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The Symbolism Of Freemasonry Part 25

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ROYAL ART. Freemasonry is so called because it is supposed to have been founded by two kings,-the kings of Israel and Tyre,-and because it has been subsequently encouraged and patronized by monarchs in all countries.

S

SABIANISM, or SABAISM. The wors.h.i.+p of the sun, moon, and stars, the ??? ????? TSABA Hashmaim, "the host of heaven." It was practised in Persia, Chaldea, India, and other Oriental countries, at an early period of the world's history. Sun-wors.h.i.+p has had a powerful influence on subsequent and more rational religions, and relics of it are to be found even in the symbolism of Freemasonry.

SACELLUM. A sacred place consecrated to a G.o.d, and containing an altar.

SAINTE CROIX. The work of the Baron de Sainte Croix, in two volumes, ent.i.tled, "Recherches Historiques et Critiques sur les Mysteres du Paganisme," is one of the most valuable and instructive works that we have in any language on the ancient Mysteries,-those religious a.s.sociations whose history and design so closely connect them with Freemasonry. To the student of masonic philosophy and symbolism this work of Sainte Croix is absolutely essential.



SALSETTE. An island in the Bay of Bombay, celebrated for stupendous caverns excavated artificially out of the solid rock, and which were appropriated to the initiations in the ancient Mysteries of India.

SENSES, FIVE HUMAN. A symbol of intellectual cultivation.

SETH. It is the masonic theory that the principles of the Pure or Primitive Freemasonry were preserved in the race of Seth, which had always kept separate from that of Cain, but that after the flood they became corrupted, by a secession of a portion of the Sethites, who established the Spurious Freemasonry of the Gentiles.

SEVEN. A sacred number among the Jews and the Gentiles, and called by Pythagoras a "venerable number."

SHEM HAMPHORASH. (?? ?????? the declaratory name.) The tetragrammaton is so called, because, of all the names of G.o.d, it alone distinctly declares his nature and essence as self-existent and eternal.

SHOE. See Invest.i.ture, Rite of.

SIGNS. There is abundant evidence that they were used in the ancient Mysteries. They are valuable only as modes of recognition. But while they are absolutely conventional, they have, undoubtedly, in Freemasonry, a symbolic reference.

SIVA. One of the manifestations of the supreme deity of the Hindoos, and a symbol of the sun in its meridian.

SONS OF LIGHT. Freemasons are so called because Lux, or Light, is one of the names of Speculative Masonry.

SOLOMON. The king of Israel, and the founder of the temple of Jerusalem and of the temple organization of Freemasonry.

That his mind was eminently symbolic in its propensities, is evident from all the writings that are attributed to him.

SPECULATIVE MASONRY. Freemasonry considered as a science which speculates on the character of G.o.d and man, and is engaged in philosophical investigations of the soul and a future existence, for which purpose it uses the terms of an operative art.

It is engaged symbolically in the construction of a spiritual temple.

There is in it always a progress-an advancement from a lower to a higher sphere.

SPIRITUAL TEMPLE. The body of man; that temple alluded to by Christ and St. Paul; the temple, in the construction of which the Speculative Mason is engaged, in contradistinction to that material temple which occupies the labors of the Operative Mason.

SPURIOUS FREEMASONRY OF ANTIQUITY. A term applied to the initiations in the Mysteries of the ancient pagan world, and to the doctrines taught in those Mysteries. See Mysteries.

SQUARE. A geometric figure consisting of four equal sides and equal angles. In Freemasonry it is a symbol of morality, or the strict performance of every duty. The Greeks deemed it a figure of perfection, and the "square man" was a man of unsullied integrity.

SQUARE, TRYING. One of the working-tools of a Fellow Craft, and a symbol of morality.

STONE OF FOUNDATION. A very important symbol in the masonic system. It is like the word, the symbol of divine truth.

STONE WORs.h.i.+P. A very early form of fetichism. The Pelasgians are supposed to have given to their statues of the G.o.ds the general form of cubical stones, whence in h.e.l.lenic times came the Hermae, or images of Hermes.

SUBSt.i.tUTE WORD. A symbol of the unsuccessful search after divine truth, and the discovery in this life of only an approximation to it.

SUN, RISING. In the Sabian wors.h.i.+p the rising sun was adored on its resurrection from the apparent death of its evening setting. Hence, in the ancient Mysteries, the rising sun was a symbol of the regeneration of the soul.

SUN-WORs.h.i.+P. The most ancient of all superst.i.tions. It prevailed especially in Phoenicia, Chaldea. and Egypt, and traces of it have been discovered in Peru and Mexico. Its influence was felt in the ancient Mysteries, and abundant allusions to it are to be found in the symbolism of Freemasonry.

SWEDENBORG. A Swedish philosopher, and the founder of a religious sect. Clavel, Ragon, and some other writers have sought to make him the founder of a masonic rite also, but without authority. In 1767 Chastanier established the rite of Illuminated Theosophists, whose instructions are derived from the writings of Swedenborg, but the sage himself had nothing to do with it. Yet it cannot be denied that the mind of Swedenborg was eminently symbolic in character, and that the masonic student may derive many valuable ideas from portions of his numerous works, especially from his "Celestial Arcana" and his "Apocalypse Revealed."

SYMBOL. A visible sign with which a spiritual feeling, emotion, or idea is connected.-Muller. Every natural thing which is made the sign or representation of a moral idea is a symbol.

SYMBOL, COMPOUND. A species of symbol not unusual in Freemasonry, where the symbol is to be taken in a double sense, meaning in its general application one thing, and then in a special application another.

