Memorials of Old London Part 16

On the south side of the Guildhall, and providing an entrance to it from Guildhall Yard, is a large Gothic porch, or archway. This last addition to the hall, erected in 1425, was one of its most beautiful features, and has been preserved, practically uninjured, to the present day. The porch consists of two bays of groined vaulting, the walls having deeply-recessed moulded and traceried panelling, and being provided with a convenient seat throughout their length on either side. The front of the porch was materially altered in the reign either of Elizabeth or James I., so that we cannot form a complete idea of its magnificent appearance. It was ornamented with seven finely sculptured statues, representing at the top our Saviour, a little below Law and Learning, and lower still, flanking the doorway on either side, Discipline, Justice, Fort.i.tude, and Temperance. The statue of our Saviour disappeared at an early date, but the other six figures may still be in existence, for they were presented by the Corporation, in 1794, to Banks the sculptor, at whose death, in 1809, they were purchased for 100 by Henry Bankes, M.P. for Corfe Castle. The present front of the Guildhall, of which the east wing was removed in 1873, was built by George Dance, the City Architect, in 1789.

[Ill.u.s.tration: GRAY'S INN HALL AND CHAPEL.]

Guildhall Chapel, or College, dedicated to St. Mary Magdalen and All Saints, stood in the north-east corner of Guildhall Yard, immediately adjoining the Guildhall. The chapel is said to have been built at the end of the thirteenth century, when Adam Franceys and Peter Faulore obtained licence from Edward III. to convey a piece of land for the erection of houses for the custos and chaplains of this college. The original building became in course of time too small for the requirements of the citizens, and in 1429, when the new Guildhall was nearing completion, a new chapel was built. This beautiful building, though injured and defaced, was not destroyed in the Great Fire of London, and continued to be used as a chapel until the latter part of the eighteenth century, when its religious services were discontinued.

The chapel was then devoted to secular use, and became the Court of Requests until its final demolition in 1822 to make room for the new Law Courts. The great charm of this building was its beautiful western front, which faced the Guildhall Yard. This was adorned with three canopied niches containing statues of Edward VI., Elizabeth, and Charles I. (now preserved in the Guildhall Library), and with a glorious west window of seven lights, a perfect example of the Perpendicular style.

Adjoining the chapel on the south was Blackwell Hall, which was for so many centuries the great Cloth Mart of the city.

Among the religious services which formed so bright a feature in ancient civic life those of the Guildhall Chapel held an important place.

Besides their attendances at the Cathedral, at Paul's Cross, and at the 'Spital, the Lord Mayor and his brethren, with the City officers, attended Divine service at this chapel on Michaelmas Day before the election of a new Lord Mayor, and on many other occasions throughout the year. The sermons preached on these occasions were printed, and form quite a large body of civic homiletics, many of the preachers being men of great fame and reputation. The practice of attending the Ma.s.s of the Holy Spirit (for which a celebration of Holy Communion with sermon is now subst.i.tuted) was revived, if not originated, by the celebrated Sir Richard Whittington on the day of his own election as Lord Mayor in 1406.

Another of the good deeds of this worthy mayor was the foundation, through his executor, of a library to be attached to the Guildhall College, under the custody of one of its chaplains. This was duly carried out in 1425 by the erection of a separate building of two floors, well supplied with books "for the profit of the students there, and those discoursing to the common people." This public library, which appears to have been the first of its kind in England, had, unfortunately, but a brief existence, _all_ of its books having been "borrowed" in 1550 by the Duke of Somerset, Lord Protector, by whom, as we learn from Stow the historian, they were never returned. The loss has since been, to some extent, supplied by the present library, founded at Guildhall in 1824, and rebuilt in 1873.

In the reign of Henry VI., after the completion of the great hall, other apartments, such as "the mayor's chamber, the council chamber, with other rooms above the stairs," were built. Of these no trace at present remains, and two Common Council chambers have since been erected. The first of these was a picturesque apartment, its walls being covered with statuary and paintings, the latter being chiefly presented to the Corporation by Alderman John Boydell. A new council chamber, of handsome and commodious design, was erected by the Corporation in 1884, from the designs of Sir Horace Jones, City Architect. The Court of Aldermen's present chamber was built in the latter half of the seventeenth century, and is a small but handsome room. The ceiling is painted with allegorical figures of the City of London--Prudence, Justice, Temperance, and Fort.i.tude--executed by Sir James Thornhill, who was presented by the Corporation with a gold cup of 225 7s. in value.

