Memoirs of the Court of Marie Antoinette, Queen of France Part 8

NOTE. The only pa.s.sion ever shown by Louis XVI. was for hunting. He was so much occupied by it that when I went up into his private closets at Versailles, after the 10th of August, I saw upon the staircase six frames, in which were seen statements of all his hunts, when Dauphin and when King. In them was detailed the number, kind, and quality of the game he had killed at each hunting party during every month, every season, and every year of his reign.

The interior of his private apartments was thus arranged: a salon, ornamented with gilded mouldings, displayed the engravings which had been dedicated to him, drawings of the ca.n.a.ls he had dug, with the model of that of Burgundy, and the plan of the cones and works of Cherbourg. The upper hall contained his collection of geographical charts, spheres, globes, and also his geographical cabinet. There were to be seen drawings of maps which he had begun, and some that he had finished. He had a clever method of was.h.i.+ng them in. His geographical memory was prodigious.

Over the hall was the turning and joining room, furnished with ingenious instruments for working in wood. He inherited some from Louis XV., and he often busied himself, with Duret's a.s.sistance, in keeping them clean and bright. Above was the library of books published during his reign. The prayer books and ma.n.u.script books of Anne of Brittany, Francois I, the later Valois, Louis XIV., Louis XV., and the Dauphin formed the great hereditary library of the Chateau. Louis XVI. placed separately, in two apartments communicating with each other, the works of his own time, including a complete collection of Didot's editions, in vellum, every volume enclosed in a morocco case. There were several English works, among the rest the debates of the British Parliament, in a great number of volumes in folio (this is the Moniteur of England, a complete collection of which is so valuable and so scarce). By the side of this collection was to be seen a ma.n.u.script history of all the schemes for a descent upon that island, particularly that of Comte de Broglie. One of the presses of this cabinet was full of cardboard boxes, containing papers relative to the House of Austria, inscribed in the King's own hand: "Secret papers of my family respecting the House of Austria; papers of my family respecting the Houses of Stuart and Hanover." In an adjoining press were kept papers relative to Russia. Satirical works against Catherine II. and against Paul I. were sold in France under the name of histories; Louis XVIII.

collected and sealed up with his small seal the scandalous anecdotes against Catherine II., as well as the works of Rhulieres, of which he had a copy, to be certain that the secret life of that Princess, which attracted the curiosity of her contemporaries, should not be made public by his means.

Above the King's private library were a forge, two anvils, and a vast number of iron tools; various common locks, well made and perfect; some secret locks, and locks ornamented with gilt copper. It was there that the infamous Gamin, who afterwards accused the King of having tried to poison him, and was rewarded for his calumny with a pension of twelve thousand livres, taught him the art of lock-making. This Gamin, who became our guide, by order of the department and munic.i.p.ality of Versailles, did not, however, denounce the King on the 20th December, 1792. He had been made the confidant of that Prince in an immense number of important commissions; the King had sent him the "Red Book," from Paris, in a parcel; and the part which was concealed during the Const.i.tuent a.s.sembly still remained so in 1793. Gamin hid it in a part of the Chateau inaccessible to everybody, and took it from under the shelves of a secret press before our eyes. This is a convincing proof that Louis XVI. hoped to return to his Chiteau. When teaching Louis XVI. his trade Gamin took upon himself the tone and authority of a master. "The King was good, forbearing, timid, inquisitive, and addicted to sleep," said Gamin to me; "he was fond to excess of lock-making, and he concealed himself from the Queen and the Court to file and forge with me. In order to convey his anvil and my own backwards and forwards we were obliged to use a thousand stratagems, the history of which would: never end." Above the King's and Gamin's forges and anvils was an, observatory, erected upon a platform covered with lead. There, seated on an armchair, and a.s.sisted by a telescope, the King observed all that was pa.s.sing in the courtyards of Versailles, the avenue of Paris, and the neighbouring gardens. He had taken a liking to Duret, one of the indoor servants of the palace, who sharpened his tools, cleaned his anvils, pasted his maps, and adjusted eyegla.s.ses to the King's sight, who was short-sighted. This good Duret, and indeed all the indoor servants, spoke of their master with regret and affection, and with tears in their eyes.

