The Collected Novels Of Jose Saramago Part 5

I wish to express my deep grat.i.tude to Jose Saramago, Stefanie Goodfellow, Teresa Nunes, Carlos Sachs, Maria Fernanda Romao, Paul Berman, Drenka Willen, Neil Ferguson, and Thomas Colchie. Their encouragement and a.s.sistance proved invaluable in the preparation of this translation GIOVANNI PONTIERO.

Manchester 1986

THE YEAR OF THE DEATH OF RICARDO REIS.

Translated by Giovanni Pontiero A Harvest Book * Harcourt, Inc.

Orlando Austin New York San Diego London Jose Saramago e Editorial Caminho, SARL Lisboa, 1984 English translation copyright 1991 by Harcourt, Inc.

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

www.HarcourtBooks.com Library of Congress Cataloging-in-Publication Data Saramago, Jose.

[Ano da morte de Ricardo Reis. English]

The year of the death of Ricardo Reis / Jose Saramago; translated from the Portuguese by Giovanni Pontiero.-1st U.S. ed.

p. cm.

Translation of: O ano da morte de Ricardo Reis.

ISBN 978-0-15-199735-0.

ISBN 978-0-15-699693-8 (pbk.) I. t.i.tle PQ9281. A A66A8413 1991 869.3'42-dc20 90-33401 Designed by Camilla Filancia Printed in the United States of America First Harvest edition 1992 S R Q P O N M L K.

Wise is the man who contents himself with the spectacle of the world. - -RICARDO REISTo choose ways of not acting was ever the concern and scruple of my life.-BERNARDO SOARESIf they were to tell me that it is absurd to speak thus of someone who never existed, I should reply that I have no proof that Lisbon ever existed, or I who am writing, or any other thing wherever it might be.-FERNANDO PESSOA

Here the sea ends and the earth begins. It is raining over the colorless city. The waters of the river are polluted with mud, the riverbanks flooded. A dark vessel, the Highland Brigade Highland Brigade, ascends the somber river and is about to anchor at the quay of Alcantara. The steamer is English and belongs to the Royal Mail Line. She crosses the Atlantic between London and Buenos Aires like a weaving shuttle on the highways of the sea, backward and forward, always calling at the same ports, La Plata, Montevideo, Santos, Rio de Janeiro, Pernambuco, Las Palmas, in this order or vice versa, and unless she is s.h.i.+pwrecked, the steamer will also call at Vigo and Boulogne-sur-Mer before finally entering the Thames just as she is now entering the Tagus, and one does not ask which is the greater river, which the greater town. She is not a large vessel, fourteen thousand tons, but quite seaworthy, as was demonstrated during this crossing when, despite constant rough weather, only those unaccustomed to ocean voyages were seasick, or those accustomed but who suffer from an incurably delicate stomach. On account of the homey atmosphere and comforts on board, the s.h.i.+p has come to be affectionately known, like her twin the Highland Monarch Highland Monarch, as the family steamer. Both vessels are equipped with s.p.a.cious decks for games and sunbathing, even cricket, a field sport, can be played on deck, which shows that for the British Empire nothing is impossible. When the weather is fine, the Highland Brigade Highland Brigade becomes a garden for children and a paradise for the elderly, but not today, because it is raining and this is our last afternoon on board. Behind windowpanes ingrained with salt the children peer out at the gray city, which lies flat above the hills as if built entirely of one-story houses. Yonder, perhaps, you catch a glimpse of a high dome, some thrusting gable, an outline suggesting a castle ruin, unless this is simply an illusion, a chimera, a mirage created by the s.h.i.+fting curtain of the waters that descend from the leaden sky. The foreign children, whom nature has endowed more generously with the virtue of inquisitiveness, are curious to know the name of the port. Their parents tell them or it is spelled out by their nurses, becomes a garden for children and a paradise for the elderly, but not today, because it is raining and this is our last afternoon on board. Behind windowpanes ingrained with salt the children peer out at the gray city, which lies flat above the hills as if built entirely of one-story houses. Yonder, perhaps, you catch a glimpse of a high dome, some thrusting gable, an outline suggesting a castle ruin, unless this is simply an illusion, a chimera, a mirage created by the s.h.i.+fting curtain of the waters that descend from the leaden sky. The foreign children, whom nature has endowed more generously with the virtue of inquisitiveness, are curious to know the name of the port. Their parents tell them or it is spelled out by their nurses, amas, bonnes, Frauleins amas, bonnes, Frauleins, or perhaps by a pa.s.sing sailor on his way to some maneuver. Lisboa, Lisbon, Lisbonne, Lissabon, there are four different ways of saying it, leaving aside the variants and mistaken forms. And so the children come to know what they did not know before, and that is what they knew already, nothing, merely a name, causing even greater confusion in their childish minds, a name p.r.o.nounced with the accent peculiar to the Argentinians, if that is what they happen to be, or to the Uruguayans, the Brazilians, the Spaniards. The latter, writing Lisbon correctly in their respective versions of Castilian or Portuguese, then p.r.o.nounce it in their own way, a way beyond the reach of ordinary hearing or any representation in writing. When the Highland Brigade Highland Brigade sails up the straits early tomorrow morning, let us hope there will be a little suns.h.i.+ne and a clear sky, so that the gray mist does not completely obscure, even within sight of land, the already fading memory of those voyagers who pa.s.sed here for the first time, those children who repeated the word Lisbon, transforming it into some other name, those adults who knitted their eyebrows and s.h.i.+vered with the general dampness which penetrates the wood and metal, as if the sails up the straits early tomorrow morning, let us hope there will be a little suns.h.i.+ne and a clear sky, so that the gray mist does not completely obscure, even within sight of land, the already fading memory of those voyagers who pa.s.sed here for the first time, those children who repeated the word Lisbon, transforming it into some other name, those adults who knitted their eyebrows and s.h.i.+vered with the general dampness which penetrates the wood and metal, as if the Highland Brigade Highland Brigade had emerged dripping from the bottom of the sea, a s.h.i.+p twice transformed into a phantom. No one by choice or inclination would remain in this port. had emerged dripping from the bottom of the sea, a s.h.i.+p twice transformed into a phantom. No one by choice or inclination would remain in this port.

A few pa.s.sengers are about to disembark. The steamer has docked, the gangplank has been lowered and secured, unhurried baggage handlers and stevedores appear below, guards emerge from the shelter of their huts and sheds, and the customs officers begin to arrive. The rain has eased off and almost stopped. The pa.s.sengers gather at the top of the gangplank, hesitant, as if in some doubt as to whether permission has been granted to disembark, or whether there could be a quarantine, or perhaps they are apprehensive about those slippery steps. But it is the silent city that frightens them, perhaps all its inhabitants have perished and the rain is only falling to dissolve into mud what has remained standing. Along the quayside grimy portholes glow dimly, the spars are branches lopped from trees, the hoists are still. It is Sunday. Beyond the docksheds lies the somber city, enclosed by facades and walls, as yet protected from the rain, perhaps drawing back a heavy, embroidered curtain, looking out with vacant eyes, listening to the water gurgling on the rooftops, down the drainpipes to the gutters below, and onto the gleaming limestone of the pavement to the br.i.m.m.i.n.g drains, some of their covers raised where they have flooded.