Around the walls and in the windows are s.h.i.+elds containing the arms of most of the Lord Mayors of the last 127 years.

[Ill.u.s.tration: THE GUILDHALL.

_Engraved by R. Acom, 1828._]

The artistic decoration of the Guildhall and its various apartments includes monuments, busts, and portraits of men whom the City has delighted to honour. In the great hall are the monuments to Admiral Lord Nelson, by J. Smith; to the "Iron Duke," by J. Bell; to the Earl of Chatham, by Bacon, with inscription by Burke; to the younger Pitt, by Bubb, with Canning's inscription; and to Alderman Beckford, by Moore. On Beckford's monument is inscribed, in letters of gold, the speech which that famous citizen addressed, or is said to have addressed, as Lord Mayor, to King George IV. on his throne. Around the hall were formerly hung portraits of twenty-two judges who a.s.sisted in the special Court of Judicature appointed to decide the disputes which arose as to sites of property in the City after the Great Fire. These portraits, which are now hung in the old Common Council chamber, were painted at the Corporation's expense by Michael Wright, Sir Peter Lely having declined the commission because the judges refused to wait upon him at his house for the necessary sittings. In the vestibule of the council chambers are a series of portrait-busts of statesmen, philanthropists, warriors, and men of high eminence in the general estimation of their fellow-countrymen. The decoration of the outer lobby was executed as a memorial of his shrievalty in 1889-90 by the late Alderman Sir Stuart Knill, Bart., and exhibits the Corporation and the City Livery Companies in a very pleasing symbolical design.

At the west end of the great hall are two law courts, where the City judges, the Recorder, and the Common Sergeant administer justice in the Mayor's Court. The aldermen sit in rotation as magistrates in the Police Court in the Guildhall Yard, and in Guildhall Buildings is the City of London Court (anciently the Sheriff's Court), over which two judges preside for the Poultry and Giltspur Street Compters respectively.

Besides the courts above mentioned, there are the departments of the various officers of the Corporation, chief in importance among them being that of the Chamberlain. The court over which this officer presides deals with admission to the freedom of the City and the oversight of apprentices. The Freedom of London was a much-coveted privilege in former times, as without it no one was allowed to carry on business in the City. The benefits now are wholly of a posthumous nature, the children and widows of deceased freemen being eligible for election respectively to benefits of an educational and charitable kind.

There is, however, an inner circle of honorary freemen, whose names have been enrolled on the City's Roll of Fame. This highly-prized distinction is reserved for those who, in the unanimous judgment of the Corporation, have rendered conspicuous services to their country in their various callings. The roll was reserved almost exclusively in former times for eminent statesmen and naval and military commanders. In more modern times the claims of great explorers, scientific discoverers, philanthropists, social reformers, etc., have been freely admitted, and the honour is bestowed without distinction of politics or creed. In January, 1900, the Honorary Freedom was conferred upon every member of the City Imperial Volunteers before the departure of the regiment for active service in the South African War. The Chamberlain also deals with disputes between masters and their apprentices, and has power to commit refractory apprentices to Bridewell for imprisonment. There was formerly attached to his office a little prison-cell, known as "Little Ease,"

which exercised a wholesome dread upon the turbulent 'prentices of days gone by. In addition to his judicial duties the Chamberlain has the responsibility of receiving and disbursing the City's cash, and all other moneys which the Corporation administers.

[Ill.u.s.tration: INNER TEMPLE HALL.]

The great purpose of the Guildhall as a place of meeting for the citizens is well seen in its use on various official occasions. Here are held the meetings of the Court of Common Hall, that court being an a.s.semblage of all the liverymen of the various guilds. The Common Hall on Midsummer Day is for election by the liverymen of the two Sheriffs and various minor officials. The Sheriffs thus elected are admitted into office in the Guildhall on Michaelmas Eve, and preside on the following day at the Common Hall held for the election of Lord Mayor. The Lord Mayor Elect is formally installed in office at Guildhall, with a quaint and dignified ceremony, on November 8th, and enters upon his duties after a further ceremony at the Royal Courts of Justice on the following day. The Livery also meet in Guildhall to take part in and to hear the result of elections of Members of Parliament for the City. On all these occasions an elevated hustings is raised at the east end of the hall, and strewn with sweet-smelling herbs, the civic party being also provided with nosegays. This old custom is supposed to have originated in the days when the City was ravaged by pestilence, the herbs and flowers being employed as prophylactics.