The King was born weak and delicate; but from the age of twenty-four he possessed a robust const.i.tution, inherited from his mother, who was of the House of Saxe, celebrated for generations for its robustness. There were two men in Louis XVI., the man of knowledge and the man of will. The King knew the history of his own family and of the first houses of France perfectly. He composed the instructions for M. de la Peyrouse's voyage round the world, which the minister thought were drawn up by several members of the Academy of Sciences. His memory retained an infinite number of names and situations. He remembered quant.i.ties and numbers wonderfully. One day an account was presented to him in which the minister had ranked among the expenses an item inserted in the account of the preceding year. "There is a double charge," said the King; "bring me last year's account, and I will show it yet there." When the King was perfectly master of the details of any matter, and saw injustice, he was obdurate even to harshness. Then he would be obeyed instantly, in order to be sure that he was obeyed.

But in important affairs of state the man of will was not to be found.

Louis XVI. was upon the throne exactly what those weak temperaments whom nature has rendered incapable of an opinion are in society. In his pusillanimity, he gave his confidence to a minister; and although amidst various counsels he often knew which was the best, he never had the resolution to say, "I prefer the opinion of such a one." Herein originated the misfortunes of the State.--SOULAVIE'S "Historical and Political Memoirs Of the Reign Of LOUIS XVI.," VOL ii.

CHAPTER VII.

The winter following the confinement of the Comtesse d'Artois was very severe; the recollections of the pleasure which sleighing-parties had given the Queen in her childhood made her wish to introduce similar ones in France. This amus.e.m.e.nt had already been known in that Court, as was proved by sleighs being found in the stables which had been used by the Dauphin, the father of Louis XVI. Some were constructed for the Queen in a more modern style. The Princes also ordered several; and in a few days there was a tolerable number of these vehicles. They were driven by the princes and n.o.blemen of the Court. The noise of the bells and b.a.l.l.s with which the harness of the horses was furnished, the elegance and whiteness of their plumes, the varied forms of the carriages, the gold with which they were all ornamented, rendered these parties delightful to the eye.

The winter was very favourable to them, the snow remaining on the ground nearly six weeks; the drives in the park afforded a pleasure shared by the spectators.

[Louis XVI., touched with the wretched condition of the poor of Versailles during the winter of 1776, had several cart-loads of wood distributed among them. Seeing one day a file of those vehicles pa.s.sing by, while several n.o.blemen were preparing to be drawn swiftly over the ice, he uttered these memorable words: "Gentlemen, here are my sleighs!"--NOTE BY THE EDITOR.]

No one imagined that any blame could attach to so innocent an amus.e.m.e.nt.

But the party were tempted to extend their drives as far as the Champs Elysees; a few sleighs even crossed the boulevards; the ladies being masked, the Queen's enemies took the opportunity of saying that she had traversed the streets of Paris in a sleigh.

This became a matter of moment. The public discovered in it a predilection for the habits of Vienna; but all that Marie Antoinette did was criticised.

Sleigh-driving, savouring of the Northern Courts, had no favour among the Parisians. The Queen was informed of this; and although all the sleighs were preserved, and several subsequent winters lent themselves to the amus.e.m.e.nt, she would not resume it.

It was at the time of the sleighing-parties that the Queen became intimately acquainted with the Princesse de Lamballe, who made her appearance in them wrapped in fur, with all the brilliancy and freshness of the age of twenty,--the emblem of spring, peeping from under sable and ermine. Her situation, moreover, rendered her peculiarly interesting; married, when she was scarcely past childhood, to a young prince, who ruined himself by the contagious example of the Duc d'Orleans, she had had nothing to do from the time of her arrival in France but to weep. A widow at eighteen, and childless, she lived with the Duc de Penthievre as an adopted daughter. She had the tenderest respect and attachment for that venerable Prince; but the Queen, though doing justice to his virtues, saw that the Duc de Penthievre's way of life, whether at Paris or at his country-seat, could neither afford his young daughter-in-law the amus.e.m.e.nts suited to her time of life, nor ensure her in the future an establishment such as she was deprived of by her widowhood. She determined, therefore, to establish her at Versailles; and for her sake revived the office of superintendent, which had been discontinued at Court since the death of Mademoiselle de Clermont. It is said that Maria Leczinska had decided that this place should continue vacant, the superintendent having so extensive a power in the houses of queens as to be frequently a restraint upon their inclinations. Differences which soon took place between Marie Antoinette and the Princesse de Lamballe respecting the official prerogatives of the latter, proved that the wife of Louis XV. had acted judiciously in abolis.h.i.+ng the office; but a kind of treaty made between the Queen and the Princess smoothed all difficulties.

