The Golden Bough Part 6

Thus in some parts of Russia on St. George's Day (the twenty-third of April) a youth is dressed out, like our Jack-in-the-Green, with leaves and flowers. The Slovenes call him the Green George. Holding a lighted torch in one hand and a pie in the other, he goes out to the corn-fields, followed by girls singing appropriate songs. A circle of brushwood is next lighted, in the middle of which is set the pie. All who take part in the ceremony then sit down around the fire and divide the pie among them. In this custom the Green George dressed in leaves and flowers is plainly identical with the similarly disguised Green George who is a.s.sociated with a tree in the Carinthian, Transylvanian, and Roumanian customs observed on the same day. Again, we saw that in Russia at Whitsuntide a birch-tree is dressed in woman's clothes and set up in the house. Clearly equivalent to this is the custom observed on Whit-Monday by Russian girls in the district of Pinsk. They choose the prettiest of their number, envelop her in a ma.s.s of foliage taken from the birch-trees and maples, and carry her about through the village.

In Ruhla as soon as the trees begin to grow green in spring, the children a.s.semble on a Sunday and go out into the woods, where they choose one of their playmates to be the Little Leaf Man. They break branches from the trees and twine them about the child till only his shoes peep out from the leafy mantle. Holes are made in it for him to see through, and two of the children lead the Little Leaf Man that he may not stumble or fall. Singing and dancing they take him from house to house, asking for gifts of food such as eggs, cream, sausages, and cakes. Lastly, they sprinkle the Leaf Man with water and feast on the food they have collected. In the Fricktal, Switzerland, at Whitsuntide boys go out into a wood and swathe one of their number in leafy boughs. He is called the Whitsuntide-lout, and being mounted on horseback with a green branch in his hand he is led back into the village. At the village-well a halt is called and the leaf-clad lout is dismounted and ducked in the trough. Thereby he acquires the right of sprinkling water on everybody, and he exercises the right specially on girls and street urchins. The urchins march before him in bands begging him to give them a Whitsuntide wetting.

In England the best-known example of these leaf-clad mummers is the Jack-in-the-Green, a chimney-sweeper who walks encased in a pyramidal framework of wickerwork, which is covered with holly and ivy, and surmounted by a crown of flowers and ribbons. Thus arrayed he dances on May Day at the head of a troop of chimney-sweeps, who collect pence. In Fricktal a similar frame of basketwork is called the Whitsuntide Basket. As soon as the trees begin to bud, a spot is chosen in the wood, and here the village lads make the frame with all secrecy, lest others should forestall them. Leafy branches are twined round two hoops, one of which rests on the shoulders of the wearer, the other encircles his claves; holes are made for his eyes and mouth; and a large nosegay crowns the whole. In this guise he appears suddenly in the village at the hour of vespers, preceded by three boys blowing on horns made of willow bark. The great object of his supporters is to set up the Whitsuntide Basket on the village well, and to keep it and him there, despite the efforts of the lads from neighbouring villages, who seek to carry off the Whitsuntide Basket and set it up on their own well.

In the cla.s.s of cases of which the foregoing are specimens it is obvious that the leaf-clad person who is led about is equivalent to the May-tree, May-bough, or May-doll, which is carried from house to house by children begging. Both are representatives of the beneficent spirit of vegetation, whose visit to the house is recompensed by a present of money or food.

Often the leaf-clad person who represents the spirit of vegetation is known as the king or the queen; thus, for example, he or she is called the May King, Whitsuntide King, Queen of May, and so on. These t.i.tles, as Mannhardt observes, imply that the spirit incorporate in vegetation is a ruler, whose creative power extends far and wide.

