The Bourne Sanction Part 31

"Where is he? I'll take care of him," Arkadin said in his typical blunt way.

"No, no, I don't want him killed. I'll take care of Bourne. In the meantime, stay mobile. I'll be in touch shortly."

Bourne, kneeling down beside Kirsch, examined the dead body.

"There's a metal detector out front," Jens said. "How the h.e.l.l could someone bring a gun in here? Plus, there was no noise."

Bourne turned Kirsch's head so the back of it caught the light. "See here." He pointed to the entry wound. "And here. There's no exit wound, which there would have been with a shot fired at close range." He stood up. "Whoever killed him used a suppressor." He went out of the gallery with a purposeful stride. "And whoever killed him works here as a guard; the museum's security personnel are armed."

"There are three of them," Jens said, keeping pace behind Bourne.

"Right. Two on the metal detector, one roaming the galleries."

In the vestibule, the two guards were at their station beside the metal detector. Bourne went up to one of them, said, "I lost my cell phone somewhere in the museum and the guard in the second gallery said she'd help me locate it, but now I can't find her."

"Petra," the guard said. "Yeah, she just took off for her lunch break."

Bourne and Jens went through the front door, down the steps onto the sidewalk, where they looked left and right. Bourne saw a uniformed female figure walking fast down the block to their right, and he and Jens took off after her.

She disappeared around a corner, and the two men sprinted after her. As they neared the corner Bourne became aware of a sleek Mercedes sedan as it came abreast of them.

Icoupov was appalled to discover Bourne exiting the museum in the company of Franz Jens. Jens's appearance told him that his enemy wasn't leaving anything to chance. Jens's job was to keep Icoupov's people away from Bourne, so that Bourne had a clear shot at retrieving the attack plans. A certain dread gripped Icoupov. If Bourne was successful all was lost; his enemy would have won. He couldn't allow that to happen.

Leaning forward in the backseat, he drew a Luger.

"Pick up speed," he told the driver.

Bracing himself against the door frame, he waited until the last instant before depressing the b.u.t.ton that slid the window down. He took aim at the running figure of Jens, but Jens sensed him, slowed as he turned. With Bourne now safely three paces ahead, Icoupov squeezed off two shots in succession.

Jens slipped to one knee, skidded off the sidewalk as he went down. Icoupov fired a third shot, just to be sure Jens didn't survive the attack, then he slid the window up.

"Go!" he said to the driver.

The Mercedes shot forward, down the street, screeching away from the b.l.o.o.d.y body tangled in the gutter.

Thirty-Two.

ROB BATT sat in his car, a pair of night-vision binoculars to his eyes, chewing over the recent past as if it were a piece of gum that had lost its flavor.

From the time that Batt had been called into Veronica Hart's office and confronted with his treacherous actions against CI, he'd gone numb. At the moment, he'd felt nothing for himself. Rather, his enmity toward Hart had morphed into pity. Or maybe, he had thought, he pitied himself. Like a novice, he'd stepped into a bear trap; he'd trusted people who never should have been trusted. LaValle and Halliday were going to have their way, he had absolutely no doubt of it. Filled with self-disgust, he'd begun his long night of drinking.

It wasn't until the morning after that Batt, waking up with the father of all hangovers, realized that there was something he could do about it. He thought about that for some time, while he swallowed aspirins for his pounding head, chasing them down with a gla.s.s of water and angostura bitters to calm his rebellious stomach.

It was then that the plan formed in his mind, unfolding like a flower to the rays of the sun. He was going to get his revenge for the humiliation LaValle and Kendall had caused him, and the real beauty part was this: If his scheme worked, if he brought them down, he'd resuscitate his own career, which was on life support.

Now, sitting behind the wheel of a rented car, he swept the street across from the Pentagon, on the lookout for General Kendall. Batt was canny enough to know better than to go after LaValle, because LaValle was too smart to make a mistake. The same, however, couldn't be said for the general. If Batt had learned one thing from his abortive a.s.sociation with the two it was that Kendall was a weak link. He was too tied to LaValle, too slavish in his att.i.tude. He needed someone to tell him what to do. The desire to please was what made followers vulnerable; they made mistakes their leaders didn't.

