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Then, of course, Katherine had started coming back from the grave, and Bruno had been able to satisfy himself with her, expending copious quant.i.ties of sperm in the many lovely bodies that she had inhabited. He still had most of his s.e.x alone, with himself, with his other self, his other half--but it was wildly exciting to thrust into the warm, tight, moist center of a woman every once in a while.
Now he stood in front of the mirror that was fixed to the door of Sally's bathroom, and he stared with fascination at the reflection of his p.e.n.i.s, wondering what difference Tammy had sensed when she'd felt his pulsating erection in that ma.s.sage parlor cubicle, five years ago.
After a while, he let his gaze travel upward from his s.e.x organs to his flat, hard, muscular belly, then up to his huge chest, and farther up until he met the gaze of the other Bruno in the looking gla.s.s. When he stared into his own eyes, everything at the periphery of his vision faded away, and the very foundations of reality turned molten and a.s.sumed new forms; without drugs or alcohol, he was swept into an hallucinogenic experience. He reached out and touched the mirror, and the fingers of the other Bruno touched his fingers from the far side of the gla.s.s. As if in a dream, he drifted closer to the mirror, pressed his nose to the other Bruno's nose. He looked deep into the other's eyes, and those eyes peered deep into his. For a moment, he forgot that he was only confronting a reflection; the other Bruno was real. He kissed the other, and the kiss was cold. He pulled back a few inches. So did the other Bruno. He licked his lips. So did the other Bruno. Then they kissed again. He licked the other Bruno's open mouth, and gradually the kiss became warm, but it never grew as soft and pleasant as he had expected. In spite of the three powerful o.r.g.a.s.ms that Sally-Katherine had drawn from him, his p.e.n.i.s stiffened yet again, and when it was very hard he pressed it against the other Bruno's p.e.n.i.s and slowly rotated his hips, rubbing their erect organs together, still kissing, still gazing rapturously into the eyes that stared out of the mirror. For a minute or two, he was happier than he had been in days.
But then the hallucination abruptly dissolved, and reality came back like a hammer striking iron. He became aware that he really was not holding his other self and that he was trying to have s.e.x with nothing more than a flat reflection. A strong electric current of emotion seemed to jump across the synapse between the eyes in the looking gla.s.s and his own eyes, and a tremendous shock blasted through his body; it was an emotional shock, but it also affected him physically, making him twitch and shake. His lethargy burned away in an instant. Suddenly he was re-energized; his mind was spinning, sparking.
He remembered that he was dead. Half of him was dead. The b.i.t.c.h had stabbed him last week, in Los Angeles. Now he was both dead and alive.
A profound sorrow welled up in him.
Tears came to his eyes.
He realized that he couldn't hold himself as he once had done. Not ever again.
He couldn't fondle himself or be fondled by himself as he once had done. Not ever again.
He now had only two hands, not four; only one p.e.n.i.s, not two; only one mouth, not two.
He could never kiss himself again, never feel his two tongues caressing each other. Not ever again.
Half of him was dead. He wept.
He never again would have s.e.x with himself as he'd had it thousands of times in the past. Now he would have no lover but his hand, the limited pleasure of masturbation.
He was alone.
Forever.
For a while, he stood in front of the mirror, crying, his broad shoulders bent under the terrible weight of abject despair. But slowly his unbearable grief and self-pity gave way to rising anger. She had done this to him. Katherine. The b.i.t.c.h. She had killed half of him, had left him feeling incomplete and wretchedly empty, hollow. The selfish, hateful, vicious b.i.t.c.h! As his fury mounted, he was possessed by an urge to break things. Naked, he stormed through the bungalow--living room and kitchen and bathroom--smas.h.i.+ng furniture, ripping upholstery, breaking dishes, cursing his mother, cursing his demon father, cursing a world that he sometimes couldn't understand at all.
In Joshua Rhinehart's kitchen, Hilary scrubbed three large baking potatoes and lined them up on the counter, so that they were ready to be popped into the microwave oven as soon as the thick steaks were approaching perfection on the broiler. The menial labor was relaxing. She watched her hands as she worked, and she thought about little more than the food that had to be prepared, and her worries receded to the back of her mind.
Tony was making the salad. He stood at the sink beside her, his s.h.i.+rt sleeves rolled up, was.h.i.+ng and chopping fresh vegetables.
