Across The Bridge Part 4

Arnaud stared at his own feet, then hers. Finally, he asked where I was.

"Sylvie has withdrawn from worldly life," my mother said. I had mentioned nothing in my letter about marrying another man, so he asked a second, logical question: Was I thinking of becoming a nun?

The rain, dismantling chestnut blossoms outside, sounded like gravel thrown against the windows. I know, because I was in my bedroom, just along the pa.s.sage. I could not see him then as someone frozen and stunned. He was an obstacle on a railway line. My tender and competent mother had agreed to push him off the track.

That evening I said, "What if his parents turn up here and try to make a fuss?"

"They wouldn't dare," she said. "You were more than they had ever dreamed of."

It was an odd, new way of considering the Ponses. Until then, their education and background and attention to things of the past had made up for an embarra.s.sing lack of foresight: they had never acquired property for their only son to inherit. They lived in the same dim apartment, in a lamentable quarter, which they had first rented in 1926, the year of their marriage. It was on a street filled with uninviting stores and insurance offices, east of the Saint-Lazare station, near the old German church. (Arnaud had taken me to the church for a concert of recorded music. I had never been inside a Protestant church before. It was spare and bare and somehow useful-looking, like a large broom closet. I wondered where they hatched the Protestant plots Cousin Gaston often mentioned, such as the crus.h.i.+ng of Mediterranean culture by peaceful means. I remember that I felt lonely and out of place, and took Arnaud's hand. He was wearing his distant, listening-to-music expression, and seemed not to notice. At any rate, he didn't mind.) Families such as the Ponses had left the area long before, but Arnaud's father said his belongings were too ancient and precious to be b.u.mped down a winding staircase and heaved aboard a van. Papa thought he just wanted to hang on to his renewable lease, which happened to fall under the grace of a haphazard rent-control law: he still paid just about the same rent he had been paying before the war. Whatever he saved had never been squandered on paint or new curtains. His eleven rooms shared the same degree of decay and looked alike: you never knew if you were in a dining room or somebody's bedroom. There were antique tables and bedsteads everywhere. All the mirrors were stained with those dark blotches that resemble maps. Papa often wondered if the Ponses knew what they really looked like, if they actually saw themselves as silvery-white, with parts of their faces spotted or missing.

One of the first things Mme. Pons had ever shown me was a mute harpsichord, which she wanted to pa.s.s on to Arnaud and me. To get it to look right never mind the sound would have required months of expert mending, more than Arnaud could afford. Looking around for something else to talk about, I saw in a far, dim corner a bathtub and washstand, valuable relics, in their way, streaked and stained with age. Someone had used them recently: the towels on a rack nearby looked damp. I had good reason for thinking the family all used the same towels.

What went wrong for M. Pons, the winter of my engagement? Even Papa never managed to find out. He supposed M. Pons had been giving too much taxation advice, on too grand a scale. He took down from his front door the bra.s.s plate mentioning office hours and went to work in a firm that did not carry his name. His wife had an uncommon past, at once aristocratic and vaguely bohemian. My parents wondered what it could mean. My children would inherit a quarter share of blue blood, true, but they might also come by a tendency to dance naked in Montmartre. Her father had been killed in the First World War, leaving furniture, a name, and a long tradition of peris.h.i.+ng in battle. She was the first woman in her circle ever to work. Her mother used to cry every morning as she watched her pinning her hat on and counting her lunch money. Her name was Marie-Eugenie-Paule-Diane. Her husband called her Nenanne I never knew why.

Arnaud had studied law, for the sake of family tradition, but his true calling was to write opinions about music. He wished he had been a music critic on a daily newspaper, incorruptible and feared. He wanted to expose the sham and vulgarity of Paris taste; so he said. Conductors and sopranos would feel the extra edge of anxiety that makes for a good performance, knowing the incorruptible Arnaud Pons was in the house. (Arnaud had no way of judging whether he was incorruptible, my father said. He had never tried earning a living by writing criticism in Paris.) We spent most of our time together listening to records, while Arnaud told me what was wrong with Toscanini or Bruno Walter. He would stop the record and play the same part again, pointing out the mistakes. The music seemed as worn and shabby as the room. I imagined the musicians in those great orchestras of the past to be covered with dust, playing on instruments cracked, split, daubed with fingerprints, held together with glue and string. My children in Lille had spotless instruments, perfectly tuned. Their music floated into a dark garden drenched with silent rain. But then my thoughts would be overtaken by the yells and screams of one of Arnaud's doomed sopranos a Tosca, a Mimi and I would shut my eyes and let myself fall. A still surface of water rose to meet me. I was not dying but letting go.

