Forever. Part 8

But that face Amy Brisbane wore - I could still see it in my mind, even though her marionette strides had taken her past the storefront.

They had told Grace I was just a fling.

I b.u.mped a fist into my palm again and again, torn. I was aware that Cole was watching me.

That blank face - I knew it was the same one I was wearing these days.

They'd made her last days as a human, as Grace, miserable. Because of me.

I hated this. I hated knowing what I wanted and knowing what was right and knowing that they weren't the same thing.

"Cole," I said, "watch the store."

Cole turned, an eyebrow raised.

G.o.d, I didn't want to do this. Part of me wanted Cole to refuse and thus make my decision for me. "No one will come in. I'll only be a second. I promise."

Cole shrugged. "Knock yourself out."

I hesitated one more second, wis.h.i.+ng that I could just pretend it was someone else I'd seen walking on the sidewalk. After all, it had only been a face, half-hidden by a scarf, glimpsed for a second. But I knew what I'd seen.

"Don't burn anything down!" I pushed out the front door onto the sidewalk. I had to look away from the sudden brightness; the sun had only been able to peek in the front windows of the store, but outside, it came long and brilliant down the street. Squinting, I saw that Grace's mother had already made it most of the way down the block.

I hurried over the uneven sidewalk after her, pulled up short by two middle-aged ladies cackling over steaming coffee cups and then by a leathery old woman smoking in front of the thrift store and finally by a woman pus.h.i.+ng a sidewalk-eating double stroller.

I had to run then, overly aware of Cole minding the store during my absence. Grace's mother hadn't even paused before crossing the street. I paused, breathless, on the corner, to let a pickup truck go by, before catching up with her in the shady alcove in front of her purple studio. Up close, she was a molting parrot; her hair was frizzily escaping from a band, one side of her blouse was tucked unevenly into her skirt, and the scarf I'd seen earlier had pulled free so that it was far longer on one side than the other.

"Mrs. Brisbane," I said, my voice catching as my lungs sucked in a breath. "Wait."

I wasn't sure what expression I was expecting her to wear when she saw that it was me. I'd braced myself for disgust or anger. But she just looked at me like I was - nothing. An annoyance, maybe.

"Sam?" she said after a pause, like she had to think to recall my name. "I'm busy." She was fumbling with the key in the lock, and not managing it. After a moment, she abandoned the key she'd been using and began digging in her purse for another. The bag was a ma.s.sive, gaudy patchwork creation, full of clutter; if I needed any evidence that Grace was not her mother, that bag would have sufficed. Mrs. Brisbane didn't look at me as she dug through it. Her total dismissal - like I was not even worth fury or suspicion now - made me sorry that I'd come out of the store.

I took a step back. "I just thought you might not know. It's not Grace."

She jerked up to look at me so sharply that her scarf slid the rest of the way from her neck.

"I heard from Isabel," I said. "Culpeper. It's not Grace, the girl they found."

My little mercy felt less like a good idea as I realized that a suspicious mind could pull apart my story in a moment.

"Sam," Mrs. Brisbane said, in a very level voice, like she was addressing a young boy given to fibbing. Her hand hovered over her bag, fingers spread and motionless, like a mannequin. "Are you sure that's true?"

"Isabel will tell you the same thing," I said.

She closed her eyes. I felt a stab of satisfaction at the obvious pain she'd been feeling at Grace's absence, and then felt terrible for it. Grace's parents always managed that - making me feel like a worse version of myself. I ducked swiftly to pick up her scarf, awkward.

I handed the scarf to her. "I have to get back to the store."

"Wait," she said. "Come inside for a few moments. You have a few minutes, don't you?"

I hesitated.

She answered for me, "Oh, you're working. Of course you are. You - came out after me?"

I looked at my feet. "You looked like you didn't know."

"I didn't," she said. She paused; when I looked at her, her eyes were closed and she was rubbing the edge of the scarf on her chin. "The terrible thing, Sam, is that some other mother's daughter is dead out there and I can only be glad."

"Me, too," I said, very quietly. "If you're terrible, I am too, because I'm very, very glad."

Mrs. Brisbane looked at me then - really looked at me, lowering her hands and staring right at my face. "I guess you think I'm a bad mother."

I didn't say anything, because she was right. I softened it with a shrug. It was as close to lying as I could manage.

She watched a car go by. "Of course you know that we had a big fight with Grace before she - before she got sick. About you." She glanced up at me to see if this was true. When I didn't reply, she took it as a yes. "I had a lot of stupid boyfriends before I got married. I liked being with boys. I didn't like being alone. I guess I thought Grace was like me, but she's not really like me at all, is she? Because you two are serious, aren't you?"

I was still. "Very, Mrs. Brisbane."

"Are you sure you won't come in? It's hard to have a pity party out here where everyone can see me."

I thought, uneasily, about Cole in the store. I thought about the people I'd pa.s.sed on the sidewalk. Two ladies with coffee. One smoking merchant. One lady with babies. The odds of Cole being able to get into trouble seemed fairly minimal.

