Lily And The Octopus Part 7

"I work from home," I say, but I don't know why it makes a difference to me. "My phone is fried, my parking spot was too small, I stepped in"-I look down at my shoe-"urine. I don't know what to do about Lily. Should I go on?"

Trent puts his hand on my shoulder. "We need to get you laid." He surveys the room again, but the prospects are dim.

"Oh, I got laid."

"When?"

I reach for my phone to check today's date before remembering it's dead. "I don't remember. Recently." I guess there's life in me still.

"Recently?" He sounds skeptical.

"Yes. Recently." And then I'm forced to concede, "I think it was recently." Time runs together.

"Well, we need to get you laid again. At least some uncommitted lip." That's what he calls casual kissing.

"Maybe after eleven."

Why did I have such a distaste for Tuesdays, now that I freelance from home? Trent has a point. If I hated Tuesdays for their sameness when I was part of the world, a member of a more traditional workforce-their lack of anything to help them stand apart-wouldn't it make sense that I hate everything now? Every morning I rise at eight. It takes a little effort to wake Lily, but not much. I throw on some clothes, usually something that I can wear to the gym as a motivator to go. We head outside for the first of the day's walks. The morning sun feels just right, not too hot or oppressive. I know this in part because Lily only starts to pant when we round the corner in front of our house, and the panting goes away after she has just a few sips of water. I give Lily her breakfast and I have one (always one) cup of coffee sweetened with Stevia. I bring my laptop from my desk where it has charged overnight and sit in the kitchen in the spot where the glare from the window misses the screen. I write for an hour or maybe two and then have a bowl of Kas.h.i.+ covered with half of a sliced banana (the other half goes in the fridge). Then I allow myself the day's procrastination: I read the news, I argue with dumb people on websites, I stalk random crushes online. Sometimes I actually make it to the gym; lately not as often. In the afternoons I try to get out of the house, but even then the errands and the distractions have a sameness to them. Groceries for the night's meal, coffee on Larchmont, a movie at the Arclight I don't particularly want to see. I get in the car, I park the car, I get out of the car. The driving, the destination, I don't always remember. Lily and I take a second walk, an evening walk, where we enjoy the soft haze in the sky except at the height of summer when it is still quite bright, or the turn of the winter solstice when it is already dark. Lily gets dinner and a rawhide chew. I have a gla.s.s of wine and something to chew on myself, usually dried mango or apricot, but the unsulfured kind that doesn't give me headaches. I write for a spell. It's only the evening activities with Lily, game nights and movie nights and pizza, that provide a small respite from the monotony. At night I put my laptop back on my desk, and my phone back on its charger. Lily and I go out one last time. I never set an alarm before bed. I don't have to: my insides are as tuned in to the sameness as my everything else.

Someone has taken a seat on the barstool next to Trent and the two of them are talking. Trent gestures back at me. The guy leans in to see past Trent, looks at me, then holds his hand up as if to say "not interested." Trent turns back to me and shrugs.

"Who did you hook up with?" It's an obvious attempt to keep the conversation on my successes.

"Ma.s.sage guy. The one who came to my house."

"Theodore," Trent says disapprovingly. He calls me Theodore instead of Edward when he wants to full-name me, because he knows it gets under my skin.

"Not my name."

"Isn't that like paying for it?"

"No," I say with four or five o's, partly in defense of my reputation and partly in defense of ma.s.sage guy's. "I paid for a ma.s.sage. Then we got to talking, I offered him a drink, we each had a few while we continued our conversation, he's a writer, too, a librettist . . ."

"Libidinous?"

"No. Well, that, too. A librettist, he writes the words for . . . The point is, we had a surprising amount in common, so we talked for a while-and then . . ." I let the sentence finish itself. "It was like a date. Except, you know, I was wearing a towel."

Trent laughs. "I should have seen that one coming."

"It took me by surprise." But maybe I should have seen it coming, too. At least an indication it might happen.

An omen.

My eyes are too often closed to these things. Should I have seen it coming? Should I have seen the octopus coming? An omen for that? Octo. Latin for eight. But who did I know who was Latin? Any number of people. This is Los Angeles, after all. Maybe the Latin origin is the wrong thing to focus on, maybe it's the eight itself. The bartender pours a beer. There are eight pints in a gallon. Eight crayons in a box of Crayolas. Eight nights of Hanukkah. Eight atoms of something in octane. Carbon? Compounds of carbon form the basis of all life, could that be it? A stop sign has eight sides; is the octopus a sign for me to stop? And if so, stop what?

But can't omens be good as well as bad? If there was an omen of the octopus coming and I missed it, shouldn't I be looking for an omen of recovery, an omen of the octopus leaving? Omen is also Latin. Back to that again.

My brain hurts.

"What time is it?" I ask.

Trent checks his phone. "Eleven fifteen."

