Tales of the Argonauts - LightNovelsOnl.com
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"How's your arm, Jack?" asked an incautious player.
There was a smile followed the question, which, however, ceased as Jack looked up quietly at the speaker.
"It bothers my dealing a little; but I can shoot as well with my left."
The game was continued in that decorous silence which usually distinguished the table at which Mr. John Oakhurst presided.
WAN LEE, THE PAGAN
As I opened Hop Sing's letter, there fluttered to the ground a square strip of yellow paper covered with hieroglyphics, which, at first glance, I innocently took to be the label from a pack of Chinese fire-crackers. But the same envelope also contained a smaller strip of rice-paper, with two Chinese characters traced in India ink, that I at once knew to be Hop Sing's visiting-card. The whole, as afterwards literally translated, ran as follows:--
"To the stranger the gates of my house are not closed: the rice-jar is on the left, and the sweetmeats on the right, as you enter.
Two sayings of the Master:--
Hospitality is the virtue of the son and the wisdom of the ancestor.
The Superior man is light hearted after the crop-gathering: he makes a festival.
When the stranger is in your melon-patch, observe him not too closely: inattention is often the highest form of civility.
Happiness, Peace, and Prosperity.
HOP SING."
Admirable, certainly, as was this morality and proverbial wisdom, and although this last axiom was very characteristic of my friend Hop Sing, who was that most sombre of all humorists, a Chinese philosopher, I must confess, that, even after a very free translation, I was at a loss to make any immediate application of the message. Luckily I discovered a third enclosure in the shape of a little note in English, and Hop Sing's own commercial hand. It ran thus:--
"The pleasure of your company is requested at No. -- Sacramento Street, on Friday evening at eight o'clock. A cup of tea at nine,--sharp.
"HOP SING."
This explained all. It meant a visit to Hop Sing's warehouse, the opening and exhibition of some rare Chinese novelties and curios, a chat in the back office, a cup of tea of a perfection unknown beyond these sacred precincts, cigars, and a visit to the Chinese theatre or temple.
This was, in fact, the favorite programme of Hop Sing when he exercised his functions of hospitality as the chief factor or superintendent of the Ning Foo Company.
At eight o'clock on Friday evening, I entered the warehouse of Hop Sing.
There was that deliciously commingled mysterious foreign odor that I had so often noticed; there was the old array of uncouth-looking objects, the long procession of jars and crockery, the same singular blending of the grotesque and the mathematically neat and exact, the same endless suggestions of frivolity and fragility, the same want of harmony in colors, that were each, in themselves, beautiful and rare. Kites in the shape of enormous dragons and gigantic b.u.t.terflies; kites so ingeniously arranged as to utter at intervals, when facing the wind, the cry of a hawk; kites so large as to be beyond any boy's power of restraint,--so large that you understood why kite-flying in China was an amus.e.m.e.nt for adults; G.o.ds of china and bronze so gratuitously ugly as to be beyond any human interest or sympathy from their very impossibility; jars of sweetmeats covered all over with moral sentiments from Confucius; hats that looked like baskets, and baskets that looked like hats; silks so light that I hesitate to record the incredible number of square yards that you might pa.s.s through the ring on your little finger,--these, and a great many other indescribable objects, were all familiar to me. I pushed my way through the dimly-lighted warehouse, until I reached the back office, or parlor, where I found Hop Sing waiting to receive me.
Before I describe him, I want the average reader to discharge from his mind any idea of a Chinaman that he may have gathered from the pantomime. He did not wear beautifully scalloped drawers fringed with little bells (I never met a Chinaman who did); he did not habitually carry his forefinger extended before him at right angles with his body; nor did I ever hear him utter the mysterious sentence, "Ching a ring a ring chaw;" nor dance under any provocation. He was, on the whole, a rather grave, decorous, handsome gentleman. His complexion, which extended all over his head, except where his long pig-tail grew, was like a very nice piece of glazed brown paper-muslin. His eyes were black and bright, and his eyelids set at an angle of fifteen degrees; his nose straight, and delicately formed; his mouth small; and his teeth white and clean. He wore a dark blue silk blouse; and in the streets, on cold days, a short jacket of astrachan fur. He wore, also, a pair of drawers of blue brocade gathered tightly over his calves and ankles, offering a general sort of suggestion, that he had forgotten his trousers that morning, but that, so gentlemanly were his manners, his friends had forborne to mention the fact to him. His manner was urbane, although quite serious. He spoke French and English fluently. In brief, I doubt if you could have found the equal of this Pagan shopkeeper among the Christian traders of San Francisco.
