The Last Coyote Part 37

"No, he never mentioned a thing, either."

"What was your relations.h.i.+p like? Didn't he treat you as a chiseler?"

"No, because I wasn't a chiseler," Kim protested but the indignation in his voice was hollow. "I did a job for him and I did it well. He was always very nice to me."

"He was in your story on Fox. I don't have it here but in it he said he had never met Fox."

"Yeah, that was a lie. I made that up."

Bosch was confused.

"What do you mean? You mean, you made up the lie?"

"In case they went back on the deal. I put Conklin in the story saying he didn't know the guy because I had evidence he did. They knew I had it. That way, if after the election they reneged on the deal, I could dredge up the story again and show Conklin said he didn't know Fox but he did. I could then make the inference that he also knew Fox's background when he hired him. It wouldn't have done much good because he'd have already been elected, but it would do some PR damage. It was my little insurance policy. Understand?"

Bosch nodded.

"What was the evidence you had that Conklin knew Fox?"

"I had photos."

"What photos?"

"They were taken by the society photographer for the Times Times at the Hollywood Masonic Lodge's St. Patrick's Day dance a couple of years before the election. There's two of them. Conklin and Fox are at a table. They were scratches but one day I was-" at the Hollywood Masonic Lodge's St. Patrick's Day dance a couple of years before the election. There's two of them. Conklin and Fox are at a table. They were scratches but one day I was-"

"What do you mean, scratches?"

"Photos never published. Outtakes. But, see, I used to look at the society stuff in the photo lab, so I could learn who the big shots in the city were and who they were out with and so on. It was useful information. One day I saw these photos of Conklin and some guy that I recognized but wasn't sure from where. It was because of the social background. This wasn't Fox's turf so at the time I didn't recognize him. Then, when Fox got killed and I was told he worked for Conklin, I remembered the photos and who the other man was. Fox. I went back to the scratch files and pulled them out."

"They were just sitting there together at this dance?"

"In the photos? Yeah. And they were smiling. You could tell they knew each other. These weren't posed shots. In fact, that's why each was a scratch. They weren't good photos, not for the society page."

"Anybody else with them?"

"A couple women, that was it."

"Go get the photos."

"Oh, I don't have them anymore. I tossed them after I didn't need them anymore."

"Kim, don't bulls.h.i.+t me, okay? There was never a time you didn't need them. Those photos are probably why you are alive today. Now go get them or I'll take you downtown for withholding evidence, then I'll come back with a warrant and tear this place apart."

"All right! Jesus! Wait here. I have one of them."

He got up and went up the stairs. Bosch just stared at the dog. It was wearing a sweater that matched Kim's. He heard a closet door being moved on rollers, then a heavy thud. He guessed a box had been taken off the shelf and dropped to the floor. In a few more moments, Kim's heavy steps were coming down the stairs. As he pa.s.sed the couch, he handed Bosch a black-and-white eight-by-ten that was yellowed around the edges. Bosch stared at it for a long time.

"I have the other in a safe deposit box," Kim said. "It's a clearer shot of the two of them. You can tell it's Fox."

Bosch didn't say anything. He was still looking at the photo. It was a flashbulb shot. Everybody's face was lit up white as snow. Conklin sat across a table from the man Bosch a.s.sumed was Fox. There were a half dozen drink gla.s.ses on the table. Conklin was smiling and heavy-lidded-that was probably why the photo was a scratch-and Fox was turned slightly away from the camera, his features indistinguishable. Bosch guessed you would have had to know him to recognize him. Neither of them seemed aware of the photographer's presence. Flashbulbs were probably going off all over the place.

But more so than the men, Bosch studied the two women in the photo. Standing next to Fox and bending over to whisper in his ear was a woman in a dark one-piece dress that was tight around the middle. Her hair was swirled on top of her head. It was Meredith Roman. And sitting across the table and next to Conklin, mostly obscured by him, was Marjorie Lowe. Bosch guessed that if you didn't already know her, she wouldn't have been recognizable. Conklin was smoking and had his hand up to his face. His arm blocked off half of Bosch's mother's face. It almost looked as if she was peeking around a corner at the camera.

Bosch turned the photo over and there was a stamp on the back that said TIMES PHOTO BY BORIS LUGAVERE. It was dated March 17, 1961, seven months before his mother's death.

"Did you ever show this to Conklin or Mittel?" Bosch finally asked.

