," Mr. Tanner said, "he killed a man was a friend of mine."
"No, I don't believe you did."
"James C. Baxter of Fort Huachuca," Mr. Tanner said. "He come across a tulapai tulapai still this n.i.g.g.e.r soldier was working with some Indians. The n.i.g.g.e.r thought Baxter would tell the army people, so he shot him and ran off with a woman." still this n.i.g.g.e.r soldier was working with some Indians. The n.i.g.g.e.r thought Baxter would tell the army people, so he shot him and ran off with a woman."
"And you saw him this morning."
"I had come in last night and stopped off, going to Tucson," Mr. Tanner said. "This morning I was getting ready to leave when I saw him; him and the woman."
"I was right there," R. L. Davis said. "Right, Mr. Tanner? Him and I were on the porch by the Republic and Rincon goes by in the wagon. Mr. Tanner said, 'You know that man?' I said, 'Only that he's lived up north of town a few months. Him and the woman.' 'Well, I know him,' Mr. Tanner said. 'That man's an army deserter wanted for murder.' I said, 'Well, let's go get him.' He had a start on us and that's how he got to the hut before we could grab on to him. He's been holed up ever since."
Mr. Malsom said, "Then you didn't talk to him."
"Listen," Mr. Tanner said, "I've kept that man's face before my eyes this past year."
Bob Valdez, somewhat behind Mr. Tanner and to the side, moved in a little closer. "You know this is the same man, uh?"
Mr. Tanner looked around. He stared at Valdez. That's all he did- just stared.
"I mean, we have to be sure," Bob Valdez said. "It's a serious thing."
Now Mr. Malsom and Mr. Beaudry were looking up at him. "We," Mr. Beaudry said. "I'll tell you what, Roberto. We need help we'll call you. All right?"
"You hired me," Bob Valdez said, standing alone above them. He was serious but he shrugged and smiled a little to take the edge off the words. "What did you hire me for?"
"Well," Mr. Beaudry said, acting it out, looking past Bob Valdez and along the road both ways, "I was to see some drunk Mexicans I'd point them out."
A person can be in two different places and he will be two different people. Maybe if you think of some more places the person will be more people, but don't take it too far. This is Bob Valdez standing by himself with the shotgun and having only the shotgun to hold on to. This is one Bob Valdez. About twenty years old. Mr. Beaudry and others could try and think of a time when Bob Valdez might have drunk too much or swaggered or had a certain smart look on his face, but they would never recall such a time. This Bob Valdez was all right.
Another Bob Valdez inside the Bob Valdez at the pasture that day worked for the army one time and was a guide when Crook chased Chato and Chihuahua down into the Madres. He was seventeen then, with a Springfield and Apache moccasins that came up to his knees. He would sit at night with the Apache scouts from San Carlos, eating with them and talking some as he learned Chiricahua. He would keep up with them all day and shoot the Springfield one h.e.l.l of a lot better than any of them could shoot. He came home with a scalp but never showed it to anyone and had thrown it away by the time he went to work for Maricopa. Shortly after that he was named town constable at twenty-five dollars a month, getting the job because he got along with people: the Mexicans in town who drank too much on Sat.u.r.day night liked him and that was the main thing.
The men with the whiskey bottle had forgotten Valdez. They stayed in the hollow where the shade was cool watching the line shack and waiting for the army deserter to realize it was all up with him. He would realize it and open the door and be cut down as he came outside. It was a matter of time only.
Bob Valdez stayed on the open part of the slope that was turning to shade, sitting now like an Apache and every once in a while making a cigarette and smoking it slowly as he thought about himself and Mr. Tanner and the others, then thinking about the army deserter.
497 497 Diego Luz came and squatted next to him, his arms on his knees and his big hands that he used for breaking horses hanging in front of him.
"Stay near if they want you for something," Valdez said. He was watching Beaudry tilt the bottle up. Diego Luz said nothing.
"One of them bends over," Bob Valdez said then, "you kiss it, uh?"