Bernard's father answered Papa's second approach, which had been much like the first. He said that his son was a student, with no roof or income of his own. It would be a long time before he could join his destiny to anyone's, and it would not be to mine. Bernard had no inclination for me; none whatever. He had taken me to be an attractive and artistic girl, anxious to please, perhaps a bit lonely. As an ardent writer of letters, with pen friends as far away as Belgium, Bernard had offered the hand of epistolary comrades.h.i.+p. I had grabbed the hand and called it a commitment. Bernard was ready to swear in court (should a lawsuit be among my father's insane intentions) that he had taken no risks and never dropped his guard with an unclaimed young person, encountered in a public park. (My parents were puzzled by "unclaimed." I had to explain that I used to take off my engagement ring and carry it loose in a pocket. They asked why. I could not remember.) M. Brunelle, the answer went on, hoped M. Castelli would put a stop to my fervent outpourings in the form of letters. Their agitated content and their frequency as many as three a day interfered with Bernard's studies and, indeed, kept him from sleeping. Surely my father did not want to see me waste the pa.s.sion of a young heart on a delusion that led nowhere ("on a chimera that can only run dry in the Sahara of disappointment" was what M. Brunelle actually wrote). He begged my father to accept the word of a gentleman that my effusions had been destroyed. "Gentleman" was in English and underlined.

My parents shut themselves up in their bedroom. From my own room, where I sat at the window, holding Bernard's messages, I could hear my father's shouts. He was blaming Maman. Eventually she came in, and I stood up and handed her the whole packet: three letters and a postcard.

"Just the important one," she said. "The one I should have made you show me last April. I want the letter that mentions marriage."

"It was between the lines," I said, watching her face as she read.

"It was nowhere." She seemed sorry for me, all at once. "Oh, Sylvie, Sylvie. My poor Sylvie. Tear it up. Tear every one of them up. All this because you would not try to love Arnaud."

"I thought he loved me," I said. "Bernard, I mean. He never said he didn't."

The Heaven-sent vision of my future life had already faded: the voices of my angelic children became indistinct. I might, now, have been turning the pages of an old storybook with black-and-white engravings.

I said, "I'll apologize to Papa and ask him to forgive me. I can't explain what happened. I thought he wanted what I wanted. He never said that he didn't. I promise never to paint pictures again."

I had not intended the remark about painting pictures. It said itself. Before I could take it back, Maman said, "Forgive you? You're like a little child. Does forgiveness include sending our most humble excuses to the Brunelle family and our having to explain that our only daughter is a fool? Does it account for behavior no sane person can understand? Parents knew what they were doing when they kept their daughters on a short lead. My mother read every letter I wrote until I was married. We were too loving, too lenient."

Her face looked pinched and shrunken. Her love, her loyalties, whatever was left of her youth and charm pulled away from me to be mustered in favor of Papa. She stood perfectly still, almost at attention. I think we both felt at a loss. I thought she was waiting for a signal so she could leave the room. Finally, my father called her. I heard her mutter, "Please get out of my way," though I was nowhere near the door.

My friend Chantal my postal station, my go-between came over as soon as she heard the news. It had been whispered by my mother to Chantal's mother, over the telephone, in a version of events that absolved me entirely and turned the Brunelles into fortune-hunting, come-lately provincial merchants and rogues. Chantal knew better, though she still believed the Brunelles had misrepresented their case and came in for censure. She had brought chocolates to cheer me up; we ate most of a box, sitting in a corner of the salon like two travellers in a hotel lobby. She wore her hair in the newest style, cut short and curled thickly on her forehead. I have forgotten the name of the actress who started the fas.h.i.+on: Chantal told me, but I could not take it in.

Chantal was a good friend, perhaps because she had never taken me seriously as a rival; and perhaps in saying this I misjudge her. At any rate, she lost no time in giving me brisk advice. I ought to cut my hair, change my appearance. It was the first step on the way to a new life. She knew I loved children and might never have any of my own: I had no idea how to go about meeting a man or how to hang on to one if he drifted my way. As the next-best thing, I should enter a training college and learn to teach nursery cla.s.ses. There wasn't much to it, she said. You encouraged them to draw with crayons and sing and run in circles. You put them on pots after lunch and spread blankets on the floor for their afternoon nap. She knew plenty of girls who had done this after their engagements, for some reason, collapsed.

She had recently got to know a naval lieutenant while on a family holiday in the Alps, and now they were planning a Christmas wedding. Perhaps I could persuade my family to try the same thing; but finding a fiance in the mountains was a new idea to my mother chancy and doubtful, while my father imagined swindlers and foreigners trampling snow in pursuit of other men's daughters.

