Aunt Dimity: Detective Part 2

I directed Kit to the master bedroom, where I'd laid out his dry clothes, advised him that lunch would be ready in ten minutes, and brought Lilian's nephew with me to the kitchen.

Nicholas Fox was impressively well prepared to spend an afternoon with toddlers. His pockets were stuffed with tiny cars, plastic farm animals, and a host of windup toys guaranteed to win my sons' affection. He, in turn, seemed delighted by Will and Rob.

I watched him from the corner of my eye as I threw together a salad-soup-and-sandwich meal. He clearly enjoyed roughhousing with the twins, and ate his lunch with equal relish, complimenting me on the fresh-baked bread as well as the blackberry crumble I'd whipped up for dessert. I couldn't understand why Lilian found her nephew so difficult to entertain. He didn't seem to be all that hard to please.

Kit left for Ans...o...b.. Manor as soon as the table was cleared, and Annelise took the twins outside to play. Nicholas offered to accompany them, but I shook my head and invited him to sit with me in the living room instead.

"Pace yourself," I advised, "or you'll be dropping in your tracks by the time you leave."

He bowed his head. "I defer to the expert, but they are charming children. And you have a lovely home."

"Thanks." Nicholas had so far praised my sons, my cooking, and my cottage. If he was trying to endear himself to me, he was succeeding. I gestured for him to take a seat in Bill's armchair and knelt to light the fire. "Do you have a family of your own?"

"Apart from the one I was born into, no," he replied. "No wife, no fiancee, and no prospects in the offing. I'm singularly single. I don't even own a cat."

"I didn't mean to pry," I said, blus.h.i.+ng. "I only asked because you're so good with Rob and Will." I eyed his tweed blazer. "Are you a teacher?"

"Of a sort," he said. "I teach self-defense."

My gaze s.h.i.+fted to his scarred knuckles. "Karate? Judo? That sort of thing?"

"I'm small but deadly," he said, his eyes twinkling. "I've no students at the moment, so I thought I'd pay a visit to Aunt Lilian. I haven't been to Finch in years. As I live in London, I was rather hoping for a bit of peace and quiet."

"Instead of which you walked straight into the crime of the century." I was joking, but Nicholas didn't laugh.

"It's truer than you think," he commented. "According to Aunt Lilian, there hasn't been a murder in the village of Finch since one shepherd whacked another with the hook of his crook in the autumn of 1879. Since then there's been a number of deaths by misadventure but not a single murder."

I sat back on my heels. "So Mrs. Hooper's murder really is the crime of the century?"

"It is. Finch has had an exceptionally tranquil history." He paused. "Until now."

I got to my feet and made myself comfortable in the overstuffed armchair facing Nicholas's across the hearth. "No wonder the vicar's so upset. He must feel terrible, knowing that Finch's first major crime in over a hundred years happened on his watch."

"The murder shocked Uncle Teddy, naturally," said Nicholas, "but I believe he's even more troubled by the villagers' reactions to it."

"How have they reacted?" I asked, though I already had an inkling.

"With distinct indifference," he answered. "They seem to be taking Mrs. Hooper's death very much in stride."

"Good riddance to bad rubbish," I murmured, half to myself.

"Pardon?"

I raised my voice. "It's something my nanny said. About Mrs. Hooper . . ."

I turned toward the fire and began to tell Nicholas what I'd learned about the unpopular Mrs. Hooper. I repeated Mr. Barlow's observations on women who cause trouble wherever they go; recounted Annelise's hints about mischief and wicked rumors; and shared, with increasing indignation, the unfortunate results of Kit's attempt to protect Mrs. Hooper's grandson from Zephyrus. Nicholas listened without interruption, almost without blinking, his craggy face a sober mask of concentration.

"Mr. Barlow hit the nail on the head," I concluded. "Pruneface Hooper was as sneaky-mean as they come. She simpered to Kit's face while she stabbed him in the back. I wish I'd been home when the rumors started. If I'd known what she was up to, I'd've wrung her neck."

"Would you?" Nicholas said mildly.

I looked up, startled. I'd forgotten that he was in the room. "How did you do that?"

"Sorry?" he said.

"You disappeared into the woodwork while I was talking," I said. "How'd you do it? Is it some kind of Far Eastern mind-body-control thing?"

"I teach Zen and the art of listening," he said gravely. "I can also charm snakes and levitate."

"Yeah, right." I wrinkled my nose at him. "Too bad you weren't on hand to charm Pruneface. And to answer your question, no, I probably wouldn't have strangled her, but I definitely would have given her a piece of my mind."

"Of that I have no doubt." Nicholas rested his elbows on the arms of his chair and tented his fingers. "I wonder if Mrs. Hooper spread the same kind of rumor about someone else in Finch-someone less amiable than Mr. Ans...o...b..-Smith."

