What I Saw in America Part 8

But the essential reason is that a type of culture came out on top in America and England in the nineteenth century, which cannot and would not be tolerated on top of the world. To unite all the systems at the top, without improving and simplifying their social organisation below, would be to tie all the tops of the trees together where they rise above a dense and poisonous jungle, and make the jungle darker than before. To create such a cosmopolitan political platform would be to build a roof above our own heads to shut out the sunlight, on which only usurers and conspirators clad in gold could walk about in the sun. This is no moment when industrial intellectualism can inflict such an artificial oppression upon the world. Industrialism itself is coming to see dark days, and its future is very doubtful. It is split from end to end with strikes and struggles for economic life, in which the poor not only plead that they are starving, but even the rich can only plead that they are bankrupt. The peasantries are growing not only more prosperous but more politically effective; the Russian moujik has held up the Bolshevist Government of Moscow and Petersburg; a huge concession has been made by England to Ireland; the League of Nations has decided for Poland against Prussia. It is not certain that industrialism will not wither even in its own field; it is certain that its intellectual ideas will not be allowed to cover every field; and this sort of cosmopolitan culture is one of its ideas. Industrialism itself may perish; or on the other hand industrialism itself may survive, by some searching and scientific reform that will really guarantee economic security to all.

It may really purge itself of the accidental maladies of anarchy and famine; and continue as a machine, but at least as a comparatively clean and humanely s.h.i.+elded machine; at any rate no longer as a man-eating machine. Capitalism may clear itself of its worst corruptions by such reform as is open to it; by creating humane and healthy conditions for labour, and setting the labouring cla.s.ses to work under a lucid and recognised law. It may make Pittsburg one vast model factory for all who will model themselves upon factories; and may give to all men and women in its employment a clear social status in which they can be contented and secure. And on the day when that social security is established for the ma.s.ses, when industrial capitalism has achieved this larger and more logical organisation and found peace at last, a strange and shadowy and ironic triumph, like an abstract apology, will surely hover over all those graves in the Wilderness where lay the bones of so many gallant gentlemen; men who had also from their youth known and upheld such a social stratification, who had the courage to call a spade a spade and a slave a slave.

_A New Martin Chuzzlewit_

The aim of this book, if it has one, is to suggest this thesis; that the very worst way of helping Anglo-American friends.h.i.+p is to be an Anglo-American. There is only one thing lower, of course, which is being an Anglo-Saxon. It is lower, because at least Englishmen do exist and Americans do exist; and it may be possible, though repulsive, to imagine an American and an Englishman in some way blended together. But if Angles and Saxons ever did exist, they are all fortunately dead now; and the wildest imagination cannot form the weakest idea of what sort of monster would be made by mixing one with the other. But my thesis is that the whole hope, and the only hope, lies not in mixing two things together, but rather in cutting them very sharply asunder. That is the only way in which two things can succeed sufficiently in getting outside each other to appreciate and admire each other. So long as they are different and yet supposed to be the same, there can be nothing but a divided mind and a staggering balance. It may be that in the first twilight of time man and woman walked about as one quadruped. But if they did, I am sure it was a quadruped that reared and bucked and kicked up its heels. Then the flaming sword of some angel divided them, and they fell in love with each other.

Should the reader require an example a little more within historical range, or a little more subject to critical tests, than the above prehistoric anecdote (which I need not say was revealed to me in a vision) it would be easy enough to supply them both in a hypothetical and a historical form. It is obvious enough in a general way that if we begin to subject diverse countries to an identical test, there will not only be rivalry, but what is far more deadly and disastrous, superiority. If we inst.i.tute a compet.i.tion between Holland and Switzerland as to the relative grace and agility of their mountain guides, it will be clear that the decision is disproportionately easy; it will also be clear that certain facts about the configuration of Holland have escaped our international eye. If we establish a comparison between them in skill and industry in the art of building d.y.k.es against the sea, it will be equally clear that the injustice falls the other way; it will also be clear that the situation of Switzerland on the map has received insufficient study. In both cases there will not only be rivalry but very unbalanced and unjust rivalry; in both cases, therefore, there will not only be enmity but very bitter or insolent enmity. But so long as the two are sharply divided there can be no enmity because there can be no rivalry. n.o.body can argue about whether the Swiss climb mountains better than the Dutch build d.y.k.es; just as n.o.body can argue about whether a triangle is more triangular than a circle is round.

This fancy example is alphabetically and indeed artificially simple; but, having used it for convenience, I could easily give similar examples not of fancy but of fact. I had occasion recently to attend the Christmas festivity of a club in London for the exiles of one of the Scandinavian nations. When I entered the room the first thing that struck my eye, and greatly raised my spirits, was that the room was dotted with the colours of peasant costumes and the specimens of peasant craftsmans.h.i.+p. There were, of course, other costumes and other crafts in evidence; there were men dressed like myself (only better) in the garb of the modern middle cla.s.ses; there was furniture like the furniture of any other room in London. Now, according to the ideal formula of the ordinary internationalist, these things that we had in common ought to have moved me to a sense of the kins.h.i.+p of all civilisation. I ought to have felt that as the Scandinavian gentleman wore a collar and tie, and I also wore a collar and tie, we were brothers and nothing could come between us. I ought to have felt that we were standing for the same principles of truth because we were wearing the same pair of trousers; or rather, to speak with more precision, similar pairs of trousers.