In a village near Salzwedel a May-tree is set up at Whitsuntide and the boys race to it; he who reaches it first is king; a garland of flowers is put round his neck and in his hand he carries a May-bush, with which, as the procession moves along, he sweeps away the dew. At each house they sing a song, wis.h.i.+ng the inmates good luck, referring to the "black cow in the stall milking white milk, black hen on the nest laying white eggs," and begging a gift of eggs, bacon, and so on. At the village of Ellgoth in Silesia a ceremony called the King's Race is observed at Whitsuntide. A pole with a cloth tied to it is set up in a meadow, and the young men ride past it on horseback, each trying to s.n.a.t.c.h away the cloth as he gallops by. The one who succeeds in carrying it off and dipping it in the neighbouring Oder is proclaimed King. Here the pole is clearly a subst.i.tute for a May-tree. In some villages of Brunswick at Whitsuntide a May King is completely enveloped in a May-bush. In some parts of Thuringen also they have a May King at Whitsuntide, but he is dressed up rather differently. A frame of wood is made in which a man can stand; it is completely covered with birch boughs and is surmounted by a crown of birch and flowers, in which a bell is fastened. This frame is placed in the wood and the May King gets into it. The rest go out and look for him, and when they have found him they lead him back into the village to the magistrate, the clergyman, and others, who have to guess who is in the verdurous frame. If they guess wrong, the May King rings his bell by shaking his head, and a forfeit of beer or the like must be paid by the unsuccessful guesser. At Wahrstedt the boys at Whitsuntide choose by lot a king and a high-steward. The latter is completely concealed in a May-bush, wears a wooden crown wreathen with flowers, and carries a wooden sword. The king, on the other hand, is only distinguished by a nosegay in his cap, and a reed, with a red ribbon tied to it, in his hand. They beg for eggs from house to house, threatening that, where none are given, none will be laid by the hens throughout the year. In this custom the high-steward appears, for some reason, to have usurped the insignia of the king. At Hildesheim five or six young fellows go about on the afternoon of Whit-Monday cracking long whips in measured time and collecting eggs from the houses. The chief person of the band is the Leaf King, a lad swathed so completely in birchen twigs that nothing of him can be seen but his feet. A huge head-dress of birchen twigs adds to his apparent stature. In his hand he carries a long crook, with which he tries to catch stray dogs and children. In some parts of Bohemia on Whit-Monday the young fellows disguise themselves in tall caps of birch bark adorned with flowers. One of them is dressed as a king and dragged on a sledge to the village green, and if on the way they pa.s.s a pool the sledge is always overturned into it. Arrived at the green they gather round the king; the crier jumps on a stone or climbs up a tree and recites lampoons about each house and its inmates. Afterwards the disguises of bark are stripped off and they go about the village in holiday attire, carrying a May-tree and begging. Cakes, eggs, and corn are sometimes given them. At Grossvargula, near Langensalza, in the eighteenth century a Gra.s.s King used to be led about in procession at Whitsuntide. He was encased in a pyramid of poplar branches, the top of which was adorned with a royal crown of branches and flowers. He rode on horseback with the leafy pyramid over him, so that its lower end touched the ground, and an opening was left in it only for his face. Surrounded by a cavalcade of young fellows, he rode in procession to the town hall, the parsonage, and so on, where they all got a drink of beer. Then under the seven lindens of the neighbouring Sommerberg, the Gra.s.s King was stripped of his green casing; the crown was handed to the Mayor, and the branches were stuck in the flax fields in order to make the flax grow tall. In this last trait the fertilising influence ascribed to the representative of the tree-spirit comes out clearly. In the neighbourhood of Pilsen (Bohemia) a conical hut of green branches, without any door, is erected at Whitsuntide in the midst of the village. To this hut rides a troop of village lads with a king at their head. He wears a sword at his side and a sugar-loaf hat of rushes on his head. In his train are a judge, a crier, and a personage called the Frog-flayer or Hangman. This last is a sort of ragged merryandrew, wearing a rusty old sword and bestriding a sorry hack. On reaching the hut the crier dismounts and goes round it looking for a door. Finding none, he says, "Ah, this is perhaps an enchanted castle; the witches creep through the leaves and need no door." At last he draws his sword and hews his way into the hut, where there is a chair, on which he seats himself and proceeds to criticise in rhyme the girls, farmers, and farm-servants of the neighbourhood. When this is over, the Frog-flayer steps forward and, after exhibiting a cage with frogs in it, sets up a gallows on which he hangs the frogs in a row. In the neighbourhood of Plas the ceremony differs in some points. The king and his soldiers are completely clad in bark, adorned with flowers and ribbons; they all carry swords and ride horses, which are gay with green branches and flowers. While the village dames and girls are being criticised at the arbour, a frog is secretly pinched and poked by the crier till it quacks. Sentence of death is pa.s.sed on the frog by the king; the hangman beheads it and flings the bleeding body among the spectators. Lastly, the king is driven from the hut and pursued by the soldiers. The pinching and beheading of the frog are doubtless, as Mannhardt observes, a rain-charm. We have seen that some Indians of the Orinoco beat frogs for the express purpose of producing rain, and that killing a frog is a European rain-charm.

