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"They're on to him," she said in a husky voice. "That man that comed over on the stage with you give a description of him, this mornin', 't made 'em tumble to him after we had throwed 'em off the track. If I ever git a show at him! They knows 'twas Bill. That little devil Dennison is out ag'in."
"Oh, they won't catch him," said Keith; but as he spoke his face changed. "What if he should get drunk and come into town?" he asked himself.
"If they git him, they'll hang him," pursued the girl, without heeding him. "They're all up. You are so popular.
"Me?" exclaimed Keith, laughing.
"It's so," said the girl, gravely. "That Dave Dennison would kill anybody for you, and they're ag'in' Bill, all of 'em."
"Can't you get word to him?" began Keith, and paused. He looked at her keenly. "You must keep him out of the way.'
"He's wounded. You got him in the shoulder. He's got to see a doctor.
The ball's still in there."
"I knew it," said Keith, quietly.
The girl gazed at him a moment, and then looked away.
"That was the reason I have been a-pesterin' you, goin' back'ards and for'ards. I hope you will excuse me of it," she said irrelevantly.
Keith sat quite still for a moment, as it all came over him. It was, then, him that the man was after, not robbery, and this girl, unable to restrain her discarded suitor without pointing suspicion to him, had imperilled her life for Keith, when he was conceited enough to more than half accept the hints of strangers that she cared for him.
"We must get him away," he said, rising painfully. "Where is he?"
"He's hid in a house down the road. I have flung 'em off the track by abusin' of him. They know I am against him, and they think I am after you," she said, looking at him with frank eyes; "and I have been lettin'
'em think it," she added quietly.
Keith almost gasped. Truly this girl was past his comprehension.
"We must get him away," he said.
"How can we do it?" she asked. "They suspicion he's here, and the pickets are out. If he warn't hit in the shoulder so bad, he could fight his way out. He ain't afraid of none of 'em," she added, with a flash of the old pride. "I could go with him and help him; I have done it before; but I would have to break up here. He's got to see a doctor."
Keith sat in reflection for a moment.
"Tim Gilsey is going to drive the stage over to Eden to-night. Go down and see if the places are all taken."
"I have got a place on it," she said, "on the boot."
As Keith looked at her, she added in explanation:
"I take it regular, so as to have it when I want it."
Under Keith's glance she turned away her eyes.
"I am going to Eden to-night," said Keith.
She looked puzzled.
"If you could get old Tim to stop at that house for five minutes till I give Bluffy a letter to Dr. Balsam over at the Springs, I think we might arrange it. My clothes will fit him. You will have to see Uncle Tim."
Her countenance lit up.
"You mean you would stop there and let him take your place?"
"Yes."
The light of craft that must have been in Delilah's eyes when Samson lay at her feet was in her face. She sprang up.
"I will never forgit you, and Bill won't neither. He knows now what a hound he has been. When you let him off last night after he had slipped on the rock, he says that was enough for him. Before he will ever pull a pistol on you ag'in, he says he will blow his own brains out; and he will, or I will for him." She looked capable of it as she stood with glowing eyes and after a moment held out her hand. She appeared about to speak, but reflected and turned away.
When the girl left Keith's room a few moments later, she carried a large bundle under her arm, and that night the stage stopped in the darkness at a little shanty at the far end of the fast-growing street, and Keith descended painfully and went into the house. Whilst the stage waited, old Tim attempted to do something to the lamp on that side, and in turning it down he put it out. Just then Keith, with his arm in a sling and wrapped in a heavy coat, came out, and was helped by old Tim up to the seat beside him. The stage arrived somewhat ahead of time at the point which the railroad had now reached, and old Tim, without waiting for daylight, took the trouble to hire a buggy and send the wounded man on, declaring that it was important that he should get to a hospital as soon as possible.