Anyhow, the pair of trousers, that cloven pennon, ought to have floated in fancy over my head as the banner of Europe or the League of Nations.

I am constrained to confess that no such rush of emotions overcame me; and the topic of trousers did not float across my mind at all. So far as those things were concerned, I might have remained in a mood of mortal enmity, and cheerfully shot or stabbed the best dressed gentleman in the room. Precisely what did warm my heart with an abrupt affection for that northern nation was the very thing that is utterly and indeed lamentably lacking in my own nation. It was something corresponding to the one great gap in English history, corresponding to the one great blot on English civilisation. It was the spiritual presence of a peasantry, dressed according to its own dignity, and expressing itself by its own creations.

The sketch of America left by Charles d.i.c.kens is generally regarded as something which is either to be used as a taunt or covered with an apology. Doubtless it was unduly critical, even of the America of that day; yet curiously enough it may well be the text for a true reconciliation at the present day. It is true that in this, as in other things, the d.i.c.kensian exaggeration is itself exaggerated. It is also true that, while it is over-emphasised, it is not allowed for. d.i.c.kens tended too much to describe the United States as a vast lunatic asylum; but partly because he had a natural inspiration and imagination suited to the description of lunatic asylums. As it was his finest poetic fancy that created a lunatic over the garden wall, so it was his fancy that created a lunatic over the western sea. To read some of the complaints, one would fancy that d.i.c.kens had deliberately invented a low and farcical America to be a contrast to his high and exalted England. It is suggested that he showed America as full of rowdy bullies like Hannibal Chollop, or ridiculous wind-bags like Elijah Pogram, while England was full of refined and sincere spirits like Jonas Chuzzlewit, Chevy Slime, Montague Tigg, and Mr. Pecksniff. If _Martin Chuzzlewit_ makes America a lunatic asylum, what in the world does it make England? We can only say a criminal lunatic asylum. The truth is, of course, that d.i.c.kens so described them because he had a genius for that sort of description; for the making of almost maniacal grotesques of the same type as Quilp or f.a.gin. He made these Americans absurd because he was an artist in absurdity; and no artist can help finding hints everywhere for his own peculiar art. In a word, he created a laughable Pogram for the same reason that he created a laughable Pecksniff; and that was only because no other creature could have created them.

It is often said that we learn to love the characters in romances as if they were characters in real life. I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story. _Martin Chuzzlewit_ is itself indeed an unsatisfactory and even unfortunate example; for it is, among its author's other works, a rather unusually harsh and hostile story. I do not suggest that we should feel towards an American friend that exact shade or tint of tenderness that we feel towards Mr. Hannibal Chollop. Our enjoyment of the foreigner should rather resemble our enjoyment of Pickwick than our enjoyment of Pecksniff. But there is this amount of appropriateness even in the particular example; that d.i.c.kens did show in both countries how men can be made amusing to each other. So far the point is not that he made fun of America, but that he got fun out of America. And, as I have already pointed out, he applied exactly the same method of selection and exaggeration to England. In the other English stories, written in a more amiable mood, he applied it in a more amiable manner; but he could apply it to an American too, when he was writing in that mood and manner. We can see it in the witty and withering criticism delivered by the Yankee traveller in the musty refreshment room of Mugby Junction; a genuine example of a genuinely American fun and freedom satirising a genuinely British stuffiness and sn.o.bbery. n.o.body expects the American traveller to admire the refreshments at Mugby Junction; but he might admire the refreshment at one of the Pickwickian inns, especially if it contained Pickwick. n.o.body expects Pickwick to like Pogram; but he might like the American who made fun of Mugby Junction. But the point is that, while he supported him in making fun, he would also think him funny. The two comic characters could admire each other, but they would also be amused at each other. And the American would think the Englishman funny because he was English; and a very good reason too. The Englishman would think the American amusing because he was American; nor can I imagine a better ground for his amus.e.m.e.nt.

Now many will debate on the psychological possibility of such a friends.h.i.+p founded on reciprocal ridicule, or rather on a comedy of comparisons. But I will say of this harmony of humours what Mr. H. G.

Wells says of his harmony of states in the unity of his World State. If it be truly impossible to have such a peace, then there is nothing possible except war. If we cannot have friends in this fas.h.i.+on, then we shall sooner or later have enemies in some other fas.h.i.+on. There is no hope in the pompous impersonalities of internationalism.