While they prepared dinner, Joshua called the sheriff from the kitchen phone. He told Laurenski about the withdrawal of funds from Frye's accounts in San Francisco and about the look-alike who was down in Los Angeles somewhere, searching for Hilary. He also pa.s.sed along the ma.s.s murder theory that he and Tony and Hilary had arrived at in his office a short while ago. There was really not much that Laurenski could do, for (so far as they knew) no crimes had been committed in his jurisdiction. But Frye was most likely guilty of local crimes of which they were, for the moment, unaware. And it was even more likely that crimes might yet be committed in the county before the mystery of the look-alike was solved. Because of that, and because Laurenski's reputation had been stained slightly when he had vouched for Frye to the Los Angeles Police Department last Wednesday night, Joshua thought (and Hilary agreed) that the sheriff was ent.i.tled to know everything that they knew. Even though Hilary could hear only one end of the telephone conversation, she could tell that Peter Laurenski was fascinated, and she knew, from Joshua's responses, that the sheriff twice suggested that they exhume the body in Frye's grave to determine whether or not it actually was Bruno Frye. Joshua preferred to wait until Dr. Rudge and Rita Yancy had been heard from, but he a.s.sured Laurenski that an exhumation would take place if Rudge and Yancy were unable to answer all of the questions he intended to ask.
When he finished talking with the sheriff, Joshua checked on Tony's salad, debated with himself about whether the lettuce was sufficiently crisp, fretted about whether the radishes were too hot or possibly not hot enough, examined the sizzling steaks as if looking for flaws in three diamonds, told Hilary to put the potatoes in the microwave oven, quickly chopped some fresh chives to go with the sour cream, and opened two bottles of California Cabernet Sauvignon, a very dry red wine from the Robert Mondavi winery just down the road. He was rather a fussbudget in the kitchen; his worrying and nitpicking amused Hilary.
She was surprised at how quickly she had developed a liking for the attorney. She seldom felt so comfortable with a person she had known only a couple of hours. But his fatherly appearance, his gruff honesty, his wit, his intelligence, and his curiously off-handed courtliness made her feel welcome and safe in his company.
They ate in the dining room, a cozy, rustic chamber with three white plaster walls, one used-brick wall, a pegged-oak floor, and an open-beam ceiling. Now and then, squalls of big raindrops burst against the charming leaded windows.
As they sat down to the meal, Joshua said, "One rule. No one talks about Bruno Frye until we've put away the last bite of our steak, the last swallow of this excellent wine, the last mouthful of coffee, and the very last sip of brandy."
"Agreed," Hilary said.
"Definitely," Tony said. "I think my mind overloaded on the subject quite some time ago. There are other things in the world worth talking about."
"Yes," Joshua said. "But unfortunately, many of them are just as thoroughly depressing as Frye's story. War and terrorism and inflation and the return of the Luddites and know-nothing politicians and--"
"--art and music and movies and the latest developments in medicine and the coming technological revolution that will vastly improve our lives in spite of the new Luddites," Hilary added.
Joshua squinted across the table at her. "Is your name Hilary or Pollyanna?"
"And is yours Joshua or Ca.s.sandra?" she asked.
"Ca.s.sandra was correct when she made her prophecies of doom and destruction," Joshua said, "but time after time everyone refused to believe her."
"If no one believes you," Hilary said, "then what good is it to be right?"
"Oh, I've given up trying to convince other people that the government is the only enemy and that Big Brother will get us all. I've stopped trying to convince them of a hundred other things that seem to be obvious truths to me but which they don't get at all. Too many of them are fools who'll never understand. But it gives me enormous satisfaction just to know I'm right and to see the ever-increasing proof of it in the daily papers. I know. And that's enough."
"Ah," Hilary said. "In other words, you don't care if the world falls apart beneath us, just so you can have the selfish pleasure of saying, 'I told you so.'"
"Ouch," Joshua said.
Tony laughed. "Beware of her, Joshua. Remember, she makes her living being clever with words."
For three-quarters of an hour, they spoke of many things, but then, somehow, in spite of their pledge, they found themselves talking about Bruno Frye once more, long before they were finished with the wine or ready for coffee and brandy.
At one point, Hilary said, "What could Katherine have done to him to make him fear her and hate her as much as he apparently does?"
"That's the same question I asked Latham Hawthorne," Joshua said.
"What'd he say?"
"He had no idea," Joshua said. "I still find it difficult to believe that there could have been such black hatred between them without it being visible even once in all the years I knew them. Katherine always seemed to dote on him. And Bruno seemed to wors.h.i.+p her. Of course, everyone in town thought she was something of a saint for having taken in the boy in the first place, but now it looks as if she might have been less saint than devil."
"Wait a minute," Tony said. "She took him in? What do you mean by that?"
"Just what I said. She could have let the child go to an orphanage, but she didn't. She opened her heart and her home to him."
"But," Hilary said, "we thought he was her son."
"Adopted," Joshua said.
"That wasn't in the newspapers," Tony said.