"Yeah. When I made my case for head spokesman. I gave Gordon a copy. He saw that it was proof the candidate knew Fox."

Mittel must also have seen that it was proof that the candidate knew a murder victim, Bosch realized. Kim didn't know what he had. But no wonder he got the head spokesman's job. You're lucky you're alive, he thought but didn't say.

"Did Mittel know it was only a copy?"

"Oh yeah, I made that clear. I wasn't stupid."

"Did Conklin ever mention it to you?"

"Not to me. But I a.s.sume Mittel told him about it. Remember, I said he had to get back to me about the job I wanted. Who would he have to clear it with, he was campaign manager? So he must've talked to Conklin."

"I'm going to keep this."

Bosch held up the photo.

"I've got the other."

"Have you stayed in touch with Arno Conklin over the years?"

"No. I haven't spoken to him in, I don't know, twenty years."

"I want you to call him now and I-"

"I don't even know where he is."

"I do. I want you to call him and tell him you want to see him tonight. Tell him it has to be tonight. Tell him it's about Johnny Fox and Marjorie Lowe. Tell him not to tell anyone you are coming."

"I can't do that."

"Sure you can. Where's your phone? I'll help you." "No, I mean, I can't go see him tonight. You can't make-" "You're not going to see him tonight, Monte. I'm going to be you. Now where's your phone?"

Chapter Thirty-nine.

AT PARK LA BREA LIFECARE, Bosch parked in a visitor's s.p.a.ce in the front lot and got out of the Mustang. The place looked dark; few windows in the upper stories had lights on behind them. He checked his watch-it was only nine-fifty-and moved toward the gla.s.s doors of the lobby.

He felt a slight pull in his throat as he made the walk. Deep down he had known as soon as he finished reading the murder book that his sights were set on Conklin and that it would come to this. He was about to confront the man he believed had killed his mother and then used his position and the people he surrounded himself with to walk away from it. To Bosch, Conklin was the symbol of all that he never had in his life. Power, home, contentment. It didn't matter how many people had told him on the trail that Conklin was a good man. Bosch knew the secret behind the good man. His rage grew with each step he took.

Inside the door a uniformed guard sat behind a desk working on a crossword puzzle torn from the Times Sunday Magazine Times Sunday Magazine. Maybe he had been working on it since then. He looked up at Bosch as if he was expecting him.

"Monte Kim," Bosch said. "One of the residents is expecting me. Arno Conklin."

"Yeah, he called down." The guard consulted a clipboard, then turned it around and handed the pen to Bosch. "Been a long time since he's had any visitors. Sign here, please. He's up in nine-oh-seven."

Bosch signed and dropped the pen on the clipboard.

"It's kind of late," the guard said. "Visitation is usually over by nine."

"What's that mean? You want me to leave? Fine." He held his briefcase up. "Mr. Conklin can just roll his wheelchair down to my office tomorrow to pick this stuff up. I'm the one making a special trip here, buddy. For him. Let me up or not, I don't care. He cares."

"Whoah, whoah, whoah, hold on there, partner. I was just saying it was late and you didn't let me finish. I'm going to let you go up. No problem. Mr. Conklin specifically requested it and this ain't no prison. I'm just saying all the visitors are gone, okay? People are sleeping. Just keep it down, is all. No reason to blow a gasket."

"Nine-oh-seven, you said?"

"That's right. I'll call him and tell him you're on your way up."

"Thanks."

Bosch moved past the guard toward the elevators without apology. He was forgotten as soon as he was out of Bosch's sight. Only one thing, one person, occupied his mind now.

The elevator moved about as quickly as the building's inhabitants. When he finally got to the ninth floor, Bosch walked past a nurses' station but it was empty, the night nurse apparently tending to a resident's needs. Bosch headed the wrong way down the hall, then corrected himself and headed back the other way. The paint and linoleum in the hallway were fresh but even top-dollar places like this couldn't completely eliminate the lingering smell of urine, disinfectant and the sense of closed lives behind the closed doors. He found the door to nine-oh-seven and knocked once. He heard a faint voice telling him to enter. It was more like a whimper than a whisper.

Bosch was unprepared for what he saw when he opened the door. There was a single light on in the room, a small reading lamp to the side of the bed. It left most of the room in shadow. An old man sat on the bed propped against three pillows, a book in his frail hands, bifocals on the bridge of his nose. What Bosch found so eerie about the tableau before him was that the bedcovers were bunched around the old man's waist but were flat on the remainder of the bed. The bed was flat. There were no legs. Compounding this shock was the wheelchair to the right of the bed. A plaid blanket had been thrown over the seat. But two legs in black pants and loafers extended from beneath it and down to the chair's footrests. It looked as if half the man was in his bed but he had left his other half in the chair. Bosch's face must have shown his confusion.