And this brings us to the real and relevant mistake of d.i.c.kens. It was not in thinking his Americans funny, but in thinking them foolish because they were funny. In this sense it will be noticed that d.i.c.kens's American sketches are almost avowedly superficial; they are descriptions of public life and not private life. Mr. Jefferson Brick had no private life. But Mr. Jonas Chuzzlewit undoubtedly had a private life; and even kept some parts of it exceeding private. Mr. Pecksniff was also a domestic character; so was Mr. Quilp. Mr. Pecksniff and Mr. Quilp had slightly different ways of surprising their families; Mr. Pecksniff by playfully observing 'Boh!' when he came home; Mr. Quilp by coming home at all. But we can form no picture of how Mr. Hannibal Chollop playfully surprised his family; possibly by shooting at them; possibly by not shooting at them. We can only say that he would rather surprise us by having a family at all. We do not know how the Mother of the Modern Gracchi managed the Modern Gracchi; for her maternity was rather a public than a private office. We have no romantic moonlit scenes of the love-making of Elijah Pogram, to balance against the love story of Seth Pecksniff. These figures are all in a special sense theatrical; all facing one way and lit up by a public limelight. Their ridiculous characters are detachable from their real characters, if they have any real characters. And the author might perfectly well be right about what is ridiculous, and wrong about what is real. He might be as right in smiling at the Pograms and the Bricks as in smiling at the Pickwicks and the Boffins. And he might still be as wrong in seeing Mr. Pogram as a hypocrite as the great Buzfuz was wrong in seeing Mr. Pickwick as a monster of revolting heartlessness and systematic villainy. He might still be as wrong in thinking Jefferson Brick a charlatan and a cheat as was that great disciple of Lavater, Mrs. Wilfer, in tracing every wrinkle of evil cunning in the face of Mrs. Boffin. For Mr. Pickwick's spectacles and gaiters and Mrs. Boffin's bonnets and boudoir are after all superficial jokes; and might be equally well seen whatever we saw beneath them. A man may smile and smile and be a villain; but a man may also make us smile and not be a villain. He may make us smile and not even be a fool. He may make us roar with laughter and be an exceedingly wise man.

Now that is the paradox of America which d.i.c.kens never discovered.

Elijah Pogram was far more fantastic than his satirist thought; and the most grotesque feature of Brick and Chollop was hidden from him. The really strange thing was that Pogram probably did say, 'Rough he may be.

So air our bars. Wild he may be. So air our buffalers,' and yet was a perfectly intelligent and public-spirited citizen while he said it. The extraordinary thing is that Jefferson Brick may really have said, 'The libation of freedom must sometimes be quaffed in blood,' and yet Jefferson Brick may have served freedom, resisting unto blood. There really has been a florid school of rhetoric in the United States which has made it quite possible for serious and sensible men to say such things. It is amusing simply as a difference of idiom or costume is always amusing; just as English idiom and English costume are amusing to Americans. But about this kind of difference there can be no kind of doubt. So st.u.r.dy not to say stuffy a materialist as Ingersoll could say of so shoddy not to say shady a financial politician as Blaine, 'Like an armed warrior, like a plumed knight, James G. Blaine strode down the hall of Congress, and flung his spear full and true at the s.h.i.+eld of every enemy of his country and every traducer of his fair name.'

Compared with that, the pa.s.sage about bears and buffaloes, which Mr.

Pogram delivered in defence of the defaulting post-master, is really a very reasonable and appropriate statement. For bears and buffaloes are wild and rough and in that sense free; while plumed knights do not throw their lances about like the a.s.segais of Zulus. And the defaulting post-master was at least as good a person to praise in such a fas.h.i.+on as James G. Blaine of the Little Rock Railway. But anybody who had treated Ingersoll or Blaine merely as a fool and a figure of fun would have very rapidly found out his mistake. But d.i.c.kens did not know Brick or Chollop long enough to find out his mistake. It need not be denied that, even after a full understanding, he might still have found things to smile at or to criticise. I do not insist on his admitting that Hannibal Chollop was as great a hero as Hannibal, or that Elijah Pogram was as true a prophet as Elijah. But I do say very seriously that they had something about their atmosphere and situation that made possible a sort of heroism and even a sort of prophecy that were really less natural at that period in that Merry England whose comedy and common sense we sum up under the name of d.i.c.kens. When we joke about the name of Hannibal Chollop, we might remember of what nation was the general who dismissed his defeated soldiers at Appomatox with words which the historian has justly declared to be worthy of Hannibal: 'We have fought through this war together. I have done my best for you.' It is not fair to forget Jefferson, or even Jefferson Davis, entirely in favour of Jefferson Brick.

For all these three things, good, bad, and indifferent, go together to form something that d.i.c.kens missed, merely because the England of his time most disastrously missed it. In this case, as in every case, the only way to measure justly the excess of a foreign country is to measure the defect of our own country. For in this matter the human mind is the victim of a curious little unconscious trick, the cause of nearly all international dislikes. A man treats his own faults as original sin and supposes them scattered everywhere with the seed of Adam. He supposes that men have then added their own foreign vices to the solid and simple foundation of his own private vices. It would astound him to realise that they have actually, by their strange erratic path, avoided his vices as well as his virtues. His own faults are things with which he is so much at home that he at once forgets and a.s.sumes them abroad. He is so faintly conscious of them in himself that he is not even conscious of the absence of them in other people. He a.s.sumes that they are there so that he does not see that they are not there. The Englishman takes it for granted that a Frenchman will have all the English faults. Then he goes on to be seriously angry with the Frenchman for having dared to complicate them by the French faults. The notion that the Frenchman has the French faults and _not_ the English faults is a paradox too wild to cross his mind.

