Blood Of Amber Part 23

On the other hand, I'd heard Flora say that it was easier the second time around. She'd been talking about the Pattern moments before, and I hoped that's what she was referring to.

The Grand Pattern of Amber, Emblem of Order. Matching in power the Great Logrus of the Courts, Sign of Chaos. The tensions between the two seem to generate everything that matters. Get involved with either, lose control-and you're done for. Just my luck to be involved with both. I've no one with whom to compare notes as to whether this makes things rougher, though it ma.s.sages my ego to think that the mark of the one makes the other more difficult . . . and they do mark you, both of them. At some level you are torn apart and rea.s.sembled along the lines of vast cosmic principles when you undergo such an experience-which sounds n.o.ble, important, metaphysical, spiritual and lovely, but is mainly a pain in the a.s.s. It is the price we pay for certain pawers, but there is no cosmic principle requiring me to say I enjoy it.

Both the Pattern and the Logrus give to their initiates the ability to traverse Shadow una.s.sisted-Shadow being the generic term for the possibly infinite collection of reality variations we play about in. And they also give us other abilities. . . .

Around and down. I slowed. I was feeling slightly dizzy, just like before. At least I wasn't planning on coming back this way. . . .

When the bottom finally came into sight I speeded up again. There was a bench, a table, a few racks and cases, a light to show them all. Normally, there was a guard on duty there, but I didn't see one. Could be off making rounds, though. There were cells somewhere to the left in which particularly unfortunate political prisoners might sometimes be found scrabbling about and going slowly out of their minds. I didn't know whether there were any such individuals doing time at the moment. I kind of hoped not. My father had once been one, and from his description of the experience it did not sound like easy time to do.

I halted when I reached the floor and called out a couple of times. I got back a suitably eerie echo, but no answer.

I moved to the rack and took up a filled lantern with my other hand. An extra one might come in handy. It was possible I would lose my way. I headed to the right then. The tunnel I wanted lay in that direction. After a long while, I stopped and raised a light, as it almost seemed I had come too far. There was still no tunnel mouth in sight. I looked back. The guard post was still in sight. I continued on, searching my memories of that last time.

Finally, there was a s.h.i.+fting of sounds-abrupt echoes of my footfalls.

It would seem I was nearing a wall, an obstacle. I raised a lantern again.

Yes. Pure darkness ahead. Gray stone about it. I went that way.

Dark. Far. There was a continuous shadow-show as my light slid over rocky irregularities, as its beams glanced off specks of brightness in the stone walls. Then there was a side pa.s.sage to my left. I pa.s.sed it and kept going. It seemed there should be another fairly soon. Yes. Two. . . .

The third was farther along. Then there was a fourth. I wondered idly where they all led. No one had ever said anything about them to me. Maybe they didn't know either. Bizarre grottoes of indescribable beauty? Other worlds? Dead ends? Storerooms? One day, perhaps, when time and inclination came together. . . .

Five. . . .

And then another.

It was the seventh one I wanted. I halted when I came to it. It didn't go back all that Ear. I thought of the others who'd pa.s.sed this way, and then I strode ahead, to the big, heavy, metal-bound door. There was a great key hanging from a steel hook that had been driven into the wall to my right. I took it down, unlocked the door and hung it back up again, knowing that the downstairs guard would check it and re-lock it at some point in his rounds; and I wondered-not for the first time-why it should be locked that way in the first place if the key was kept right there. It made it seem as if there were danger from something that might emerge from within. I had asked about that, but no one I'd questioned seemed to know. Tradition, I'd been told. Gerard and Flora had suggested, respectively, that I ask Random or Fiona. And they had both thought Benedict might know, but I'd never remembered to ask him.

I pushed hard and nothing happened. I put down the lanterns and tried again, harder. The door creaked and moved slowly inward. I recovered the lanterns and entered.

The door closed itself behind me, and Frakir-child of Chaos-pulsed wildly. I recalled my last visit and remembered why no one had brought an extra lantern upon that occasion: The bluish glow of the Pattern within the smooth, black floor lit the grotto well enough for one to see one's way about.

I lit the other lantern. I set the first one down at the near end of the Pattern and carried the other one with me about the periphery of the thing, setting it down at a point on its Farther side. I did not care that the Pattern provided sufficient illumination to take care of the business at hand. I found the d.a.m.ned thing spooky, cold and downright intimidating. Having an extra natural light near at hand made me feel a lot better in its presence.