Often the spirit of vegetation in spring is represented by a queen instead of a king. In the neighbourhood of Libchowic (Bohemia), on the fourth Sunday in Lent, girls dressed in white and wearing the first spring flowers, as violets and daisies, in their hair, lead about the village a girl who is called the Queen and is crowned with flowers. During the procession, which is conducted with great solemnity, none of the girls may stand still, but must keep whirling round continually and singing. In every house the Queen announces the arrival of spring and wishes the inmates good luck and blessings, for which she receives presents. In German Hungary the girls choose the prettiest girl to be their Whitsuntide Queen, fasten a towering wreath on her brow, and carry her singing through the streets. At every house they stop, sing old ballads, and receive presents. In the south-east of Ireland on May Day the prettiest girl used to be chosen Queen of the district for twelve months. She was crowned with wild flowers; feasting, dancing, and rustic sports followed, and were closed by a grand procession in the evening. During her year of office she presided over rural gatherings of young people at dances and merry-makings. If she married before next May Day, her authority was at an end, but her successor was not elected till that day came round. The May Queen is common In France and familiar in England.

Again the spirit of vegetation is sometimes represented by a king and queen, a lord and lady, or a bridegroom and bride. Here again the parallelism holds between the anthropomorphic and the vegetable representation of the tree-spirit, for we have seen above that trees are sometimes married to each other. At Halford in South Warwicks.h.i.+re the children go from house to house on May Day, walking two and two in procession and headed by a King and Queen. Two boys carry a May-pole some six or seven feet high, which is covered with flowers and greenery. Fastened to it near the top are two cross-bars at right angles to each other. These are also decked with flowers, and from the ends of the bars hang hoops similarly adorned. At the houses the children sing May songs and receive money, which is used to provide tea for them at the schoolhouse in the afternoon. In a Bohemian village near Koniggratz on Whit-Monday the children play the king's game, at which a king and queen march about under a canopy, the queen wearing a garland, and the youngest girl carrying two wreaths on a plate behind them. They are attended by boys and girls called groomsmen and bridesmaids, and they go from house to house collecting gifts. A regular feature in the popular celebration of Whitsuntide in Silesia used to be, and to some extent still is, the contest for the kings.h.i.+p. This contest took various forms, but the mark or goal was generally the May-tree or May-pole. Sometimes the youth who succeeded in climbing the smooth pole and bringing down the prize was proclaimed the Whitsuntide King and his sweetheart the Whitsuntide Bride. Afterwards the king, carrying the May-bush, repaired with the rest of the company to the alehouse, where a dance and a feast ended the merry-making. Often the young farmers and labourers raced on horseback to the May-pole, which was adorned with flowers, ribbons, and a crown. He who first reached the pole was the Whitsuntide King, and the rest had to obey his orders for that day. The worst rider became the clown. At the May-tree all dismounted and hoisted the king on their shoulders. He nimbly swarmed up the pole and brought down the May-bush and the crown, which had been fastened to the top. Meanwhile the clown hurried to the alehouse and proceeded to bolt thirty rolls of bread and to swig four quart bottles of brandy with the utmost possible despatch. He was followed by the king, who bore the May-bush and crown at the head of the company. If on their arrival the clown had already disposed of the rolls and the brandy, and greeted the king with a speech and a gla.s.s of beer, his score was paid by the king; otherwise he had to settle it himself. After church time the stately procession wound through the village. At the head of it rode the king, decked with flowers and carrying the May-bush. Next came the clown with his clothes turned inside out, a great flaxen beard on his chain, and the Whitsuntide crown on his head. Two riders disguised as guards followed. The procession drew up before every farmyard; the two guards dismounted, shut the clown into the house, and claimed a contribution from the housewife to buy soap with which to wash the clown's beard. Custom allowed them to carry off any victuals which were not under lock and key. Last of all they came to the house in which the king's sweetheart lived. She was greeted as Whitsuntide Queen and received suitable presents-to wit, a many-coloured sash, a cloth, and an ap.r.o.n. The king got as a prize, a vest, a neck-cloth, and so forth, and had the right of setting up the May-bush or Whitsuntide-tree before his master's yard, where it remained as an honourable token till the same day next year. Finally the procession took its way to the tavern, where the king and queen opened the dance. Sometimes the Whitsuntide King and Queen succeeded to office in a different way. A man of straw, as large as life and crowned with a red cap, was conveyed in a cart, between two men armed and disguised as guards, to a place where a mock court was waiting to try him. A great crowd followed the cart. After a formal trial the straw man was condemned to death and fastened to a stake on the execution ground. The young men with bandaged eyes tried to stab him with a spear. He who succeeded became king and his sweetheart queen. The straw man was known as the Goliath.