He is like an old Chinaman who should laugh at Europeans for wearing ludicrous top-hats and curling up their pig-tails inside them; because obviously all men have pig-tails, as all monkeys have tails. Or he is like an old Chinese lady who should justly deride the high-heeled shoes of the West, considering them a needless addition to the sufficiently tight and secure bandaging of the foot; for, of course, all women bind up their feet, as all women bind up their hair. What these Celestial thinkers would not think of, or allow for, is the wild possibility that we do not have pig-tails although we do have top-hats, or that our ladies are not silly enough to have Chinese feet, though they are silly enough to have high-heeled shoes. Nor should we necessarily have come an inch nearer to the Chinese extravagances even if the chimney-pot hat rose higher than a factory chimney or the high heels had evolved into a sort of stilts. By the same fallacy the Englishman will not only curse the French peasant as a miser, but will also try to tip him as a beggar.

That is, he will first complain of the man having the surliness of an independent man, and then accuse him of having the servility of a dependent one. Just as the hypothetical Chinaman cannot believe that we have top-hats but not pig-tails, so the Englishman cannot believe that peasants are not sn.o.bs even when they are savages. Or he sees that a Paris paper is violent and sensational; and then supposes that some millionaire owns twenty such papers and runs them as a newspaper trust.

Surely the Yellow Press is present everywhere to paint the map yellow, as the British Empire to paint it red. It never occurs to such a critic that the French paper is violent because it is personal, and personal because it belongs to a real and responsible person, and not to a ring of nameless millionaires. It is a pamphlet, and not an anonymous pamphlet. In a hundred other cases the same truth could be ill.u.s.trated; the situation in which the black man first a.s.sumes that all mankind is black, and then accuses the rest of the artificial vice of painting their faces red and yellow, or the hypocrisy of white-was.h.i.+ng themselves after the fas.h.i.+on of whited sepulchres. The particular case of it now before us is that of the English misunderstanding of America; and it is based, as in all these cases, on the English misunderstanding of England.

For the truth is that England has suffered of late from not having enough of the free shooting of Hannibal Chollop; from not understanding enough that the libation of freedom must sometimes be quaffed in blood.

The prosperous Englishman will not admit this; but then the prosperous Englishman will not admit that he has suffered from anything. That is what he is suffering from. Until lately at least he refused to realise that many of his modern habits had been bad habits, the worst of them being contentment. For all the real virtue in contentment evaporates, when the contentment is only satisfaction and the satisfaction is only self-satisfaction. Now it is perfectly true that America and not England has seen the most obvious and outrageous official denials of liberty.

But it is equally true that it has seen the most obvious flouting of such official nonsense, far more obvious than any similar evasions in England. And n.o.body who knows the subconscious violence of the American character would ever be surprised if the weapons of Chollop began to be used in that most lawful lawlessness. It is perfectly true that the libation of freedom must sometimes be drunk in blood, and never more (one would think) than when mad millionaires forbid it to be drunk in beer. But America, as compared with England, is the country where one can still fancy men obtaining the libation of beer by the libation of blood. Vulgar plutocracy is almost omnipotent in both countries; but I think there is now more kick of reaction against it in America than in England. The Americans may go mad when they make laws; but they recover their reason when they disobey them. I wish I could believe that there was as much of that destructive repentance in England; as indeed there certainly was when Cobbett wrote. It faded gradually like a dying fire through the Victorian era; and it was one of the very few realities that d.i.c.kens did not understand. But any one who does understand it will know that the days of Cobbett saw the last lost fight for English democracy; and that if he had stood at that turning of the historic road, he would have wished a better fate to the frame-breakers and the fury against the first machinery, and luck to the Luddite fires.

Anyhow, what is wanted is a new Martin Chuzzlewit, told by a wiser Mark Tapley. It is typical of something sombre and occasionally stale in the mood of d.i.c.kens when he wrote that book, that the comic servant is not really very comic. Mark Tapley is a very thin shadow of Sam Weller. But if d.i.c.kens had written it in a happier mood, there might have been a truer meaning in Mark Tapley's happiness. For it is true that this illogical good humour amid unreason and disorder is one of the real virtues of the English people. It is the real advantage they have in that adventure all over the world, which they were recently and reluctantly induced to call an Empire. That receptive ridicule remains with them as a secret pleasure when they are colonists--or convicts.

d.i.c.kens might have written another version of the great romance, and one in which America was really seen gaily by Mark instead of gloomily by Martin. Mark Tapley might really have made the best of America. Then America would have lived and danced before us like Pickwick's England, a fairyland of happy lunatics and lovable monsters, and we might still have sympathised as much with the rhetoric of Lafayette Kettle as with the rhetoric of Wilkins Micawber, or with the violence of Chollop as with the violence of Boythorn. That new Martin Chuzzlewit will never be written; and the loss of it is more tragic than the loss of _Edwin Drood_. But every man who has travelled in America has seen glimpses and episodes in that untold tale; and far away on the Red-Indian frontiers or in the hamlets in the hills of Pennsylvania, there are people whom I met for a few hours or for a few moments, whom I none the less sincerely like and respect because I cannot but smile as I think of them. But the converse is also true; they have probably forgotten me; but if they remember they laugh.

