The Gatekeepers - Raven's Gate Part 18

Inside the nuclear reactor the whispering had stopped. The great stones of Raven's Gate had returned. They stood, almost touching the dome of the power station. Their worn, flinty surface a thousands of years old a the metal plates, the pipes and machinery that surrounded them. Sir Michael Marsh raised the knife. His fists, clutching the hilt, tightened.

"No!" Richard shouted.

The knife plunged down.

It had less than an arm's length to travel. It would slice easily into the boy's heart. The tip reached Matt's s.h.i.+rt and it p.r.i.c.ked his skin. But that was as far as it went. It stopped, as if caught by an invisible wire. Sir Michael uttered a strange, strangled moan, pulling down with all his might. He stared at Matt, knowing that the boy's power had finally awoken, and with that knowledge came the first whispers of fear and defeat.

"No..." he muttered in a broken voice. "You can't! Not now! You can't stop me now!"

Matt looked at the knife and knew that he was in total control.

Sir Michael screamed. The blade was glowing molten red. The hilt was burning the palm of his hand. His skin crackled and smoke rose, but he couldn't drop it. With a last effort he managed to bring his arms down and the knife tumbled uselessly to the floor. Whimpering, he spat on his wounded hands. At the same time the straps that had been holding Matt smouldered and snapped. Matt rolled off the altar and got to his feet.

He took a step forward and stood on the surface of the pit, daring the villagers to come close. n.o.body moved. Even the creature beneath, although it was a hundred times his own size, cowered and backed away. A streak of poisonous green rippled outwards in a brilliant stain. Matt turned to face the villagers. n.o.body tried to stop him. He broke through the circle and ran towards Richard. The metal railing behind the journalist snapped. Instantly he was free.

"Follow me!" Matt ordered in a voice that was barely his own.

Too stunned to do anything but obey, Richard followed him. By the time the villagers had absorbed what was happening, they had disappeared through the one door of the chamber that was still open.

Mrs Deverill recovered herself. With a howl of fury she launched herself after them. Mr Barker, the chemist, tried to follow her. But he had left it just too late. He had only taken three paces across the chamber when the ground in front of him broke apart, fragments of metal and concrete flying upwards. Orange flames roared and a dense cloud of white smoke poured out, smothering him. Screaming, he collapsed to the floor and lay still.

A siren wailed and lights set all around the dome began to flash. A radiation warning. The levels were already lethal and were rising with every second that pa.s.sed. "Stay in the circle!" Sir Michael bellowed. He was sobbing, still cradling his ruined hand. "The radiation has broken free. But we're protected in the circle!"

The orange flames climbed up, higher even than the stones, licking against the ceiling. Smoke belched out, forming a living carpet. A sprinkler system had come on automatically and thousands of litres of water were showering down, soaking and blinding the villagers. Still, it wasn't enough to put out the fire. Not this fire. The flames leapt through the water, hissing and crackling. The whole building began to shake.

Claire Deverill was the first to break. With a panic-stricken cry she threw up her arms and ran between two of the stones, making for the same door that her sister had taken. But the moment she was outside the magic circle she was no longer protected. The heat of the flames blasted into her and her clothes caught alight. The smoke grabbed at her legs, dragging her down. She screamed and tried to scream again. But there was no air in the room, only smoke and fire. Her face contorted and her eyes went white. She fell and lay there, convulsing on the floor.

"Stay in the circle," Sir Michael repeated. "The doors are locked. They can't escape."

Beneath the floor the gigantic creature punched and punched again at the invisible barrier. But it couldn't break through. It had ritual. It had fire. But the blood of the child had been denied it, and it didn't have the strength.

And that was when Sir Michael noticed the knife. The tip had penetrated Matt's s.h.i.+rt and skin. Matt's power had stopped it, but not before it had drawn blood. There was a single red drop at the very tip of the blade. Sir Michael's eyes widened. With a cry of pleasure he leapt forward and s.n.a.t.c.hed up the knife. The blood was still wet. It glistened beneath the arc lamps.

Sir Michael laughed and brought the knife cras.h.i.+ng down towards the gate.

The power was surging through Matt and nothing could stand in its way. Locked doors were torn from their hinges as if struck by a tornado. Steel plates bent and crumpled as he approached. Omega One was a labyrinth but he seemed to know exactly where he was going. Down a flight of metal stairs, along a corridor, through an archway and on towards a set of automatic doors that hissed open as he approached. It was as if he had worked here all his life.