"Just for a moment," I said.

CHAPTER NINETEEN.

* COLE *

A bookstore was not the most entertaining place to be marooned. I wandered around for a few minutes, looking for books that might mention me, scuffing the carpet on the stairs backward so that it said my name in lighter colored tracks, and searching for something less offensively inoffensive to play on the radio overhead. The place smelled like Sam - or, I guess, he smelled like the store. Like ink and old building and something more leafy than coffee but less interesting than weed. It was all very ... erudite. I felt surrounded by conversations I had no interest in partic.i.p.ating in.

I finally found a book on how to survive worst-case scenarios and settled on the stool behind the counter, resting my feet next to the cash register while I paged through. Being a werewolf was not listed. Neither was Recovering from addiction or Living with yourself.

The door dinged and I didn't lift my gaze, thinking it was just Sam returning.

"Oh, what are you doing here?"

I could identify her by the disdain in her voice and the rosiness of her perfume even before I looked up. G.o.d, she was hot. Her lips looked like they'd taste like Twizzlers. Her mascara was thick as paint and her hair was longer than before - I could have wrapped its icy blondeness twice around my finger, not that I was imagining such things. As she let the door close slowly behind her, her edible lips parted.

"Welcome to the Crooked Shelf," I said, raising an eyebrow. "Can I help you find something? Our self-help section is extensive."

"Oh, you should know," Isabel said. She was holding two paper cups and she forcefully put them down on the counter, away from my feet. She regarded my face with something like contempt. Or maybe fear. Did Isabel Culpeper possess this emotion? "What the h.e.l.l was Sam thinking? You know anyone can walk by on the street and see your face through those windows, right?"

"Nice view for them," I said.

"Must be nice to be so carefree."

"Must be nice to be so worried about other people's problems." Something slow and unfamiliar was moving through my veins. I was both surprised and impressed when I realized it was anger. I couldn't remember the last time I'd been angry - I was sure it had been something between me and my father - and I couldn't remember what I was supposed to do about it.

"I'm not playing mind games with you," she said.

I looked at the coffee cups she'd brought in. One for her, one for Sam. Such generosity seemed unlike the Isabel I knew. "Would you play mind games with Sam?" I asked.

Isabel stared at me for a long moment, and then she shook her head. "G.o.d, could you be any more insecure?"

The answer to that question was always yes, but I didn't appreciate her bringing up my less public vices. I leaned forward to examine the two drinks, while Isabel gazed at me with slow death simmering in her eyes. Removing the lids, I looked at the contents. One of them was something that smelled suspiciously healthy. Green tea, maybe, or possibly horse pus. The other one was coffee. I took a drink of the coffee. It was bitter and complicated, just enough cream and sugar to make it drinkable.

"That," she said, "was mine."

I smiled broadly at her. I didn't feel like smiling, but I hid that by smiling bigger. "And now it's mine. Which means we're almost even."

"G.o.d, Cole, what? Even for what?"

I looked at her and waited for it to come to her. Fifty points if she got it in thirty seconds. Twenty points if she got it in a minute. Ten points if she got it in ... Isabel just crossed her arms and looked out the window as if she were waiting for paparazzi to descend on us. Amazingly, she was so angry that I could smell it. My wolf senses were on fire with it; my skin p.r.i.c.kled. Buried instincts were telling me to react. Fight. Flight. Neither seemed applicable. When she didn't say anything, I shook my head and made a little phone gesture by my ear.

"Oh," Isabel said, and she shook her head. "Are you serious? Still? The calls? Come on, Cole. I wasn't going to do that with you. You're toxic."

"Toxic?" I echoed. Actually, I'd be lying if I said I wasn't flattered. There was a strength to that word that was tempting. Toxic. "Yes, toxicity. It's one of my finer features. Is this because I didn't sleep with you? Funny, normally girls yell at me because I did screw them."

She gave her hard little laugh: Ha. Ha. Ha. Her heels clicked as she strode around the counter to stand right next to me. Her breath was hot on my face; her anger was louder than her voice. "This look on my face is because I was standing this close to you two nights ago, watching you twitch and drool because of whatever you'd stuck in your veins. I pulled you out of that hole once. I'm on the edge looking in anyway, Cole. I can't be around someone else who is. You're dragging me down with you. I'm trying to get out."

And again, this is how Isabel always worked her magic on me. That little bit of honesty from her - and it wasn't that much - took the wind out of my sails. The anger I'd felt before was strangely hard to sustain. I took my legs off the counter, slowly, one at a time, and then I turned on the stool so I was facing her. Instead of backing up to give me more room, she stayed right there, standing between my legs. A challenge. Or maybe a surrender.

"That," I said, "is a lie. You only found me in the rabbit hole because you were already down there."

She was so close to me that I could smell her lipstick. I was painfully aware that her hips were only an inch away from my thighs.