"Prosthesis," said the raspy voice from the bed. "Lost my legs... diabetes. Almost nothing of me left. Except an old man's vanity. I had the legs made for public appearances."

Bosch stepped closer to the light. The man's skin was like the back of peeled wallpaper. Yellowish, pale. His eyes were deep in the shadows of his skeletal face, his hair just a whisper around his ears. His thin hands were ribbed with blue veins the size of earthworms under his spotted skin. He was death, Bosch knew. Death certainly had a better grip on him than life did.

Conklin put the book on the table near the lamp. It seemed to be a labor for him to make the reach. Bosch saw the t.i.tle. The Neon Rain The Neon Rain.

"A mystery," Conklin said, a small cackle following. "I indulge myself with mysteries. I've learned to appreciate the writing. I never did before. Never took the time. Come in, Monte, no need to be afraid of me. I'm a harmless old man."

Bosch stepped closer until the light was on his face. He saw Conklin's watery eyes study him and conclude that he was not Monte Kim. It had been a long time but Conklin seemed to be able to tell.

"I came in Monte's place," he whispered.

Conklin turned his head slightly and Bosch saw his eyes fall on the emergency call b.u.t.ton on the bed table. He must have figured he had no chance and no strength for another reach. He turned back to Bosch.

"Who are you, then?"

"I'm working on a mystery, too."

"A detective?"

"Yes. My name's Harry Bosch and I want to ask you about..."

He stopped. There was a change in Conklin's face. Bosch could not tell if it was fear or maybe recognition but something had changed. Conklin brought his eyes up to Bosch's and Bosch realized the old man was smiling.

"Hieronymus Bosch," he whispered. "Like the painter."

Bosch nodded slowly. He now realized he was as shocked as the old man.

"How do you know that?"

"Because I know of you."

"How?"

"Through your mother. She told me about you and your special name. I loved your mother."

It was like getting hit in the chest with a sandbag. Bosch felt the air go out of him and he put a hand down on the bed to hold himself steady.

"Sit. Please. Sit."

Conklin held out a shaky hand, motioning Bosch onto the bed. He nodded when Bosch did as he had been told.

"No!" Bosch said loudly as he rose off the bed almost as soon as he had sat down on it. "You used her and you killed her. Then you paid off people to bury it with her. That's why I'm here. I came for the truth. I want to hear you tell it and I don't want to hear any bulls.h.i.+t about loving her. You're a liar."

Conklin had a pleading look in his eyes, then he turned them away, toward the dark side of the room.

"I don't know the truth," he said, his voice like dried leaves blown along the sidewalk. "I take responsibility and therefore, yes, it could be said I killed her. The only truth I know is that I loved her. You can call me a liar but that is the truth. You could make an old man whole again if you believed that."

Bosch couldn't fathom what was happening, what was being said.

"She was with you that night. In Hanc.o.c.k Park."

"Yes."

"What happened? What did you do?"

"I killed her...with my words, my actions. It took me many years to realize that."

Bosch moved closer until he was hovering over the old man. He wanted to grab him and shake some sense out of him. But Arno Conklin was so frail that he might shatter.

"What are you talking about? Look at me. What are you talking about?"

Conklin turned his head on a neck no wider than a gla.s.s of milk. He looked at Bosch and nodded solemnly.

"You see, we made plans that night. Marjorie and I. I had fallen for her against all better judgment and advice. My own and others. We were going to get married. We'd decided. We were going to get you out of that youth hall. We had many plans. That was the night we made them. We were both so happy that we cried. The next day was Sat.u.r.day. I wanted to go to Las Vegas. Take the car and drive through the night before we could change our minds or have them changed for us. She agreed and went home to pick up her things...She never came back."

"That's your story? You expect me-"

"You see, after she had left, I made one call. But that was enough. I called my best friend to tell him the good news and to ask him to stand with me as my best man. I wanted him to go with us to Las Vegas. Do you know what he said? He declined the honor of being my best man. He said that if I married that...that woman, I'd be finished. He said he wouldn't let me do that. He said he had great plans for me."

"Gordon Mittel."