The first pa.s.sengers disembark. Their shoulders bent under the monotonous rain, they carry sacks and suitcases and have the lost expression of those who have endured the voyage as if in a dream of flowing images, between sea and sky, the prow going up and down like a metronome, the waves rising and falling, the hypnotic horizon. Someone is carrying a child in his arms, a child so silent it must be Portuguese. It does not ask where they are, or else it was promised that if it went to sleep at once in that stuffy berth, it would wake up in a beautiful city where it would live happily ever after. Another fairy tale, for these people have been unable to endure the hards.h.i.+ps of emigration. An elderly woman who insists on opening her umbrella has dropped the green tin box shaped like a little trunk that she was carrying under her arm. The box has crashed onto the pebbles on the quayside, breaking open, its bottom falling out. It contained nothing of value, a few souvenirs, some bits of colored cloth, letters and photographs scattered by the wind, some gla.s.s beads shattered into smithereens, b.a.l.l.s of white yarn now badly stained, one of them disappearing between the quayside and the side of the s.h.i.+p. The woman is a third-cla.s.s pa.s.senger.

As they set foot on land, the pa.s.sengers run to take shelter. The foreigners mutter about the storm as if we were responsible for the bad weather, they appear to forget that in their beloved France or England the weather is usually a great deal worse. In short, they use the slightest pretext, even nature's rain, to express their contempt for poorer nations. We have more serious reasons for complaint, but we remain silent. This is a foul winter, with whatever crops there were uprooted from the fertile soil, and how we miss them, being such a small country. The baggage is already being unloaded. Under their glossy capes the sailors resemble hooded wizards, while, down below, the Portuguese porters move swiftly in their peaked caps and short jackets weatherproofed and lined, so indifferent to the deluge that they astonish all who watch. Perhaps this disdain for personal comfort will move the purses of the pa.s.sengers, or wallets as one says nowadays, to take pity on them, and that pity will be converted into tips. A backward clan, with outstretched hand, each man sells what he possesses in good measure, resignation, humility, patience, may we continue to find people who trade in this world with such wares. The pa.s.sengers go through customs, few in number, but it will take them some time to get out, for there are many forms to be filled in and the handwriting of the customs officers on duty is painstaking. It is just possible that the quickest of them will get some rest this Sunday. It is growing dark although it is only four o'clock, a few more shadows and it will be night, but in here it is always night, the dim lamps lit all day long and some burned out. That lamp there has been out for a week and still hasn't been replaced. The windows, covered with grime, allow a watery light to penetrate. The heavy air smells of damp clothing, rancid baggage, the cheap material of uniforms, and there is not a trace of happiness in this homecoming. The customs shed is an antechamber, a limbo, before one pa.s.ses on to what awaits outside.

A grizzled fellow, skin and bones, signs the last of the forms. Receiving copies, the pa.s.senger can go, depart, resume his existence on terra firma. He is accompanied by a porter whose physical appearance need not be described in detail, otherwise we should have to continue this examination forever. To avoid confusing anyone who might need to distinguish this porter from another, we will say only that he is skin and bones, grizzled, and as dark and clean-shaven as the man he is accompanying. Yet they are both quite different, one a pa.s.senger, one a porter. The latter pulls a huge suitcase on a metal cart, while the other two suitcases, small by comparison, are suspended from his neck with a strap that goes around the nape like a yoke or the collar of a religious habit. Once outside, under the protection of the jutting roof, he puts the luggage on the ground and goes in search of a taxi, they are usually here waiting when a s.h.i.+p arrives. The pa.s.senger looks at the low clouds, the puddles on the rough ground, the water by the quayside contaminated with oil, peelings, refuse of every kind, then he notices several un.o.btrusive wars.h.i.+ps. He did not expect to find them here, the proper place for these vessels is at sea, or, when not engaged in war or military maneuvers, in the estuary, which is more than wide enough to give anchorage to all the fleets in the world, as one used to say and perhaps still says, without bothering to see what fleets they might be. Other pa.s.sengers emerged from customs, accompanied by their porters, then the taxi appeared, splas.h.i.+ng water beneath its wheels. The waiting pa.s.sengers waved their arms frantically, but the porter leaped onto the running board and made a broad gesture, It's for this gentleman, thus showing how even a humble employee in the port of Lisbon, when rain and circ.u.mstances permit, may hold happiness in his meager hands, which he can bestow or withhold at a moment's notice, a power attributed to G.o.d when we talk of life. While the taxi driver loaded his luggage into the trunk, the pa.s.senger, betraying for the first time a slight Brazilian accent, asked, Why are wars.h.i.+ps moored here. Panting for breath as he helped the taxi driver lift the heavy suitcase, the porter replied, Ah, it's the naval dock, because of the weather these s.h.i.+ps were towed in the day before yesterday, otherwise they would have drifted off and run ash.o.r.e at Alges. Other taxis began to arrive. Either they had been delayed or else the steamer docked an hour earlier than expected. Now there was an open-air market in the square, plenty of taxis for everyone. How much do I owe you, the pa.s.senger asked. Whatever you care to give on top of the fixed fare, the porter replied, but he did not say what the fixed fare was or put an actual price on his services, trusting to the good fortune that protects the courageous, even when the courageous are only baggage handlers. I have only English money, Oh, that's fine, and he saw ten s.h.i.+llings placed into his right hand, coins that shone more brightly than the sun itself. At long last the celestial sphere has banished the clouds that hovered oppressively over Lisbon. Because of such heavy burdens and deep emotions, the first condition for the survival and prosperity of any porter is to have a stout heart, a heart made of bronze, otherwise he will soon collapse, undone. Anxious to repay the pa.s.senger's excessive generosity, or at least not to be indebted in terms of words, he offers additional information that no one wants, and expressions of grat.i.tude that no one heeds. They are torpedo boats, they are ours, Portuguese, this is the Tejo Tejo, the Dao, Dao, the the Lima, Lima, the the Vouga, Vouga, the the Tamega Tamega, the Dao Dao is that one nearest you. No one could have told the difference, one could even have changed their names around, they all looked alike, identical, painted a drab gray, awash with rain, without a sign of life on the decks, their flags soaked like rags. But no disrespect is intended, we know that this destroyer is the is that one nearest you. No one could have told the difference, one could even have changed their names around, they all looked alike, identical, painted a drab gray, awash with rain, without a sign of life on the decks, their flags soaked like rags. But no disrespect is intended, we know that this destroyer is the Dao. Dao. Perhaps we shall have news of her later. Perhaps we shall have news of her later.