He suddenly saw life the way it must appear to Jason Bourne. He knew the work that Bourne had done for Martin Lindros in Reykjavik and knew that Bourne had put himself on the line to find Lindros and bring him home. But like most of his former co-workers, Batt had conveniently dismissed Bourne's actions as collateral happenstance, choosing to stick to the common wisdom that Bourne was an out-of-control paranoid who needed to be stopped before he committed some heinous act that would disgrace CI. And yet, people in CI had had no compunction about using him when all else failed, coercing him into playing as their p.a.w.n. But at last he, Batt, was no one's p.a.w.n.

He saw General Kendall exit a side door of the building and, huddled in his trench-coat, hurry across the lot to his car. He kept the general in his sights as he put one hand on the keys he'd already inserted in the ignition. At the precise moment Kendall leaned his right shoulder forward to start his engine, Batt flipped his own ignition, so Kendall didn't hear another car start when his did.

As the general pulled out of the lot, Batt set aside the night gla.s.ses and put his car in gear. The night seemed quiet and still, but maybe that was simply a reflection of Batt's mood. He was a sentinel of the night, after all. He'd been trained by the Old Man himself; he'd always been proud of that fact. After his downfall, though, he realized that it was this pride that had distorted his thinking and his decision making. It was his pride that made him rebel against Veronica Hart, not because of anything she said or did-he hadn't even given her the chance-but because he'd been pa.s.sed over. Pride was his weakness, one that LaValle had recognized and exploited. Twentytwenty hindsight was a b.i.t.c.h, he thought as he followed Kendall toward the Fairfax area, but at least it provided the humility he needed to see how far he'd strayed from his sworn duties at CI.

He kept well back of the general's car, varying his distance and his lane the better to avoid detection. He doubted that Kendall would consider that he might be followed, but it paid to be cautious. Batt was determined to atone for the sin he'd committed against his own organization, against the memory of the Old Man.

Kendall turned in at an anonymous modern-looking building whose entire ground floor was taken up by the In-Tune health club. Batt observed the general park, take out a small gym bag, and enter the club. Nothing useful so far, but Batt had long ago learned to be patient. On stakeouts it seemed nothing came quickly or easily.

And then, because he had nothing better to do until Kendall reappeared, Batt stared at the IN-TUNE IN-TUNE sign while he bit hunks off a Snickers bar. Why did that sign seem familiar? He knew he had never been inside, had never, in fact, been in this part of Fairfax. Maybe it was the name: sign while he bit hunks off a Snickers bar. Why did that sign seem familiar? He knew he had never been inside, had never, in fact, been in this part of Fairfax. Maybe it was the name: In-Tune In-Tune. Yes, he thought, it sounded maddeningly familiar, but for the life of him he couldn't think of why.

Fifty minutes had pa.s.sed since Kendall had gone in; time to train his night gla.s.ses on the entrance. He watched people of all description and build come in and out. Most were solitary figures; occasionally two women came out talking, once a couple emerged, headed in tandem for their car.

Another fifteen minutes pa.s.sed and still no Kendall. Batt had taken the gla.s.ses away from his eyes to give them a rest when he saw the gym door swung open. Fitting the binoculars back to his eyes he saw Rodney Feir step out into the night. Are you kidding me? Are you kidding me? Batt thought. Batt thought.

Feir ran his hand through his damp hair. And that's when Batt remembered why the name In-Tune In-Tune was so familiar. All CI directors were required to post their whereabouts after hours so if they were needed the duty officer could calculate how long it would take them to get back to headquarters. was so familiar. All CI directors were required to post their whereabouts after hours so if they were needed the duty officer could calculate how long it would take them to get back to headquarters.

Watching Feir walk over and get into his car, Batt bit his lip. Of course it might be sheer coincidence that General Kendall used the same health club as Feir, but Batt knew that in his trade there was no such thing as coincidence.

His suspicion was borne out when Feir did not fire up his car, but sat silent and still behind the wheel. He was waiting for something, but what? Maybe, Batt thought, it was someone.

Ten minutes later, General Kendall emerged from the club. He looked neither to the right nor the left, but went immediately to his car, started it up, and began to back out of his s.p.a.ce. Before he'd exited the lot, Feir started his car. Kendall turned right out of the lot and Feir followed.

