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Hamish waited. From the other end of the phone came the noisy sounds of a busy bookshop. Then a man's voice said, "Yes?"
"This is P.C. Hamish Macbeth. And you are...?"
"Hugh Roy."
"Mr. Roy, I gather that you overheard Josh Gates out in the street saying, "I'll kill her.""
"Yes, I was just coming back from my break."
"But I wa.s.s told he said 'him'. "I'll kill him.""
"No, it was definitely 'her.' He was shouting."
Hamish phoned Strathbane police headquarters and asked if he could speak to one of the policemen who had been in St. Vincent Street that day. He was in luck. One of the policemen was in the canteen, and Hamish waited patiently while he was brought to the phone.
"Aye, I 'member it well," said the policeman. "It's in the report I filed."
"Did Josh Gates say, "I'll kill her," or 'I'll kill him'?"
"'I'll kill her.""
Hamish thanked him. He turned to Sheila. "Josh shouted, "I'll kill her." Why should Jimmy Anderson say otherwise?"
"Maybe Glasgow police made a mistake on the report."
"I doubt it. It iss beginning to look to me as if Blair were too anxious to wrap it all up. If anyone iss looking for me, tell them I've been called back to Lochdubh."
Hamish loped off at a fast trot, leaving Sheila to make her way more slowly back to the castle.
Once in the police station at Lochdubh, he sat down in front of his computer and stared at it. On a previous case, someone had broken into Blair's records at Strathbane by guessing his pa.s.sword. Blair would have changed the pa.s.sword since then. Hamish ran through every swear word he could think of, without success. How could he get the right pa.s.sword?
He phoned Drim Castle and asked to speak to Detective Jimmy Anderson. He was told the detective was in the interviewing room but he said he had new and important information.
Jimmy at last came to the phone. "This had better be good, Hamish."
"I'm getting a bottle of the best malt whisky in for you."
"I'll be there to drink it as soon as I can. So what do I have to do for it?"
"Give me Blair's pa.s.sword."
"Come on, man. How would I know it, anyway?"
"Because he's a blabbermouth when he's drunk. Come on, Jimmy."
"Why do you want it?"
"I'm on to something. Think of this. I haff solved the cases afore and let that fat slob take the credit. What if I wa.s.s to solve this one and let you have all the glory?"
There was a long silence. Then Jimmy whispered, "Okay. It's b.a.l.l.s."
"That wa.s.s the one oath I didnae try. Thanks, Jimmy."
"I'll be down later to see what you're on to."
Hamish sat down at the computer again. Once into Blair's reports, he flipped them rapidly down the screen until he came to the Glasgow policemen's report. He leaned back. It was quite clear. Josh had definitely said, "I'll kill her." He leaned forward and ran the report on. Then he stopped and stared at the screen. On his road north, Josh had stopped at a bed-and-breakfast called Costa Brava outside Perth. At breakfast he had been heard to shout, "He'll have me to reckon with!"
Hamish sat back again. So Josh had last been heard threatening a man.
He was disappointed. He was wasting time. What if Josh had been first heard threatening a woman? Penelope was murdered after he himself had died. Time to get back to the present murder.
Blair had not sent through all the reports yet. Hamish would just need to wait and hope that, unlike last time, Blair would not know that his reports had been broken into.
He went into his living room and crouched in front of the bookshelves. The bottom shelf contained a series of ordnance survey maps. He opened the one covering the Drim area and spread it out on the floor. Was there any other way up that mountain? Was there any way other than the path he had used himself?
He frowned. Angus Macdonald, the seer, was once a famous climber.
Angus claimed to be able to foretell the future. Hamish did not believe in his powers, judging that any successful predictions were the result of shrewdness and listening to gossip. But there was the very superst.i.tious Highland side of Hamish which made him uneasy around the old man.
Angus expected everyone who visited to bring him some sort of present. Hamish scowled. He already had to buy a bottle of good malt for Jimmy. He went into Patel's. There was a display of Dundee cake, "great reduction." Hamish bought one and set out for the seer's cottage.
"There's aye a cheap streak in you, Hamish Macbeth," said Angus sourly as he accepted the cake. Hamish realised the seer probably knew it had been on sale at a reduced price.
He followed Angus into his oldfas.h.i.+oned cottage, where a peat fire smouldered in the hearth.