Since the fiasco, as he called it, Papa would not look at me. When he had anything to say he shouted it to Maman. They did not take their annual holiday that year but remained in the shuttered apartment, doing penance for my sins. The whole world was away, except us. From Normandy, Claudine sent my mother a postcard of the basilica at Lisieux and the message "My maman, being a mother, respectfully shares your grief" as if I had died.

At dinner one night curtains drawn, no one saying much Papa suddenly held up his hands, palms out. "How many hands do you count?" he said, straight to me.

"Two?" I made it a question in case it was a trick.

"Right. Two hands. All I needed to pull me to the top of my profession. I gave my wife the life she wanted, and I gave my daughter a royal upbringing."

I could sense my mother's close attention, her wanting me to say whatever Papa expected. He had drunk most of a bottle of Brouilly by himself and seemed bound for headlong action. In the end, his message was a simple one: he had forgiven me. My life was a shambles and our family's reputation gravely injured, but I was not wholly to blame. Look at the young men I'd had to deal with: neutered puppies. No wonder there were so many old maids now. I had missed out on the only virile generation of the twentieth century, the age group that took in M. Pons, Cousin Gaston, and, of course, Papa himself.

"We were a strong rung on the ladder of progress," he said. "After us, the whole ladder broke down." The name of Pons, seldom mentioned, seemed to evoke some faraway catastrophe, recalled by a constant few. He bent his head and I thought, Surely he isn't going to cry. I recalled how my mother had said, "We were too loving." I saw the storehouse in Nice and our name in faded blue. There were no more Castellis, except Julien in Indochina. I put my napkin over my face and began to bawl.

Papa cheered up. "Two hands," he said, this time to Maman. "And no help from any quarter. Isn't that true?"

"Everybody admired you," she said. She was clearing plates, fetching dessert. I was too overcome to help; besides, she didn't want me. She missed Claudine. My mother sat down again and looked at Papa, leaving me out. I was a dreary guest, like Mme. Pons getting ready to show hysteria at the sight of a veal chop. They might have preferred her company to mine, given the choice. She had done them no harm and gave them reasons to laugh. I refused dessert, though no one cared. They continued to eat their fresh figs poached in honey, with double cream: too sugary for Maman, really, but a great favorite of Papa's. "The sweeter the food, the better the temper" was a general truth she applied to married life.

My mother dreamed she saw a young woman pushed off the top of a tall building. The woman plunged head first, with her wedding veil streaming. The veil materialized the next day, as details of the dream returned. At first Maman described the victim as a man, but the veil confirmed her mistake. She mentioned her shock and horror at my remark on the bridge. The dream surely had been sent as a reminder: I was not to be crossed or harshly contradicted or thrust in the wrong direction. Chantal's plans for my future had struck her as worse than foolery: they seemed downright dangerous. I knew nothing about little children. I would let them swallow coins and crayon stubs, leave a child or two behind on our excursions to parks and squares, lose their rain boots and sweaters. Nursery schools were places for nuns and devoted celibates. More to the point, there were no men to be found on the premises, save the occasional inspector, already married, and underpaid. Men earning pittance salaries always married young. It was not an opinion, my mother said. It was a statistic.

Because of the dream she began to show her feelings through hints and silences or by telling anecdotes concerning wretched and despairing spinster teachers she had known. I had never heard their names before and wondered when she had come across all those Martines and Georgettes. My father, closed to dreams, in particular the threatening kind, wanted to know why I felt such an urge to wipe the noses and bottoms of children who were no relation of mine. Dealing with one's own offspring was thankless enough. He spoke of the violent selfishness of the young, their mindless questions, their love of dirt. Nothing was more deadening to an adult intellect than a child's cycle of self-centered days and long, shapeless summers.

I began to sleep late. Nothing dragged me awake, not even the sound of Papa calling my mother from room to room. At noon I trailed unwashed to the kitchen and heated leftover coffee. Claudine, having returned to claim all my mother's attention, rinsed lettuce and breaded cutlets for lunch, and walked around me as though I were furniture. One morning Maman brought my breakfast on a tray, sat down on the edge of the bed, and said Julien had been reported missing. He could be a prisoner or he might be dead. Waiting for news, I was to lead a quiet life and to pray. She was dressed to go out, I remember, wearing clothes for the wrong season all in pale blue, with a bandeau of forget-me-nots and her turquoise earrings and a number of little chains. Her new watch, Papa's latest present, was the size of a coin. She had to bring it up to her eyes.

"It isn't too late, you know," she said. I stared at her. "Too late for Arnaud."