Now taking leave of the building, it is time to glance very briefly at some of the important events which have taken place within these historic walls. It was here, in 1483, that the Duke of Buckingham, sent by Richard Duke of Gloucester, with his persuasive tongue, prevailed with the citizens to hail the usurper as King Richard III. A different scene was enacted in 1546, when Guildhall was the scene of the trial of the youthful and accomplished Anne Askew, which ended in her condemnation, her torture on the rack, and her martyrdom in Smithfield.

The next year saw the trial of the Earl of Surrey, one who was distinguished by every accomplishment which became a scholar, a courtier, and a soldier, and who, to gratify the malice of Henry VIII., was convicted of high treason. This unhappy period also saw the tragic trial and condemnation, in 1553, of the ill-fated Lady Jane Grey and her husband. The trial of Sir Nicholas Throgmorton at Guildhall in 1554, for taking part in Sir Thomas Wyatt's rebellion, had a different result.

This trial is one of the most interesting on record for the exhibition of intellectual power, and is remarkable for the courage displayed by the jury in returning a verdict of "acquittal" in opposition to the despotic wishes of the court, though at the expense of imprisonment and fine. In 1642 Charles I. attended at a Common Council and claimed the Corporation's a.s.sistance an apprehending the five members whom he had denounced as guilty of high treason, and who had fled to the City to avoid arrest. This incident is commemorated by an inscription affixed to one of the pillars in the new council chamber. During the Civil War and the Commonwealth period the Guildhall became the arena of many an important incident connected with the political events of the times. At a later period, when, in 1689, the Government of James II. had become so intolerable that he was forced to abdicate, Guildhall was the spot where the Lords of Parliament met and agreed on a declaration in favour of the a.s.sumption of regal authority by the Prince of Orange, afterwards William III.

Guildhall has been famous also for the many sumptuous entertainments which have been given in it to royalty and other personages of distinction at various times, apart from the annual festivity which marks the entry into office of each Lord Mayor. From the banquet given in 1421 to Henry V. and his Queen, on the successful termination of his campaigns in France--when Sir Richard Whittington, in addition to the luxuries provided for his royal guests, is said to have gratified and astonished the King by throwing into the fire bonds for which he was indebted to the citizens to the amount of 60,000--down to the reign of his present Majesty, nearly every sovereign of this country has honoured the City by accepting its hospitality in the Guildhall. Charles II.

showed so much fondness for the civic entertainments that he dined there as many as nine times in the course of his reign.

[Ill.u.s.tration: THE OLD GUILDHALL.]

Apart from its strictly official use, the Guildhall is the place of meeting for the citizens generally when any important public question calls for the expression of their views. During the reign of George III.

the views of the citizens were in frequent conflict with those of the Ministry of the day. Special meetings of Common Hall were summoned, at which addresses to the King were voted, praying His Majesty to dismiss his Ministers, and terminate the conflict with the American Colonies.

More than once the citizens have been in conflict with the House of Commons: for the liberty of the press in 1770, when Bra.s.s Crosby, the Lord Mayor, was committed to the Tower; and in 1805, when the liverymen in their Common Hall supported Sir Francis Burdett, who was upholding against the House of Commons the cherished right of liberty of speech.

In the long struggle connected with the Reform Bill the City supported the cause of Reform, and, on the Pa.s.sing of the Reform Act of 1832, entertained in the Guildhall Earl Grey and his princ.i.p.al supporters in both Houses of Parliament.

The voice of the City sounding far and wide from its ancient Guildhall has similarly supported the great causes of Catholic Emanc.i.p.ation, the removal of Jewish Disabilities, and the Abolition of the Slave Trade. In modern times the character of the gatherings at the Guildhall has been still more varied. Foreign sovereigns have been entertained: the allied monarchs in 1814, the Emperor and Empress of the French (1855), the Sultan of Turkey (1867), the Shah of Persia (1889), Alexander II., Czar of Russia (1875), the King of the h.e.l.lenes (1881); indeed, almost every crowned head in Europe and the civilised world has been sumptuously received at Guildhall. In 1886, the year of the Colonial and Indian Exhibition, the representatives of our Colonies were warmly welcomed.

Then followed the Jubilee of Queen Victoria in 1887, and the Diamond Jubilee in 1897, each occasion being celebrated by entertainments of a memorable character.