Amus.e.m.e.nts were scarce in Gumbolt, and Ferdy Wickersham had been there only a day or two when, under Mr. Plume's guidance, he sought the entertainment of Terpsich.o.r.e's Hall. He had been greatly struck by Terpy that night on the road, when she had faced down the men and had afterwards bound up Keith's arm. He had heard from Plume rumors of her frequent trips over the road and jests of her fancy for Keith. He would test it. It would break the monotony and give zest to the pursuit to make an inroad on Keith's preserve. When he saw her on the little stage he was astonished at her dancing. Why, the girl was an artist! As good a figure, as active a tripper, as high a kicker, as dainty a pair of ankles as he had seen in a long time, not to mention a keen pair of eyes with the devil peeping from them. To his surprise, he found Terpy stony to his advances. Her eyes glittered with dislike for him.
He became one of the highest players that had ever entered the gilded apartment on Terpsich.o.r.e's second floor; he ordered more champagne than any man in Gumbolt; but for all this he failed to ingratiate himself with its presiding genius. Terpsich.o.r.e still looked at him with level eyes in which was a cold gleam, and when she showed her white teeth it was generally to emphasize some gibe at him. One evening, after a little pa.s.sage at arms, Wickersham chucked her under the chin and called her "Darling." Terpsich.o.r.e wheeled on him.
"Keep your dirty hands to yourself" she said, with a flash in her eye, and gave him such a box on the ear as made his head ring. The men around broke into a guffaw.
Wickersham was more than angry; he was enraged. He had heard a score of men call her by endearing names. He had also seen some of them get the same return that he received; but none so vicious. He sprang to his feet, his face flushed. The next second his senses returned, and he saw that he must make the best of it.
"You vixen!" he said, with a laugh, and caught the girl by the wrist. "I will make you pay for that." As he tried to draw her to him, she whipped from her dress a small stiletto which she wore as an ornament, and drew it back.
"Let go, or I'll drive it into you," she said, with fire darting from her eyes; and Wickersham let go amid the laughter and jeers of those about them, who were egging the girl on and calling to her to "give it to him."
Wickersham after this tried to make his peace, but without avail. Though he did not know it, Terpsich.o.r.e had in her heart a feeling of hate which was relentless. It was his description that had set the sheriff's posse on the track of her dissipated lover, and though she had "washed her hands of Bill Bluffy," as she said, she could not forgive the man who had injured him.
Then Wickersham, having committed one error, committed another. He tried to get revenge, and the man who sets out to get revenge on a woman starts on a sad journey. At least, it was so with Wickersham.
He attributed the snubbing he had received to the girl's liking for Keith, and he began to meditate how he should get even with them. The chance presented itself, as he thought, when one night he attended a ball at the Windsor. It was a gay occasion, for the Wickershams had opened their first mine, and Gumbolt's future was a.s.sured. The whole of Gumbolt was there--at least, all of those who did not side with Mr.
Drummond, the Methodist preacher. Terpsich.o.r.e was there, and Keith, who danced with her. She was the handsomest-dressed woman in the throng, and, to Wickersham's surprise, she was dressed with some taste, and her manners were quiet and subdued.
Toward morning the scene became hilarious, and a call was made for Terpsich.o.r.e to give a Spanish dance. The girl held back, but her admirers were in no mood for refusal, and the call became insistent.
Keith had gone to his room, but Wickersham was still there, and his champagne had flowed freely. At length the girl yielded, and, after a few words with the host of the Windsor, she stepped forward and began to dance.
She danced in such a way that the applause made the bra.s.s chandeliers ring. Even Wickersham, though he hated her, could not but admire her.
Keith, who had found it useless to try to sleep even in a remote corner of the hotel, returned just then, and whether it was that Terpsich.o.r.e caught sight of him as she glanced his way, or that she caught sight of Wickersham's hostile face, she faltered and stopped suddenly.
Wickersham thought she had broken down, and, under the influence of the champagne, turned with a jeer to Plume.
"She can't dance, Plume," he called across to the editor, who was at some little distance in the crowd.
Those nearest to the dancer urged her to continue, but she had heard Wickersham's jeer, and she suddenly faced him and, pointing her long, bare arm toward him, said: "Put that man out, or I won't go on."
Wickersham gave a laugh. "Go on? You can't go on," he said, trying to steady himself on his feet. "You can't dance any more than a cow."
He had never heard before the hum of an angry crowd.