_The Spirit of America_

I suggest that diplomatists of the internationalist school should spend some of their money on staging farces and comedies of cross-purposes, founded on the curious and prevalent idea that England and America have the same language. I know, of course, that we both inherit the glorious tongue of Shakespeare, not to mention the tune of the musical gla.s.ses; but there have been moments when I thought that if we spoke Greek and they spoke Latin we might understand each other better. For Greek and Latin are at least fixed, while American at least is still very fluid. I do not know the American language, and therefore I do not claim to distinguish between the American language and the American slang. But I know that highly theatrical developments might follow on taking the words as part of the English slang or the English language. I have already given the example of calling a person 'a regular guy,' which in the States is a graceful expression of respect and esteem, but which on the stage, properly handled, might surely lead the way towards a divorce or duel or something lively. Sometimes coincidence merely clinches a mistake, as it so often clinches a misprint. Every proof-reader knows that the worst misprint is not that which makes nonsense but that which makes sense; not that which is obviously wrong but that which is hideously right. He who has essayed to write 'he got the book,' and has found it rendered mysteriously as 'he got the b.o.o.b' is pensively resigned. It is when it is rendered quite lucidly as 'he got the boot'

that he is moved to a more pa.s.sionate mood of regret. I have had conversations in which this sort of accident would have wholly misled me, if another accident had not come to the rescue. An American friend of mine was telling me of his adventures as a cinema-producer down in the south-west where real Red Indians were procurable. He said that certain Indians were 'very bad actors.' It pa.s.sed for me as a very ordinary remark on a very ordinary or natural deficiency. It would hardly seem a crus.h.i.+ng criticism to say that some wild Arab chieftain was not very good at imitating a farmyard; or that the Grand Llama of Thibet was rather clumsy at making paper boats. But the remark might be natural in a man travelling in paper boats, or touring with an invisible farmyard for his menagerie. As my friend was a cinema-producer, I supposed he meant that the Indians were bad cinema actors. But the phrase has really a high and austere moral meaning, which my levity had wholly missed. A bad actor means a man whose actions are bad or morally reprehensible. So that I might have embraced a Red Indian who was dripping with gore, or covered with atrocious crimes, imagining there was nothing the matter with him beyond a mistaken choice of the theatrical profession. Surely there are here the elements of a play, not to mention a cinema play. Surely a New England village maiden might find herself among the wigwams in the power of the formidable and fiendish 'Little Blue Bison,' merely through her mistaken sympathy with his financial failure as a Film Star. The notion gives me glimpses of all sorts of dissolving views of primeval forests and flamboyant theatres; but this impulse of irrelevant theatrical production must be curbed.

There is one example, however, of this complication of language actually used in contrary senses, about which the same figure can be used to ill.u.s.trate a more serious fact.

Suppose that, in such an international interlude, an English girl and an American girl are talking about the fiance of the former, who is coming to call. The English girl will be haughty and aristocratic (on the stage), the American girl will of course have short hair and skirts and will be cynical; Americans being more completely free from cynicism than any people in the world. It is the great glory of Americans that they are not cynical; for that matter, English aristocrats are hardly ever haughty; they understand the game much better than that. But on the stage, anyhow, the American girl may say, referring to her friend's fiance, with a cynical wave of the cigarette, 'I suppose he's bound to come and see you.' And at this the blue blood of the Vere de Veres will boil over; the English lady will be deeply wounded and insulted at the suggestion that her lover only comes to see her because he is forced to do so. A staggering stage quarrel will then ensue, and things will go from bad to worse; until the arrival of an Interpreter who can talk both English and American. He stands between the two ladies waving two pocket dictionaries, and explains the error on which the quarrel turns. It is very simple; like the seed of all tragedies. In English 'he is bound to come and see you' means that he is obliged or constrained to come and see you. In American it does not. In American it means that he is bent on coming to see you, that he is irrevocably resolved to do so, and will surmount any obstacle to do it. The two young ladies will then embrace as the curtain falls.

Now when I was lecturing in America I was often told, in a radiant and congratulatory manner, that such and such a person was bound to come and hear me lecture. It seemed a very cruel form of conscription, and I could not understand what authority could have made it compulsory. In the course of discovering my error, however, I thought I began to understand certain American ideas and instincts that lie behind this American idiom. For as I have urged before, and shall often urge again, the road to international friends.h.i.+p is through really understanding jokes. It is in a sense through taking jokes seriously. It is quite legitimate to laugh at a man who walks down the street in three white hats and a green dressing gown, because it is unfamiliar; but after all the man has _some_ reason for what he does; and until we know the reason we do not understand the story, or even understand the joke. So the outlander will always seem outlandish in custom or costume; but serious relations depend on our getting beyond the fact of difference to the things wherein it differs. A good symbolical figure for all this may be found among the people who say, perhaps with a self-revealing simplicity, that they are bound to go to a lecture.