"You mean someone who might have reacted violently?" I sighed. "It's possible, I suppose. I don't like the idea, but it's hard to avoid."

"Indeed." Nicholas tapped the tips of his index fingers together.

"You'd think the police would've figured it out by now," I said. "It's been ten days-eleven now-and the killer's still on the loose."

Nicholas got to his feet and strolled over to peer out of the bow window. He complimented me on the pleasant view, then added conversationally, "Did you know that Aunt Lilian's G.o.ddaughter is a file clerk at the local constabulary?"

"Is she?" My eyebrows rose. "How useful."

"If young Imogen is to be believed, the police are having a difficult time." Nicholas turned toward me. "They've found no forensic evidence in Crabtree Cottage, and the villagers have been strikingly unforthcoming during interviews. Furthermore, no one has come forward with information."

"There are no witnesses?" I said, astonished.

"None." Nicholas moved slowly around the room, pausing before a framed watercolor Bill had given me for Christmas. He inclined his head toward the painting. "Lesley Holmes?"

"Yes," I said. "She painted a series of watercolors in Finch last summer. I'm fond of her work."

"As am I." Nicholas took a backward step to admire the watercolor at arm's length. "It's Crabtree Cottage, isn't it?"

"It was done before Mrs. Hooper moved in," I said hastily.

"I thought as much." He gazed at the painting a moment longer, then returned to his chair. "No geraniums."

"Nicholas," I said impatiently, "what you said before, about there being no witnesses-it's absurd. Someone must have seen something. Nothing goes unnoticed in the village."

"Murders do, apparently." Nicholas rested his head against the back of the chair. "That's why Uncle Teddy's worked himself into a lather. The most heinous of crimes has been committed, a crime against G.o.d as well as man, and no one seems to care."

Theodore Bunting was a peace-loving soul, but he also possessed a temper. I'd felt his righteous fury only once, when his flock had ignored a homeless man in need of help-Kit, in fact. The vicar's sermon, on that occasion, had scorched the villagers' ears. I could easily imagine his reaction to their casual dismissal of a violent death.

"Is your uncle fuming?" I asked.

"He alternates between fuming and brooding," Nicholas replied. "Aunt Lilian's afraid he'll make himself ill if this affair isn't resolved soon."

A commotion arose in the hallway as my sons returned from their outdoor expedition. Since they'd explored every puddle in the back garden, I excused myself to give Annelise a hand with changing them into dry jammies and putting them down for their naps. When I returned to the living room, I found Nicholas talking on his cell phone. I retreated to the hallway to give him privacy, but he called for me to come in and ended his conversation rapidly.

"Aunt Lilian," he explained. "She and Uncle Teddy are back from the inquest. My cue to depart."

"It's been a pleasure meeting you," I said, walking him to the front door. "And the boys are googly-eyed. They're convinced that you're related to Santa Claus."

Nicholas pulled a pair of yellow dinosaurs from his breast pocket and handed them to me. "For Will and Rob when they awaken," he explained. "I have a reputation to maintain." He took his trench coat from the hall stand and folded it over his arm as he opened the door. "Thank you for a lovely afternoon, Lori. I hope we'll meet again before I leave."

"I'm sure we will," I said, and waved him on his way.

I watched as he backed his car out of the drive, then stood for a moment, savoring the lush scent of spring and contemplating our conversation.

I wondered if Nicholas Fox understood the extreme implausibility of the information he'd acquired. Could a man who lived in London understand life in a rural village, where there was no such thing as privacy, where no one was anonymous, and where gossip spread as quickly as spilt milk?

I closed the door and went into the living room, to stand before the painting of Crabtree Cottage. The news of my sons' first steps had reached Finch long before I'd made the announcement, and Bill's confidential client list was discussed routinely in Peac.o.c.k's pub-yet no one knew a thing about the murder.

My gaze roved restlessly over the painting, from the cottage's green door to the delicate fringe of gingerbread adorning the stoop's half-roof, and finally came to rest on the drip molding above the multipaned front window. Mrs. Hooper had been struck down near that window, in full view of the square, in a village top-heavy with busybodies-yet no one had seen or heard a thing.

It didn't make a lick of sense to me.

It might, however, make sense to someone else. What I needed was a local expert on village matters, and as luck would have it, I knew exactly where to find one. I called to Annelise to keep an eye on the boys and made a beeline for the study.

It was time to consult Aunt Dimity.

Chapter 5.

When I inherited the cottage Bill and I now called home, I also inherited a few surprises. The greatest of these was the ongoing presence of the cottage's former owner, a remarkable woman named Dimity Westwood.