The porter raises his cap and thanks him. The taxi drives off, Where to. This question, so simple, so natural, so fitting for the place and circ.u.mstances, takes the pa.s.senger unawares, as if a ticket purchased in Rio de Janeiro should provide the answer to all such questions, even those posed in the past, which at the time met with nothing but silence. Now, barely disembarked, the pa.s.senger sees at once that this is not so, perhaps because he has been asked one of the two fatal questions, Where to. The other question, and much worse, is Why. The taxi driver looked into his rearview mirror, thinking the pa.s.senger had not heard him. He was opening his mouth to repeat, Where to, but the reply came first, still indecisive, hesitant, To a hotel. Which hotel, I don't know, and having said, I don't know, the pa.s.senger knew precisely what he wanted, knew it with the utmost conviction, as if he had spent the entire voyage making up his mind, A hotel near the river, down in this part of the city. The only hotel near the river is the Braganca, at the beginning of the Rua do Alecrim. I don't remember the hotel, but I know where the street is, I used to live in Lisbon, I'm Portuguese. Ah, you're Portuguese, from your accent I thought you might be Brazilian. Is it so very noticeable. Well, just a little, enough to tell the difference. I haven't been back in Portugal for sixteen years. Sixteen years is a long time, you will find that things have changed a lot around here. With these words the taxi driver suddenly fell silent.

His pa.s.senger did not get the impression that there were many changes. The avenue they followed was much as he remembered it, only the trees looked taller, and no wonder, for they had had sixteen years in which to grow. Even so, because in his mind's eye he could still see green foliage, and because the wintry nakedness of the branches diminished the height of the rows, one image balanced out the other. The rain had died away, only a few scattered drops continued to fall, but in the sky there was not a trace of blue, the clouds had not dispersed and they formed one vast roof the color of lead. Has there been much rain, the pa.s.senger inquired. For the last two months it has been bucketing down like the great flood, the driver replied as he switched off his winds.h.i.+eld wipers. Few cars were pa.s.sing and even fewer trams, the occasional pedestrian warily closed his umbrella, along the sidewalks stood great pools of muddy water caused by blocked drains. Several bars were open, side by side, murky, their viscous lights encircled by shadows, the silent image of a dirty winegla.s.s on a zinc counter. These facades are the great wall that screens the city, and the taxi skirts them without haste, as if searching for some break or opening, a Judas gate, or the entrance to a labyrinth. The train from Cascais pa.s.ses slowly, chugging along at a sluggish pace yet still with enough speed to overtake the taxi, but then it falls behind and enters the station just as the taxi turns into the square. The driver informs him, The hotel is that one as you enter the street. He halted in front of a cafe and added, You'd better ask first if they have any rooms, I can't park outside the door because of the trams. The pa.s.senger got out, glanced fleetingly at the cafe, which was named Royal, a commercial example of monarchical nostalgia in a republican era, or of reminiscences of the last reign, here disguised in English or French. A curious situation, one looks at the word without knowing whether it should be p.r.o.nounced roial roial or or ruaiale. ruaiale. He had time to consider the problem because it was no longer raining and the road went uphill. Then he imagined himself walking back from the hotel, with or without a room, and no sign of the taxi, it has vanished with all his luggage and clothes, his papers, and he wondered how he could exist deprived of these things and all his other worldly goods. Climbing the front steps of the hotel, he realized from these musings that he was exhausted, that he was suffering from an overwhelming fatigue, an infinite weariness, a sense of despair, if we really know what despair means when we say that word. He had time to consider the problem because it was no longer raining and the road went uphill. Then he imagined himself walking back from the hotel, with or without a room, and no sign of the taxi, it has vanished with all his luggage and clothes, his papers, and he wondered how he could exist deprived of these things and all his other worldly goods. Climbing the front steps of the hotel, he realized from these musings that he was exhausted, that he was suffering from an overwhelming fatigue, an infinite weariness, a sense of despair, if we really know what despair means when we say that word.

As he pushed open the door of the hotel, an electric buzzer sounded. At one time it would have been a little bell, ting-a-linga-ling, but one must always count on progress and its improvements. There was a steep flight of stairs and on the post at the bottom stood a figurine in cast iron holding aloft, in its right hand, a gla.s.s ball. The figurine represented a page in court dress, if the expression isn't redundant, for who ever saw a page not in court dress. It would be clearer to say a page dressed as a page, and judging from the cut of his costume, he was of the Italian Renaissance. The traveler went up endless steps. It seemed incredible that one should have to climb so far to reach the first floor, it was like scaling Mount Everest, a feat which continues to be the dream and Utopia of every mountaineer. To his relief, a man with a mustache appeared at the top of the stairs offering words of encouragement, Up you come then. The man did not say these words but that was how one might have interpreted the look on his face as he leaned over the landing to investigate what fair winds and evil times had brought this guest. Good evening, sir. Good evening, he has no breath left for more. The man with the mustache smiles patiently, You need a room, the smile becomes that of someone apologizing, There are no rooms on this floor, this is the reception desk, dining room, lounge, and through here is the kitchen and pantry, the rooms are upstairs, and to inspect them we must go up to the second floor. This room is no good, it is small and gloomy, nor this, it looks onto the back, and these are already occupied. What I wanted was a room with a view of the river. Ah, in that case you will like room two hundred and one, it was vacated only this morning, I'll show it to you right away. The door at the end of the hallway had a little enameled plate, black numerals on a white background. If this were not a humble hotel room without any luxuries, and the room number were two hundred and two, and if the guest were called Jacinto and like Eca de Queiros's hero owned an estate in Tormes, then this episode would be set not in the Rua do Alecrim but on the Champs Elysees, on the right as one goes up, just like the Hotel Braganca, but that is the only detail they have in common.

The traveler approved of the room, or rooms to be precise, for there were two of them connected by a broad archway, on that side the bedroom, which once upon a time would have been described as an alcove, and on this side the sitting room, living quarters as satisfactory as in any apartment, with dark furniture in polished mahogany, drapes over the windows, and lampshades. The traveler heard the harsh screeching of a tram going up the street. The taxi driver was right. It seemed ages since the traveler had left the taxi waiting, and he smiled inwardly at his fear of being robbed. Do you like the room, the manager asked with the voice and authority of his profession but ever courteous, as befits someone negotiating a rental. It's fine, I'll take it, How long are you staying, I can't tell you, much depends on the time it takes to settle my affairs. It is the usual dialogue, the exchange one expects in such situations, but on this occasion there is an element of falsehood, because the traveler has no affairs to settle in Lisbon, no affairs worthy of the name, he has told a lie, he who once declared that he despised inaccuracy.