"I'm not going to watch you kill yourself," Isabel said. A long minute pa.s.sed where we heard nothing but the roar of a delivery truck as it drove down the street outside. She was looking at my mouth, and suddenly she looked away. "G.o.d, I can't stay here. Just tell Sam I'll call him."

I reached out and put my hands on her hips as she tried to turn. "Isabel," I said. One of my thumbs was on bare skin, right above the waist of her jeans. "I wasn't trying to kill myself."

"Just chasing a high?" She attempted to turn again; I held on. I wasn't holding tight enough to keep her, but she wasn't pulling hard enough to get away, so we stayed as we were.

"I wasn't trying to get high. I was trying to become a wolf."

"Whatever. Semantics." Isabel wouldn't look at me now.

Letting go of her, I stood up so that we were face-to-face. I'd learned a long time ago that one of the finest weapons in my a.r.s.enal was my ability to invade personal s.p.a.ce. She turned to look at me and it was her eyes and my eyes and I felt a surging sensation of rightness, of saying the right thing at the right time to the right person, that too-rare sensation of having the right thing to say and believing it, too: "I'm only going to say this once, so you better believe me the first time. I'm looking for a cure."

CHAPTER TWENTY.

* SAM *

She - Amy, I tried to think of her as Amy instead of as Grace's mother - wrangled the door open and led me through a shady anteroom in a more muted purple than the front, and then into a startlingly bright main room full of canvases. The light was pouring in through the back wall of windows, which looked out onto a shabby lot with old tractors parked in it. If you ignored the view, the s.p.a.ce itself was professional and cla.s.sy - light gray walls, like a museum, with picture wires hanging from white molding along the ceiling. Paintings hung on the walls and leaned against the corners; some of them looked like they were still wet.

"Water?" she asked.

I stood in the middle of the room and tried not to touch anything. It took me a moment to put the word water in context: to drink, not to drown in.

"I'm fine," I told her.

Before, when I'd seen Amy's work, it had been strange and whimsical - animals in urban areas, lovers painted in odd colors. But all the canvases I saw now had been drained of life. Even if they were paintings of places - alleys and barns - they felt like barren planets. There were no animals, no lovers. No focal point. The only canvas that had any subject was the one currently on her easel. It was a huge canvas, nearly as tall as I was, and it was all white except for a very small figure sitting in the lower left corner. The girl's back was to the viewer, shoulders hunched up, dark blond hair down her back. Even facing away, it was unmistakably Grace.

"Go ahead, psychoa.n.a.lyze me," Amy said as I looked at the paintings.

"I'm trying to quit," I said. And making that little joke felt like a cheat, like last night, when I'd played the singing-the-next-line game with Cole when I should've been grilling him. I was consorting with the enemy.

"Say what you're thinking, then," she said. "You make me nervous, Sam. Did I ever say that? I guess I should have. Here, I'll say it. You never said anything when you were with Grace, and I didn't know how to deal with that. Everyone says something to me. I can make anyone talk. The longer you went without saying anything, the more I wondered what the problem was."

I looked at her. I knew I was only proving her point, but I didn't know what to say.

"Oh, now you're just messing with me," she went on. "What are you thinking?"

I was thinking lots of things, but most of them needed to stay thoughts, not words. All of them were angry, accusatory. I turned toward the Grace on the canvas, her back toward me, an effective barrier. "I was thinking that that is not a Grace that I ever knew."

She walked across the studio to stand next to me. I moved away from her. I was subtle, but she noticed it. "I see. Well, this is the only Grace I know."

I said, slowly, "She looks lonely. Cold." I wondered where she was.

"Independent. Stubborn." Amy let out a sudden sigh and whirled away from me, making me start. "I didn't think I was being a horrible mother. My parents never gave me any privacy. They read every book I read. Went to every social event I went to. Strict curfew. I lived under a microscope until I got to college and then I never went home again. I still don't talk to them. They still look at me under that giant gla.s.s." She made a binoculars motion at me. "I thought we were great, me and Lewis. As soon as Grace started wanting to do stuff on her own, we let her. I won't lie - I was really happy to have my social life back, too. But she was doing great. Everyone said that their kids were acting out or doing badly in school. If Grace had started doing badly, we would've changed."

It didn't sound like a confession. It sounded like an artist's statement. Conflict distilled into sound bites for the press. I didn't look at Amy. I just looked at that Grace on the canvas. "You left her all alone."

There was a pause. She hadn't expected me to say anything, maybe. Or maybe she just hadn't expected me to disagree. "That's not true," she said.

"I believe what she told me. I saw her cry over you guys. That was real. Grace isn't dramatic."

"She never asked for more," Amy said.

Now I looked at Amy - fixed her with my yellow eyes. I knew it made her uncomfortable; it made everyone uncomfortable. "Really?"

Amy held my gaze for a few seconds and then looked away. I thought she was probably wis.h.i.+ng she had left me on the sidewalk.