Angus, looking more like one of the minor prophets than ever with his grey beard and thick, long grey hair, said, "I suppose ye've come to find out who murdered the la.s.sie."
"And I suppose you know?"
"Oh, aye, I ken fine." Angus half closed his eyes. "I see a wumman wi' short hair and big boots."
"A young woman?" asked Hamish, thinking of Sheila. "Blond hair?"
"No, she is about forty, dark hair, takes drugs."
Fiona, thought Hamish.
"How d'you know she takes drugs?"
"I see it here," said Angus, tapping his forehead and reminding Hamish of a Tenniel ill.u.s.tration of the eagle in Alice's Adventures in Wonderland Alice's Adventures in Wonderland.
Hamish was wise to the ways of the seer. When he had been sniffing for pot, one of the Drim gamekeepers had been hanging around the castle hall. Everyone told Angus everything.
"And why should she kill the la.s.sie?" asked Hamish, humouring him.
"Because she iss ambitious and thon Penelope was out to ruin her career."
"Come on, Angus," said Hamish. "Why are you so definite? I mean, it's not like you to name names. You usually hint...'I see a dark woman,' that kind of thing."
"Och, no, Hamish, you haff always doubted the power."
"Forget about your powers for the moment, Angus. What I really came about was to find if you knew of another path up that mountain, maybe from the back. You know we usually use that path which runs up between thon two cliffs."
Angus looked huffy. "I think you will need to be doing better than a piece of old Dundee cake if you want mair information."
"Now, look here, Angus," said Hamish sharply. "I could have you up for obstructing the police in their enquiries."
The seer sat in stubborn silence. Hamish sighed.
"Look, Angus, I've got some fine trout in the freezer, six of them. You can have them if you come off it and tell me about any path up that mountain."
Angus rose to his feet and ferreted in a box in the corner. He came back with some sheets of paper and then placed them on the table and took out a pen.
"Come here, Hamish," he said. He started to make a rough sketch. "There's a wee path here. Not many people know about it. It starts here on the lower slopes and twists and turns like a rabbit track, but it gives you even easier access than the other one."
Hamish watched the quickly moving pen. "If it's that easy, why don't more people use it?"
Angus said, "You know how it is. Climbers like a difficult climb, and the locals neffer go up there. Why should they? I mean, local people don't go mountain climbing. It's only the oddball like me and the tourists. And talking of the tourists, they get sillier every year. Down in Glencoe in the winter, you haff to keep ducking, for they are falling off the mountain like dead flies. No respect for the Scottish weather. Up they go, down comes the blizzard, out comes the mountain rescue and the taxpayer foots the bill. Then some silly b.u.g.g.e.r who's cost the nation a fortune sells his story of 'How I Survived' to the tabloids and keeps the money. If I had my way-"
"All right, all right," said Hamish, cutting short the lecture. "I'll take this map and I'll let you have thae trout by tonight."
He made his way to the door.
"Hamis.h.!.+" called Angus.
Hamish turned round. "Aye?"
"It iss no use you getting your hopes up about that pretty little blond la.s.sie. Ambition will get her chust the way it got the Fiona woman. Be careful there, Hamish."
"Oh, aye," said Hamish cynically. "I'll be leaving you to look at your crystal b.a.l.l.s."
As he strode off, he wondered if the police had found that other path.
Eileen Jessop sat at her dressing table in the manse in Drim and looked dismally at her reflection in the mirror. She felt she had not really looked at herself properly in years. Her eyes blinked back at her through her thick gla.s.ses. She studied her iron grey hair and her dumpy figure.
She had been a pretty girl when she had got married all those years ago...well, she had thought she was pretty. But somehow, right after they were married, Colin Jessop had begun to frown on anything he thought of as frivolous in the way of clothes and hairstyles. Makeup was definitely out, not at all the thing for a minister's wife.
At first she had stood up to him, but he had gradually become more bullying, more aggressive, until slowly her personality had become submerged under his. It was so much easier to give in, to bend to his will, than face another of those angry scenes she had come to dread.
When he had been preaching at a church in Edinburgh, life had been easier. She had friends in the parish, she could go to theatres and cinemas. But he had resented her having any sort of independent life. When he had accepted the position of minister in Drim, Eileen had felt her very last little bit of freedom had been taken from her.