They descended to the first floor and the manager summoned an employee, a messenger and luggage porter, whom he sent to fetch the gentleman's suitcases. The taxi was waiting in front of the cafe and the traveler went down with him to pay the fare, an expression that harks back to the days of the horse-drawn cab, and also to check that there was nothing missing, but his mistrust is misguided, undeserved, the driver is an honest fellow and wishes only to be paid what is on the meter plus the customary tip. He will not share the good fortune of the baggage handler at the docks, there will be no further distribution of silver coins, for the traveler by now has changed some of his money at the reception desk, not that we disapprove of generosity, but enough is enough, too much ostentation is an insult to the poor. The suitcase weighs a great deal more than money, and when it reaches the landing, the manager is waiting to supervise its transportation. He moves forward to help by placing his hand underneath, a symbolic action, like someone laying the first stone, for the load is carried up on the errand boy's shoulders. A boy by profession rather than age, and he is beginning to feel his years as he carries up the heavy suitcase, supported on either side by futile gestures of a.s.sistance, for those made by the guest are not much help as he looks on in distress at the man's exertions, One more flight to go and you are there. It is room two hundred and one, Pimenta. This time Pimenta is in luck, he does not have to climb to the upper floors.

Meanwhile the guest returns to the reception desk, somewhat out of breath after all that effort. He takes the pen and enters the essential details about himself in the register of arrivals, so that it might be known who he claims to be, in the appropriate box on the lined page. Name, Ricardo Reis, age, forty-eight, place of birth, Oporto, marital status, bachelor, profession, doctor, last place of residence, Rio de Janeiro, Brazil, whence he has arrived aboard the Highland Brigade. Highland Brigade. It reads like the beginning of a confession, an intimate autobiography, all that is hidden is contained in these handwritten lines, the only problem is to interpret them. And the manager, who has been craning his neck to follow the linking of words and decipher their meaning at the same time, thinks he knows more or less everything. He introduces himself, beginning, Doctor. This is not intended as flattery but rather as a sign of respect, the acknowledgment of a right, a merit, a quality, which warrants immediate recognition even when not made known in writing. My name is Salvador, I am in charge of this hotel, should you require anything, Doctor, you need only tell me. At what time is dinner served. Dinner is at eight, Doctor, I hope you will find our cuisine satisfactory, we also serve French dishes. Doctor Ricardo Reis concedes with a nod that he shares that hope, retrieves his raincoat and hat from a chair, and withdraws. It reads like the beginning of a confession, an intimate autobiography, all that is hidden is contained in these handwritten lines, the only problem is to interpret them. And the manager, who has been craning his neck to follow the linking of words and decipher their meaning at the same time, thinks he knows more or less everything. He introduces himself, beginning, Doctor. This is not intended as flattery but rather as a sign of respect, the acknowledgment of a right, a merit, a quality, which warrants immediate recognition even when not made known in writing. My name is Salvador, I am in charge of this hotel, should you require anything, Doctor, you need only tell me. At what time is dinner served. Dinner is at eight, Doctor, I hope you will find our cuisine satisfactory, we also serve French dishes. Doctor Ricardo Reis concedes with a nod that he shares that hope, retrieves his raincoat and hat from a chair, and withdraws.

The porter was waiting for him in the open doorway of his room. Ricardo Reis saw him there as he entered the corridor and knew that the man would hold out a hand, servile yet nonetheless imperious, demanding according to the weight of the luggage. As he proceeded, he noticed something he had failed to observe before, there were doors only on one side of the corridor, on the other side was the wall that formed the well of the staircase. He thought about this as if it were an important matter that must be borne in mind, really feeling very tired. The man hefted the tip rather than look at it, from long experience, and was satisfied, so much so that he said, Many thanks, Doctor. We cannot explain how he knew, for he had not seen the register of arrivals. The fact is that the lower orders are every bit as shrewd and perceptive as those who have been educated and lead a privileged existence. All that bothered Pimenta was the wing of his shoulder blade, for one of the straps reinforcing the suitcase had not been adjusted right. One would think that he did not know how to carry luggage.

Ricardo Reis sat on a chair and looked around him. This is where he will live who knows for how many days, perhaps he will rent a house and open consulting rooms, or he might decide to return to Brazil. But for the moment the hotel will do nicely, a neutral place requiring no commitment. He is in transit, his life is suspended. Beyond the smooth drapes the windows have suddenly become luminous, an effect created by the street lamps. Already so late, this day has ended, what remains hovers in the remote distance over the sea and is fast escaping. Yet only a few hours ago, Ricardo Reis was still sailing those waters. Now the horizon is within arm's reach, embodied by walls, pieces of furniture that reflect the light as a black mirror, and instead of the deep vibration of the steamer's engines he can hear the whispering, the murmuring of the city, six hundred thousand people sighing, calling in the distance. Then cautious footsteps in the corridor, a woman's voice saying, I'm coming at once. These words, this voice, it must be the maid. He opened one of the windows and looked outside. The rain had stopped. The fresh air, damp with the wind that was sweeping over the river, pervaded the room and cleared away the musty smell, the smell of dirty linen forgotten in some drawer. He reminded himself that a hotel is not a home, smells of one kind or another linger, the perspiration of insomnia or of a night of love, a drenched overcoat, mud brushed from shoes at the hour of departure, the maids who enter to change the beds and sweep the rooms, the odor peculiar to women, unavoidable smells, the signs of our humanity.

He left the window open and went to open another. In his s.h.i.+rt sleeves, refreshed, his vigor suddenly restored, he began to unpack his suitcases. Within half an hour he had emptied them and transferred his clothes to the chest of drawers, his shoes to the shoe rack, his suits to the hangers in the closet, his black suitcase with the medical instruments to a dark recess of a cupboard. The few books he had brought with him were placed on a shelf, some Latin cla.s.sics which he had got out of the habit of reading, some well-thumbed editions of his favorite English poets, three or four Brazilian authors, less than a dozen Portuguese authors. Among them he found one from the library of the Highland Brigade Highland Brigade, a book he had forgotten to return. If the Irish librarian notices the book is missing, grave and grievous accusations will be made against the Lusitanian nation, a land of slaves and brigands, as Byron once quipped, and O'Brien will concur. Insignificant local transgressions often give rise to resounding and universal consequences. But I am innocent, I swear it was merely forgetfulness on my part and nothing more. He placed the book on his bedside table, intending to finish it one of these days, The G.o.d of the Labyrinth The G.o.d of the Labyrinth by Herbert Quain, also Irish, by no unusual coincidence. But the name itself is certainly most unusual, for without any great variation in the p.r.o.nunciation one might read Quain as the Portuguese for Who. Take note, Quain, by Herbert Quain, also Irish, by no unusual coincidence. But the name itself is certainly most unusual, for without any great variation in the p.r.o.nunciation one might read Quain as the Portuguese for Who. Take note, Quain, Quem, Quem, a writer who is no longer unknown because someone discovered him on the a writer who is no longer unknown because someone discovered him on the Highland Brigade. Highland Brigade. And if that was the only copy, and even it is now missing, all the more reason for asking ourselves Who. The tedium of the voyage and the book's evocative t.i.tle had attracted him. A labyrinth with a G.o.d, what G.o.d might that be, which labyrinth, what labyrinthine G.o.d. In the end it turned out to be a simple detective story, an ordinary tale of death and investigation, the murderer, the victim, and finally the detective, all three accomplices to the crime. In my honest opinion, the reader of a mystery is the only real survivor of the story he is reading, unless it is as the one real survivor that every reader reads every story. And if that was the only copy, and even it is now missing, all the more reason for asking ourselves Who. The tedium of the voyage and the book's evocative t.i.tle had attracted him. A labyrinth with a G.o.d, what G.o.d might that be, which labyrinth, what labyrinthine G.o.d. In the end it turned out to be a simple detective story, an ordinary tale of death and investigation, the murderer, the victim, and finally the detective, all three accomplices to the crime. In my honest opinion, the reader of a mystery is the only real survivor of the story he is reading, unless it is as the one real survivor that every reader reads every story.