I studied that intricate ma.s.s of curved lines as I moved to the comer where they began. I had quieted Frakir but I had not entirely subdued my own apprehensions. If it were a response of the Logrus within me, I wondered whether my reaction to the Logrus itself would be worse were I to go back and essay it again, now that I bore the Pattern as well. Fruitless speculation. . . .

I tried to relax. I breathed deeply. I shut my eyes for a moment. I bent my knees. I lowered my shoulders. No use waiting any longer. . . .

I opened my eyes and set my foot upon the Pattern. Immediately, sparks rose about my foot. I took another step. More sparks. A tiny crackling noise. Another step. A bit of resistance as I moved again. . . .

It all came back to me-everything I had felt the first time through: the chill, the small shocks, the easy areas and the difficult ones. There was a map of the Pattern somewhere inside me, and it was almost as if I read from it as I moved along that first curve, resistance rising, sparks flying, my hair stirring, the crackling, a kind of vibration. . . .

I reached the First Veil, and it was like walking in a wind tunnel. Every movement involved heavy effort. Resolve, though; that was all that it really took. If I just kept pus.h.i.+ng I would advance, albeit slowly. The trick was not to stop. Starting again could be horrible, and in some places impossible. Steady pressure was all that was required just now. A few moments more and I would be through. The going would be easier. It was the Second Veil that was the real killer. . . .

Turn, turn. . . .

I was through. I knew the way would be easy now for a time. I began to stride with a bit of confidence. Perhaps Flora had been right. This part seemed a little less difficult than it had the first time. I negotiated a long curve, then a sharp switchback. The sparks reached up to my boottops now. My mind was flooded with April thirtieths, with family politics in the Courts, where people dueled and died as the succession to the succession to the succession wound and s.h.i.+fted its intricate way through blood rituals of status and elevation. No more. I was done with all that. Push it away. They might be a lot politer about it, but more blood was spilled there than in Amber, and for the d.a.m.nedest small advantages over one's fellows. . . .

I gritted my teeth. It was hard to keep my mind focused on the task at hand. Part of the effect, of course. I remembered that too, now. Another step. . . . Tingling sensations all the way up my legs. . . . The crackling sounds as loud as a storm to me. . . . One foot in front of the other. . . . Pick them up, put them down. . . . Hair standing on end now. : . . Turn. . . . Push. . . . Bringing the Starburst in before an autumn squall, Luke running the sails, wind like the breath of dragons at our back. . . . Three more steps and resistance rises. . . .

I am upon the Second Veil, and it is suddenly as if I am trying to push a car out of a muddy ditch. . . . All my strength goes forward, and the return on it is infinitesimal. I move with glacial slowness and the sparks are about my waist. I am blue flame. . . .

My mind is abruptly stripped of distraction. Even Time goes away and leaves me alone. There is only this pastless, nameless thing I am become, striving with its entire being against the inertia of all its days-an equation so finely balanced that I should be frozen here in mid-stride forever, save that this cancellation of ma.s.ses and forces leaves the will unimpaired, purifies it in a way, so that the process of progress seems to transcend the physical striving. . . .

Another step, and another, and I am through, and ages older and moving again, and I know that I am going to make it despite the fact that I am approaching the Grand Curve, which is tough and tricky and long. Not at all like the Logrus. The power here is synthetic, not a.n.a.lytic. . . .

The universe seemed to wheel about me. Each step here made me feel as if I were fading and coming back into focus, being broken down and rea.s.sembled, scattered and gathered, dying and reviving. . . .

Outward. Onward. Three more curves then, followed by a straight line. I pushed ahead. Dizzy, nauseated. Soaking wet. End of the line. A series of arcs. Turn. Turn. Turn again. . . .

I knew that I was coming up to the Final Veil when the sparks rose to become a cage of lightnings and my feet began to drag again. The stillness and the terrible pus.h.i.+ng. . . .

But this time I felt somehow fortified, and I drove onward knowing that I would win through. . . .

I made it, shaking, and only a single short arc remained. Those final three steps may well be the worst, however. It is as if, having gotten to know you this well, the Pattern is reluctant to release you. I fought it here, my ankles sore as at any race's end. Two steps. . . . Three Off. Standing still. Panting and shuddering. Peace. Gone the static. Gone the sparks. If that didn't wash off the blue stones' vibes I didn't know what would.