As if on cue, the door opens and a few people enter, laughing. They're all wearing black pants and white s.h.i.+rts. I elbow Trent who just mouths "Weird," studies the late arrivals, and lands on one guy with a pen stuck behind his ear.

"What about that one?" He's still focused on my getting some uncommitted lip.

I flag down the bartender. "Another round?" he asks.

"Can I ask you a really stupid question?"

"Shoot," he says.

"Isn't this a gay bar?"

The bartender laughs. "Used to be. The owners sold it. Now it's mostly a hangout for local restaurant servers when their s.h.i.+fts end. That's why it picks up late."

I look at Trent, who just shrugs.

My head hits the bar and I speak into the crook of my arm. "We're really bad at this," I say. "I blame you. You've been happy too long."

"I blame you. You've been unhappy too long." Trent fixes his gaze on the blank s.p.a.ce above me.

"What are you doing?"

"Looking for the black cloud over your head." He punches me playfully. I punch him back, a little less playfully.

"One more round," Trent says to the bartender, who places two fresh c.o.c.ktail napkins on the bar before retreating to make our drinks.

Friday How was your week?"

It's Friday again, which means I'm back in Jenny's b.u.t.ter office having scant recollections of Wednesday or Thursday. There was another seizure, not as bad as the first but still scary. There was a call from the vet, but they were not able to extract enough cells from the octopus to find anything conclusive; Doogie wants to put her under general anesthesia to collect a larger sample. There was supposed to be another date with the hugging guy, but I canceled, since I was feeling gross and unattractive and unworthy of being loved. Ironically, this will probably help him clarify his feelings; men are hunters and tend to like other men who don't make it easy.

Mostly, this week I withdrew.

Withdrawing, however, is difficult in therapy-even therapy with Jenny. It's especially hard today, as Jenny sits forward on her chair with renewed zeal for her occupation. As if another patient weary of her obtuse observations has reported her to some board and she's trying to avoid additional complaints. Or maybe she's finally cleared whatever hurdle of ambivalence was blocking her getting involved. In either case, great time to come alive, Jenny.

I don't want to answer her question, or maybe I don't know how. How was my week? The visit to the vet was . . . irritating? Not knowing the difference between a straight bar and a gay bar was . . . humiliating? My mouth is empty of adjectives and qualifying words, so I relent and swallow and sigh and tell her something else. "I might as well fill you in on our visitor."

"When you say our . . ." Jenny pauses. This is the kind of thing she never would have questioned in previous sessions. She would have figured it out contextually, or just not have been invested enough to care. This is an entirely new Jenny, and I don't like her.

"Lily and me. And my. And mine." The proper syntax eludes me.

"You and Lily. Okay. Proceed."

Proceed. Oh, goody, may I?

Jenny licks her upper lip, hungry for more of the story.

"Lily and I have an octopus." I pause for dramatic effect, but only get a confused stare. Then I launch into the whole ordeal, like I did for Trent, like I did for Doogie. It's already becoming like the package of stories I have preselected to recount on dates; I bore myself in the telling. Jenny nods as she listens and her eye contact is unwavering. I almost don't know who this woman is that I'm pouring my heart out to. Seriously, her scrutiny is unnerving.

"And when you say octopus, you mean . . ."

"Octopus. When I say we, I mean Lily and me, and when I say octopus, I mean octopus." Jenny still looks uncertain, so I pull out my phone and show her the picture of Lily and me with the lei. "Look. Right here. Except now it's bigger and more prominent and angry."

Jenny studies the photo and uses her fingers to zoom in on the octopus. This in itself enrages me (even though I did the same thing), like she's saying I'm making mountains out of molehills, that I have now been living a week and a day on the edge of hysteria for nothing. Plus, I just told her it was bigger now. Meaner. When she looks up there's something akin to pity in her eyes. Something more than a sorrowful understanding, yet shy of commiseration. But I don't want her pity, or whatever is pity-adjacent. I don't need it. I am going to fix this. I am going to prevail over the octopus. I don't want this look.

Jenny hands me back my phone. "Have you been to the veterinarian?"

Duh. "On Monday."

"What did she say?" Jenny does this thing where she defaults to the feminine p.r.o.noun to make some sort of point about a male-dominated society, something she probably picked up in a women's studies cla.s.s in the late nineties and that now feels woeful and stilted.

"He"-I emphasize the he-"couldn't say much of anything. He took a few cells to run some tests and the tests were inconclusive. Now they want to put Lily under anesthesia and take a larger sample."

"How do you feel about that?"

When I don't want to answer the question someone asks, I just give the answer to another, unasked question. I realize in this moment that I do this a lot. "I find myself leaving her alone for short periods. I don't want to be apart from her, but to be with her means I also have to be with him." I pause and Jenny nods. "Plus, the octopus came when I wasn't there, and there's a part of me that thinks I need to be gone for him to leave."

"Maybe the octopus isn't going to leave."

My answer to that is a glare.