Excitement flared in Batt's chest. Game on! Game on! he thought. he thought.

After the first two shots struck Jens, Bourne turned back toward him, but the third shot fired into Jens's head made him change his mind. He ran down the street, knowing the other man was dead, there was nothing he could do for him. He had to a.s.sume that Arkadin had followed Jens to the museum and had been lying in wait.

Turning the same corner as the museum guard, Bourne saw that she had hesitated, half turned to the sound of the shots. Then, seeing Bourne coming after her, she took off. She darted into an alley. Bourne, following, saw her vault up a corrugated steel fence, beyond which was a cleared building site bristling with heavy machinery. She grabbed hold of the top of the fence, levered herself up and over.

Bourne scaled the fence after her, jumping down onto the packed earth and concrete rubble on the other side. He saw her duck behind the mud-spattered flank of a bulldozer, and ran toward her. She swung up into the cab, slid behind the wheel, and fumbled with the ignition.

Bourne was quite close when the engine rumbled to life. Throwing the bulldozer into reverse, she backed up directly at him. She'd chosen a clumsy vehicle, and he leapt to one side, reached for a handhold, and swung up. The bulldozer lurched, the gears grinding as she struggled to shove it into first, but Bourne was already inside the cab.

She tried to draw her gun, but she was also trying to guide the bulldozer, and Bourne easily slapped the weapon away. It fell to the foot well, where he kicked it away from her. Then he reached over, turned off the engine. The moment he did that, the woman covered her face with her hands and burst into tears.

This is your mess," Deron said.

Soraya nodded. "I know it is."

"You came to us-Kiki and me."

"I take full responsibility."

"I think in this case," Deron said, "we have to share the responsibility. We could've said no, but we didn't. Now all of us-not just Tyrone and Jason-are in serious jeopardy."

They were sitting in the den of Deron's house, a cozy room with a wraparound sofa that faced a stone fireplace and, above it, a large plasma TV. Drinks were set out on a low wooden table, but n.o.body had touched them. Deron and Soraya sat facing each other. Kiki was curled up in the corner like a cat.

"Tyrone's already totally f.u.c.ked," Soraya said. "I saw what they're doing to him."

"Hold on." Deron sat forward. "There's a difference between perception and reality. Don't let them skullf.u.c.k you. They're not going to risk damaging Tyrone; he's their only leverage to coerce you to bring Jason to them."

Soraya, once again finding fear scattering her thoughts, reached over and poured herself a scotch. Rolling it around in the gla.s.s, she inhaled its complex aroma, which called to mind heather and b.u.t.terscotch. She recalled Jason telling her how sights, scents, idioms, or tones of voice could trigger his hidden memories.

She took a sip of the scotch, felt it ignite a stream of fire down to her stomach. She wanted to be anywhere but here now; she wanted another life; but this was the life she'd chosen, these were the decisions she'd made. There was no help for it-she could not abandon her friends; she had to keep them safe. How to do that was the vexing question.

Deron was right about LaValle and Kendall. Taking her back down to the interrogation room was a psychological ploy. What they'd showed her was minimal, now that she thought about it. They were counting on her to imagine the worst, to let those thoughts prey on her until she gave in, called Jason so they could take him into custody and, like a show dog, present him to the president as proof that, having accomplished what numerous CI initiatives could not, LaValle deserved to take over and run CI.

She took another sip of scotch, aware that Deron and Kiki were silent, patiently waiting for her to work through the mistake she'd made and, coming through the other side, put it behind her. But she had to take the initiative, to formulate a plan of counterattack. That was what Deron meant when he said, This is your mess This is your mess.

"The thing to do," she said, slowly and carefully, "is to beat LaValle at his own game."

"And how do you propose to do that?" Deron said.

Soraya stared down at the dregs of her scotch. That was just it, she had no idea.

The silence stretched out, growing thicker and more deadly by the second. At last, Kiki uncurled herself, stood up, and said, "I for one have had enough of this gloom and doom. Sitting around feeling angry and frustrated isn't helping Tyrone and it isn't helping us find a solution. I'm going out to have a good time at my friend's club." She looked from Soraya to Deron and back again. "So who's going to join me?"