The blame for too strong an a.s.sertion of claims fell upon a secretary of the superintendent, who had been her adviser; and everything was so arranged that a firm friends.h.i.+p existed between these two Princesses down to the disastrous period which terminated their career.

Notwithstanding the enthusiasm which the splendour, grace, and kindness of the Queen generally inspired, secret intrigues continued in operation against her. A short time after the ascension of Louis XVI. to the throne, the minister of the King's household was informed that a most offensive libel against the Queen was about to appear. The lieutenant of police deputed a man named Goupil, a police inspector, to trace this libel; he came soon after to say that he had found out the place where the work was being printed, and that it was at a country house near Yverdun.

He had already got possession of two sheets, which contained the most atrocious calumnies, conveyed with a degree of art which might make them very dangerous to the Queen's reputation. Goupil said that he could obtain the rest, but that he should want a considerable sum for that purpose. Three thousand Louis were given him, and very soon afterwards he brought the whole ma.n.u.script and all that had been printed to the lieutenant of police. He received a thousand louis more as a reward for his address and zeal; and a much more important office was about to be given him, when another spy, envious of Goupil's good fortune, gave information that Goupil himself was the author of the libel; that, ten years before, he had been put into the Bicetre for swindling; and that Madame Goupil had been only three years out of the Salpetriere, where she had been placed under another name. This Madame Goupil was very pretty and very intriguing; she had found means to form an intimacy with Cardinal de Rohan, whom she led, it is said, to hope for a reconciliation with the Queen. All this affair was hushed up; but it shows that it was the Queen's fate to be incessantly attacked by the meanest and most odious machinations.

Another woman, named Cahouette de Millers, whose husband held an office in the Treasury, being very irregular in conduct, and of a scheming turn of mind, had a mania for appearing in the eyes of her friends at Paris as a person in favour at Court, to which she was not ent.i.tled by either birth or office. During the latter years of the life of Louis XV. she had made many dupes, and picked up considerable sums by pa.s.sing herself off as the King's mistress. The fear of irritating Madame du Barry was, according to her, the only thing which prevented her enjoying that t.i.tle openly. She came regularly to Versailles, kept herself concealed in a furnished lodging, and her dupes imagined she was secretly summoned to Court.

This woman formed the scheme of getting admission, if possible, to the presence of the Queen, or at least causing it to be believed that she had done so. She adopted as her lover Gabriel de Saint Charles, intendant of her Majesty's finances,--an office, the privileges of which were confined to the right of entering the Queen's apartment on Sunday. Madame de Villers came every Sat.u.r.day to Versailles with M. de Saint Charles, and lodged in his apartment. M. Campan was there several times. She painted tolerably well, and she requested him to do her the favour to present to the Queen a portrait of her Majesty which she had just copied. M. Campan knew the woman's character, and refused her. A few days after, he saw on her Majesty's couch the portrait which he had declined to present to her; the Queen thought it badly painted, and gave orders that it should be carried back to the Princesse de Lamballe, who had sent it to her. The ill success of the portrait did not deter the manoeuvrer from following up her designs; she easily procured through M. de Saint Charles patents and orders signed by the Queen; she then set about imitating her writing, and composed a great number of notes and letters, as if written by her Majesty, in the tenderest and most familiar style. For many months she showed them as great secrets to several of her particular friends.