"It was done a long, long time ago," Joshua said. "Bruno had lived all but a few months of his life as a Frye. Sometimes it seemed to me that he was more like a Frye than Katherine's own child might have been if she'd had one. His eyes were the same color as Katherine's. And he certainly had the same cold, introverted, brooding personality that Katherine had--and that people say Leo had, too."
"If he was adopted," Hilary said, "there's a chance he does have a brother."
"No," Joshua said. "He didn't."
"How can you be so sure? Maybe he even has a twin!" Hilary said, excited by the thought.
Joshua frowned, "You think Katherine adopted one of a pair of twins without being aware of it?"
"That would explain the sudden appearance of a dead ringer," Tony said.
Joshua's frown grew deeper, "But where has this mysterious twin brother been all these years?"
"He was probably raised by another family," Hilary said, eagerly fles.h.i.+ng out her theory. "In another town, another part of the state."
"Or maybe even another part of the country," Tony said.
"Are you trying to tell me that, somehow, Bruno and his long-lost brother eventually found each other?"
"It could happen," Hilary said.
Joshua shook his head. "Perhaps it could, but in this case it didn't. Bruno was an only child."
"You're positive?"
"There's no doubt about it," Joshua said. "The circ.u.mstances of his birth aren't secret."
"But twins.... It's such a lovely theory," Hilary said.
Joshua nodded. "I know. It's an easy answer, and I'd like to find an easy answer so we can wrap this thing up fast. Believe me, I hate to punch holes in your theory."
"Maybe you can't," Hilary said.
"I can."
"Try," Tony said. "Tell us where Bruno came from, who his real mother was. Maybe we'll punch holes in your story. Maybe it's not as open and shut as you think it is."
Eventually, after he had broken and torn and smashed nearly everything in the bungalow, Bruno got control of himself; his fiery, b.e.s.t.i.a.l rage cooled into a less destructive, more human anger. For a while, after his temper fell below the boiling point, he stood in the middle of the rubble he had made, breathing hard, sweat dripping off his brow and gleaming on his naked body. Then he went into the bedroom and put on his clothes.
When he was dressed, he stood at the foot of the b.l.o.o.d.y bed and stared at the brutally butchered body of the woman he had known only as Sally. Now, too late, he realized that she hadn't been Katherine. She hadn't been another reincarnation of his mother. The old b.i.t.c.h han't switched bodies from Hilary Thomas to Sally; she couldn't do that until Hilary was dead. Bruno couldn't imagine why he had ever thought otherwise; he was surprised that he could have been so confused.
However, he felt no remorse for what he had done to Sally. Even if she hadn't been Katherine, she had been one of Katherine's handmaidens, a woman sent from h.e.l.l to serve Katherine. Sally had been one of the enemy, a conspirator in the plot to kill him. He was sure of that. Maybe she had even been one of the living dead. Yes. Of course. He was positive of that, too. Yes. Sally had been exactly like Katherine, a dead woman in a new body, one of those monsters who refused to stay in the grave where she belonged. She was one of them. He shuddered. He was certain that she had known all along where Hilary-Katherine was hiding. But she kept that secret, and she deserved to die for her unshakable allegiance to his mother.
Besides, he hadn't actually killed her, for she would come back to life in some other body, pus.h.i.+ng out the person whose rightful flesh it was.
Now he must forget about Sally and find Hilary-Katherine. She was still out there somewhere, waiting for him.
He must locate her and kill her before she found a way to kill him first.
At least Sally had given him one small lead. A name. This Topelis fellow. Hilary Thomas's agent. Topelis would probably know where she was hiding.
They cleared away the dinner dishes, and Joshua poured more wine for everyone before telling the story of Bruno's rise from orphan to sole heir of the Frye estate. He had gotten his facts over the years, a few at a time, from Katherine and from other people who had lived in St. Helena long before he had come to the valley to practice law.
In 1940, the year Bruno was born, Katherine was twenty-six years old and still living with her father, Leo, in the isolated clifftop house, behind and above the winery, where they had resided together since 1918, the year after Katherine's mother died. Katherine had been away from home only for part of one year that she had spent at college in San Francisco; she had dropped out of school because she hadn't wanted to be away from St. Helena just to acquire a lot of stale knowledge that she would never use. She loved the valley and the big old Victorian house on the cliff. Katherine was a handsome, shapely woman who could have had as many suitors as she wished, but she seemed to find romance of no interest whatsoever. Although she was still young, her introverted personality and her cool att.i.tude toward all men convinced most of the people who knew her that she would be an old maid and, furthermore, that she would be perfectly happy in that role. Then, in January of 1940, Katherine received a call from a friend, Mary Gunther, whom she'd known at college a few years earlier. Mary needed help; a man had gotten her into trouble. He had promised to marry her, had strung her along with excuse after excuse, and then had skipped out when she was six months pregnant. Mary was nearly broke, and she had no family to turn to for help, no friend half so close as Katherine. She asked Katherine to come to San Francisco a few months hence, as soon as the baby arrived; Mary didn't want to be alone at that trying time. She also asked Katherine to care for the baby until she, Mary, could find a job and build up a nest egg and provide a proper home for the child. Katherine agreed to help and began telling people in St. Helena that she would be a temporary surrogate mother. She seemed so happy, so excited by the prospect, that her neighbors said she would be a wonderful mother to her own children if she could just find a man to marry her and father them.