I supposed she meant he could still be killed in Indochina, if he wanted that. To hear Cousin Gaston and Papa, one could imagine it was all any younger man craved. I started to say that Arnaud was twenty-seven now and might be too old for wars, but Maman broke in: Arnaud had left for Paris and gone to live in Rennes. Last April, after the meeting in the parlor, he had asked his maritime-insurance firm to move him to a branch office. It had taken months to find him the right place; being Arnaud, he wanted not only a transfer but a promotion. Until just five days ago he had never been on his own. There had always been a woman to take care of him; namely, Mme. Pons. Mme. Pons was sure he had already started looking around in Rennes for someone to marry. He would begin with the girls in his new office, probably, and widen the circle to church and concerts.

"It isn't too late," said Maman.

"Arnaud hates me now," I said. "Besides, I can work. I can take a course in something. Mme. Pons worked."

"We don't know what Mme. Pons did."

"I could mind children, take them for walks in the afternoon."

My double file of charges, hand in hand, stopped at the curb. A policeman held up traffic. We crossed and entered the court of an ancient abbey, now a museum. The children clambered over fragments of statues and broken columns. I showed them medieval angels.

Mme. Pons did not want a strange daughter-in-law from a provincial city, my mother said. She wanted me, as before.

For the first time I understood about the compact of mothers and the conspiracy that never ends. They stand together like trees, shadowing and protecting, shutting out the view if it happens to suit them, letting in just so much light. She started to remove the tray, though I hadn't touched a thing.

"Get up, Sylvie," she said. It would have seemed like an order except for the tone. Her coaxing, teasing manner had come back. I was still wondering about the pale-blue dress: was she pretending it was spring, trying to pick up whatever had been dropped in April? "It's time you had your hair cut. Sometimes you look eighteen. It may be part of your trouble. We can lunch at the Trois Quartiers and buy you some clothes. We're lucky to have Papa. He never grumbles about spending."

My mother had never had her own bank account or signed a check. As a married woman she would have needed Papa's consent, and he preferred to hand over wads of cash, on demand. Melle Coutard got the envelopes ready and jotted the amounts in a ledger. Owing to a system invented by M. Pons, the money was deducted from Papa's income tax.

"And then," said Maman, "you can go to the mountains for two weeks." It was no surprise: Chantal and her lieutenant wanted to return to Chamonix on a lovers' pilgrimage, but General Nauzan, Chantal's father, would not hear of it unless I went, too. It was part of my mission to sleep in her room: the Nauzans would not have to rush the wedding or have a large and healthy baby appear seven months after the ceremony, to be pa.s.sed off as premature. So I would not feel like an odd number in the daytime, that is the lieutenant would bring along his brother, a junior tennis champion, aged fifteen.

(We were well into our first week at Chamonix before Chantal began to disappear in the afternoon, leaving me to take a tennis lesson from the champion. I think I have a recollection of her telling me, late at night, in the darkness of our shared room, "To tell you the truth, I could do without all that side of it. Do you want to go with him tomorrow, instead of me? He thinks you're very nice." But that kind of remembering is like trying to read a book with some of the pages torn out. Things are said at intervals and nothing connects.) I got up and dressed, as my mother wanted, and we took the bus to her hairdresser's. She called herself Ingrid. Pasted to the big wall mirror were about a dozen photographs cut from Paris Match Paris Match of Ingrid Bergman and her little boy. I put on a pink smock that covered my clothes and Ingrid cut my long hair. My mother saved a few locks, one for Papa, the others in case I ever wanted to see what I had once been like, later on. The two women decided I would look silly with curls on my forehead, so Ingrid combed the new style sleek. of Ingrid Bergman and her little boy. I put on a pink smock that covered my clothes and Ingrid cut my long hair. My mother saved a few locks, one for Papa, the others in case I ever wanted to see what I had once been like, later on. The two women decided I would look silly with curls on my forehead, so Ingrid combed the new style sleek.

What Chantal had said was true: I looked entirely different. I seemed poised, sharp, rather daunting. Ingrid held a looking gla.s.s up so I could see the back of my head and my profile. I turned my head slowly. I had a slim neck and perfect ears and my mother's forehead. For a second a thought flared, and then it died: with her blue frock and blue floral hat and numerous trinkets Maman was like a little girl dressed up. I stared and stared, and the women smiled at each other. I saw their eyes meet in the mirror. They thought they were watching emerging pride, the kind that could make me strong. Even vanity would have pleased them; any awakening would do.

I felt nothing but the desire for a life to match my changed appearance. It was a longing more pa.s.sionate and mysterious than any sort of love. My role could not be played by another person. All I had to do now was wait for my true life to reveal itself and the other players to let me in.