Afterwards, she made the Queen appear to write to her, to procure various fancy articles. Under the pretext of wis.h.i.+ng to execute her Majesty's commissions accurately, she gave these letters to the tradesmen to read, and succeeded in having it said, in many houses, that the Queen had a particular regard for her. She then enlarged her scheme, and represented the Queen as desiring to borrow 200,000 francs which she had need of, but which she did not wish to ask of the King from his private funds. This letter, being shown to M. Beranger, 'fermier general' of the finances, took effect; he thought himself fortunate in being able to render this a.s.sistance to his sovereign, and lost no time in sending the 200,000 francs to Madame de Villers. This first step was followed by some doubts, which he communicated to people better informed than himself of what was pa.s.sing at Court; they added to his uneasiness; he then went to M. de Sartine, who unravelled the whole plot. The woman was sent to St.

Pelagie; and the unfortunate husband was ruined, by replacing the sum borrowed, and by paying for the jewels fraudulently purchased in the Queen's name. The forged letters were sent to her Majesty; I compared them in her presence with her own handwriting, and the only distinguishable difference was a little more regularity in the letters.

This trick, discovered and punished with prudence and without pa.s.sion, produced no more sensation out of doors than that of the Inspector Goupil.

A year after the nomination of Madame de Lamballe to the post of superintendent of the Queen's household, b.a.l.l.s and quadrilles gave rise to the intimacy of her Majesty with the Comtesse Jules de Polignac. This lady really interested Marie Antoinette. She was not rich, and generally lived upon her estate at Claye. The Queen was astonished at not having seen her at Court earlier. The confession that her want of fortune had even prevented her appearance at the celebration of the marriages of the Princes added to the interest which she had inspired.

The Queen was full of consideration, and took delight in counteracting the injustice of fortune. The Countess was induced to come to Court by her husband's sister, Madame Diane de Polignac, who had been appointed lady of honour to the Comtesse d'Artois. The Comtesse Jules was really fond of a tranquil life; the impression she made at Court affected her but little; she felt only the attachment manifested for her by the Queen. I had occasion to see her from the commencement of her favour at Court; she often pa.s.sed whole hours with me, while waiting for the Queen. She conversed with me freely and ingenuously about the honour, and at the same time the danger, she saw in the kindness of which she was the object. The Queen sought for the sweets of friends.h.i.+p; but can this gratification, so rare in any rank, exist between a Queen and a subject, when they are surrounded, moreover, by snares laid by the artifice of courtiers? This pardonable error was fatal to the happiness of Marie Antoinette.

The retiring character of the Comtesse Jules, afterwards d.u.c.h.esse de Polignac, cannot be spoken of too favourably; but if her heart was incapable of forming ambitious projects, her family and friends in her fortune beheld their own, and endeavoured to secure the favour of the Queen.

[The Comtesse, afterwards d.u.c.h.esse de Polignac, nee Polastron, Married the Comte (in 1780 the Duc) Jules de Polignac, the father of the Prince de Polignac of Napoleon's and of Charles X.'s time. She emigrated in 1789, and died in Vienna in 1793.]

The Comtesse de Diane, sister of M. de Polignac, and the Baron de Besenval and M. de Vaudreuil, particular friends of the Polignac family, made use of means, the success of which was infallible. One of my friends (Comte de Moustier), who was in their secret, came to tell me that Madame de Polignac was about to quit Versailles suddenly; that she would take leave of the Queen only in writing; that the Comtesse Diane and M. de Vaudreuil had dictated her letter, and the whole affair was arranged for the purpose of stimulating the attachment of Marie Antoinette. The next day, when I went up to the palace, I found the Queen with a letter in her hand, which she was reading with much emotion; it was the letter from the Comtesse Jules; the Queen showed it to me. The Countess expressed in it her grief at leaving a princess who had loaded her with kindness. The narrowness of her fortune compelled her to do so; but she was much more strongly impelled by the fear that the Queen's friends.h.i.+p, after having raised up dangerous enemies against her, might abandon her to their hatred, and to the regret of having lost the august favour of which she was the object.