Now-well, in a minute-I could go anywhere. From this point, in this moment of empowerment, I could command the Pattern to transport me anywhere and I would be there delivered. Hardly a thing to waste to, say, save myself a walls up the spiral staircase and back to my rooms. No. I had other plans. In a minute...

I adjusted my apparel, ran my hand through my hair, checked my weapons and my hidden Trump, waited for the pounding of my pulse to subside.

Luke had sustained his injuries in a battle at the Keep of the Four Worlds, fighting with his former friend and ally Dalt, the mercenary, son of the Desacratrix. Dalt meant little to me save as a possible obstacle, in that he now seemed in the employ of the keeper of the Keep. But even allowing for any time differential-which was probably not that great-I had seen him fairly soon following his fight with Luke. Which seemed to indicate that he was at the Keep when I had reached him via his Trump.

Okay.

I tried to recall it, my memory of the room where I had reached Dalt.

It was pretty sketchy. What was the minimum amount of data the Pattern required in order to operate? I recalled the texture of the stone wall, the shape of the small window, a bit of worn tapestry upon the wall, strewn rushes on the floor; a low bench and a stool had come into view to his rear when Dalt had moved, a crack in the wall above them- and a bit of cobweb. . .

I formed the image as sharply as I could. I willed myself there. I wanted to be in that place. . . .

And I was.

I turned around quickly, my hand on the hilt of my blade, but I was alone in the chamber. I saw a bed and an armoire, a small writing table, a storage chest, none of which had been in my line of sight during my brief view of the place. Daylight shone through the small window.

I crossed the room to its single door and stood there for a long while, listening. There was only silence on the other side. I opened it a crack-it swung to the left-and looked upon a long, empty hallway. I eased the door farther open. There was a stairway directly across from me, leading down. To my left was a blank wall. I stepped outside and closed the door. Go down or go right? There were several windows on both sides of the hallway. I moved to the nearest one, which was to my right, and looked out.

I saw that I was near to the lower comer of a rectangular courtyard, more buildings across the way and to my right and left, all of them con nected at the corners save for an opening to the upper right which seemed as if it led to another courtyard where a very large structure rose beyond the buildings directly across from me. There were perhaps a dozen troops in the courtyard below, disposed near various entranceways, though not giving the appearance of being formally on guard-that is, they were engaged in cleaning and repairing their gear. Two of them were heavily bandaged. Still, most seemed in such a state that they could leap to service fairly quickly.

At the yard's Ear end was a strange bit of flotsam, looking like a large broken kite, which seemed somehow familiar. I decided to head along the hallway, which paralleled the courtyard, for it seemed that this would take me into those buildings along the farther edge of the perimeter and probably give me a view into the next yard.

I moved along the hallway, alert to any sounds of activity. There was nothing but silence as I advanced to the corner. I waited there for a long while, listening.

In that I heard nothing, I rounded the comer then, and froze. So did the man seated on the windowsill to the right. He wore a chain mail s.h.i.+rt, a leather cap, leather leggings and boots. There was a heavy blade at his side, but it was a dagger that he held in his hand, apparently giving himself a manicure. He looked as surprised as I felt when his head jerked in my direction.

"Who are you?" he asked.

His shoulders straightened and he lowered his hands as if to push himself from his perch and into a standing position.

Embarra.s.sing to both of us. He seemed to be a guard. Whereas alertness or attempted stealth might have betrayed him to Frakir or myself, sloth had provided him with excellent concealment and me with a small dilemma. I was sure I couldn't bluff him, or trust to the result if I seemed to. I did not wish to attack him and create a lot of noise. This narrowed my choices. I could kill him quickly arid silently with a neat little cardiacarrest spell I had hanging in front of me. But I value life too highly to waste it when there is no need. So, as much as I hated to spend another spell that I carried this soon, I spoke the word that caused my hand to move reflexively through an accompanying gesture, and I had a glimpse of the Logrus as its force pulsed through me. The man closed his eyes and slumped back against the cas.e.m.e.nt. I adjusted his position against slippage and left him snoring peacefully, the dagger still in his hand. Besides, I might have a greater need for the cardiac-arrest spell later.