My father took the news from Indochina to be part of a family curse. He had hoped I would marry Julien. He would have had Castelli grandchildren. But Julien and I were too close in age and forever squabbling. He was more like a brother. "Lover" still held a small quant.i.ty of false knowledge. Perhaps I had always wanted a stranger. Papa said the best were being taken, as in all wars. He was sorry he had not been gunned down in the last one. He was forty-nine and had survived to see his only daughter washed up, a decent family nearly extinct, the whole nation idle and soft.

He repeated all these things, and more, as he drove me to the railway station where I was to meet Chantal, the lieutenant, and the junior champion. His parting words reproached me for indifference to Julien's fate, and I got on the train in tears.

My mother was home, at the neat little desk where she plotted so many grave events. For the first time in her life, she delivered an invitation to dinner by telephone. I still have the letter she sent me in Chamonix, describing what they had had to eat and what Mme. Pons had worn: salmon-pink, sleeveless, with spike heels and fake pearls. She had also worn my rejected engagement ring. Mme. Pons could get away with lack of judgment and taste, now. We were the suppliants.

My father had been warned it would be fish, because of Mme. Pons, but he forgot and said quite loudly, "Are you trying to tell me there's nothing after the turbot? Are the butchers on strike? Is it Good Friday? Has the whole world gone crazy? Poor France!" he said, turning to M. Pons. "I mean it. These changes in manners and customs are part of the decline."

The two guests pretended not to hear. They gazed at my painting of the harbor at Naples afraid, Papa said later, we might try to give it to them.

When Papa asked if I'd enjoyed myself in the Alps I said, "There was a lot of tennis." It had the dampening effect I had hoped for, and he began to talk about a man who had just deserted from the Army because he was a pacifist, and who ought to be shot. Maman took me aside as soon as she could and told me her news: Arnaud was still undecided. His continued license to choose was like a spell of restless weather. The two mothers studied the sky. How long could it last? He never mentioned me, but Mme. Pons was sure he was waiting for a move.

"What move?" I said. "A letter from Papa?"

"You can't expect Papa to write any more letters," she said. "It has to come from you."

Once again, I let my mother dictate a letter for Arnaud. I had no idea what to say; or, rather, of the correct way of saying anything. It was a formal request for an appointment, at Arnaud's convenience, at the venue of his choice. That was all. I signed my full name: Sylvie Mireille Castelli. I had never written to anyone in Rennes before. I could not imagine his street. I wondered if he lived in someone else's house or had found his own apartment. I wondered who made his breakfast and hung up his clothes and changed the towels in the bathroom. I wondered how he would feel when he saw my handwriting; if he would burn the letter, unread.

He waited ten days before saying he did not mind seeing me, and suggested having lunch in a restaurant. He could come to Paris on a Sunday, returning to Rennes the same day. It seemed to me an enormous feat of endurance. The fastest train, in those days, took more than three hours. He said he would let me know more on the matter very soon. The move to Rennes had worn him down and he needed a holiday. He signed "A. Pons." ("That's new," my father said, about the invitation to lunch. He considered Arnaud's approach to money to be conservative, not to say nervous.) He arrived in Paris on the third Sunday in October, finally, almost a year to the day from our first meeting. I puzzled over the timetable, wondering why he had chosen to get up at dawn to catch a train that stopped everywhere when there was a direct train two hours later. Papa pointed out the extra-fare sign for the express. "And Arnaud..." he said, but left it at that.

Papa and I drove to the old Montparna.s.se station, where the trains came in from the west of France. Hardly anyone remembers it now: a low gray building with a wooden floor. I have a black-and-white postcard that shows the curb where my father parked his Citroen and the station clock we watched and the door I went through to meet Arnaud face to face. We got there early and sat in the car, holding hands sometimes, listening to a Sunday-morning program of political satire songs and poems and imitations of men in power but Papa soon grew tired of laughing alone and switched it off. He smoked four Gitanes from a pack Uncle Gaston had left behind. When his lighter balked he pretended to throw it away, trying to make me smile. I could see nothing funny about the loss of a beautiful silver lighter, the gift of a patient. It seemed wasteful, not amusing. I ate some expensive chocolates I found in the glove compartment: Melle Coutard's, I think.

He kept leaning forward to read the station clock, in case his watch and my watch and the dashboard clock were slow. When it was time, he kissed me and made me promise to call the minute I knew the time of Arnaud's return train, so he could come and fetch me. He gave me the names of two or three restaurants he liked, pointing in the direction of the Boulevard Raspail places he had taken me that smelled of cigars and red Burgundy. They looked a bit like station buffets, but were more comfortable and far more expensive. I imagined that Arnaud and I would be walking along the boulevard in the opposite direction, where there were plenty of smaller, cheaper places. Papa and Cousin Gaston smoked Gitanes in memory of their student days. They did, sometimes, visit the restaurants of their youth, where the smells were of boiled beef and fried potatoes and dark tobacco, but they knew the difference between a sentimental excursion and a good meal.