There are also doc.u.ments to be stored away, handwritten sheets of verse, the oldest of them dated the twelfth of June, nineteen fourteen. War was about to break out, the Great War, as they were later to call it, until they experienced one even greater. Maestro, placid are the hours we lose, if in losing them, as in a vase, we place flowers. Maestro, placid are the hours we lose, if in losing them, as in a vase, we place flowers. And then it finished, And then it finished, Tranquil, we depart this life, feeling no remorse at having lived. Tranquil, we depart this life, feeling no remorse at having lived. The most recent sheet of all is dated the thirteenth of November, nineteen thirty-five, six weeks have pa.s.sed since he wrote it. Still fresh, the lines read, The most recent sheet of all is dated the thirteenth of November, nineteen thirty-five, six weeks have pa.s.sed since he wrote it. Still fresh, the lines read, Innumerable people live within us. If I think and feel, I know not who is thinking and feeling, I am only the place where there is thinking and feeling, Innumerable people live within us. If I think and feel, I know not who is thinking and feeling, I am only the place where there is thinking and feeling, and, though they do not end here, it is as if everything ends, for beyond thinking and feeling there is nothing. If I am this, muses Ricardo Reis as he stops reading, who will be thinking at this moment what I am thinking, or think that I am thinking in the place where I am, because of thinking. Who will be feeling what I am feeling, or feel that I am feeling in the place where I am, because of feeling. Who is using me in order to think and feel, and among the innumerable people who live within me, who I am, Who, and, though they do not end here, it is as if everything ends, for beyond thinking and feeling there is nothing. If I am this, muses Ricardo Reis as he stops reading, who will be thinking at this moment what I am thinking, or think that I am thinking in the place where I am, because of thinking. Who will be feeling what I am feeling, or feel that I am feeling in the place where I am, because of feeling. Who is using me in order to think and feel, and among the innumerable people who live within me, who I am, Who, Quem, Quem, Quain, what thoughts and feelings are the ones I do not share because they are mine alone. Who am I that others are not nor have been nor will come to be. He gathered together the sheets of paper and put them into a drawer of the little writing desk, closed the windows, and went to run the hot water for a bath. It was after seven. Quain, what thoughts and feelings are the ones I do not share because they are mine alone. Who am I that others are not nor have been nor will come to be. He gathered together the sheets of paper and put them into a drawer of the little writing desk, closed the windows, and went to run the hot water for a bath. It was after seven.

As the last stroke of eight echoed on the pendulum clock that adorned the wall above the reception desk, Ricardo Reis descended punctually to the dining room. The manager, Salvador, smiled, raising his mustache above his teeth, which looked none too clean, as he hurried forward to open the double doors. Their gla.s.s panels, engraved with the initials H and B, the B entwined with curves and countercurves, with appendages and floral elongations, stylized acanthuses, palm fronds, and spiraling foliage, bestowed dignity on this otherwise modest hotel. The maitre d' led the way. There were no other guests in the dining room, only two waiters who had finished setting the tables. Noises could be heard coming from behind the pantry door, which bore the same monogram. From that door soup tureens, covered dishes, and platters would soon make their entrance. The furnis.h.i.+ngs were what you might expect, anyone who has seen one of these dining rooms has seen them all, a few dim lights on the ceilings and walls, immaculate white cloths on the tables, the pride of the establishment, freshened up with bleach in the laundry, if not in the Canecas, which only uses soap and suns.h.i.+ne, but with so much rain for days on end, it must be well behind with its work. Ricardo Reis is now seated. The maitre d' tells him what is on the menu, soup, fish, meat, unless the doctor prefers something lighter, that is, another kind of meat, fish, soup. I should advise the latter until you get used to your new diet, since you have just come back from the tropics after an absence of sixteen years. So even in the dining room and kitchen they know all about him. The door leading from the reception desk was pushed open in the meantime and a couple entered with two young children, a boy and a girl, both of them the color of wax though their parents were florid, but both legitimate, to judge from appearances, the head of the family in front, guiding his tribe, the mother pus.h.i.+ng her children forward from behind. Then a man appeared, fat and heavy, with a gold chain crossing his stomach from one little waistcoat pocket to another, and almost immediately after him came another man, very thin, with a black tie and a mourning band on his arm. No one else arrived for the next quarter of an hour. The noise of cutlery could be heard against the plates. The father of the children, authoritative, struck the knife against his winegla.s.s to summon the waiter. The thin man, his mourning disturbed and good breeding offended, gave him a severe look, but the fat man calmly went on chewing. Ricardo Reis contemplated the blobs of grease that floated on his chicken broth. He had chosen the lighter meal, following the maitre d's suggestion out of indifference rather than conviction, for he could see no real advantage to it. A ruffling sound against the windowpanes told him that it had started raining again. These windows do not face onto the Rua do Alecrim, what street could it be, he cannot remember, if he ever knew, but the waiter who comes to change his plate informs him, This is the Rua Nova do Carvalho, Doctor, before asking, Did you enjoy your soup. From the waiter's p.r.o.nunciation, which is good, one can tell that he is Galician.