The corridor entered some sort of gallery ahead, which seemed to bulge in both directions. In that I could not sec what lay at either hand beyond a certain point, I knew that I would have to expend another spell sooner than I might wish. I spoke the word for my invisibility spell, and the world grew several shades darker. I had been hoping to get a little farther before I had to use it, since it was only good for about twenty minutes and I had no idea where my prize might lie. But I couldn't afford to take chances. I hurried along and pa.s.sed into the gallery, which proved empty.

I teamed a little more geography in that place, though. I had a view from there into the next courtyard, and it was gigantic. It contained the ma.s.sive structure I had glimpsed from the other side. It was a huge, solidly built fortress; it appeared to have only one entrance, and that well guarded. From the opposite side of the gallery, I saw that there was also an outer courtyard, leading up to high, well-fortified walls.

I departed the gallery and sought a flight of stairs, almost certain that that hulking gray-stone structure was the place I should be searching. It had an aura of magic about it that I could feel down to my toes.

I jogged along the hallway, took a turn and saw a guard at the head of a stairway. (f he felt anything of my pa.s.sage it was only the breeze stirred by my cloak. I rushed down the stairs. There was an adit at its foot, leading to another corridor-a dark one-off to the left; and there was a heavy ironbound door directly before me, in the wall facing the inner courtyard.

I pushed the door open, pa.s.sed through and stepped aside quickly, for a guard had turned, stared and was beginning to approach. I avoided him and moved toward the citadel. A focus of powers, Luke had said. Yes. I could feel this more strongly the closer I got to the place. I did not have time to try to figure out how to deal with them, to channel them. Anyway, I'd brought along my private stock.

When I neared the wall I cut to the left. A quick circuit was in order, for informational purposes. Partway around it, I saw that my guess that there was only one apparent entrance was correct. Also, there were no windows in its walls lower than about thirty feet. There was a high, spiked metal fence about the place, and a pit on the inside of the fence. The thing that most surprised me was not a feature of the structure, however. On its far side, near the wall, were two more of the large broken kites and three relatively intact ones. The matter of context no longer clouded my perception-not with the unbroken ones before me. They were hang gliders. I was eager to take a closer look at them, but time was running on my invisibility and I couldn't afford the detour. I hurried the rest of the way around and studied the gate.

The gate to the fence was closed and Banked by two guards. Several paces beyond it was a removable wooden bridge, reinforced with metal strapping, in place across the ditch. There were large eye bolts at its comers, and there was a winch built into the wall above the gate; the winch bore four chains terminating in hooks. I wondered how heavy the bridge was. The door to the citadel was recessed about three feet into the stone wall, and it was high, wide and plated, looking as if it could withstand a battering ram's pounding for a good long while.

I approached the gate to the fence and studied it. No lock on it-just a simple hand-operated latching mechanism. I could open it, run through, dash across the span and be at the big door before the guards had any idea as to what might be going on. On the other hand, considering the nature of the place, they might well have had some instruction as to the possibility of an unnatural attack. If so, it would not be necessary for them to see me if they responded quickly and cornered me in the alcove. And I'd a feeling the heavy door inside was not unlocked.

I mused for several moments, sorting through my spells. I also checked again on the position of the six or eight other people in the yard. None were too near, none moving in this direction. . . .

I advanced upon the guards quietly and placed Frakir on the shoulder of the man to my left with an order for a quick choke. Three rapid steps to the right, then, and I struck the other guard on the left side of his neck with the edge of my hand. I caught him beneath the armpits, to prevent the rattling a fall would produce, and lowered him to his rump, back against the fence, to the right of the gate. Behind me, though, I heard the clatter of the other man's scabbard against the fence as he slumped, clutching at his throat. I hurried to him, guided him the rest of the way to the ground and removed Frakir. A quick glance about showed me that two other men across the courtyard were now looking in this direction. d.a.m.n.

I unlatched the gate, slipped within, closed it and latched it behind me. I hurried across the bridge then and looked back. The two men I had noticed were now headed in this direction. Therefore, I was immediately presented with another choice. I decided to see how arduous the more strategically sound one might be.

Squatting, I caught hold of the nearest corner of the bridge-to my right. The ditch it spanned seemed something like twelve feet in depth, and it was almost twice that in width.