As I turned away, my heart pounding enough to shake me, I heard him say, "Remember, whatever happens, you will always have a home," which was true but also a manner of speaking.

The first pa.s.senger off the train was a girl with plastic roses pinned to her curly hair. She ran into the arms of two other girls. They looked alike, in the same long coats with ornamental b.u.t.tons, the same frothy hair and plastic hair slides. One of the Parisians took the pa.s.senger's cardboard suitcase and they went off, still embracing and chattering. Chantal had warned me not to speak to any man in the station, even if he seemed respectable. She had described the sad girls who came from the west, a deeply depressed area, to find work as maids and waitresses, and the gangsters who hung around the train gates. They would pick the girls up and after a short time put them on the street. If a girl got tired of the life and tried to run away, they had her murdered and her body thrown in the Seine. The crimes were never solved; n.o.body cared.

Actually, most of the men I saw looked like citified Breton farmers. I had a problem that seemed, at the moment, far more acute than the possibility of being led astray and forced into prost.i.tution. I had no idea what to say to Arnaud, how to break the ice. My mother had advised me to talk about Rennes if conversation ran thin. I could mention the great fire of 1720 and the fine houses it had destroyed. Arnaud walked straight past me and suddenly turned back. On his arm he carried a new raincoat with a plaid lining. He was wearing gloves; he took one off to shake hands.

I said, "I've had my hair cut."

"So I see."

That put a stop to 1720, or anything else, for the moment. We crossed the Boulevard du Montparna.s.se without touching or speaking. He turned, as I had expected, in the direction of the cheaper restaurants. We read and discussed the menus posted outside. He settled on Rougeot. Not only did Rougeot have a long artistic and social history, Arnaud said, but it offered a fixed-price meal with a variety of choice. Erik Satie had eaten here. No one guessed how poor Satie had been until after his death, when Cocteau and others had visited his wretched suburban home and learned the truth. Rilke had eaten here, too. It was around the time when he was discovering Cezanne and writing those letters. I recognized Arnaud's way of mentioning famous people, pausing before the name and dropping his voice.

The window tables were already taken. Arnaud made less fuss than I expected. Actually, I had never been alone at a restaurant with Arnaud; it was my father I was thinking of, and how violently he wanted whatever he wanted. Arnaud would not hang up his coat. He had bought it just the day before and did not want a lot of dirty garments full of fleas in close touch. He folded it on a chair, lining out. It fell on the floor every time a waiter went by.

I memorized the menu so I could describe it to Maman. Our first course was hard-boiled eggs with mayonnaise, then we chose the liver. Liver was something his mother would not have in the house, said Arnaud. As a result, he and his father were chronically lacking in iron. I wanted to ask where he ate his meals now, if he had an obliging landlady who cooked or if he had the daily expense of a restaurant; but it seemed too much like prying.

The red wine, included in the menu, arrived in a thick, stained decanter. Arnaud asked to be shown the original label. The waiter said the label had been thrown away, along with the bottle. There was something of a sneer in his voice, as if we were foreigners, and Arnaud turned away coldly. The potatoes served with the liver had been boiled early and heated up: we both noticed. Arnaud said it did not matter; because of the wine incident, we were never coming back. "We" suggested a common future, but it may have been a slip of the tongue; I pretended I hadn't heard. For dessert I picked custard flan and Arnaud had prunes in wine. Neither of us was hungry by then, but dessert was included, and it would have been a waste of money to skip a course. Arnaud made some reference to this.

I want to say that I never found him mean. He had not come to Paris to charm or impress me; he was here to test his own feelings at the sight of me and to find out if I understood what getting married meant in particular, to him. His conversation was calm and instructive. He told me about "situations," meaning the entanglements people got into when they were characters in novels and plays. He compared the theatre of Henry de Montherlant with Jean Anouilh's: how they considered the part played by innocent girls in the lives of more worldly men. To Anouilh a girl was a dove, Arnaud said, an innocent dressed in white, ultimately and almost accidentally destroyed. Montherlant saw them as ignorant rather than innocent more knowing than any man suspected, unlearned and cra.s.s.

All at once he said a personal thing: "You aren't eating your dessert."

"There's something strange on it," I said. "Green flakes."

He pulled my plate over and sc.r.a.ped the top of the flan with my spoon. (I had taken one bite and put the spoon down.) "Parsley," he said. "There was a mistake made in the kitchen. They took the flan for a slice of quiche."