The two great windows in the Guildhall have also memories of the deepest interest. That at the west end was placed there by the Corporation in 1869 to recall the many virtues and the "high and spotless character" of the Prince Consort. The window at the east end was subscribed for by the Lancas.h.i.+re operatives in 1868 in grat.i.tude for the help extended to them during the distress occasioned by the Cotton Famine. Of unique interest was the Jubilee Anniversary of Penny Postage, celebrated on the 16th May, 1890, at Guildhall, when the scene within its ancient walls resembled a huge post-office and telegraph-office combined.

Among its many services to humanity at large the Guildhall has voiced, more than once, the outcry against Jewish persecution in Russia. A working-cla.s.ses industrial exhibition, bazaars and concerts for charitable objects, International congresses of scientific and social bodies, Christmas entertainments to poor and crippled children: these are some of the present-day uses of the Guildhall. It only remains to add the furtherance of religious effort which it has afforded by welcoming such gatherings as those of the Sunday School Centenary, the mission of Canon Aitken, and the yearly meeting of the British and Foreign Bible Society, when one of the youngest collectors present (some small personage of four or five years) cuts the Society's birthday cake after some hearty words of welcome from the Lord Mayor, as the genial host of the City's Guildhall.

THE CITY COMPANIES OF LONDON

BY P. H. DITCHFIELD, M.A., F.S.A.

In these days of change, which have obliterated most of the old landmarks of the city, when the County Council has almost transformed London, and high warehouses and glaring shops have replaced the old picturesque buildings of our forefathers, it is refres.h.i.+ng to find some inst.i.tutions which have preserved through the ages their ancient customs and usages, and retain their ancient homes and treasures. Such are the Livery Companies of the City of London, the history of which teems with vivid pictures of bygone times and manners, and the accounts of their pageantries, their feasts, and customs furnish us with curious glimpses of ancient civic life. When we visit the ancient homes of these venerable societies, we are impressed by their magnificence and interesting a.s.sociations. Portraits of old city worthies gaze at us from the walls and link our times with theirs, when they, too, strove to uphold the honour of their guild and benefit their generation. Many a quaint old-time custom and curious ceremonial usage linger on within the old walls, and there, too, are enshrined cuira.s.s and targe, helmet, sword and buckler, which tell the story of the past and of the part which the companies played in national defence, or in the protection of civic rights. Turning down some little alley and entering the portals of one of these halls, we are transported at once from the busy streets and din of modern London into a region of old-world memories, which has a fascination that is all its own. We see the old city merchants resplendent in their liveries of "red and white with the connuzances of their mysteries embroidered on their sleeves," or when fas.h.i.+ons changed, then dominating the sterner s.e.x as it now does only the fair, clad in "scarlet and green," or "scarlet and black," or "murrey and plunket," a "darkly red," or a "kind of blue," preparing to attend some great State function, or to march in procession through the streets to their guild services. Again, the great hall is filled with a gallant company. n.o.bles and princes are the guests of the company, and the mighty "baron" makes the table groan, and "frumentie with venyson," brawn, fat swan, boar, conger, sea-hog, and other delicacies crown the feast, while the merry music of the minstrels or the performance of the players delights the gay throng. Pictures of ancient pageantry, their triumphs, their magnificent shows and gorgeous ceremonies, flit before our eyes when we visit the halls of the companies.

[Ill.u.s.tration: MODEL OF BARGE FORMERLY USED BY THE CLOTHWORKERS' COMPANY IN CIVIC PROCESSION.]

[Ill.u.s.tration: STAPLES INN HALL.

_From a drawing by T. H. Shepherd in 1830._]

There was a grand procession in 1686, when Sir John Peake, mercer, was Lord Mayor. The master, wardens, and a.s.sistants, dressed in their gowns faced with foins and their hoods, marched first, followed by the livery in their gowns faced with satin, and the company's almsmen, each one bearing a banner. Then came the gentlemen ushers in velvet coats, each wearing a chain of gold, followed by the bachelors invested in gowns and scarlet satin hoods, banner-bearers, trumpeters, drummers, the city marshals, and many others, while the gentlemen of the Artillery Company, led by Sir John Moore, brought up the rear. From the hall of the Grocers' Company, which was the usual rendezvous on account of its convenient situation or its size, they marched to the Guildhall, the lord mayor, sheriffs, and aldermen riding on horseback. Thence they went to Three-cranes Wharf and took barge to Westminster. On their return the pageants met them at St. Paul's Churchyard. These were most gorgeous.