Dimity Westwood had been my late mother's closest friend. They'd met in London while serving their respective countries during the Second World War, and maintained their friends.h.i.+p long after the bombs had stopped exploding. The letters they wrote to each other, recounting joys, sorrows, and the vital trivia of everyday life, were among my most treasured possessions.

I'd grown up hearing about Aunt Dimity, but only as a fictional character in a series of bedtime stories. I didn't learn about the real Dimity Westwood until after her death, when she bequeathed to me a considerable fortune, a honey-colored cottage in the Cotswolds, and a blue-leather-bound journal with blank pages.

It was through the blue journal that I first exchanged words with Aunt Dimity. As she had once written to my mother, so she now wrote to me, but from an address much closer to heaven than to Finch.

When I opened the blue journal, its pages came alive with Dimity's elegant script, an old-fas.h.i.+oned copperplate taught in the village school at a time when blacksmiths were abundant. I couldn't explain the unearthly phenomenon. I could only acknowledge, humbly and gratefully, that Dimity Westwood continued to be as remarkable in death as she had been in life.

A scant handful of people shared the secret of the blue journal. Bill, Kit, and Emma were among them, but Annelise was not, so I closed the study door before taking the journal from its niche on the bookshelves and settling with it in one of the pair of tall leather armchairs that flanked the hearth.

"Dimity?" I said, opening the book. "Are you there?"

Where else would I be? I've been waiting to welcome you home.

Guilt p.r.i.c.ked my conscience as I watched the familiar lines of royal blue ink loop and curl across the page.

"I'm sorry," I said. "I should have come to you sooner."

There's no need to apologize, Lori.

"Oh, but there is," I told her. "Something's happened. Something incredible."

Do tell.

"There's been a murder, in Finch."

There was a lengthy pause. Then three words appeared, printed in letters so large, they filled nearly half the page.

MURDER? IN FINCH?!?.

Dimity was among the most understanding of souls, but even she was a bit put out with me for taking a whole day and a half to inform her of the crime of Finch's century. By the time I finished bringing her up to speed, she'd stopped blotting the page, but I could tell by the way she crossed her T's that she was still a little peeved.

I don't believe for one moment that no one noticed anything out of the ordinary on the morning in question. Someone must have seen something.

"My words exactly," I said. "But no one's volunteered any information to the police." I leaned closer to the page and added, "If you ask me, the villagers are engaged in a conspiracy of silence."

There have been many conspiracies in Finch, my dear, but none of them have been silent. Quite the contrary.

"Then why hasn't anyone spoken out?" I asked.

They may not be speaking to the authorities, but I've no doubt that they're jabbering like magpies to each other.

"What do you think they're saying?" I coaxed.

My guess-and it is an educated one-is that the good people of Finch don't want the murderer to be caught. They believe that a contemptible woman got what she deserved, they know who the culprit is, and they've agreed to close ranks in order to protect one of their own.

I put a hand to my forehead, dizzied by Dimity's plain speaking. She'd done nothing more than summarize my own suspicions, but those suspicions still made me uncomfortable. I couldn't quite bring myself to believe that my law-abiding neighbors would take it upon themselves to act as judge and jury in a case involving a capital offense.

Well, my dear, what are you going to do about it?

The question took me by surprise. "What do you expect me to do about it? It's up to the police to catch criminals."

How? If Mr. Fox is correct, they have nothing to go on. I'm afraid the police won't identify the malefactor without our help.

"If you want to know who killed Mrs. Hooper," I said reasonably, "why don't you . . . ask her? She's dead, isn't she? You have that much in common."

With all due modesty, my dear, I very much doubt that Mrs. Hooper and I are in the same place. A woman who would treat Kit so cruelly would almost certainly spend eternity in a location with which I, thankfully, have no contact whatsoever. I'm sorry, Lori, but we must rely on terrestrial means to identify the person or persons unknown. In my experience, murder is the culmination of a series of events, seen and unseen. You must marshal your resources and investigate those events.

"I have resources?" I said doubtfully.

You have Emma Harris. I'd like you to enlist her help. She has a fine a.n.a.lytical mind and she doesn't flap easily.

I agreed with Dimity's a.s.sessment of my friend. Emma Harris was an imperturbable font of common sense, which explained why we got along so famously. Her cool head provided a perfect foil for my sometimes overheated one.

"I think she and Derek are still in Devon," I said. "But I'll talk to her as soon as she gets back. May I ask what I'm enlisting her for?"

I want the two of you to visit the vicarage as soon as possible, in order to find out what happened at the inquest. Then I want you to make the rounds in Finch.You're both considered locals, and you, Lori, have been away. I'm sure people will be eager to bring you up-to-date on village matters. I want you and Emma to make it your mission in life to collect gossip.