If I were asked for a single symbolic figure summing up the whole of what seems eccentric and interesting about America to an Englishman, I should be satisfied to select that one lady who complained of Mrs.

Asquith's lecture and wanted her money back. I do not mean that she was typically American in complaining; far from it. I, for one, have a great and guilty knowledge of all that amiable American audiences will endure without complaint. I do not mean that she was typically American in wanting her money; quite the contrary. That sort of American spends money rather than h.o.a.rds it; and when we convict them of vulgarity we acquit them of avarice. Where she was typically American, summing up a truth individual and indescribable in any other way, is that she used these words: 'I've risen from a sick-bed to come and hear her, and I want my money back.'

The element in that which really amuses an Englishman is precisely the element which, properly a.n.a.lysed, ought to make him admire an American.

But my point is that only by going through the amus.e.m.e.nt can he reach the admiration. The amus.e.m.e.nt is in the vision of a tragic sacrifice for what is avowedly a rather trivial object. Mrs. Asquith is a candid lady of considerable humour; and I feel sure she does not regard the experience of hearing her read her diary as an ecstasy for which the sick should thus suffer martyrdom. She also is English; and had no other claim but to amuse Americans and possibly to be amused by them. This being so, it is rather as if somebody said, 'I have risked my life in fire and pestilence to find my way to the music hall,' or, 'I have fasted forty days in the wilderness sustained by the hope of seeing Totty Toddles do her new dance.' And there is something rather more subtle involved here. There is something in an Englishman which would make him feel faintly ashamed of saying that he had fasted to hear Totty Toddles, or risen from a sick-bed to hear Mrs. Asquith. He would feel that it was undignified to confess that he had wanted mere amus.e.m.e.nt so much; and perhaps that he had wanted anything so much. He would not like, so to speak, to be seen rus.h.i.+ng down the street after Totty Toddles, or after Mrs. Asquith, or perhaps after anybody. But there is something in it distinct from a mere embarra.s.sment at admitting enthusiasm. He might admit the enthusiasm if the object seemed to justify it; he might perfectly well be serious about a serious thing.

But he cannot understand a person being proud of serious sacrifices for what is not a serious thing. He does not like to admit that a little thing can excite him; that he can lose his breath in running, or lose his balance in reaching, after something that might be called silly.

Now that is where the American is fundamentally different. To him the enthusiasm itself is meritorious. To him the excitement itself is dignified. He counts it a part of his manhood to fast or fight or rise from a bed of sickness for something, or possibly for anything. His ideal is not to be a lock that only a worthy key can open, but a 'live wire' that anything can touch or anybody can use. In a word, there is a difference in the very definition of virility and therefore of virtue. A live wire is not only active, it is also sensitive. Thus sensibility becomes actually a part of virility. Something more is involved than the vulgar simplification of the American as the irresistible force and the Englishman as the immovable post. As a fact, those who speak of such things nowadays generally mean by something irresistible something simply immovable, or at least something unalterable, motionless even in motion, like a cannon ball; for a cannon ball is as dead as a cannon.

Prussian militarism was praised in that way--until it met a French force of about half its size on the banks of the Marne. But that is not what an American means by energy; that sort of Prussian energy is only monotony without repose. American energy is not a soulless machine; for it is the whole point that he puts his soul into it. It is a very small box for so big a thing; but it is not an empty box. But the point is that he is not only proud of his energy, he is proud of his excitement.

He is not ashamed of his emotion, of the fire or even the tear in his manly eye, when he tells you that the great wheel of his machine breaks four billion b.u.t.terflies an hour.

That is the point about American sport; that it is not in the least sportive. It is because it is not very sportive that we sometimes say it is not very sporting. It has the vices of a religion. It has all the paradox of original sin in the service of aboriginal faith. It is sometimes untruthful because it is sincere. It is sometimes treacherous because it is loyal. Men lie and cheat for it as they lied for their lords in a feudal conspiracy, or cheated for their chieftains in a Highland feud. We may say that the va.s.sal readily committed treason; but it is equally true that he readily endured torture. So does the American athlete endure torture. Not only the self-sacrifice but the solemnity of the American athlete is like that of the American Indian. The athletes in the States have the att.i.tude of the athletes among the Spartans, the great historical nation without a sense of humour. They suffer an ascetic regime not to be matched in any monasticism and hardly in any militarism. If any tradition of these things remains in a saner age, they will probably be remembered as a mysterious religious order of fakirs or dancing dervishes, who shaved their heads and fasted in honour of Hercules or Castor and Pollux. And that is really the spiritual atmosphere though the G.o.ds have vanished; and the religion is subconscious and therefore irrational. For the problem of the modern world is that it has continued to be religious when it has ceased to be rational. Americans really would starve to win a cocoa-nut shy. They would fast or bleed to win a race of paper boats on a pond. They would rise from a sick-bed to listen to Mrs. Asquith.