This step produced the full effect that had been expected from it. A young and sensitive queen cannot long bear the idea of contradiction. She busied herself in settling the Comtesse Jules near her, by making such a provision for her as should place her beyond anxiety. Her character suited the Queen; she had merely natural talents, no pedantry, no affectation of knowledge. She was of middle size; her complexion very fair, her eyebrows and hair dark brown, her teeth superb, her smile enchanting, and her whole person graceful. She was seen almost always in a demi-toilet, remarkable only for neatness and good taste. I do not think I ever once saw diamonds about her, even at the climax of her fortune, when she had the rank of d.u.c.h.ess at Court.

I have always believed that her sincere attachment for the Queen, as much as her love of simplicity, induced her to avoid everything that might cause her to be thought a wealthy favourite. She had not one of the failings which usually accompany that position. She loved the persons who shared the Queen's affections, and was entirely free from jealousy. Marie Antoinette flattered herself that the Comtesse Jules and the Princesse de Lamballe would be her especial friends, and that she should possess a society formed according to her own taste. "I will receive them in my closet, or at Trianon," said she; "I will enjoy the comforts of private life, which exist not for us, unless we have the good sense to secure them for ourselves." The happiness the Queen thought to secure was destined to turn to vexation. All those courtiers who were not admitted to this intimacy became so many jealous and vindictive enemies.

It was necessary to make a suitable provision for the Countess. The place of first equerry, in reversion after the Comte de Tesse, given to Comte Jules unknown to the t.i.tular holder, displeased the family of Noailles.

This family had just sustained another mortification, the appointment of the Princesse de Lamballe having in some degree rendered necessary the resignation of the Comtesse de Noailles, whose husband was thereupon made a marshal of France. The Princesse de Lamballe, although she did not quarrel with the Queen, was alarmed at the establishment of the Comtesse Jules at Court, and did not form, as her Majesty had hoped, a part of that intimate society, which was in turn composed of Mesdames Jules and Diane de Polignac, d'Andlau and de Chalon, and Messieurs de Guignes, de Coigny, d'Adhemar, de Besenval, lieutenant-colonel of the Swiss, de Polignac, de Vaudreuil, and de Guiche; the Prince de Ligne and the Duke of Dorset, the English amba.s.sador, were also admitted.

It was a long time before the Comtesse Jules maintained any great state at Court. The Queen contented herself with giving her very fine apartments at the top of the marble staircase. The salary of first equerry, the trifling emoluments derived from M. de Polignac's regiment, added to their slender patrimony, and perhaps some small pension, at that time formed the whole fortune of the favourite. I never saw the Queen make her a present of value; I was even astonished one day at hearing her Majesty mention, with pleasure, that the Countess had gained ten thousand francs in the lottery. "She was in great want of it," added the Queen.

Thus the Polignacs were not settled at Court in any degree of splendour which could justify complaints from others, and the substantial favours bestowed upon that family were less envied than the intimacy between them and their proteges and the Queen. Those who had no hope of entering the circle of the Comtesse Jules were made jealous by the opportunities of advancement it afforded.

However, at the time I speak of, the society around the Comtesse Jules was fully engaged in gratifying the young Queen. Of this the Marquis de Vaudreuil was a conspicuous member; he was a brilliant man, the friend and protector of men of letters and celebrated artists.

The Baron de Besenval added to the bluntness of the Swiss all the adroitness of a French courtier. His fifty years and gray hairs made him enjoy among women the confidence inspired by mature age, although he had not given up the thought of love affairs. He talked of his native mountains with enthusiasm. He would at any time sing the "Ranz des Vaches" with tears in his eyes, and was the best story-teller in the Comtesse Jules's circle. The last new song or 'bon mot' and the gossip of the day were the sole topics of conversation in the Queen's parties. Wit was banished from them. The Comtesse Diane, more inclined to literary pursuits than her sister-in-law, one day, recommended her to read the "Iliad" and "Odyssey." The latter replied, laughing, that she was perfectly acquainted with the Greek poet, and said to prove it:

"Homere etait aveugle et jouait du hautbois."

(Homer was blind and played on the hautboy.)

[This lively repartee of the d.u.c.h.esse de Polignac is a droll imitation of a line in the "Mercure Galant." In the quarrel scene one of the lawyers says to his brother quill: 'Ton pere etait aveugle et jouait du hautbois.']

The Queen found this sort of humour very much to her taste, and said that no pedant should ever be her friend.