"Maybe the octopus isn't going to leave, and what you're doing is emotionally detaching from Lily."

My stomach turns. "That's offensive. You're being offensive."

"I'm not meaning to be. It's a natural reaction to grief."

"Grief?" I say it with three question marks, as the word catches me by surprise. "What are you talking about? I'm not grieving."

Jenny raises an eyebrow as if to say, Aren't you?

"Grieving what? I'm fully focused on forcing the octopus to leave."

"Why can't you do both?" she asks.

Look who showed up to play.

Jenny continues. "Why can't you focus on getting the octopus to leave and prepare yourself for the possibility that he may not?"

"He will leave."

"I'll leave that for you and the vet to say. But Lily is older, and you've said yourself that she was the runt of her litter and her health has at times been tenuous. Unless something catastrophic happens to you in the near future, in all likelihood she is going to predecease you, and in the greater context of your life, relatively soon. If it's not the octopus that takes her, something else will eventually. A rhinoceros or a giraffe."

"A rhinoceros or a gir- How would a dog have a giraffe?" New Jenny has gone completely around the bend.

"It's natural, as our loved ones age, to start grieving their loss. Even before we lose them."

I run her words by my imaginary therapist, the one who I count on to take Jenny's bungled advice and turn it into something less botched. He's strangely silent for once; I'm afraid it means he finds nothing wrong with her diagnosis.

"What is grief, anyhow? What does it even mean?" I'm being obstinate.

"People describe it in different ways. I'd say it's a temporary derangement. Freud put it as something like a departure from the normal att.i.tude toward life."

I stare Jenny square in the eyes so she can see my annoyance. "One, my questions were rhetorical. I know what grief is. Two, thank you for calling me deranged."

Jenny smiles as if to soften her insult. "Grief is a pathological condition. It's just that so many of us go through it in life that we never think to treat it as such. We just expect people to go through it, endure it, and come out the other side."

The sun pours through the window and lands in a puddle just beyond Jenny's feet. She kicks off her shoes and stretches her naked toes into the sunlight. It reminds me of Lily, who makes a catlike effort to find whatever sun she can to nap in. It's not uncommon for me to find her with just her hind legs resting in her bed, the rest of her body stretched across the sun-warmed linoleum.

I think of the Valium and Vicodin that have sometimes been my suns.h.i.+ne; my desire to crawl into their warming rays. "Fine. I'm grieving. Maybe you can write me a prescription."

Unfortunately, Jenny knows my fears about addiction (we've covered that topic exhaustively) and doesn't bite. "We'll see."

Maybe I, too, am suffering impairment from the presence of the octopus, seizures in reason. My thoughts of late have resembled those of a small child more than the thinking of a grown man: the magical rationalization of needing to be gone so the octopus can leave; my desire to be intimidating, bigger than I am, to have the hurricane in me; the need to express everything in a tantrum.

"What do you think of when you think of mourning?" Jenny asks. The question snaps me back to attention.

I answer without really thinking. "I guess 'Funeral Blues' by W. H. Auden. I think it was Auden. I suppose that's not very original."

"I don't know it."

"It's a poem."

"I gathered."

"I'm just clarifying. It's not a blues alb.u.m."

Jenny ignores my swipe at her intelligence. "Does your response need to be original? Isn't that what poetry is for? For the poet to express something so personal that it ultimately is universal?"

I shrug. Who is Jenny, even New Jenny, to say what poetry is for? Who am I, for that matter?

"Why do you think of that poem in particular?"

" 'Stop all the clocks, cut off the telephone; Prevent the dog from barking with a juicy bone; Silence the pianos and with m.u.f.fled drum; Bring out the coffin, let the mourners come.' " I learned the poem in college and it stuck.

Jenny savors these words like she's testing a bottle of wine before saying, "Not inappropriate."

And this is where Old Jenny returns. This is where her observations are all wrong; this is where she's a nightmare as a therapist. It is inappropriate. It does not fit the situation or merit consideration in the context of our discussion, mostly for one glaring reason: Prevent the dog from barking with a juicy bone.

I can feel another tantrum rising inside me.

"It's inappropriate if it's the dog you are mourning!"

Sunday The frozen turkey lands with a thud in the sink and it startles Lily awake. "Keep it down! Jeez." Lily hates to be interrupted from a good nap.

I hadn't intended to buy a frozen turkey, or a turkey at all, for that matter, but it's hard to find a fresh turkey in June and I was desperate to prove I'm not grieving. What better way to demonstrate I'm not suffering a pathological condition than to throw a celebration, in particular a celebration for everything we have to be thankful for? And nothing accompanies the giving of thanks better than turkey. And stuffing. And gravy. And mashed potatoes. And squash. It wasn't until checking out at the grocery store and the looks I got from the cas.h.i.+er that I realized that cooking a full Thanksgiving dinner in June was in fact its own form of derangement.