There were a few others present,--a judge of the Federal Court, an editor, a high government official, and a prominent merchant. After we had drunk our tea, and tasted a few sweetmeats from a mysterious jar, that looked as if it might contain a preserved mouse among its other nondescript treasures, Hop Sing arose, and, gravely beckoning us to follow him, began to descend to the bas.e.m.e.nt. When we got there, we were amazed at finding it brilliantly lighted, and that a number of chairs were arranged in a half-circle on the asphalt pavement. When he had courteously seated us, he said,--
"I have invited you to witness a performance which I can at least promise you no other foreigners but yourselves have ever seen. w.a.n.g, the court-juggler, arrived here yesterday morning. He has never given a performance outside of the palace before. I have asked him to entertain my friends this evening. He requires no theatre, stage accessories, or any confederate,--nothing more than you see here. Will you be pleased to examine the ground yourselves, gentlemen."
Of course we examined the premises. It was the ordinary bas.e.m.e.nt or cellar of the San Francisco storehouse, cemented to keep out the damp.
We poked our sticks into the pavement, and rapped on the walls, to satisfy our polite host--but for no other purpose. We were quite content to be the victims of any clever deception. For myself, I knew I was ready to be deluded to any extent, and, if I had been offered an explanation of what followed, I should have probably declined it.
Although I am satisfied that w.a.n.g's general performance was the first of that kind ever given on American soil, it has, probably, since become so familiar to many of my readers, that I shall not bore them with it here.
He began by setting to flight, with the aid of his fan, the usual number of b.u.t.terflies, made before our eyes of little bits of tissue-paper, and kept them in the air during the remainder of the performance. I have a vivid recollection of the judge trying to catch one that had lit on his knee, and of its evading him with the pertinacity of a living insect.
And, even at this time, w.a.n.g, still plying his fan, was taking chickens out of hats, making oranges disappear, pulling endless yards of silk from his sleeve, apparently filling the whole area of the bas.e.m.e.nt with goods that appeared mysteriously from the ground, from his own sleeves, from nowhere! He swallowed knives to the ruin of his digestion for years to come; he dislocated every limb of his body; he reclined in the air, apparently upon nothing. But his crowning performance, which I have never yet seen repeated, was the most weird, mysterious, and astounding.
It is my apology for this long introduction, my sole excuse for writing this article, and the genesis of this veracious history.
He cleared the ground of its enc.u.mbering articles for a s.p.a.ce of about fifteen feet square, and then invited us all to walk forward, and again examine it. We did so gravely. There was nothing but the cemented pavement below to be seen or felt. He then asked for the loan of a handkerchief; and, as I chanced to be nearest him, I offered mine. He took it, and spread it open upon the floor. Over this he spread a large square of silk, and over this, again, a large shawl nearly covering the s.p.a.ce he had cleared. He then took a position at one of the points of this rectangle, and began a monotonous chant, rocking his body to and fro in time with the somewhat lugubrious air.
We sat still and waited. Above the chant we could hear the striking of the city clocks, and the occasional rattle of a cart in the street overhead. The absolute watchfulness and expectation, the dim, mysterious half-light of the cellar falling in a grewsome way upon the misshapen bulk of a Chinese deity in the back ground, a faint smell of opium-smoke mingling with spice, and the dreadful uncertainty of what we were really waiting for, sent an uncomfortable thrill down our backs, and made us look at each other with a forced and unnatural smile. This feeling was heightened when Hop Sing slowly rose, and, without a word, pointed with his finger to the centre of the shawl.