Richard was close behind him. The journalist no longer knew where they were going but he could tell that their general direction was down. Already they had to be well below ground level. The warning sirens were still sounding all around them, and lights flashed red and white at every corner. Steam hissed out of pipes. Water cascaded down from the sprinkler system. The whole power station seemed to be trembling, on the verge of breaking up, and he was worried that they were going to trap themselves. There couldn't be an exit under the ground. But he knew that this was no time to argue. He kept his mouth shut, following Matt in grim silence.

They pa.s.sed through a room stacked from floor to ceiling with banks of machinery, then down another corridor. A door at the end flew open, beckoning them on.

It led to a metal gantry above a tank of water. But it was like no water that Richard had ever seen. Pausing to catch his breath, he leant over it. The water was blue a a fluorescent, unnatural blue a and it was crystal clear, without so much as a speck of dust on the surface. The tank was square and about three metres deep. At the bottom was a row of metal containers, each one stamped with a series of numbers. Half of them were empty. Half contained twisted bars of metal, packed tightly together.

Richard knew what he was looking at. This was where the radioactive waste from the reactor was stored to cool. It wasn't water in the pool, but acid. The boxes beneath the surface contained the deadliest substance in the world. With a s.h.i.+ver he stepped back. Matt was waiting for him, his face set with a strange determination. It was hard to tell if he was asleep or awake.

"OK. I'm coming," Richard said.

The blow took Richard completely unawares, cras.h.i.+ng into the back of his head. If he hadn't been moving forward, it might have broken his neck. He fell to his knees. A woman brushed past him and stepped on to the middle of the gantry, facing Matt. It was Mrs Deverill. Richard tried to get to his feet but he was barely conscious. All the strength had drained away from him. He could only kneel there, helpless, as Mrs Deverill walked towards Matt, an iron bar clasped in her hands.

"He didn't listen to me," she spat. Her face was distorted by fury, her eyes livid, her mouth an inhuman grimace. "We should have locked you up, starved you, kept you weak. But it's over now, isn't it? The power's gone. You don't know how to control it. Now I can kill you and take you back."

She raised the iron bar. Matt looked around him. He had nowhere to run. On one side there was a wall. On the other, a low railing to stop him falling into the tank of acid. The gantry was only two metres across. Mrs Deverill was standing between him and Richard. Even if he could have run away, it would mean leaving his friend at her mercy and he couldn't do that. He had no choice. He would have to fight.

She swung the bar through the air. As quick as a panther, Matt leapt aside, then lurched back as Mrs Deverill thrust the pointed end at his stomach. She was moving incredibly quickly for a woman of her age but her fury had lent her strength. Matt fell against the railings as she threw herself at him. There was nothing he could do. She was taller than him. She was armed. And she was quite mad. Grunting with anger and exertion, she pressed the bar against his chest, pinning him against the side with such force that Matt thought she would crack his ribs.

He wished he could use his powers against her, but she had been right about that too. The power was no longer there. He had exhausted himself getting this far. There was a faulty switch inside him and now it had turned itself off. He was an ordinary boy again. And she was beating him.

Mrs Deverill lifted the bar so that it slid over his chest and under his throat. Now she was using it to crush his windpipe. Her pinched face, with its jagged cheekbones, was very close to his. Her eyes were burning with hatred and indignation. Matt felt the floor slipping away beneath his feet. He was being forced over backwards. The railing pressed into his spine and his neck bent back until he could see the pool behind him, upside down. With a gasp he brought his knee up, cras.h.i.+ng it into the woman's stomach. Mrs Deverill screeched and stepped back. Matt twisted to one side.

The bar slammed down again. Matt ducked. A rush of air swept past his cheek as the bar smashed into the railing. Sparks flew up. Then he jumped behind her, trying to take her by surprise. But she had been expecting the move. She lashed out with one foot, tripping him up. Then he was on his back, staring up as Mrs Deverill raised the bar with both hands. She was going to use it like a spear, cras.h.i.+ng it down into his chest.

"You're still mine!" she gasped. "I'll have your blood. I'll tear out your heart and take it back with me."

Her fingers tightened. She took a breath.

And then she pitched forward, crying out. The iron bar missed. Matt looked past her and saw that Richard had recovered enough to make one last effort. With all his strength he had pushed her from behind. Jayne Deverill had lost her balance. For a moment she tottered, then with a shriek she fell over the railing and toppled into the tank.

She sank like a stone, plunging into one of the crates. With bubbles erupting from her mouth, she tried to reach the surface. But it was already too late. The acid was eating into her. Richard peered down and saw that already much of her face had gone.

"Don't look, Matt," he warned.