In a parish of Denmark it used to be the custom at Whitsuntide to dress up a little girl as the Whitsun-bride and a little boy as her groom. She was decked in all the finery of a grown-up bride, and wore a crown of the freshest flowers of spring on her head. Her groom was as gay as flowers, ribbons, and knots could make him. The other children adorned themselves as best they could with the yellow flowers of the trollius and caltha. Then they went in great state from farmhouse to farmhouse, two little girls walking at the head of the procession as bridesmaids, and six or eight outriders galloping ahead on hobby-horses to announce their coming. Contributions of eggs, b.u.t.ter, loaves, cream, coffee, sugar, and tallow-candles were received and conveyed away in baskets. When they had made the round of the farms, some of the farmers' wives helped to arrange the wedding feast, and the children danced merrily in clogs on the stamped clay floor till the sun rose and the birds began to sing. All this is now a thing of the past. Only the old folks still remember the little Whitsun-bride and her mimic pomp.

We have seen that in Sweden the ceremonies a.s.sociated elsewhere with May Day or Whitsuntide commonly take place at Midsummer. Accordingly we find that in some parts of the Swedish province of Blekinge they still choose a Midsummer's Bride, to whom the "church coronet" is occasionally lent. The girl selects for herself a Bridegroom, and a collection is made for the pair, who for the time being are looked on as man and wife. The other youths also choose each his bride. A similar ceremony seems to be still kept up in Norway.

In the neighbourhood of Briancon (Dauphine) on May Day the lads wrap up in green leaves a young fellow whose sweetheart has deserted him or married another. He lies down on the ground and feigns to be asleep. Then a girl who likes him, and would marry him, comes and wakes him, and raising him up offers him her arm and a flag. So they go to the alehouse, where the pair lead off the dancing. But they must marry within the year, or they are treated as old bachelor and old maid, and are debarred the company of the young folks. The lad is called the Bridegroom of the month of May. In the alehouse he puts off his garment of leaves, out of which, mixed with flowers, his partner in the dance makes a nosegay, and wears it at her breast next day, when he leads her again to the alehouse. Like this is a Russian custom observed in the district of Nerechta on the Thursday before Whitsunday. The girls go out into a birch-wood, wind a girdle or band round a stately birch, twist its lower branches into a wreath, and kiss each other in pairs through the wreath. The girls who kiss through the wreath call each other gossips. Then one of the girls steps forward, and mimicking a drunken man, flings herself on the ground, rolls on the gra.s.s, and feigns to fall fast asleep. Another girl wakens the pretended sleeper and kisses him; then the whole bevy trips singing through the wood to twine garlands, which they throw into the water. In the fate of the garlands floating on the stream they read their own. Here the part of the sleeper was probably at one time played by a lad. In these French and Russian customs we have a forsaken bridegroom, in the following a forsaken bride. On Shrove Tuesday the Slovenes of Oberkrain drag a straw puppet with joyous cries up and down the village; then they throw it into the water or burn it, and from the height of the flames they judge of the abundance of the next harvest. The noisy crew is followed by a female masker, who drags a great board by a string and gives out that she is a forsaken bride.