I began straightening my legs. d.a.m.ned heavy, but the thing creaked and my comer rose several inches. I held it there for a moment, got control of my breathing and tried again. More creaking and a few more inches. Again. . . . My hands hurt where the edges pressed into them. My arms felt as if they were being slowly wrenched from their sockets. As I straightened my legs and strained upward with even greater exertion, I wondered how many people fail in robust undertakings because of sudden lower back problems. I guess they're the ones you don't hear about. I could feel my heart pounding as if it filled my entire chest. My corner was now about a foot above the ground, but the edge to my left was still touching. I strained again, feeling the perspiration appear as if by magic across my brow and under my arms. Breathe. . . . Up!

It went to knee level, then above. The corner to my left was finally raised. I heard the voices of the two approaching men-loud, excited they were hurrying now. I began edging to my left, dragging the whole structure with me. The corner directly across from me moved outward as I did so. Good. I kept moving. The comer to my left was now a couple of feet out over the chasm. I felt fiery pains all the way up my arms and into my shoulders and neck. Farther. . . .

The men were at the gate now, but they paused to examine the fallen guards. Good, again. I still wasn't certain that the bridge might not catch and hold if I were to drop it. It had to slip into the chasm, or I was making myself a candidate for disk surgery for nothing. Left. . . .

It began swaying in my grip, tipping to the right. I could tell that it was going to slip from my control in a few moments. Left again, left . . . almost. . . . The men had turned their attention from the fallen guards to the moving bridge now and were fumbling at the latch. Two more were rus.h.i.+ng to join them from across the way, and I heard a series of shouts. Another step. The thing was really slipping now. I wasn't going to be able to hold it. . . . One more step. . . .

Let go and get back!

My corner crashed against the edge of the chasm, but the wood splintered and the edge gave way and I kept retreating. The span flopped over as it fell, struck against the far side twice and hit the bottom with a terrific crash. My arms hung at my sides, useless for the moment.

I turned and headed for the doorway. My spell was still holding, so at least I was not a target for any hurled missiles from the other side of the moat.

When I got to the door it took all that I had of effort to raise my arms to the big ring on the right-hand side and catch hold of it. But nothing happened when I pulled. The thing was secured. I had expected that, though, and was prepared. I'd had to try first, however. I do not spend my spells lightly.

I spoke the words, three of them this time-less elegant because it was a sloppy spell, though it possessed immense force.

My entire body shook as the door exploded inward as if kicked by a giant wearing a steel-toed boot. I entered immediately and was immediately confused as my eyes adjusted to the dimness. I was in a two-storyhigh hall. Stairways rose to the right and the left ahead of me, curving inward toward a railed landing, the terminus of a second-floor hallway. There was another hallway below it, directly across from me. Two stairways also headed downward, to the rear of those which ascended. Decisions, decisions. . . .

In the center of the room was a black stone fountain, spraying flamesnot water-into the air; the fire descended into the font's basin, where it swirled and danced. The flames were red and orange in the air, white and yellow below, rippling. A feeling of power filled the chamber. Anyone who could control the forces loose in this place would be a formidable opponent indeed. With luck, I might not have to discover how formidable.

I almost wasted a special attack when I became aware of the two figures in the corner, off to my right. But they hadn't stirred at all. They were unnaturally still. Statues, of course. . . .

I was trying to decide whether to go up, go down or move straight ahead, and I'd just about decided to descend, on the theory that there is some sort of instinct to imprison enemies in dank, below-ground quarters, when something about the two statues drew my attention again. My vision having adjusted somewhat, I could now make out that one was a white-haired man, the other a dark-haired woman. I rubbed my eyes, not realizing for several seconds that I had seen the outline of my hand. My invisibility spell was dissipating. . . .

I moved toward the figures. The fact that the old man was holding a couple of cloaks and hats should have been the tipoff. But I raised the skirt of his dark blue robe anyway. In the suddenly brighter light from the fountain I saw where the name RINALDO had been carved into his right leg. Nasty little kid, that.

The woman at his side was Jasra, saving me the problem of seeking her amid rodents below. Her arms were also outstretched, as in a warding gesture, and someone had hung a pale blue umbrella upon the left and a light gray London Fog raincoat upon the right; the matching rain hat was on her head, at a lopsided angle. Her face had been painted like a clown's and someone had pinned a pair of yellow ta.s.sels to the front of her green blouse.

The light behind me flared even more brightly, and I tamed to see what was going on. The fountain, it turned out, was now spewing its liquid-like fires a full twenty feet into the air. They descended to overflow the basin and spread outward across the flagged floor. A major rivulet was headed in my direction. At that point, a soft chuckle caused me to look upward.