The first consisted of a rock of coral with sea-weeds, with Neptune at the summit mounted on a dolphin which bore a throne of mother-of-pearl, tritons, mermaids, and other marine creatures being in attendance. But the most magnificent of all was the maiden chariot, a virgin's head being the arms of the company. Strype tells us that

"... when any one of this company is chosen mayor, or makes one of the triumph of the day wherein he goes to Westminster to be sworn, a most beautiful virgin is carried through the streets in a chariot, with all the glory and majesty possible, with her hair all dishevelled about her shoulders, to represent the maidenhead which the company give for their arms. And this lady is plentifully gratified for her pains, besides the gift of all the rich attire she wears."

The chariot in which she rode was

"... an imperial triumphal car of Roman form, elegantly adorned with variety of paintings, commixed with richest metals, beautified and embellished with several embellishments of gold and silver, ill.u.s.trated with divers inestimable and various-coloured jewels of dazzling splendour, adorned and replenished with several lively figures bearing the banners of the kings, the lords mayor, and companies."

Upon a throne sits the virgin in great state, "hieroglyphically attired"

in a robe of white satin, richly adorned with precious stones, fringed and embroidered with gold, signifying the graceful blushes of virginity; on her head a long dishevelled hair of flaxen colour, decked with pearls and precious gems, on which is a coronet of gold beset with emeralds, diamonds, sapphires, and other precious jewels of inestimable value. Her buskins are of gold, laced with scarlet ribbons, adorned with pearls and other costly jewels. In one hand she holds a sceptre; in the other, a s.h.i.+eld with the arms of the right honourable the Company of Mercers.

Such is the gorgeous being who presides over the maiden's chariot. But she rides not in solitary state. Fame perched on a golden canopy blows her trumpet; Vigilance, Wisdom, Charity, Prudence, Justice, Fort.i.tude, Temperance, Faith, Hope, Charity, Loyalty, and the nine muses, attend upon her. She has eight pages of honour dressed in cloth of silver walk by her side, and Triumph acts as charioteer. The whole machine is drawn by nine white Flanders horses, each horse ridden by some emblematical personage--such as Victory, Fame, Loyalty, Europe attended by Peace and Plenty, Africa, Asia and America. The foot attendants are numerous--eight grooms, forty Roman lictors in crimson garb, twenty servants to clear the way, and twenty "savages" or green men throwing squibs and fireworks to keep off the crowd, and a crowd of workmen ready to repair any part of the c.u.mbersome chariot which might, as was not unlikely, get out of order during its progress through the city.

Beside such magnificent pageants, our present Lord Mayors' processions seem poor and insignificant. We might go back to an earlier day and see Henry V. returning from his victorious campaign in France, and being greeted by his loyal subjects at Blackheath, the mayor and brethren of the City Companies wearing red gowns with hoods of red and white, "well mounted and gorgeously horsed with rich collars and great chains, rejoicing in his victorious returne." The river, too, was often the scene of their splendour, as when Elizabeth, the Queen of King Henry VII., was crowned. At her coming forth from Greenwich by water

"... there was attending upon her then the maior, shrifes, and aldermen of the citie, and divers and many wors.h.i.+pful comoners, chosen out of evry crafte, in their liveries, in barges freshly furnished with banners and streamers of silke, rechly beaton with the arms and bagges of their craftes; and in especiall a barge, called the bachelors' barge, garnished and apparelled, pa.s.sing all other, wherein was ordeyned a great redd dragon, spowting flames of fyer into the Thames; and many other gentlemanlie pagiaunts, well and curiously devised, to do Her Highness sport and pleasure with."

CHARITY AND RELIGION

But pleasure, pomp, and pageantry were not the sole uses of these guilds in olden days. A study of the preamble to their numerous charters shows that to maintain the poor members of their companies was one of their chief objects. The Fishmongers had a grant of power to hold land "for the sustentation of the poor men and women of the said commonalty." The Goldsmiths' charter recites that

"... many persons of that trade, by fire and the smoke of quicksilver, had lost their sight, and that others of them by working in that trade became so crazed and infirm that they were disabled to subsist but of relief from others; and that divers of the said city, compa.s.sionating the condition of such, were disposed to give and grant divers tenements and rents in the said city to the value of twenty pounds per annum to the company of the said craft towards the maintenance of the said blind, weak and infirm."

Legacies were also bequeathed to the companies for the same object, and thus we find them in the fourteenth century administering large charities for the benefit of the poor of London, and with the help of the monasteries providing a system of relief and educational organisation in the absence of any poor-law administration or State education.

[Ill.u.s.tration: FURNIVAL'S INN.

_From an old print published in 1804._]