Viewed in the light of what has gone before, the awakening of the forsaken sleeper in these ceremonies probably represents the revival of vegetation in spring. But it is not easy to a.s.sign their respective parts to the forsaken bridegroom and to the girl who wakes him from his slumber. Is the sleeper the leafless forest or the bare earth of winter? Is the girl who awakens him the fresh verdure or the genial suns.h.i.+ne of spring? It is hardly possible, on the evidence before us, to answer these questions.

In the Highlands of Scotland the revival of vegetation in spring used to be graphically represented on St. Bride's Day, the first of February. Thus in the Hebrides "the mistress and servants of each family take a sheaf of oats, and dress it up in women's apparel, put it in a large basket and lay a wooden club by it, and this they call Briid's bed; and then the mistress and servants cry three times, 'Briid is come, Briid is welcome.' This they do just before going to bed, and when they rise in the morning they look among the ashes, expecting to see the impression of Briid's club there; which if they do, they reckon it a true presage of a good crop and prosperous year, and the contrary they take as an ill omen." The same custom is described by another witness thus: "Upon the night before Candlemas it is usual to make a bed with corn and hay, over which some blankets are laid, in a part of the house, near the door. When it is ready, a person goes out and repeats three times, ... 'Bridget, Bridget, come in; thy bed is ready.' One or more candles are left burning near it all night." Similarly in the Isle of Man "on the eve of the first of February, a festival was formerly kept, called, in the Manks language, Laa'l Breeshey, in honour of the Irish lady who went over to the Isle of Man to receive the veil from St. Maughold. The custom was to gather a bundle of green rushes, and standing with them in the hand on the threshold of the door, to invite the holy Saint Bridget to come and lodge with them that night. In the Manks language, the invitation ran thus: 'Brede, Brede, tar gys my thie tar dyn thie ayms noght Fos.h.i.+l jee yn dorrys da Brede, as lhig da Brede e heet staigh.' In English: 'Bridget, Bridget, come to my house, come to my house to-night. Open the door for Bridget, and let Bridget come in.' After these words were repeated, the rushes were strewn on the floor by way of a carpet or bed for St. Bridget. A custom very similar to this was also observed in some of the Out-Isles of the ancient Kingdom of Man." In these Manx and Highland ceremonies it is obvious that St. Bride, or St. Bridget, is an old heathen G.o.ddess of fertility, disguised in a threadbare Christian cloak. Probably she is no other than Brigit, the Celtic G.o.ddess of fire and apparently of the crops.

Often the marriage of the spirit of vegetation in spring, though not directly represented, is implied by naming the human representative of the spirit, "the Bride," and dressing her in wedding attire. Thus in some villages of Altmark at Whitsuntide, while the boys go about carrying a May-tree or leading a boy enveloped in leaves and flowers, the girls lead about the May Bride, a girl dressed as a bride with a great nosegay in her hair. They go from house to house, the May Bride singing a song in which she asks for a present and tells the inmates of each house that if they give her something they will themselves have something the whole year through; but if they give her nothing they will themselves have nothing. In some parts of Westphalia two girls lead a flower-crowned girl called the Whitsuntide Bride from door to door, singing a song in which they ask for eggs.

XI. The Influence of the s.e.xes on Vegetation

FROM THE PRECEDING examination of the spring and summer festivals of Europe we may infer that our rude forefathers personified the powers of vegetation as male and female, and attempted, on the principle of h.o.m.oeopathic or imitative magic, to quicken the growth of trees and plants by representing the marriage of the sylvan deities in the persons of a King and Queen of May, a Whitsun Bridegroom and Bride, and so forth. Such representations were accordingly no mere symbolic or allegorical dramas, pastoral plays designed to amuse or instruct a rustic audience. They were charms intended to make the woods to grow green, the fresh gra.s.s to sprout, the corn to shoot, and the flowers to blow. And it was natural to suppose that the more closely the mock marriage of the leaf-clad or flower-decked mummers aped the real marriage of the woodland sprites, the more effective would be the charm. Accordingly we may a.s.sume with a high degree of probability that the profligacy which notoriously attended these ceremonies was at one time not an accidental excess but an essential part of the rites, and that in the opinion of those who performed them the marriage of trees and plants could not be fertile without the real union of the human s.e.xes. At the present day it might perhaps be vain to look in civilised Europe for customs of this sort observed for the explicit purpose of promoting the growth of vegetation. But ruder races in other parts of the world have consciously employed the intercourse of the s.e.xes as a means to ensure the fruitfulness of the earth; and some rites which are still, or were till lately, kept up in Europe can be reasonably explained only as stunted relics of a similar practice. The following facts will make this plain.