Through the door now entered a middle-aged man, tall and distinguished in appearance, with a long, lined face, along with a girl in her twenties, if that, and thin, although it would be more correct to describe her as slender. They made their way to the table facing Ricardo Reis and it suddenly became clear that the table had been awaiting them, just as an object awaits the hand that frequently reaches out and takes possession. They must be regular clients, perhaps the owners of the hotel. It is interesting how we forget that hotels have an owner. These two, whether the owners or not, crossed the room at their leisure as if in their own home. Such details you notice when you pay attention. The girl sat in profile, the man with his back to Ricardo Reis, and they conversed in a whisper, but she raised her voice as she rea.s.sured him, No, Father, I'm fine. So they are father and daughter, an unusual pairing in any hotel nowadays. The waiter came to serve them, solemn but friendly in his manner, then went away. The room was silent again, not even the children raised their voices. How strange that Ricardo Reis cannot remember having heard the children speak, perhaps they are mute or have their lips stapled together with invisible clips, an absurd thought, since they are both eating. The slender girl, finis.h.i.+ng her soup, puts down the spoon, and her right hand starts to caress her left hand as if it were a little lapdog resting on her knees. Surprised by this, Ricardo Reis realizes that her left hand has never moved, he remembers that she used only her right hand to fold her napkin, and now she is holding the left and is about to rest it on the table, very gently, like the most fragile crystal. There she leaves it, beside her plate, a silent presence at the meal, the long fingers extended, pale, inert. Ricardo Reis feels a s.h.i.+ver, no one is feeling it for him, his skin s.h.i.+vers within and without, as in utter fascination he watches that hand, paralyzed and insensible, ignorant of where it should go unless taken, resting to catch the sun or listen to the conversation or be seen by the doctor who has just arrived from Brazil. A tiny hand which is left on two counts, left because it is lying on the left side and left because it is a gauche, disabled, lifeless, and withered thing that will never knock on any door. Ricardo Reis observes that the plates for the girl come from the pantry already prepared, the fishbones removed, the meat diced, the fruit peeled and cut into segments. It is clear that the daughter and father are well known to the hotel staff, they may even live in the hotel. He finished his meal but lingered a while, to allow time, but what time and for what. At last he got up, drew back his chair, and the noise he made, too loud perhaps, caused the girl to turn around. Seen from the front, she looks older than twenty, but in profile her youth is immediately restored, her neck long and fragile, her chin finely molded, the entire restless line of her body insecure, unfinished. Ricardo Reis got up from the table, headed for the gla.s.s-paneled door with the monograms, where he was obliged to exchange courtesies with the fat man who was also leaving. After you, sir, Please, after you. The fat man went out, Thank you, kind sir, a somewhat obsequious use of the word sir, sir, for if we are to take all words literally, Ricardo Reis would have pa.s.sed first, for he is innumerable men, according to his own understanding of himself. for if we are to take all words literally, Ricardo Reis would have pa.s.sed first, for he is innumerable men, according to his own understanding of himself.

The manager Salvador is already holding out the key of room two hundred and one. He makes a solicitous gesture, as if about to hand it over but then slyly drawing back. Perhaps the guest wishes to slip out quietly in search of Lisbon by night and its secret pleasures, after so many years in Brazil and so many days crossing the ocean, although the wintry night makes the cozy atmosphere of the lounge seem more enticing, here at hand, the deep high-backed armchairs in leather, the chandelier in the center of the room so rich in crystal pendants, and that big mirror that encompa.s.ses the entire room and duplicates it in another dimension. This is no simple reflection of the common and familiar proportions the mirror is confronted with, length, width, height, they are not reproduced in it one by one and readily identifiable. Instead they are fused into a single intangible apparition on a plane that is at once remote and near, unless there is some paradox in this explanation which the mind avoids out of laziness. Here is Ricardo Reis contemplating himself in the depths of the mirror, one of the countless persons that he is, all of them weary. I am going up to my room, I'm exhausted after my journey, two whole weeks of the most awful weather, have you by any chance some newspapers, I'd like to catch up on the national news until I'm ready to fall asleep. There you are, Doctor, help yourself. Just at this moment the girl with the paralyzed hand and her father pa.s.sed into the lounge, he in front, she behind, one pace apart. Ricardo Reis had already picked up his key and the newspapers, the color of ashes, the print blurred. A gust of wind caused the front door to bang downstairs, the buzzer sounded. There is no one there, only the storm which is gathering. This night will bring nothing more of interest, only rain, tempest over land and sea, solitude.