Mrs Deverill was no longer recognizable. Her flesh was peeling away and her hair had come out. Richard closed his eyes. Witches had been burned in the Middle Ages, he knew, but it could never have been as ghastly as this.

Matt stumbled to his feet. "This way..." he said, quietly.

There was a door at the end of the gantry and another flight of steps going ever further down. The walls were suddenly different. Instead of the paint and smooth plaster of the upper corridors, these walls were cut out of solid rock and were covered with patches of damp moss. The iron steps were rusty, descending into darkness. Richard could hear the sound of rus.h.i.+ng water. The underground river!

The steps ended at a small, triangular platform. Just below them, the black river swept through miles of underground caverns, beneath the woods. The cave system was like an underground pipe, filled almost to the roof with freezing water. There were no banks or towpath to walk on. There was no other way out.

"Hold on to me," Richard said. Matt hooked his arms around the journalist. "Just hold on."

They jumped.

The reactor chamber of Omega One was breaking up. The flames had burst through almost everywhere. The heat was so intense that the heavy pipes and platforms were melting. The ground was buckling and breaking. A crack had appeared in one of the walls and the night air was feeding the flames, fanning the smoke.

Sir Michael Marsh stood alone beside the altar, the wind and smoke curling around him. The villagers, mad with fear, had attempted to flee. But outside the protection of the magic circle they had been incinerated instantly, swallowed up by the inferno. Now the observation box exploded, shards of gla.s.s and metal splinters cascading into the chamber, a rain of death.

The metal tower at the far end of the ring wavered as a new spasm seized the floor. With a sickening screech and an eruption of sparks it keeled over, tearing through a wall. Another window burst, a fireball shooting through it like a bullet from a gun.

Sir Michael leant against the sacrificial slab. Beneath him, underneath the smoke and fire, the black hand of the creature that he had summoned hammered one last time against the gate. The ancient stones had almost gone. They were crumbling away, dust pouring out of the gashes that had formed in them. Omega One was in the grip of an earthquake of its own making, the walls vibrating, the metal ladders and platforms shaking loose and cras.h.i.+ng down.

Then with one last cry, a cry such as the world had not heard for a million years, the creature, king of the Old Ones, broke loose. The gate shattered. A single drop of Matt's blood had been enough to weaken it. The hand stretched out.

"We've done it!" Sir Michael cried, his eyes widening. "You're here! You're free!"

The huge hand unfolded. All the light in the chamber was blotted out as the giant fingers stretched.

The hand was all around the scientist. He let out a thin scream of delight, which in an instant turned to terror as he realized what was about to happen. The hand closed on him and crushed him. Sir Michael Marsh died horribly, in the grip of the creature he had served all his life.

And then the reactor, pushed beyond its limits, disintegrated. A blinding, searing, fantastic light burst out, as bright as the sun itself: the light of an atomic explosion.

A huge mushroom cloud sprouted out of the ground. Man's most dreadful creation ran wild. Spiralling upwards, it rushed towards the night sky, carrying with it enough deadly radiation to destroy half of England.

But the gate was open.

The vacuum had to be filled.

The atomic energy recoiled, drawn back into the gate that it had itself helped to open. The mushroom had risen far above the ground but now it was pulled down again, while at the same time the smoke and deadly gases were dragged back into the chasm that had been broken between the two worlds.

The creature itself was engulfed, flailing helplessly as it was sucked down like a spider into a gigantic plughole. It was trapped in a torrent of pure light that swirled round and round it, forming a whirlpool from which there could be no escape. A curtain of molten red flooded across, then dimmed and died away. Slowly the black and white squares of the reactor floor s.h.i.+mmered and began to reappear. The creature was gone. The gate had been resealed.

Two miles away, Richard and Matt, coughing and s.h.i.+vering, were spat out of an underground cavern and, reaching the bank, pulled themselves on to dry land. On the horizon, a ripple of pink spread across the night sky as the sun began its climb over the edge of the world.

At last, it was over.

THE MAN FROM PERU.

"The Times?"

"Nothing."

"The Daily Telegraph?"

"Nothing."

"The Daily Mail?"

"Nothing."

"The Independent?"

"Nothing."

"Le Monde?"

"I don't know. It's in French."

"There has to be something, somewhere."

Matt and Richard were sitting at the kitchen table in the journalist's York flat. Each had a pair of scissors and a mug of tea. More than a week had pa.s.sed since their escape from Omega One, and both of them had changed. Matt carried a scar on the side of his face, a souvenir of the National History Museum, but he was looking a little less pinched and tired. Staying with Richard, sleeping late, watching TV and generally doing very little had obviously been good for him. As for Richard, he was more optimistic, more organized. He still found it hard to believe that he had actually survived. And he was certain he was about to sell the greatest story ever written. It wouldn't just be a case of "hold the front page". His story would run on every page.