But it is the real reason that interests me here. It is certainly not that Americans are so stupid as not to know that cocoa-nuts are only cocoa-nuts and paper boats only made of paper. Americans are, on an average, rather more intelligent than Englishmen; and they are well aware that Hercules is a myth and that Mrs. Asquith is something of a mythologist. It is not that they do not know that the object is small in itself; it is that they do really believe that the enthusiasm is great in itself. They admire people for being impressionable. They admire people for being excited. An American so struggling for some disproportionate trifle (like one of my lectures) really feels in a mystical way that he is right, because it is his whole morality to be keen. So long as he wants something very much, whatever it is, he feels he has his conscience behind him, and the common sentiment of society behind him, and G.o.d and the whole universe behind him. Wedged on one leg in a hot crowd at a trivial lecture, he has self-respect; his dignity is at rest. That is what he means when he says he is bound to come to the lecture.

Now the Englishman is fond of occasional larks. But these things are not larks; nor are they occasional. It is the essential of the Englishman's lark that he should think it a lark; that he should laugh at it even when he does it. Being English myself, I like it; but being English myself, I know it is connected with weaknesses as well as merits. In its irony there is condescension and therefore embarra.s.sment. This patronage is allied to the patron, and the patron is allied to the aristocratic tradition of society. The larks are a variant of laziness because of leisure; and the leisure is a variant of the security and even supremacy of the gentleman. When an undergraduate at Oxford smashes half a hundred windows he is well aware that the incident is merely a trifle. He can be trusted to explain to his parents and guardians that it was merely a trifle. He does not say, even in the American sense, that he was bound to smash the windows. He does not say that he had risen from a sick-bed to smash the windows. He does not especially think he has risen at all; he knows he has descended (though with delight, like one diving or sliding down the banisters) to something flat and farcical and full of the English taste for the bathos. He has collapsed into something entirely commonplace; though the owners of the windows may possibly not think so. This rather indescribable element runs through a hundred English things, as in the love of bathos shown even in the sound of proper names; so that even the yearning lover in a lyric yearns for somebody named Sally rather than Salome, and for a place called Wapping rather than a place called Westermain. Even in the relapse into rowdiness there is a sort of relapse into comfort. There is also what is so large a part of comfort; carelessness. The undergraduate breaks windows because he does not care about windows, not because he does care about more fresh air like a hygienist, or about more light like a German poet. Still less does he heroically smash a hundred windows because they come between him and the voice of Mrs. Asquith. But least of all does he do it because he seriously prides himself on the energy apart from its aim, and on the will-power that carries it through. He is not 'bound' to smash the windows, even in the sense of being bent upon it. He is not bound at all but rather relaxed; and his violence is not only a relaxation but a laxity. Finally, this is shown in the fact that he only smashes windows when he is in the mood to smash windows; when some fortunate conjunction of stars and all the tints and nuances of nature whisper to him that it would be well to smash windows. But the American is always ready, at any moment, to waste his energies on the wilder and more suicidal course of going to lectures. And this is because to him such excitement is not a mood but a moral ideal. As I note in another connection, much of the English mystery would be clear to Americans if they understood the word 'mood.' Englishmen are very moody, especially when they smash windows. But I doubt if many Americans understand exactly what we mean by the mood; especially the pa.s.sive mood.

It is only by trying to get some notion of all this that an Englishman can enjoy the final crown and fruit of all international friends.h.i.+p; which is really liking an American to be American. If we only think that parts of him are excellent because parts of him are English, it would be far more sensible to stop at home and possibly enjoy the society of a whole complete Englishman. But anybody who does understand this can take the same pleasure in an American being American that he does in a thunderbolt being swift and a barometer being sensitive. He can see that a vivid sensibility and vigilance really radiate outwards through all the ramifications of machinery and even of materialism. He can see that the American uses his great practical powers upon very small provocation; but he can also see that there is a kind of sense of honour, like that of a duellist, in his readiness to be provoked.

Indeed, there is some parallel between the American man of action, however vulgar his aims, and the old feudal idea of the gentleman with a sword at his side. The gentleman may have been proud of being strong or st.u.r.dy; he may too often have been proud of being thick-headed; but he was not proud of being thick-skinned. On the contrary, he was proud of being thin-skinned. He also seriously thought that sensitiveness was a part of masculinity. It may be very absurd to read of two Irish gentlemen trying to kill each other for trifles, or of two Irish-American millionaires trying to ruin each other for trash. But the very pettiness of the pretext and even the purpose ill.u.s.trates the same conception; which may be called the virtue of excitability. And it is really this, and not any rubbish about iron will-power and masterful mentality, that redeems with romance their clockwork cosmos and its industrial ideals. Being a live wire does not mean that the nerves should be like wires; but rather that the very wires should be like nerves.