The sofa in his room is comfortable, the springs on which so many bodies have reclined form a human hollow, and the light from the lamp which stands on the writing desk illuminates the newspaper at the correct angle. This is like being at home, in the bosom of one's family, by the fireside I do not possess and perhaps never will. These are the newspapers of my native Portugal, they inform me that the Head of State has inaugurated an exhibition in honor of Mousinho de Albuquerque at the Colonial Office, one is not spared imperial commemorations or allowed to forget imperial personages. There is cause for anxiety in Golega, I can't even remember where it is, ah yes, in the province of Ribatejo, that the floods may burst the dike known as Vinte, a most curious name, where could it have come from, we shall see a repet.i.tion of the disaster of eighteen ninety-five. In ninety-five I was eight years old, naturally I don't remember. The tallest woman in the world is Elsa Droyon, two and a half meters tall, the water won't rise that much. And that girl, I wonder what her name is, that paralyzed hand, so limp, it might have been an illness or perhaps some accident. The fifth national contest for beautiful babies, half a page of photographs of infants, stark naked, their rolls of puppy fat bulging, nourished on powdered milk. Some of these babies will grow up to become criminals, vagabonds, and prost.i.tutes, after being photographed like this, at such a tender age, before the lewd eyes of those who have no respect for innocence. The military operations in Ethiopia continue. What news from Brazil, nothing new, everything destroyed. General advance of the Italian troops. There is no human force capable of stopping the Italian soldier in his heroic onslaught, what can the Abyssinian rifle achieve against him, the inferior lance, the wretched cutla.s.s. The lawyer of a famous woman athlete has announced that his client has undergone a major operation in order to change her s.e.x, within a few days she will be a man, as if from birth, do not forget to change her name too, what name, Bocage, before the Tribunal of the Holy Office. A painting by the artist Fernando Santos, the fine arts are cultivated in this country. At the Coliseu they are showing The Last Wonder The Last Wonder with Vanise Meireles, a statuesque figure clad in silver, a Brazilian celebrity. Funny, I must have missed her in Brazil, my fault. Here in Lisbon one can get a seat in the gallery for three escudos, a seat in the stalls costs five escudos and up, there are two performances daily and matinees on Sundays. The Politeama is showing with Vanise Meireles, a statuesque figure clad in silver, a Brazilian celebrity. Funny, I must have missed her in Brazil, my fault. Here in Lisbon one can get a seat in the gallery for three escudos, a seat in the stalls costs five escudos and up, there are two performances daily and matinees on Sundays. The Politeama is showing The Crusades, The Crusades, a spectacular epic. Numerous contingents of English troops have landed at Port Said, every era has its crusades, these are the crusades of modern times, it is rumored that they are making for the borders of Italian-occupied Libya. A list of the Portuguese who have died in Brazil during the first half of December. These names are unknown to me, I don't need to express my sympathy or go into mourning, but clearly lots of Portuguese immigrants die down there. Charity fetes with free dinners for the poor throughout the country, the quality of food has been improved in the hospices for the poor, the elderly are so well treated in Portugal, not to mention abandoned children, little flowers left on the streets. Then this item of news, the president of the city council in Oporto sent a telegram to the Minister of the Interior, At today's session the council over which I preside resolved, after discussion of the decree which will provide a.s.sistance for the poor throughout the winter, to congratulate Your Excellency on this admirable enterprise. Other news, polluted drinking troughs full of cattle dung, smallpox is spreading in Lebucao and Fatela, an outbreak of flu in Portalegre and typhoid fever in Valbom, a sixteen-year-old girl has died of smallpox, a pastoral flower of bucolic innocence, a lily cruelly severed from its stem and so prematurely. I have a foxhound b.i.t.c.h, not a purebred, who has already had two litters and on both occasions she was found eating her young, not one escaped, tell me, dear editor, what should I do. In reply to your question, dear reader, the cannibalism of b.i.t.c.hes is generally due to malnutrition during the period of gestation. The dog must be well fed with meat as her staple diet and supplemented with milk, bread, and vegetables, in brief, a well-balanced diet. If this does not change her habits, there's no remedy, either destroy the dog or do not allow her to mate, let her put up with being in heat or you can have her spayed. Now let us try to imagine what would happen if women suffering from malnutrition during pregnancy, starved of meat, bread, and green vegetables, which is fairly common, were also to begin eating their infants. After trying to imagine it and having confirmed that such crimes do not occur, it becomes easy to see the difference between people and animals. The editor did not add these comments, nor did Ricardo Reis, who is thinking about something else, a suitable name for the b.i.t.c.h. He will not call her Diana or Lembrada, but a name to throw light on her crime or motives, and will the wicked creature die from eating poisoned food or from a rifle shot fired by her own master. Ricardo Reis persists and finally finds the right name, one which comes from Ugolino della Gherardesca, that most savage, l.u.s.ty n.o.bleman who ate his children and grandchildren, there are testimonies to this in the a spectacular epic. Numerous contingents of English troops have landed at Port Said, every era has its crusades, these are the crusades of modern times, it is rumored that they are making for the borders of Italian-occupied Libya. A list of the Portuguese who have died in Brazil during the first half of December. These names are unknown to me, I don't need to express my sympathy or go into mourning, but clearly lots of Portuguese immigrants die down there. Charity fetes with free dinners for the poor throughout the country, the quality of food has been improved in the hospices for the poor, the elderly are so well treated in Portugal, not to mention abandoned children, little flowers left on the streets. Then this item of news, the president of the city council in Oporto sent a telegram to the Minister of the Interior, At today's session the council over which I preside resolved, after discussion of the decree which will provide a.s.sistance for the poor throughout the winter, to congratulate Your Excellency on this admirable enterprise. Other news, polluted drinking troughs full of cattle dung, smallpox is spreading in Lebucao and Fatela, an outbreak of flu in Portalegre and typhoid fever in Valbom, a sixteen-year-old girl has died of smallpox, a pastoral flower of bucolic innocence, a lily cruelly severed from its stem and so prematurely. I have a foxhound b.i.t.c.h, not a purebred, who has already had two litters and on both occasions she was found eating her young, not one escaped, tell me, dear editor, what should I do. In reply to your question, dear reader, the cannibalism of b.i.t.c.hes is generally due to malnutrition during the period of gestation. The dog must be well fed with meat as her staple diet and supplemented with milk, bread, and vegetables, in brief, a well-balanced diet. If this does not change her habits, there's no remedy, either destroy the dog or do not allow her to mate, let her put up with being in heat or you can have her spayed. Now let us try to imagine what would happen if women suffering from malnutrition during pregnancy, starved of meat, bread, and green vegetables, which is fairly common, were also to begin eating their infants. After trying to imagine it and having confirmed that such crimes do not occur, it becomes easy to see the difference between people and animals. The editor did not add these comments, nor did Ricardo Reis, who is thinking about something else, a suitable name for the b.i.t.c.h. He will not call her Diana or Lembrada, but a name to throw light on her crime or motives, and will the wicked creature die from eating poisoned food or from a rifle shot fired by her own master. Ricardo Reis persists and finally finds the right name, one which comes from Ugolino della Gherardesca, that most savage, l.u.s.ty n.o.bleman who ate his children and grandchildren, there are testimonies to this in the History of the Guelphs and Ghibellines, History of the Guelphs and Ghibellines, also in the also in the Divine Comedy Divine Comedy, chapter thirty-three of the Inferno. Inferno. Therefore let the b.i.t.c.h who eats her young be called Ugolina, so unnatural that her heart suffers no compa.s.sion as she tears the warm and tender skin of her defenseless brood with her jaws, slaughtering them, causing their delicate bones to snap, and the poor little pups, whining, perish without realizing who is devouring them, the mother who gave them birth. Ugolina, do not kill me, I am your offspring. Therefore let the b.i.t.c.h who eats her young be called Ugolina, so unnatural that her heart suffers no compa.s.sion as she tears the warm and tender skin of her defenseless brood with her jaws, slaughtering them, causing their delicate bones to snap, and the poor little pups, whining, perish without realizing who is devouring them, the mother who gave them birth. Ugolina, do not kill me, I am your offspring.

The page which calmly narrates these horrors falls onto the lap of Ricardo Reis. He is fast asleep. A sudden gust of wind rattles the windowpanes, the rain pours down like a deluge. Through the deserted streets of Lisbon prowls the b.i.t.c.h Ugolina slavering blood, sniffing in doorways, howling in squares and parks, furiously biting at her own womb, where the next litter is about to be conceived.