Wearing a dark robe, cowl and gauntlets, the wizard of the cobalt mask stood on the landing above me, one hand on the railing, the other pointed toward the fountain. In that I had antic.i.p.ated our meeting on this expedition, I was not unprepared for the encounter. As the flames leaped even higher, forming a great bright tower that almost immediately began to bend and then topple toward me, I raised my arms in a wide gesture and spoke the word for the most appropriate of the three defensive spells I had hung earlier.

Air currents began to stir, powered by the Logrus, almost immediately achieving gale force and sending the flames back away from me. I adjusted my position then so that they were blown toward the wizard upstairs. Instantly, he gestured, and the flames fell back within the fountain, sub- . siding to the barest glowing trickle.

Okay. A draw. I had not come here to have it out with this guy. I had come to finesse Luke by rescuing Jasra on my own. Once she was my prisoner, Amber would sure as h.e.l.l be safe from anything Luke had in mind. I found myself wondering, though, about this wizard, as my winds died down and the chuckle came again: Was he using spells, as I was? Or, living in the midst of a power source such as this, was he able to control the forces directly and shape them as he chose? If it were the latter, which I suspected, then he had a virtually inexhaustible source of tricks up his sleeve, so that in any full-scale compet.i.tion on his turf I would eventually be reduced to flight or to calling in the nukes-that is, summoning Chaos itself to utterly reduce everything in the area-and this was a thing I was not about to do, destroying all the mysteries, including that of the wizard's ident.i.ty, rather than solving them for answers that might be essential to Amber's well-being.

A s.h.i.+ning metallic spear materialized in midair before the wizard, hung a moment, then flashed toward me. I used my second defensive spell, summoning a s.h.i.+eld that turned it aside.

The only alternative I could see to my dueling with spells or blasting the place with Chaos would be for me to learn to control the forces here myself and try beating this guy at his own game. No time for practice now, though; I'd a job to do as soon as I could buy a few moments in which to get it done. Sooner or later, however, it seemed that we would have to have a full confrontation-since he seemed to have it in for me, and may well even have been the motive force behind the attack by the clumsy werewolf in the woods.

And I was not hot on taking chances to explore the power here further at this point-not if Jasra had been good enough to beat the original master of this place, Sharu Garrul, and then this guy had been good enough to beat Jasra. I'd give a lot, though, to know why he had it in for me....

So, "What do you want, anyway?" I called out.

Immediately, that metallic voice replied, "Your blood, your soul, your mind and your body."

"What about my stamp collection?" I hollered back. "Do I get to keep the First Day Covers?"

I moved over beside Jasra and threw my right arm about her shoulders.

"What do you want with that one, funny man?" the wizard asked. "She is the most worthless property in this place."

"Then why should you object to my taking her off your hands?"

"You collect stamps. I collect presumptuous sorcerers. She's mine, and you're next."

I felt the power rising against me again even as I shouted, "What have you got against your brothers and sisters in the Art?"

There was no reply, but the air about me was suddenly filled with sharp, spinning shapes-knives, ax blades, throwing stars, broken bottles. I spoke the word for my final defense, the Curtain of Chaos, raising a chittering, smoky screen about us. The sharp items hurtling in our direction were instantly reduced to cosmic dust on coming into contact with it.

Above the din of this engagement I cried out; "By what name shall I call you?"

"Mask!" was the wizard's immediate reply-not very original, I thought. I'd half expected a John D. MacDonald appellation-Nightmare Mauve or Cobalt Casque, perhaps. Oh, well.

I had just used my last defensive spell. I had also just raised my left arm so that that portion of my sleeve bearing the Amber Trump now hung within my field of vision. I had cut things a bit fine, but I had not yet played my full hand. So far, I had run a completely defensive show, and I was rather proud of the spell I had kept in reserve.

"She'll do you no good, that one," Mask said, as both our spells subsided and he prepared to strike again.

"Have a nice day, anyway," I said, and I rotated my wrists, pointed my fingers to direct the flow and spoke the word that beat him to the punch. "An eye for an eye!" I called out, as the contents of an entire florist shop fell upon Mask, completely burying him in the biggest d.a.m.ned bouquet I'd ever seen. Smelled nice, too.

There was silence and a subsidence of forces as I regarded the Trump, reached through it. Just as the contact was achieved there was a disturbance in the floral display and Mask rose through it, like the Allegory of Spring.