Legacy Of Terror Part 13

'Dennis?' she asked. She felt her stomach rise, felt her hands begin to tremble as she remembered his paintings and the odd mood he had been in the previous afternoon.

'Yes,' Lee said. 'He found the cat this morning when he went for a walk before beginning his work. It was very early-he gets up quite early many days- and he knew Bess wouldn't be in the kitchen yet. He couldn't think of what to do with Bobo, but he knew that Bess mustn't find the animal. He knew how hurt she would be. Unfortunately, he made a bad choice. And Bess found the body.'

'But who killed it?' she persisted.

'Apparently, one of the neighbors,' he said uneasily. 'Bobo had a tendency to roam about that wasn't appreciated.'

'But they would have poisoned him. Or shot him. They wouldn't have stabbed him like that!'

'It's difficult to know just what people will do,' Lee said. 'Many of our neighbors are unfriendly towards us. I believe you met the Bradshaws. Well, they aren't the only people in the neighborhood who would do us a bad turn if they had the chance.'

'But-'

'Now,' Lee said, 'if you'll excuse me, I really must get back to the ledgers. Rest easy, Elaine. Tomorrow or the next day, Dr. Carter will make a breakthrough with Celia, and all this will be finished with. I'm sorry you arrived in the middle of such a mess.' He went behind his desk, sat down, and began to leaf through a sheaf of papers.

An hour later, as they sat on the sofa in the main drawing room, Gordon excused himself for the remainder of the evening, pleading work to be done with restaurant invoices. Evidently, he had sensed the mixture of anger, fear and confusion which filled her, for as he took his leave, he bent to her and brushed her cheek with his lips. And he said, 'I wish that you would lock your door again tonight and that you would, perhaps, brace it with a chair under the k.n.o.b.'

She was so shocked by the kiss, the tender kiss that still lingered on her smooth cheek, that she took some long seconds to find words. She said, at last, 'You believed me, then?'

'I see no reason to disbelieve you.'

'And your father-?'

'He is doing what he thinks is right.'

'Can't you persuade him-'

He waved his hand, negating what she was about to say. 'Elaine, this is all strange business. I do not know really what to believe. I just hope you will lock your door tonight. I shall lock mine, I know!'

Then he excused himself and left the room, pausing only by the arch to look back at her. There was concern mirrored in his face, a concern that touched her and made her feel quite rich, richer than a queen. Then he was gone. She attempted to will him to stay, to keep the archway filled with him so that she would not be alone. But that was impossible and silly.

And, in another way, she was just as glad that he was gone-for she did not know whether he would approve of what she intended to do now. When she had seen that Lee Matherly was not going to accept the hard reality of what she was placing before him, she knew that she would have to call Rand whenever she got the chance, even though she did not have Lee's support. Now, as bedtime drew near and she would have to soon look in on Jacob, she realized that the time had come.

She crossed the room and sat down in the heavy, maroon lounge chair in the corner by the archway. It engulfed her as if it were a living organism, soft and pliable.

The adding machine clicked and ratcheted in the den.

The cla.s.sical music still played upstairs.

She picked up the telephone from the end table beside the chair and dialed information to obtain the number of the precinct house out of which Captain Rand worked. A moment later, she dialed the police.

'Desk Sergeant Wilson,' a voice said. 'Can I help you?'

'I'd like to speak to Captain Rand,' she said, with no little amount of effort, her tongue cleaving to the roof of her mouth as if she had just eaten peanut b.u.t.ter.

'I'm sorry, the Captain is off duty now. Is there anyone else who can help you?'

'Could I have his home number?'

'I'm sorry, we don't give out home numbers of our officers. Did you want to make a report or something? If you'd tell me what-'

Out of the corner of her eye, she saw someone move into the archway from the hall. She turned just far enough to see Dennis Matherly looking down at her.

'I'm terribly sorry to have bothered you,' Elaine told the police sergeant.

'If someone else could help-'

'Sorry,' she repeated.

And she hung up.

She turned around and, with a supreme effort she would never have guessed herself capable of, managed to smile at Dennis. She said, 'I hear that you've finished the portrait of Celia that you were working on. I'd like to see it some time.'

'It isn't quite finished,' he said. 'Almost.'

'How much do you have to-'

He interrupted her, his voice lowered so that no one else could hear the exchange. 'Was that the police?'

She hesitated, fished for an answer, found that she simply could not find any reply.

He frowned. The lines in his face gave it a curiously rubber look, cleft so deeply that one could never believe they were etched in flesh. He licked his lips and stared away from her, at the sofa, as if he were seeing something that her own eyes would not register, something more than a piece of furniture.

He said, 'Do you still think it was one of the family?'

'No,' she said.

'You do, though.'

She did not answer this time.

'Who do you suspect, Elaine?'

'I don't know.'

He looked away from the sofa, engaged her eyes again. His own gaze was so intense that she could not look away from him, and she thought this must be what it was like to let Dr. Carter hypnotize you. His own gaze was so intense that she could not look away from him, and she thought this must be what it was like to let Dr. Carter hypnotize you.