She had felt isolated and shy. There was an odd sort of pecking order in a Highland village, and the minister's wife was expected to keep a kind of distance between herself and the ordinary village woman. Until the idea of the film, she had not known any of the women very well. Normally Colin Jessop might have objected, but he had recently been spending a great deal of time during the week in either Strathbane or Inverness on what he described as 'religious business.'
For the first time in years, Eileen was free of his demanding and bullying company for long periods and felt that something inside her spirit was beginning to grow, giving her a restless springlike feeling.
And yet, she thought, looking at herself, her appearance only reflected the old Eileen. It would be grand to go down to Alice and get her awful, awful dull grey hair dyed. But then he would notice and there would be a scene; he might even stop her film, and she could not bear that. She had a great deal of tape. Eileen wanted to ask someone on the television company for advice about cutting and editing. Colin had forbidden her to go near them, and so far she had obeyed him. But she could approach one of them when he was away.
There was a ring at the doorbell and she went to answer it. It was Ailsa Kennedy. She and Eileen had quickly formed an odd sort of friends.h.i.+p.
"Come in," said Eileen. "What brings you? I thought you would be watching all the detectives and police."
"It's half day at the shop," said Ailsa. "I was thinking of taking the car for a drive into Inverness. Jock doesn't need it today. Fancy coming along?"
Eileen brightened, and then her face fell. "Colin likes me to be here when he gets back, and I never know when that's going to be. And he always likes dinner to be ready for him. But I've actually cooked a stew for tonight. It would only need to be heated up."
"Then leave him a note to tell him to heat it," said Ailsa.
"Oh, I c-couldn't do that."
"Why not?" demanded Ailsa, tossing her red hair.
"He'd be so very angry."
"Husbands are always angry. That's their nature, and the nature of us women is not to pay a blind bit o' notice."
A little spark of rebellion ignited somewhere in Eileen's brain. Ailsa was always talking about 'us women,' making the lonely minister's wife feel she now belonged to a freemasonry of women who were not afraid of their husbands.
"I'll go," she said. "Wait till I leave a note."
Ailsa glanced in amus.e.m.e.nt at the minister's wife as she drove competently along the one-track roads, for Eileen was singing 'These Boots Are Made for Walking.'
Then Eileen broke off singing and asked suddenly, "What do you think of my hair?"
"Very nice," said Ailsa with true Highland politeness.
"I hate it, hate it," said Eileen pa.s.sionately. "I hate being dumpy, and I hate having grey hair."
"Then that is easily solved," said Ailsa. "We'll drop in at a hairdresser's in Inverness and you can get it done. You don't want to go to Alice. I don't know what dyes she uses, but she still turns out bottle blondes or dead, lifeless black. Your figure's probably not that bad. You just need new clothes. Does he keep you on a tight budget?"
"No, I've a bit of money of my own."
"There you are, then."
"He'll be so angry."
"Of course he will. They always are. It's their way," said Ailsa sententiously, as if explaining the strange ways of some native tribe up the Amazon. "Take it from me, you do what you want, they rave, and after a few days, they forget what you looked like afore. Now, seeing as how you're getting your hair done, we may as well have the top down."
Ailsa was driving an old Morris Minor with a soft top. She pulled to the side of the road and folded back the roof.
Then they sped off in the sunlight again.
Eileen was to remember that journey for the rest of her life, the wind tearing through her hair and sending hairpins flying back on the road. Ailsa had put noisy pop music in the tape deck, and they sailed over the bridge from the Black Isle into Inverness, all racing wind and vulgar music and Eileen feeling young for the first time in her life.
Ailsa parked in the multistory car park at the bus station. "Hairdresser first," said Ailsa, "and then we'll have a late lunch."
The hairdresser Ailsa led Eileen to was a new one, quite terrifying to one timid minister's wife. But the girls were Highland and so had that gentle friendliness and entered into the interesting business of choosing colour and a hairstyle for Eileen.
Two hours later, Eileen emerged blinking into the sunlight. Her hair was black and s.h.i.+ning and cut in a smooth style. She clung to Ailsa's arm and kept glancing at her new appearance in shop windows. Ailsa came to a sudden stop. "Thon's a grand dress for you."