Before the Queen fixed her a.s.semblies at Madame de Polignac's, she occasionally pa.s.sed the evening at the house of the Duc and d.u.c.h.esse de Duras, where a brilliant party of young persons met together. They introduced a taste for trifling games, such as question and answer, 'guerre panpan', blind man's buff, and especially a game called 'descampativos'. The people of Paris, always criticising, but always imitating the customs of the Court, were infected with the mania for these childish sports. Madame de Genlis, sketching the follies of the day in one of her plays, speaks of these famous 'descampativos'; and also of the rage for making a friend, called the 'inseparable', until a whim or the slightest difference might occasion a total rupture.

CHAPTER VIII.

The Duc de Choiseul had reappeared at Court on the ceremony of the King's coronation for the first time after his disgrace under Louis XV. in 1770.

The state of public feeling on the subject gave his friends hope of seeing him again in administration, or in the Council of State; but the opposite party was too firmly seated at Versailles, and the young Queen's influence was outweighed, in the mind of the King, by long-standing prejudices; she therefore gave up for ever her attempt to reinstate the Duke. Thus this Princess, who has been described as so ambitious, and so strenuously supporting the interest of the House of Austria, failed twice in the only scheme which could forward the views constantly attributed to her; and spent the whole of her reign surrounded by enemies of herself and her house.

Marie Antoinette took little pains to promote literature and the fine arts. She had been annoyed in consequence of having ordered a performance of the "Connstable de Bourbon," on the celebration of the marriage of Madame Clotilde with the Prince of Piedmont. The Court and the people of Paris censured as indecorous the naming characters in the piece after the reigning family, and that with which the new alliance was formed. The reading of this piece by the Comte de Guibert in the Queen's closet had produced in her Majesty's circle that sort of enthusiasm which obscures the judgment. She promised herself she would have no more readings. Yet, at the request of M. de Cubieres, the King's equerry, the Queen agreed to hear the reading of a comedy written by his brother. She collected her intimate circle, Messieurs de Coigny, de Vaudreuil, de Besenval, Mesdames de Polignac, de Chalon, etc., and to increase the number of judges, she admitted the two Parnys, the Chevalier de Bertin, my father-in-law, and myself.

Mold read for the author. I never could satisfy myself by what magic the skilful reader gained our unanimous approbation of a ridiculous work.

Surely the delightful voice of Mold, by awakening our recollection of the dramatic beauties of the French stage, prevented the wretched lines of Dorat Cubieres from striking on our ears. I can a.s.sert that the exclamation Charming! charming! repeatedly interrupted the reader. The piece was admitted for performance at Fontainebleau; and for the first time the King had the curtain dropped before the end of the play. It was called the "Dramomane" or "Dramaturge." All the characters died of eating poison in a pie. The Queen, highly disconcerted at having recommended this absurd production, announced that she would never hear another reading; and this time she kept her word.

The tragedy of "Mustapha and Mangir," by M. de Chamfort, was highly successful at the Court theatre at Fontainebleau. The Queen procured the author a pension of 1,200 francs, but his play failed on being performed at Paris.

The spirit of opposition which prevailed in that city delighted in reversing the verdicts of the Court. The Queen determined never again to give any marked countenance to new dramatic works. She reserved her patronage for musical composers, and in a few years their art arrived at a perfection it had never before attained in France.

It was solely to gratify the Queen that the manager of the Opera brought the first company of comic actors to Paris. Gluck, Piccini, and Sacchini were attracted there in succession. These eminent composers were treated with great distinction at Court. Immediately on his arrival in France, Gluck was admitted to the Queen's toilet, and she talked to him all the time he remained with her. She asked him one day whether he had nearly brought his grand opera of "Armide" to a conclusion, and whether it pleased him. Gluck replied very coolly, in his German accent, "Madame, it will soon be finished, and really it will be superb." There was a great outcry against the confidence with which the composer had spoken of one of his own productions. The Queen defended him warmly; she insisted that he could not be ignorant of the merit of his works; that he well knew they were generally admired, and that no doubt he was afraid lest a modesty, merely dictated by politeness, should look like affectation in him.