'Elaine, you must have some idea. There must be someone who has made you suspicious.'

'No,' she said.

'Tell me,' he insisted, taking a step towards her.

'I just don't know!' The vehement tone she had adopted was a surprise even to her. The vehement tone she had adopted was a surprise even to her.

Dennis blinked, as if her tense, clipped reply had snapped him out of fantasy into reality, broken some daydream that had him bound in a spell. He backed away from her again, and he said, 'You'll have to come up and see the painting tomorrow.'

She could not reply. She was certain he could hear the heavy thumping of her heart and that he would understand-from that biological betrayal-who she most suspected. Him.

'It'll be finished by then,' he said.

She nodded her head.

'Tomorrow, then,' he said. And he went away, quietly.

For several minutes, she could not move. Her feet had fallen asleep and stung as if a thousand needles had been driven into them. The calves of her legs might have been molded from jelly, so weak were they and so regularly did they tremble. Her stomach was a knot which wouldn't come untied, and her chest was filled with lumps of dark, unmelting fear. She had to direct her thoughts to pleasant subjects, like the beautiful day which had just pa.s.sed and the good meal she had just eaten and the kiss Gordon had bestowed upon her cheek. Then Then she could get up. she could get up.

She mounted the stairs, wary of the shadows that always lay on them, night and day. She intended to look in on Jacob, see him to bed if necessary, and then lock herself in her room and brace the door with a chair just as Gordon had recommended.

It was going to be a long night.

Longer than any that had come before it.

And, something told her, it was going to be a bad night as well, a really terrible night.

Chapter 16.

Elaine did not immediately take notice of the book which someone had placed on the pillow at the head of her bed. The volume's cloth binding was a soft beige color which blended quite well with the bedspread; besides, she was far too intent on other things, when she entered her room, to be observant of details. She locked the oak door and tested the lock, found it unyielding. She took the straight-backed chair from the desk in the far corner and carried it to the door, braced the back of it under the k.n.o.b so that it acted as a barricade against the opening of the door even if someone should should manage to pick the lock without first alerting her. That done, she took a quick shower to wash away the weariness of the day, slipped into a pair of blue and yellow flowered pajamas, and turned on the television. She knew that she was not going to be able to sleep for a long time yet, if, indeed, she got any sleep at all this night. Walking to the bed, she sat down on the edge, satisfied herself that the picture on the set was clear enough and that the volume was properly adjusted, then reached out to stand her pillow against the headboard as a comfortable backrest. It was manage to pick the lock without first alerting her. That done, she took a quick shower to wash away the weariness of the day, slipped into a pair of blue and yellow flowered pajamas, and turned on the television. She knew that she was not going to be able to sleep for a long time yet, if, indeed, she got any sleep at all this night. Walking to the bed, she sat down on the edge, satisfied herself that the picture on the set was clear enough and that the volume was properly adjusted, then reached out to stand her pillow against the headboard as a comfortable backrest. It was then then that she found the book. that she found the book.

For a moment, she thought it had been something she had been reading and which she had let lay there. But she could not remember it. Besides, all her books were inexpensive paperbacks.

The cover and the spine were devoid of lettering. She had to open the book to the t.i.tle page to see what it was.

Recognizing the Possessed, a Detailed Guide to the Interpretation of the d.a.m.ned and a Reference of Case Histories in Exorcism, by Anonymous. by Anonymous.

Ordinarily, she would have found the excessively wordy t.i.tle amusing. Now, however, it was somehow chilling, as she tried to put together a meaning for that string of phrases. What on earth would such a book be concerned with?

Turning the page, she found a handwritten note, faded with age. She read it twice before she understood that it was a prayer of sorts, twisted in its form and purpose but a prayer nonetheless: 'Dear Jesus, Spirits of the Holy Dead, White Souls and Bemused Angels-watch over this book and keep this book safe. Be always conscious of the value of this book to mortals and see that it is transferred to those who require it, bringing light into an otherwise vast darkness. Make safe this book against the touch of those who would destroy it and the spells and stories it contains, those who would benefit from man's ignorance-meaning especially keep it from Satan, Spirits of Evil, Black Souls and Fallen Angels.'

Below the prayer on the blank page, someone had drawn a cross. And below the cross was lettered, INRI, the Latin abbreviation for Jesus of Nazareth, King of the Jews. Jesus of Nazareth, King of the Jews.

She had begun to suspect who had left the book for her. When she looked over the contents page and found that the book dealt with the possession of the living by the spirits of the dead, she was certain that either Jerry or Bess, and most likely both, was to blame.

Why?

What did they expect to tell her by leaving this book in her room? They must know that she would not be converted to accept their silly string of demons and ghosts, witches and warlocks, their world of spells and hexeroi and liberating chants. Certainly, too, the conversion could not be accomplished with a single book, even if she were amenable to their viewpoint.

