Flowers And Flower-Gardens Part 14

At Covent Garden Market, (in London) and the first-rate Flower-shops, a single wreath or nosegay is often made up for the head or hand at a price that would support a poor labourer and his family for a month. The colors of the wreaths are artfully arranged, so as to suit different complexions, and so also as to exhibit the most rare and costly flowers to the greatest possible advantage.

All true poets

--The sages Who have left streaks of light athwart their pages--

have contemplated flowers--with a pa.s.sionate love, an ardent admiration; none more so than the sweet-souled Shakespeare. They are regarded by the imaginative as the fairies of the vegetable world--the physical personifications of etherial beauty. In _The Winter's Tale_ our great dramatic bard has some delightful floral allusions that cannot be too often quoted.

Here's flowers for you, Hot lavender, mint, savory, majoram, The marigold, that goes to bed with the sun, And with him rises weeping these are flowers Of middle summer, and I think they are given To men of middle age.

O, Proserpina, For the flowers now that, frighted, thou lett'st fall From Dis's waggon! Daffodils, That come before the swallow dares, and take The winds of March with beauty, violets dim, But sweeter than the lids of Juno's eyes, Or Cytherea's breath, pale primroses, That die unmarried ere they can behold Great Phoebus in his strength,--a malady Most incident to maids, bold oxlips and The crown imperial, lilies of all kinds, The flower de luce being one

Shakespeare here, as elsewhere, speaks of "_pale_ primroses." The poets almost always allude to the primrose as a _pale_ and interesting invalid. Milton tells us of

The yellow cowslip and the _pale_ primrose[060]

The poet in the ma.n.u.script of his _Lycidas_ had at first made the primrose "_die unwedded_," which was a pretty close copy of Shakespeare.

Milton afterwards struck out the word "_unwedded_," and subst.i.tuted the word "_forsaken_." The reason why the primrose was said to "die unmarried," is, according to Warton, because it grows in the shade uncherished or unseen by the sun, who was supposed to be in love with certain sorts of flowers. Ben Jonson, however, describes the primrose as _a wedded lady_--"the Spring's own _Spouse_"--though she is certainly more commonly regarded as the daughter of Spring not the wife. J Fletcher gives her the true parentage:--

Primrose, first born child of Ver

There are some kinds of primroses, that are not _pale_. There is a species in Scotland, which is of a deep purple. And even in England (in some of the northern counties) there is a primrose, the bird's-eye primrose, (Primula farinosa,) of which the blossom is lilac colored and the leaves musk-scented.

In Sweden they call the Primrose _The key of May_.

The primrose is always a great favorite with imaginative and sensitive observers, but there are too many people who look upon the beautiful with a utilitarian eye, or like Wordsworth's Peter Bell regard it with perfect indifference.

A primrose by the river's brim A yellow primrose was to him.

And it was nothing more.

I have already given one anecdote of a utilitarian; but I may as well give two more anecdotes of a similar character. Mrs. Wordsworth was in a grove, listening to the cooing of the stock-doves, and a.s.sociating their music with the remembrance of her husband's verses to a stock-dove, when a farmer's wife pa.s.sing by exclaimed, "Oh, I do like stock-doves!" The woman won the heart of the poet's wife at once; but she did not long retain it. "Some people," continued the speaker, "like 'em in a pie; for my part I think there's nothing like 'em stewed in inions." This was a rustic utilitarian. Here is an instance of a very different sort of utilitarianism--the utilitarianism of men who lead a gay town life. Sir W.H. listened, patiently for some time to a poetical-minded friend who was rapturously expatiating upon the delicious perfume of a bed of violets; "Oh yes," said Sir W. at last, "its all very well, but for my part I very much prefer the smell of a flambeau at the theatre." But intellects far more capacious than that of Sir W.H. have exhibited the same indifference to the beautiful in nature. Locke and Jeremy Bentham and even Sir Isaac Newton despised all poetry. And yet G.o.d never meant man to be insensible to the beautiful or the poetical. "Poetry, like truth," says Ebenezer Elliot, "is a common flower: G.o.d has sown it over the earth, like the daisies sprinkled with tears or glowing in the sun, even as he places the crocus and the March frosts together and beautifully mingles life and death." If the finer and more spiritual faculties of men were as well cultivated or exercised as are their colder and coa.r.s.er faculties there would be fewer utilitarians. But the highest part of our nature is too much neglected in all our systems of education. Of the beauty and fragrance of flowers all earthly creatures except man are apparently meant to be unconscious. The cattle tread down or masticate the fairest flowers without a single "compunctious visiting of nature." This excites no surprize. It is no more than natural. But it is truly painful and humiliating to see any human being as insensible as the beasts of the field to that poetry of the world which G.o.d seems to have addressed exclusively to the heart and soul of man.