After a night of severe winter, of violent storm, the latter two words, violent storm, have been linked together since their inception, the first pair not quite as much, but both phrases are so pertinent to the circ.u.mstance that they spare one the effort of having to invent new words, the morning might well have dawned with bright suns.h.i.+ne, blue skies, and joyful flutterings of pigeons in flight. But there was no change in the elements. The swallows continue to fly over the city, the river is not to be trusted, the pigeons scarcely venture there. It is raining, but tolerably for anyone going out with a raincoat and umbrella, and in comparison with the gales earlier this morning, the wind is a mere caress on one's cheek. Ricardo Reis left the hotel early, he went to the Banco Comercial to change some of his English money into escudos, and for every pound sterling he received one hundred and ten thousand reis. A pity those pounds were not gold, otherwise he could have changed them for almost double that amount. Even so, the returning traveler has no real cause for complaint, seeing as he leaves the bank with five thousand escudos in his wallet, a small fortune in Portugal. From the Rua do Comercio, where he finds himself, the Terreiro do Paco is only a few meters away, but Ricardo Reis will not risk crossing the square. He looks into the distance under the protection of the colonnades, the river dark and choppy, the tide high. When the waves rise offsh.o.r.e, one imagines they are about to inundate and submerge the square, but that is an optical illusion, they disperse against the wall, their impact broken by the sloping steps of the wharf. He recalls having sat there in days gone by, days so remote he doubts whether he really experienced them. It may have been someone on my behalf, perhaps with the same face and name, but some other person. His feet are cold and wet, he also feels a shadow of gloom pa.s.s over his body, not over his soul, I repeat, not over his soul. The impression is physical, he could touch it with his hands were they not both gripping the handle of his umbrella, which is needlessly open. This is how a man alienates himself from the world, how he exposes himself to the jesting of some pa.s.serby who quips, Hey mister, it's not raining under there. But the man's smile is spontaneous, without a hint of malice, and Ricardo Reis smiles at his own distraction. Without knowing why, he murmurs two lines from a poem by Joao de Deus, well known to every child in nursery school. Under this colonnade one could comfortably spend the night.

He came here because the square was so near and in order to verify in pa.s.sing if his memory of the place, clear as an engraving, bore any resemblance to the reality. A quadrangle surrounded by buildings on three sides, a regal equestrian statue in the middle, a triumphal arch which he cannot see from where he is standing. But everything is diffuse and hazy, the architecture nothing but blurred lines. It must be the weather, the hour of day, his failing eyesight. Only the eyes of remembrance remain, as sharp as those of a hawk. It is almost eleven o'clock, and there is much activity under the colonnades, but activity is not the same thing as haste. This dignified lot move at a steady pace, all the men in soft hats, their umbrellas dripping, few women are in sight at this hour, the civil servants are arriving at their offices. Ricardo Reis walks on in the direction of the Rua do Crucifixo, resisting the insistent pleas of a lottery-ticket vendor who tries to sell him a ticket for the next draw. It is number one thousand three hundred and forty-nine, the wheel will spin tomorrow. That is not the number and the wheel will not be spinning tomorrow, but this is how the soothsayer's chant goes, a licensed prophet with a badge on his cap. Do buy a ticket, sir, if you refuse to buy, you will live to regret it, believe me, it's a winner. There is menace in this imposition. Ricardo Reis enters the Rua Garrett, goes up the Chiado, where four porters lean against the plinth of the statue, paying no heed to the drizzle. This is the island of the Galicians. Farther ahead it has actually stopped raining. There is a white patch of light behind Luis de Camoes, a nimbus. That is the trouble with words, nimbus nimbus signifies rain as well as cloud as well as halo, and since the poet is neither G.o.d nor saint, the rain stopping was merely the clouds thinning out as they pa.s.sed. Let us not imagine that these are miracles like the ones at Ourique or Fatima, not even the simple miracle of the sky turning blue. signifies rain as well as cloud as well as halo, and since the poet is neither G.o.d nor saint, the rain stopping was merely the clouds thinning out as they pa.s.sed. Let us not imagine that these are miracles like the ones at Ourique or Fatima, not even the simple miracle of the sky turning blue.

Ricardo Reis goes to the newspaper archives. Yesterday he made a note of the directions before going to bed. There is no reason to believe he slept badly, that he found the bed or country strange. When one awaits sleep in the silence of a room that is still unfamiliar, listening to the rain outside, things a.s.sume their real dimension, they all become great, solemn, heavy. What is deceptive is the light of day, transforming life into a shadow that is barely perceptible. Night alone is lucid, sleep, however, overcomes it, perhaps for our tranquillity and repose, the peace of our souls. Ricardo Reis goes to the newspaper archives, where everyone must go who wishes to know what has taken place, for here in the Bairro Alto the entire world pa.s.ses, leaving footprints, broken twigs, trampled leaves, spoken words. What remains is this necessary invention, so that of the aforesaid world a face may be preserved, a look, a smile, a mortal agony. The unexpected death of Fernando Pessoa caused much sadness in intellectual circles. The poet of Orfeu, Orfeu, an admirable spirit who not only composed poetry in original forms but also wrote cogent critical essays, died the day before yesterday, in silence, just as he had always lived. Since no one can earn a living in Portugal by writing literature, Fernando Pessoa found employment as a clerk in a commercial firm. Some lines further on, his friends left wreaths of remembrance beside his tomb. This newspaper gives no more information. Another reports the same facts with different words, Fernando Pessoa, the extraordinary poet of an admirable spirit who not only composed poetry in original forms but also wrote cogent critical essays, died the day before yesterday, in silence, just as he had always lived. Since no one can earn a living in Portugal by writing literature, Fernando Pessoa found employment as a clerk in a commercial firm. Some lines further on, his friends left wreaths of remembrance beside his tomb. This newspaper gives no more information. Another reports the same facts with different words, Fernando Pessoa, the extraordinary poet of Mensagem, Mensagem, an ode of patriotic fervor and one of the most beautiful ever written, was buried yesterday, taken unawares by death in a Christian bed at the Hospital of Sao Luis during the late hours of Sat.u.r.day night. In his poetry he was not only Fernando Pessoa but also Alvaro de Campos, Alberto Caeiro, and Ricardo Reis. There you are, an error caused by not paying attention, by writing what one misheard, because we know very well that Ricardo Reis is this man who is reading the newspaper with his own open and living eyes, a doctor forty-eight years of age, one year older than Fernando Pessoa when his eyes were closed, eyes that were dead beyond a shadow of doubt. No other proofs or testimonies are needed to verify that we are not dealing with the same person, and if there is anyone who is still in doubt, let him go to the Hotel Branganca and speak to the manager Senhor Salvador, ask him if there is not a gentleman in residence there called Ricardo Reis, a doctor, newly arrived from Brazil. He will say Yes, the doctor said he would not be back for lunch but would almost certainly be dining here this evening, if you would care to leave a message, I shall see that he receives it. Now who will dare impugn the word of a hotel manager, an excellent physiognomist and well practiced in establis.h.i.+ng ident.i.ties. But rather than satisfy ourselves with the word of a man whom we cannot claim to know intimately, here is another paper which has reported the news on the page under obituaries. It outlines his career in detail, Yesterday there took place the funeral of Fernando Antonio Nogueira Pessoa, bachelor, forty-seven years of age, forty-seven, take note, born in Lisbon, studied literature at an English university, became established as a writer and poet in literary circles, on his coffin were placed sprays of wild flowers, worse luck for them, as they wither so quickly. While he is waiting for the tram that will take him to Prazeres, Doctor Ricardo Reis reads the funeral oration delivered at the graveside, he reads it near the place where a man was hanged, as everyone knows, almost two hundred and twenty-three years ago, during the reign of Dom