"I know it is paid for," I said. "But I can't."

I was close to tears. It occurred to me that I sounded like Mme. Pons. He began to eat the flan, slowly, using my spoon. Each time he put the spoon in his mouth I said to myself, He must love me. Otherwise it would be disgusting. When he had finished, he folded his napkin in the exact way that always annoyed my mother and said he loved me. Oh, not as before, but enough to let him believe he could live with me. I was not to apologize for last spring or to ask for forgiveness. As Cosima had said to Hans von Bulow, after giving birth to Wagner's child, forgiveness was not called for just understanding. (I knew who Wagner was, but the rest bewildered me utterly.) I had blurted out something innocent, impulsive, Arnaud continued, and my mother herself a child had acted as though it were a mature decision. My mother had told his mother about the bridge and the turning point; he understood that, too. He knew all about infatuation. At one time he had actually believed my drawing of Vesuvius could bring him luck, and had carried it around with the legal papers in his briefcase. That was how eaten up by love he had been, at twenty-six. Well, that kind of storm and pa.s.sion of the soul was behind him. He was twenty-seven, and through with extremes. He blamed my mother, but one had to take into account her infantile nature. He was inclined to be harder on Bernard speaking the name easily, as if "Bernard Brunelle" were a character in one of the plays he had just mentioned. Brunelle was a vulgar libertine, toying with the feelings of an untried and trustful girl and discarding her when the novelty wore off. He, Arnaud, was prepared to put the clock back to where it had stood exactly a second before my mother wrenched the wedding invitations out of my hands and hurled them into the Seine.

Seated beside a large window that overlooked the terrace and boulevard were the three curly-haired girls I had noticed at the station. They poured wine for each other and leaned into the table, so that their heads almost touched. Above them floated a flat layer of thin blue smoke. Once I was married, I thought, I would smoke. It would give me something to do with my hands when other people talked, and would make me look as if I were enjoying myself. One of the girls caught me looking, and smiled. It was a smile of recognition, but hesitant, too, as if she wondered if I would want to acknowledge her. She turned back, a little disappointed. When I looked again, I had a glimpse of her in profile, and saw why she had seemed familiar and yet diffident: she was the typist who sat outside Cousin Gaston's office, who had caused Gaston and Papa so much anxiety and apprehension. She was just eighteen nineteen at most. How could they have taken her for a spy? She was one of three kittenish friends, perhaps sisters, from the poorest part of France.

Look at it this way, Arnaud was saying. We had gone through tests and trials, like Tamino and Pamina, and had emerged tempered and strong. I must have looked blank, for he said, a little sharply, "In The Magic Flute The Magic Flute. We spent a whole Sunday on it. I translated every word for you six records, twelve sides."

I said, "Does she die?"

"No," said Arnaud. "If she had to die we would not be sitting here." Now, he said, lowering his voice, there was one more thing he needed to know. This was not low curiosity on his part, but a desire to have the whole truth spread out "like a sheet spread on green gra.s.s, drying in suns.h.i.+ne" was the way he put it. My answer would make no difference; his decisions concerning me and our future were final. The question was, had Bernard Brunelle succeeded succeeded and, if so, to what extent? Was I entirely, or partly, or not at all the same as before? Again, he said the stranger's name as if it were an invention, a name a.s.signed to an imaginary life. and, if so, to what extent? Was I entirely, or partly, or not at all the same as before? Again, he said the stranger's name as if it were an invention, a name a.s.signed to an imaginary life.

It took a few moments for me to understand what Arnaud was talking about. Then I said, "Bernard Brunelle? Why, I've never even kissed him. I saw him only that once. He lives in Lille."

His return train did not leave for another hour. I asked if he would like to walk around Montparna.s.se and look at the famous cafes my father liked, but the sidewalk was spotted with rain, and I think he did not want to get his coat wet. As we crossed the boulevard again, he took my arm and remarked that he did not care for Bretons and their way of thinking. He would not spend his life in Rennes. Unfortunately, he had asked for the transfer and the firm had actually created a post for him. It would be some time before he could say he had changed his mind. In the meantime, he would come to Paris every other weekend. Perhaps I could come to Rennes, too, with or without a friend. We had reached the age of common sense and could be trusted. Some of the beaches in Brittany were all right, he said, but you never could be sure of the weather. He preferred the Basque coast, where his mother used to take him when he was a child. He had just spent four weeks there, in fact.