They were surrounded by newspapers and magazines that they had checked through, from first page to last. They had done this every day. And always it was the same.

"How many more do we have to read?" Matt asked.

"I can't believe this is happening," Richard said. "I mean, there must be a mention of it somewhere. You can't have a nuclear explosion in the middle of Yorks.h.i.+re without somebody noticing."

"You've got that clipping from the Yorks.h.i.+re Post."

"Oh sure!" Richard plucked a sc.r.a.p of newspaper off the fridge door, where it had been held in place with a magnet. "Two column inches about a bright light seen over the woods near Lesser Malling. A bright light a that's what they call it! And they stick it on page three next to the weather reports."

For the past seven days Richard had been monitoring the news in the press, on the radio and on the television. He was completely bewildered. It was as if nothing out of the ordinary had ever taken place. Structural engineers were still investigating the damage done to the Natural History Museum. Millions of pounds' worth of dinosaur fossils had been destroyed a but n.o.body had mentioned Professor Sanjay Dravid, who must surely have been found dead in the middle of it. Likewise, the death or disappearance of Sir Michael Marsh. Here was a man who had once been an influential government scientist, who had received a knighthood. Yet there were no obituaries, no comment, nothing. He might as well have never existed.

And what of Richard's story?

He had written it in the s.p.a.ce of twenty-four hours. To start with he had kept it simple, confining it to ten pages, outlining very broadly what had happened. Matt had insisted that his name be left out. He knew what he had done but he still wasn't quite sure how he had done it... And the truth was, he didn't want to know. He had finally managed to find the power to stop the knife and to break out. But he remembered very little of it. One moment he was lying on the slab. The next he was fighting Mrs Deverill over the acid bath. What had happened was like a hideous dream. It was as if he had been taken over.

As far as Matt was concerned, he never wanted to mention Jayne Deverill or Raven's Gate again. And he certainly didn't want to end up on the front page of the world's newspapers. Some sort of superhero. Some sort of freak.

In the end Richard had agreed to give him a false name. It was the easiest way. He hadn't mentioned the LEAF Project either. It would have made it too easy to identify Matt a and anyway, it was something else Matt didn't want to see in print.

The ten-page story had been sent to every newspaper in London. That had been three days ago. Since then, half of them had written back.

Dear Mr Cole, The editor wishes to thank you for your submission, received on 4 May. We regret, however, that we do not feel it is suitable for publication.

Yours sincerely...

All of them were more or less the same. Short and to the point. They didn't give any reason for turning him down. They simply didn't want to know.

Matt knew that Richard was frustrated and angry. He hadn't expected people to believe everything he had written. After all, a lot of it was beyond belief. But at the same time, somebody must have been asking what had happened at the museum and at the power station. There was a giant crater in the woods where Omega One had once stood. Lesser Malling was now empty. How could an entire village simply disappear overnight? There were a hundred questions hanging in the air a and Richard's article provided at least some of the answers. Why did n.o.body want to publish it?

There was also an unspoken worry between the two.

Matt knew that he was living on borrowed time. Mrs Deverill was dead and any minute now the authorities in London would take note of the fact that she had disappeared and wonder what had happened to him. The LEAF Project would reclaim him and he would be sent somewhere else. It was obvious that he couldn't stay with Richard much longer. Although there was enough room in the flat for the two of them, a fourteen-year-old boy couldn't move in with a twenty-five-year-old man he'd only known for a matter of weeks. Worse still, Richard was out of cash. He hadn't shown up for work for a week and as a result he'd lost his job on the Gazette. The editor hadn't even sent him a letter. His dismissal was simply announced on the front page: JOURNALIST FIRED. Richard couldn't help being gloomy. If he wasn't going to have an award-winning scoop, he would need to find work. He had mentioned that he might go back to London.

"You know what I think," Richard said suddenly.

"What?"

"I think somebody is doing all this on purpose. I think somebody's put a D-notice on the story."

"What's a D-notice?"

"It's a government thing. Censors.h.i.+p. When they don't want a story to get into the papers for reasons of national security."

"You think they know what happened?"

"Maybe. I don't know." Richard crumpled a newspaper into a ball. "All I know is that somebody should have said something and I can't believe that no one has."

The doorbell rang. Richard went over to the window and looked down.