She flipped through the pages to the first chapter and began to read the fine, sober print: 'Some say that the Dark Things have pa.s.sed into antiquity and that they no longer have meaning. It is now, these people tell us, in condescension they carefully nourish for those who would disagree with them, the Year of Our Lord Nineteen Hundred and Twenty-Eight. Such a year, they say, demands that man observe science as the only G.o.d and anti-G.o.d. In a time of automobiles and airplanes, of electric light and modern medicine, ghosts and spirits, so they a.s.sure us, have no place.

'But they are ignorant. And they refuse to be taught the truth, so content are they in their blindness.

'I, John Martin Stoltz, resident of York County, Pennsylvania, have therefore commissioned the printing of a thousand copies of the book you now hold in your hands. I have paid for the printing from my own pocket and do not wish profit on the venture. I will be content if, instead, those who own this book profit by the information it contains.'

Elaine put the book in her lap and stared at the television screen for a long moment. A silly situation comedy was playing, one of those in which the wife is always an utter lamebrain and the husband continually misunderstands everything he hears and runs around half-c.o.c.ked, messing up the situation even more than it was before he tried to fix it. Until that went off, at least, she might just as well see what Jerry and Bess had meant for her to understand.

Stoltz' introduction was a pompous mess, as smug throughout as in the first paragraph. And it was a tedious bore as well. Gratefully, she finished it and turned to the actual text which had been written by 'Anonymous' sometime in the early part of the 19th Century.

The first third of the book was a compilation of the 'case histories' upon which a thousand superst.i.tions had grown, each more fantastic than the one before it. The first tale dealt with a boy named Zachary Taine who, according to Anonymous, was an infantryman in the Colonial Army during the Revolutionary War. He had come of good Boston stock and was well liked by all-until it was discovered that Zachary was a ghoul and that it was he who had been responsible for the crude violation of a number of recent graves in military cemeteries during seven months of 1777.

As if this were not gruesome enough, the second story was about a Philadelphia shopkeeper who, in 1789, murdered his family while they slept and went on a murder spree that eventually left four more dead before the sunrise.

The third piece concerned a Frenchman who, during the Napoleonic Wars, had been infected with lycanthropy and roamed the night streets of old Paris as a wolfman, preying on innocent citizens. The werewolf of Paris.

Elaine closed the book and put it down on the nightstand. She was disgusted with John Robert Stoltz, with Anonymous, and with Jerry and Bess as well. Who could ever seriously believe such stuff as that? It was all a lot of baloney!

She was angry, too, because she now saw what the old couple was trying to tell her, and she felt as if she were in the middle of a huge joke. Stupid. What they apparently believed about these recent events was so childish that she would never have imagined that anyone in the civilized world would actually hold to such notions. Could they honestly be convinced that Amelia Matherly's spirit had returned from the dead, carrying the long-lost knife, and had taken control of one of the family? Yes, they could. They were not merely having sport with a gullible girl. She was not the least bit gullible. But they they were! were!

She got up, filled with impatient energy, and she paced the lines of the room as she considered what she would say to the old couple in the morning when she returned their ridiculous book. 'Here,' she would say, 'is your fairy tale collection. I did get a few laughs from it.' No, that was too abrupt, too much like a child's retort. But she would come up with something, something that would make them understand that she didn't want to be bothered with any more such gifts as Recognizing the Possessed* Recognizing the Possessed*

She was still pacing when the stone struck the window. It made a sharp, quick crack that startled her. She stopped pacing and turned to the gla.s.s, half expecting to see someone on the ledge, peering in.

There was only darkness.

A second later, another pebble, perhaps as large as a grape, rattled against the pane and fell back towards the earth.

Curious, she went to the window and pushed the heavy, amber drapes back even further until she had an un.o.bstructed view of the black gra.s.s and the creeping shadows of the monstrous trees. For a moment, she did not see anyone. As her eyes adjusted to the lack of light, however, she saw the man. He was standing in the deepest shadows at the base of the largest of the nearby willows.

Just standing there, very still.

Then he moved.

Another stone snapped sharply against the gla.s.s, directly in front of her face.

The man dropped his arm and stood still again, looking up at her with a face she could not see.

Elaine turned and looked at the clock by the bedside. It read ten minutes past midnight. She could not imagine who would be standing outside her window, at such a late hour, trying to attract her attention by throwing stones.

The man did not move, even now, and he was well concealed by the shadows in which he chose to linger. She could only see the outline of him, dark black against the brown-black lawn. Otherwise, the night obscured even the nature of the clothes he wore.

She slipped the bolt latch which held the halves of the gatelike window together, then lifted the hook out of the ring at the top. She swung the halves outward, like shutters.

'Who is it?' she asked.

He did not reply.

It had occurred to Elaine that the man standing beneath the window might very well be the killer, trying to attract her attention for some inexplicable reason that only a madman could fathom. Yet she was not particularly frightened at the thought of confronting him like this. Twenty feet of horizontal s.p.a.ce and twenty-five of verticle separated them. What could he do at that distance?

'Who is it, please?'

The man remained silent.

She leaned out, trying to get a better look at him, but she could not tell who it was.