Six weeks after Mary Gunther's telephone call, and six weeks before Katherine was scheduled to go to San Francisco to be with her friend, Leo suffered a ma.s.sive cerebral hemmorhage and dropped dead among the high stacks of oak barrels in one of the winery's huge aging cellars. Although Katherine was stunned and grief-stricken, and although she had to start learning to run the family business, she did not back out of her promise to Mary Gunther. In April, when Mary sent a message that the baby had arrived, Katherine went off to San Francisco. She was gone more than two weeks, and when she returned, she had a tiny baby, Bruno Gunther, Mary's alarmingly small and fragile child.
Katherine expected to have Bruno for a year, at which time Mary would be firmly on her feet and ready to a.s.sume complete responsibility for the tyke. But after six months, word came that Mary had more trouble, much worse this time--a virulent form of cancer. Mary was dying. She had only a few weeks to live, a month at most. Katherine took the baby to San Francisco, so that the mother could spend what little time she had left in the company of her child. During Mary's last days, she made all of the necessary legal arrangements for Katherine to be granted permanent custody of the baby. Mary's own parents were dead; she had no other close relatives with whom Bruno could live. If Katherine had not taken him in, he would have wound up in an orphanage or in the care of foster parents who might or might not have been good to him. Mary died, and Katherine paid for the funeral, then returned to St. Helena with Bruno.
She raised the boy as if he were her own, acting not just like a guardian but like a concerned and loving mother. She could have afforded nursemaids and other household help, but she didn't hire them; she refused to let anyone else tend to the child. Leo had not employed domestic help, and Katherine had her father's spirit of independence. She got along well on her own, and when Bruno was four years old, she returned to San Francisco, to the judge who had awarded her custody at Mary's request, and she formally adopted Bruno, giving him the Frye family name.
Hoping to get a clue from Joshua's story, alert for any inconsistencies or absurdities, Hilary and Tony had been leaning forward, arms on the dining room table, while they listened. Now they leaned back in their chairs and picked up their wine gla.s.ses.
Joshua said, "There are still people in St. Helena who remember Katherine Frye primarily as the saintly woman who took in a poor foundling and gave him love and more than a little wealth, too."
"So there wasn't a twin," Tony said.
"Definitely not," Joshua said.
Hilary sighed. "Which means we're back at square one."
"There are a couple of things in that story that bother me," Tony said.
Joshua raised his eyebrows. "Like what?"
"Well, even these days, with our more liberal att.i.tudes, we still make it d.a.m.ned hard for a single woman to adopt a child," Tony said. "And in 1940, it must have been very nearly impossible."
"I think I can explain that," Joshua said. "If memory serves me well, Katherine once told me that she and Mary had antic.i.p.ated the court's reluctance to sanction the arrangement. So they told the judge what they felt was just a little white lie. They said that Katherine was Mary's cousin and her closest living relative. In those days, if a close relative wanted to take the child in, the court almost automatically approved."
"And the judge just accepted their claim of a blood relations.h.i.+p without checking into it?" Tony asked.
"You have to remember that, in 1940, judges had a lot less interest in involving themselves in family matters than they seem to have now. It was a time when Americans viewed government's role as a relatively minor one. Generally, it was a saner time than ours."
To Tony, Hilary said, "You said there were a couple of things that bothered you. What's the other one?"
Tony wearily wiped his face with one hand. "The other's not something that can easily be put into words. It's just a hunch. But the story sounds ... too smooth."
"You mean fabricated?" Joshua asked.
"I don't know," Tony said. "I don't really know what I mean. But when you've been a policeman as long as I have, you develop a nose for these things."
"And something smells?" Hilary asked.
"I think so."
"What?" Joshua asked.
"Nothing particular. Like I said, the story just sounds too smooth, too pat." Tony drank the last of his wine and then said, "Could Bruno actually be Katherine's child?"
Joshua stared at him, dumbfounded. When he could speak, he said, "Are you serious?"
"Yes."