I did not dare ask if he had been alone; in any case, he was here, with me. We sat down on a bench in the station. I could think of nothing more to say. The great fire of 1720 seemed inappropriate as a topic for someone who had just declared an aversion to Bretons and their history. I had a headache, and was just as glad to be quiet. I wondered how long it would take to wean him away from the Pons family habit of drinking low-cost wine. He picked up a newspaper someone had left behind and began to read yesterday's news. There was more about the pacifist deserter; traitors (I supposed they must be that) were forming a defense committee. I thought about Basque beaches, wondering if they were sand or shale, and if my children would be able to build sand castles.

Presently Arnaud folded the paper, in the same careful way he always folded a table napkin, and said I ought to follow Chantal's suggestion and get a job teaching in a nursery school. (So Maman had mentioned that to Mme. Pons, too.) I should teach until I had enough working time behind me to claim a pension. It would be good for me in my old age to have an income of my own. Anything could happen. He could be killed in a train crash or called up for a war. My father could easily be ruined in a lawsuit and die covered with debts. There were advantages to teaching, such as long holidays and reduced train fares.

"How long would it take?" I said. "Before I could stop teaching and get my pension."

"Thirty-five years," said Arnaud. "I'll ask my mother. She had no training, either, but she taught private cla.s.ses. All you need is a decent background and some recommendations."

Wait till Papa hears this, I thought. He had imagined everything possible, even that she had been the paid mistress of a Romanian royal.

Arnaud said a strange thing then: "You would have all summer long for your art. I would never stand in your way. In fact, I would do everything to help. I would mind the children, take them off your hands."

In those days men did not mind children. I had never in my life seen a married man carrying a child except to board a train or at a parade. I was glad my father hadn't heard. I think I was shocked: I believe that, in my mind, Arnaud climbed down a notch. More to the point, I had not touched a brush or drawing pencil since the day my mother had read the letter from Bernard the important one. Perhaps if I did not paint and draw and get stains on my hands and clothes Arnaud would be disappointed. Perhaps, like Maman, he wanted to be able to say that everything hanging on the walls was mine. What he had said about not standing in my way was unusual, certainly; but it was kind, too.

We stood up and he shook and then folded his coat, holding the newspaper under his arm. He pulled his gloves out of his coat pocket, came to a silent decision, and put them back. He handed me the newspaper, but changed his mind: he would work the crossword puzzle on the way back to Rennes. By the end of the day, I thought, he would have travelled some eight hours and have missed a Sunday-afternoon concert, because of me. He started to say goodbye at the gate, but I wanted to see him board the train. A special platform ticket was required: he hesitated until I said I would buy it myself, and then he bought it for me.

From the step of the train he leaned down to kiss my cheek.

I said, "Shall I let it grow back?"

"What?"

"My hair. Do you like it short or long?"

He was unable to answer, and seemed to find the question astonis.h.i.+ng. I walked along the platform and saw him enter his compartment. There was a discussion with a lady about the window seat. He would never grab or want anything he had no claim on, but he would always establish his rights, where they existed. He sat down in the place he had a right to, having shown his seat reservation, and opened the paper to the puzzle. I waited until the train pulled away. He did not look out. In his mind I was on my way home.

I was not quite sure what to do next, but I was certain of one thing: I would not call Papa. Arnaud had not called his family, either. We had behaved like a real couple, in a strange city, where we knew no one but each other. From the moment of his arrival until now we had not been separated; not once. I decided I would walk home. It was a long way, much of it uphill once I crossed the river, but I would be moving along, as Arnaud was moving with the train. I would be accompanying him during at least part of his journey.

I began to walk, under a slight, not a soaking, drizzle, along the boulevard, alongside the autumn trees. The gray clouds looked sculptured, the traffic lights unnaturally bright. I was sitting on a sandy beach somewhere along the Basque coast. A red ribbon held my long hair, kept it from blowing across my face. I sat in the shade of a white parasol, upon a striped towel. My knees were drawn up to support my sketch pad. I bent my head and drew my children as they dug holes in the sand. They wore white sun hats. Their arms and legs were brown.

By the time I reached the Invalides the rain had stopped. Instead of taking the shortest route home, I had made a wide detour west. The lights gleamed brighter than ever as night came down. There were yellow streaks low in the sky. I skirted the little park and saw old soldiers, survivors of wars lovingly recalled by Cousin Gaston and Papa, sitting on damp benches. They lived in the veterans' hospital nearby and had nothing else to do. I turned the corner and started down toward the Seine, walking slowly. I still had a considerable distance to cover, but it seemed unfair to arrive home before Arnaud; that was why I had gone so far out of my way. My parents could think whatever they liked: that he had taken a later train, that I had got wet finding a taxi. I would never tell anyone how I had travelled with Arnaud, not even Arnaud. It was a small secret, insignificant, but it belonged to the true life that was almost ready to let me in. And so it did; and, yes, it made me happy.

Forain