In South Wales the custom of strewing all kinds of flowers over the graves of departed friends, is preserved to the present day.

Shakespeare, it appears, knew something of the customs of that part of his native country and puts the following _flowery_ speech into the mouth of the young Prince, Arviragus, who was educated there.

With fairest flowers, While summer lasts, and I live here, Fidele, I'll sweeten thy sad grave. Thou shalt not lack The flower that's like thy face, pale Primrose, nor The azured Harebell, like thy veins; no, nor The leaf of Eglantine; whom not to slander, Out-sweetened not thy breath.

_Cymbeline_.

Here are two more flower-pa.s.sages from Shakespeare.

Here's a few flowers; but about midnight more; The herbs that have on them cold dew o' the night Are strewings fitt'st for graves.--Upon their faces:-- You were as flowers; now withered; even so These herblets shall, which we upon you strow.

_Cymbeline_.

Sweets to the sweet. Farewell!

I hoped thou shoulds't have been my Hamlet's wife; I thought thy bride-bed to have decked, sweet maid, And not t' have strewed thy grave.

_Hamlet_.

Flowers are peculiarly suitable ornaments for the grave, for as Evelyn truly says, "they are just emblems of the life of man, which has been compared in Holy Scripture to those fading creatures, whose roots being buried in dishonor rise again in glory."[061]

This thought is natural and just. It is indeed a most impressive sight, a most instructive pleasure, to behold some "bright consummate flower"

rise up like a radiant exhalation or a beautiful vision--like good from evil--with such stainless purity and such dainty loveliness, from the hot-bed of corruption.

Milton turns his acquaintance with flowers to divine account in his Lycidas.

Return; Sicilian Muse, And call the vales, and bid them hither cast Their bells and flowerets of a thousand hues.

Ye vallies low, where the mild whispers use Of shades and wanton winds, and gus.h.i.+ng brooks, On whose fresh lap the swart-star sparely looks; Throw hither all your quaint enamelled eyes, That on the green turf suck the honied showers.

And purple all the ground with vernal flowers.

Bring the rathe primrose that forsaken dies.

The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose and the well-attired woodbine, With cowslips wan that hang the pensive head,[062]

And every flower that sad embroidery wears; Bid Amaranthus all his beauty shed, And daffodillies fill their cups with tears, To strew the laureate hea.r.s.e where Lycid lies, For, so to interpose a little ease, Let our frail thoughts dally with faint surmise

Here is a nosegay of spring-flowers from the hand of Thomson:--

Fair handed Spring unbosoms every grace, Throws out the snow drop and the crocus first, the daisy, primrose, violet darkly blue, And polyanthus of unnumbered dyes, The yellow wall flower, stained with iron brown, And lavish stock that scents the garden round, From the soft wing of vernal breezes shed, Anemonies, auriculas, enriched With s.h.i.+ning meal o'er all their velvet leaves And full ranunculus of glowing red Then comes the tulip race, where Beauty plays Her idle freaks from family diffused To family, as flies the father dust, The varied colors run, and while they break On the charmed eye, the exulting Florist marks With secret pride, the wonders of his hand Nor gradual bloom is wanting, from the bird, First born of spring, to Summer's musky tribes Nor hyacinth, of purest virgin white, Low bent, and, blus.h.i.+ng inward, nor jonquils, Of potent fragrance, nor Narcissus fair, As o'er the fabled fountain hanging still, Nor broad carnations, nor gay spotted pinks; Nor, showered from every bush, the damask rose.

Infinite varieties, delicacies, smells, With hues on hues expression cannot paint, The breath of Nature and her endless bloom.