There was something beneath the shawl. Surely--and something that was not there before; at first a mere suggestion in relief, a faint outline, but growing more and more distinct and visible every moment. The chant still continued; the perspiration began to roll from the singer's face; gradually the hidden object took upon itself a shape and bulk that raised the shawl in its centre some five or six inches. It was now unmistakably the outline of a small but perfect human figure, with extended arms and legs. One or two of us turned pale. There was a feeling of general uneasiness, until the editor broke the silence by a gibe, that, poor as it was, was received with spontaneous enthusiasm.
Then the chant suddenly ceased. w.a.n.g arose, and with a quick, dexterous movement, stripped both shawl and silk away, and discovered, sleeping peacefully upon my handkerchief, a tiny Chinese baby.
The applause and uproar which followed this revelation ought to have satisfied w.a.n.g, even if his audience was a small one: it was loud enough to awaken the baby,--a pretty little boy about a year old, looking like a Cupid cut out of sandal-wood. He was whisked away almost as mysteriously as he appeared. When Hop Sing returned my handkerchief to me with a bow, I asked if the juggler was the father of the baby. "No sabe!" said the imperturbable Hop Sing, taking refuge in that Spanish form of non-committalism so common in California.
"But does he have a new baby for every performance?" I asked. "Perhaps: who knows?"--"But what will become of this one?"--"Whatever you choose, gentlemen," replied Hop Sing with a courteous inclination. "It was born here: you are its G.o.dfathers."
There were two characteristic peculiarities of any Californian a.s.semblage in 1856,--it was quick to take a hint, and generous to the point of prodigality in its response to any charitable appeal. No matter how sordid or avaricious the individual, he could not resist the infection of sympathy. I doubled the points of my handkerchief into a bag, dropped a coin into it, and, without a word, pa.s.sed it to the judge. He quietly added a twenty-dollar gold-piece, and pa.s.sed it to the next. When it was returned to me, it contained over a hundred dollars. I knotted the money in the handkerchief, and gave it to Hop Sing.
"For the baby, from its G.o.dfathers."
"But what name?" said the judge. There was a running fire of "Erebus,"
"Nox," "Plutus," "Terra Cotta," "Antaeus," &c. Finally the question was referred to our host.
"Why not keep his own name?" he said quietly,--"Wan Lee." And he did.
And thus was Wan Lee, on the night of Friday, the 5th of March, 1856, born into this veracious chronicle.
The last form of "The Northern Star" for the 19th of July, 1865,--the only daily paper published in Klamath County,--had just gone to press; and at three, A.M., I was putting aside my proofs and ma.n.u.scripts, preparatory to going home, when I discovered a letter lying under some sheets of paper, which I must have overlooked. The envelope was considerably soiled: it had no post-mark; but I had no difficulty in recognizing the hand of my friend Hop Sing. I opened it hurriedly, and read as follows:--
"MY DEAR SIR,--I do not know whether the bearer will suit you; but, unless the office of 'devil' in your newspaper is a purely technical one, I think he has all the qualities required. He is very quick, active, and intelligent; understands English better than he speaks it; and makes up for any defect by his habits of observation and imitation.
You have only to show him how to do a thing once, and he will repeat it, whether it is an offence or a virtue. But you certainly know him already. You are one of his G.o.dfathers; for is he not Wan Lee, the reputed son of w.a.n.g the conjurer, to whose performances I had the honor to introduce you? But perhaps you have forgotten it.
"I shall send him with a gang of coolies to Stockton, thence by express to your town. If you can use him there, you will do me a favor, and probably save his life, which is at present in great peril from the hands of the younger members of your Christian and highly-civilized race who attend the enlightened schools in San Francisco.
"He has acquired some singular habits and customs from his experience of w.a.n.g's profession, which he followed for some years,--until he became too large to go in a hat, or be produced from his father's sleeve. The money you left with me has been expended on his education. He has gone through the Tri-literal Cla.s.sics, but, I think, without much benefit. He knows but little of Confucius, and absolutely nothing of Mencius. Owing to the negligence of his father, he a.s.sociated, perhaps, too much with American children.
"I should have answered your letter before, by post; but I thought that Wan Lee himself would be a better messenger for this.
"Yours respectfully,
"HOP SING."