SYMBOLISM, SCIENCE OF. To what has been said in the text, may be added the following apposite remarks of Squier: "In the absence of a written language or forms of expression capable of conveying abstract ideas, we can readily comprehend the necessity, among a primitive people, of a symbolic system. That symbolism in a great degree resulted from this necessity, is very obvious; and that, a.s.sociated with man's primitive religious systems, it was afterwards continued, when in the advanced stage of the human mind, the previous necessity no longer existed, is equally undoubted. It thus came to const.i.tute a kind of sacred language, and became invested with an esoteric significance understood only by the few."-The Serpent Symbol in America, p. 19.

T

TABERNACLE. Erected by Moses in the wilderness as a temporary place for divine wors.h.i.+p. It was the ant.i.type of the temple of Jerusalem, and, like it, was a symbol of the universe.

TALISMAN. A figure either carved in metal or stone, or delineated on parchment or paper, made with superst.i.tious ceremonies under what was supposed to be the special influence of the planetary bodies, and believed to possess occult powers of protecting the maker or possessor from danger. The figure in the text is a talisman, and among the Orientals no talisman was more sacred than this one where the nine digits are so disposed as to make 15 each way. The Arabians called it zahal, which was the name of the planet Saturn, because the nine digits added together make 45, and the letters of the word zahal are, according to the numerical powers of the Arabic alphabet, equivalent to 45. The cabalists esteem it because 15 was the numerical power of the letters composing the word JAH, which is one of the names of G.o.d.

TALMUD. The mystical philosophy of the Jewish Rabbins is contained in the Talmud, which is a collection of books divided into two parts, the Mishna, which contains the record of the oral law, first committed to writing in the second or third century, and the Gemara, or commentaries on it. In the Talmud much will be found of great interest to the masonic student.

TEMPLE. The importance of the temple in the symbolism of Freemasonry will authorize the following citation from the learned Montfaucon (Ant. ii. 1. ii. ch. ii.): "Concerning the origin of temples, there is a variety of opinions. According to Herodotus, the Egyptians were the first that made altars, statues, and temples. It does not, however, appear that there were any in Egypt in the time of Moses, for he never mentions them, although he had many opportunities for doing so. Lucian says that the Egyptians were the first people who built temples, and that the a.s.syrians derived the custom from them, all of which is, however, very uncertain. The first allusion to the subject in Scripture is the Tabernacle, which was, in fact, a portable temple, and contained one place within it more holy and secret than the others, called the Holy of Holies, and to which the adytum in the pagan temples corresponded. The first heathen temple mentioned in Scripture is that of Dagon, the G.o.d of the Philistines. The Greeks, who were indebted to the Phoenicians for many things, may be supposed to have learned from them the art of building temples; and it is certain that the Romans borrowed from the Greeks both the wors.h.i.+p of the G.o.ds and the construction of temples."

TEMPLE BUILDER. The t.i.tle by which Hiram Abif is sometimes designated.

TEMPLE OF SOLOMON. The building erected by King Solomon on Mount Moriah, in Jerusalem, has been often called "the cradle of Freemasonry," because it was there that that union took place between the operative and speculative masons, which continued for centuries afterwards to present the true organization of the masonic system.

As to the size of the temple, the dimensions given in the text may be considered as accurate so far as they agree with the description given in the First Book of Kings. Josephus gives a larger measure, and makes the length 105 feet, the breadth 35 feet, and the height 210 feet; but even these will not invalidate the statement in the text, that in size it was surpa.s.sed by many a parish church.

TEMPLE SYMBOLISM. That symbolism which is derived from the temple of Solomon. It is the most fertile of all kinds of symbolism in the production of materials for the masonic science.

TERMINUS. One of the most ancient of the Roman deities. He was the G.o.d of boundaries and landmarks, and his statue consisted only of a cubical stone, without arms or legs, to show that he was immovable.

TETRACTYS. A figure used by Pythagoras, consisting of ten points, arranged in a triangular form so as to represent the monad, duad, triad, and quarterniad. It was considered as very sacred by the Pythagoreans, and was to them what the tetragrammaton was to the Jews.

TETRAGRAMMATON. (From the Greek tet???, four, and ???a, a letter). The four-lettered name of G.o.d in the Hebrew language, which consisted of four letters, viz. ???? commonly, but incorrectly, p.r.o.nounced Jehovah. As a symbol it greatly pervaded the rites of antiquity, and was perhaps the earliest symbol corrupted by the Spurious Freemasonry of the pagan Mysteries.

It was held by the Jews in profound veneration, and its origin supposed to have been by divine revelation at the burning bush.

The word was never p.r.o.nounced, but wherever met with Adonai was subst.i.tuted for it, which custom was derived from the perverted reading of a, pa.s.sage in the Pentateuch. The true p.r.o.nunciation consequently was utterly lost; this is explained by the want of vowels in the Hebrew alphabet, so that the true vocalization of a word cannot be learned from the letters of which it is composed.

The true p.r.o.nunciation was intrusted to the high priest; but lest the knowledge of it should be lost by his sudden death, it was also communicated to his a.s.sistant; it was known also, probably, to the kings of Israel.

The Cabalists and Talmudists enveloped it in a host of superst.i.tions.

It was also used by the Essenes in their sacred rites, and by the Egyptians as a pa.s.s-word.

Cabalistically read and p.r.o.nounced, it means the male and female principle of nature, the generative and prolific energy of creation.

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