Here are two bouquets of flowers from the garden of Cowper

Laburnum, rich In streaming gold, syringa, ivory pure, The scentless and the scented rose, this red, And of an humbler growth, the other[063] tall, And throwing up into the darkest gloom Of neighboring cypress, or more sable yew, Her silver globes, light as the foamy surf That the wind severs from the broken wave, The lilac, various in array, now white, Now sanguine, and her beauteous head now set With purple spikes pyramidal, as if Studious of ornament yet unresolved Which hue she most approved, she chose them all, Copious of flowers the woodbine, pale and wan, But well compensating her sickly looks With never cloying odours, early and late, Hyperic.u.m all bloom, so thick a swarm Of flowers, like flies clothing her slender rods, That scarce a loaf appears, mezereon too, Though leafless, well attired, and thick beset With blus.h.i.+ng wreaths, investing every spray, Althaea with the purple eye, the broom Yellow and bright, as bullion unalloy'd, Her blossoms, and luxuriant above all The jasmine, throwing wide her elegant sweets, The deep dark green of whose unvarnish'd leaf Makes more conspicuous, and illumines more, The bright profusion of her scatter'd stars

Th' amomum there[064] with intermingling flowers And cherries hangs her twigs. Geranium boasts Her crimson honors, and the spangled beau Ficoides, glitters bright the winter long All plants, of every leaf, that can endure The winter's frown, if screened from his shrewd bite, Live their and prosper. Those Ausonia claims, Levantine regions those, the Azores send Their jessamine, her jessamine remote Caffraia, foreigners from many lands, They form one social shade as if convened By magic summons of the Orphean lyre

Here is a bunch of flowers laid before the public eye by Mr. Proctor--

There the rose unveils Her breast of beauty, and each delicate bud O' the season comes in turn to bloom and perish, But first of all the violet, with an eye Blue as the midnight heavens, the frail snowdrop, Born of the breath of winter, and on his brow Fixed like a full and solitary star The languid hyacinth, and wild primrose And daisy trodden down like modesty The fox glove, in whose drooping bells the bee Makes her sweet music, the Narcissus (named From him who died for love) the tangled woodbine, Lilacs, and flowering vines, and scented thorns, And some from whom the voluptuous winds of June Catch their perfumings

_Barry Cornwall_

I take a second supply of flowers from the same hand

Here, this rose (This one half blown) shall be my Maia's portion, For that like it her blush is beautiful And this deep violet, almost as blue As Pallas' eye, or thine, Lycemnia, I'll give to thee for like thyself it wears Its sweetness, never obtruding. For this lily Where can it hang but it Cyane's breast?

And yet twill wither on so white a bed, If flowers have sense of envy.--It shall be Amongst thy raven tresses, Cytheris, Like one star on the bosom of the night The cowslip and the yellow primrose,--they Are gone, my sad Leontia, to their graves, And April hath wept o'er them, and the voice Of March hath sung, even before their deaths The dirge of those young children of the year But here is hearts ease for your woes. And now, The honey suckle flower I give to thee, And love it for my sake, my own Cyane It hangs upon the stem it loves, as thou Hast clung to me, through every joy and sorrow, It flourishes with its guardian growth, as thou dost, And if the woodman's axe should droop the tree, The woodbine too must perish.

_Barry Cornwall_

Let me add to the above heap of floral beauty a basket of flowers from Leigh Hunt.

Then the flowers on all their beds-- How the sparklers glance their heads, Daisies with their pinky lashes And the marigolds broad flashes, Hyacinth with sapphire bell Curling backward, and the swell Of the rose, full lipped and warm, Bound about whose riper form Her slender virgin train are seen In their close fit caps of green, Lilacs then, and daffodillies, And the nice leaved lesser lilies Shading, like detected light, Their little green-tipt lamps of white; Blissful poppy, odorous pea, With its wing up lightsomely; Balsam with his shaft of amber, Mignionette for lady's chamber, And genteel geranium, With a leaf for all that come; And the tulip tricked out finest, And the pink of smell divinest; And as proud as all of them Bound in one, the garden's gem Hearts-ease, like a gallant bold In his cloth of purple and gold.

Lady Mary Wortley Montague, who introduced inoculation into England--a practically useful boon to us,--had also the honor to be amongst the first to bring from the East to the West an elegant amus.e.m.e.nt--the Language of Flowers.[065]

Then he took up his garland, and did show What every flower, as country people hold, Did signify; and how all, ordered thus, Expressed his grief: and, to my thoughts, did read The prettiest lecture of his country art That could be wished.