Another approximation to the truth would be to say that an American is really not ashamed of curiosity. It is not so simple as it looks. Men will carry off curiosity with various kinds of laughter and bravado, just as they will carry off drunkenness or bankruptcy. But very few people are really proud of lying on a door-step, and very few people are really proud of longing to look through a key-hole. I do not speak of looking through it, which involves questions of honour and self-control; but few people feel that even the desire is dignified. Now I fancy the American, at least by comparison with the Englishman, does feel that his curiosity is consistent with his dignity, because dignity is consistent with vivacity. He feels it is not merely the curiosity of Paul Pry, but the curiosity of Christopher Columbus. He is not a spy but an explorer; and he feels his greatness rather grow with his refusal to turn back, as a traveller might feel taller and taller as he neared the source of the Nile or the North-West Pa.s.sage. Many an Englishman has had that feeling about discoveries in dark continents; but he does not often have it about discoveries in daily life. The one type does believe in the indignity and the other in the dignity of the detective. It has nothing to do with ethics in the merely external sense. It involves no particular comparison in practical morals and manners. It is something in the whole poise and posture of the self; of the way a man carries himself. For men are not only affected by what they are; but still more, when they are fools, by what they think they are; and when they are wise, by what they wish to be.

There are truths that have almost become untrue by becoming untruthful.

There are statements so often stale and insincere that one hesitates to use them, even when they stand for something more subtle. This point about curiosity is not the conventional complaint against the American interviewer. It is not the ordinary joke against the American child. And in the same way I feel the danger of it being identified with the cant about 'a young nation' if I say that it has some of the attractions, not of American childhood, but of real childhood. There is some truth in the tradition that the children of wealthy Americans tend to be too precocious and luxurious. But there is a sense in which we can really say that if the children are like adults, the adults are like children.

And that sense is in the very best sense of childhood. It is something which the modern world does not understand. It is something that modern Americans do not understand, even when they possess it; but I think they do possess it.

The devil can quote Scripture for his purpose; and the text of Scripture which he now most commonly quotes is, 'The kingdom of heaven is within you.' That text has been the stay and support of more Pharisees and prigs and self-righteous spiritual bullies than all the dogmas in creation; it has served to identify self-satisfaction with the peace that pa.s.ses all understanding. And the text to be quoted in answer to it is that which declares that no man can receive the kingdom except as a little child. What we are to have inside is the childlike spirit; but the childlike spirit is not entirely concerned about what is inside. It is the first mark of possessing it that one is interested in what is outside. The most childlike thing about a child is his curiosity and his appet.i.te and his power of wonder at the world. We might almost say that the whole advantage of having the kingdom within is that we look for it somewhere else.

_The Spirit of England_

Nine times out of ten a man's broad-mindedness is necessarily the narrowest thing about him. This is not particularly paradoxical; it is, when we come to think of it, quite inevitable. His vision of his own village may really be full of varieties; and even his vision of his own nation may have a rough resemblance to the reality. But his vision of the world is probably smaller than the world. His vision of the universe is certainly much smaller than the universe. Hence he is never so inadequate as when he is universal; he is never so limited as when he generalises. This is the fallacy in the many modern attempts at a creedless creed, at something variously described as essential Christianity or undenominational religion or a world faith to embrace all the faiths in the world. It is that every sectarian is more sectarian in his unsectarianism than he is in his sect. The emanc.i.p.ation of a Baptist is a very Baptist emanc.i.p.ation. The charity of a Buddhist is a very Buddhist charity, and very different from Christian charity.

When a philosophy embraces everything it generally squeezes everything, and squeezes it out of shape; when it digests it necessarily a.s.similates. When a theosophist absorbs Christianity it is rather as a cannibal absorbs Christian missionaries. In this sense it is even possible for the larger thing to be swallowed by the smaller; and for men to move about not only in a Clapham sect but in a Clapham cosmos under Clapham moon and stars.

But if this danger exists for all men, it exists especially for the Englishman. The Englishman is never so insular as when he is imperial; except indeed when he is international. In private life he is a good friend and in practical politics generally a good ally. But theoretical politics are more practical than practical politics. And in theoretical politics the Englishman is the worst ally the world ever saw. This is all the more curious because he has pa.s.sed so much of his historical life in the character of an ally. He has been in twenty great alliances and never understood one of them. He has never been farther away from European politics than when he was fighting heroically in the thick of them. I myself think that this splendid isolation is sometimes really splendid; so long as it is isolation and does not imagine itself to be imperialism or internationalism. With the idea of being international, with the idea of being imperial, comes the frantic and farcical idea of being impartial. Generally speaking, men are never so mean and false and hypocritical as when they are occupied in being impartial. They are performing the first and most typical of all the actions of the devil; they are claiming the throne of G.o.d. Even when it is not hypocrisy but only mental confusion, it is always a confusion worse and worse confounded. We see it in the impartial historians of the Victorian Age, who now seem far more Victorian than the partial historians. Hallam wrote about the Middle Ages; but Hallam was far less mediaeval than Macaulay; for Macaulay was at least a fighter. Huxley had more mediaeval sympathies than Herbert Spencer for the same reason; that Huxley was a fighter. They both fought in many ways for the limitations of their own rationalistic epoch; but they were nearer the truth than the men who simply a.s.sumed those limitations as rational. The war of the controversionalists was a wider thing than the peace of the arbiters.

And in the same way the Englishman never cuts a less convincing figure before other nations than when he tries to arbitrate between them.