The highlow wail of the police sirens came to Bourne as he sat beside the museum guard in the bulldozer. Up close, she looked younger than he had imagined. Her blond hair, which had been pulled back in a severe bun, had come loose. It flowed down around her pale face. Her eyes were large and liquid-red around the rims now from crying. There was something about them that made him think she'd been born sad.

"Take off your jacket," he said.

"What?" The guard appeared totally confused.

Without saying anything, Bourne helped her off with her jacket. Pus.h.i.+ng up the sleeves of her s.h.i.+rt, he checked the insides of her elbows, but found no Black Legion tattoo. Naked fear had joined the sadness in her eyes.

"What's your name?" he said softly.

"Petra-Alexandra Eichen," she said in a quavery voice. "But everyone calls me Petra." She wiped at her eyes, and gave him a sideways look. "Are you going to kill me now?"

The police sirens were very loud, and Bourne had a desire to get as far away from them as possible.

"Why would I do that?"

"Because I . . ." Her voice faltered and she choked, it seemed, on her own words, or on an emotion welling up. "I shot your friend."

"Why did you do that?"

"For money," she said. "I need money."

Bourne believed her. She didn't act like a professional; she didn't talk like one, either. "Who paid you?"

Fear distorted her expression, magnified her eyes until they seemed to goggle at him. "I . . . I can't tell you. He made me promise, he said he'd kill me if I opened my mouth."

Bourne heard raised voices, using the clipped jargon endemic to police the world over. They'd started their dragnet. He retrieved her gun, a Walther P22, the small caliber being the only option for a silent kill in an enclosed s.p.a.ce, even with a suppressor.

"Where's the suppressor?"

"I threw it down a storm drain," she said, "as I was instructed to do."

"Continuing to follow orders isn't going to help. The people who hired you are going to kill you anyway," he said as he dragged her down from the bulldozer. "You're in way over your head."

She gave a little moan and tried to break away from him.

He grabbed her. "If you want, I'll let you go straight to the cops. They'll be here any minute."

Her mouth worked, but nothing intelligible came out.

Voices came to him, more distinct now. The police were on the other side of the corrugated wall. He pulled her in the opposite direction. "Do you know another way out of here?"

Petra nodded, pointing. She and Bourne ran diagonally across the yard, dodging heavy equipment as they picked their way through the rubble and around deep holes in the earth. Without turning around, Bourne could tell that the cops had entered the far side of the yard. He pushed Petra's head down as he himself bent over to keep them both from being spotted. Beyond a crane, a crew chief's trailer was set up on concrete blocks. Temporary electric lines were strung into it from just above the tin roof.

Petra threw herself headlong under the trailer, and Bourne followed. The blocks set the trailer just high enough for them to worm their way on their bellies to the far side, where Bourne saw that a gap had been cut in the chain-link fence.

Crawling through the gap, they found themselves in a quiet alley filled with industrial-size garbage bins and a Dumpster filled with broken tiles, jagged blocks of terrazzo, and pieces of twisted metal, no doubt from whatever buildings had once stood in the now empty s.p.a.ce behind them.

"This way," Petra whispered as she took them out of the alley and down a residential street. Around the corner, she went to a car and opened it with a set of keys.

"Give me the keys," Bourne said. "They'll be looking for you."

He caught them in midair, and they both got in. A block away they pa.s.sed a cruising police car. The sudden tension caused Petra's hands to tremble in her lap.

"We're going right past them," Bourne said. "Don't look at them."

Nothing further pa.s.sed between them until Bourne said, "They've turned around. They're coming after us."

Thirty-Three.

I'M GOING to drop you off somewhere," Arkadin said. "I don't want you in the middle of whatever's going to come."

Devra, in the pa.s.senger's seat of the rented BMW, shot him a skeptical look. "That doesn't sound like you at all."

"No? Who does it sound like?"

"We still have to get Egon Kirsch."

Arkadin turned a corner. They were in the center of the city, a place filled with old cathedrals and palaces. The place looked like something out of Grimm's Fairy Tales.

"There's been a complication," he said. "The opposition's king has entered the chess match. His name is Jason Bourne and he's here in Munich."