For four days before they committed the seed to the earth the Pipiles of Central America kept apart from their wives "in order that on the night before planting they might indulge their pa.s.sions to the fullest extent; certain persons are even said to have been appointed to perform the s.e.xual act at the very moment when the first seeds were deposited in the ground." The use of their wives at that time was indeed enjoined upon the people by the priests as a religious duty, in default of which it was not lawful to sow the seed. The only possible explanation of this custom seems to be that the Indians confused the process by which human beings reproduce their kind with the process by which plants discharge the same function, and fancied that by resorting to the former they were simultaneously forwarding the latter. In some parts of Java, at the season when the bloom will soon be on the rice, the husbandman and his wife visit their fields by night and there engage in s.e.xual intercourse for the purpose of promoting the growth of the crop. In the Leti, Sarmata, and some other groups of islands which lie between the western end of New Guinea and the northern part of Australia, the heathen population regard the sun as the male principle by whom the earth or female principle is fertilised. They call him Upu-lera or Mr. Sun, and represent him under the form of a lamp made of coco-nut leaves, which may be seen hanging everywhere in their houses and in the sacred fig-tree. Under the tree lies a large flat stone, which serves as a sacrificial table. On it the heads of slain foes were and are still placed in some of the islands. Once a year, at the beginning of the rainy season, Mr. Sun comes down into the holy fig-tree to fertilise the earth, and to facilitate his descent a ladder with seven rungs is considerately placed at his disposal. It is set up under the tree and is adorned with carved figures of the birds whose shrill clarion heralds the approach of the sun in the east. On this occasion pigs and dogs are sacrificed in profusion; men and women alike indulge in a saturnalia; and the mystic union of the sun and the earth is dramatically represented in public, amid song and dance, by the real union of the s.e.xes under the tree. The object of the festival, we are told, is to procure rain, plenty of food and drink, abundance of cattle and children and riches from Grandfather Sun. They pray that he may make every she-goat to cast two or three young, the people to multiply, the dead pigs to be replaced by living pigs, the empty rice-baskets to be filled, and so on. And to induce him to grant their requests they offer him pork and rice and liquor, and invite him to fall to. In the Babar Islands a special flag is hoisted at this festival as a symbol of the creative energy of the sun; it is of white cotton, about nine feet high, and consists of the figure of a man in an appropriate att.i.tude. It would be unjust to treat these orgies as a mere outburst of unbridled pa.s.sion; no doubt they are deliberately and solemnly organised as essential to the fertility of the earth and the welfare of man.

The same means which are thus adopted to stimulate the growth of the crops are naturally employed to ensure the fruitfulness of trees. In some parts of Amboyna, when the state of the clove plantation indicates that the crop is likely to be scanty, the men go naked to the plantations by night, and there seek to fertilise the trees precisely as they would impregnate women, while at the same time they call out for "More cloves!" This is supposed to make the trees bear fruit more abundantly.

The Baganda of Central Africa believe so strongly in the intimate relation between the intercourse of the s.e.xes and the fertility of the ground that among them a barren wife is generally sent away, because she is supposed to prevent her husband's garden from bearing fruit. On the contrary, a couple who have given proof of extraordinary fertility by becoming the parents of twins are believed by the Baganda to be endowed with a corresponding power of increasing the fruitfulness of the plantain-trees, which furnish them with their staple food. Some little time after the birth of the twins a ceremony is performed, the object of which clearly is to transmit the reproductive virtue of the parents to the plantains. The mother lies down on her back in the thick gra.s.s near the house and places a flower of the plantain between her legs; then her husband comes and knocks the flower away with his genital member. Further, the parents go through the country performing dances in the gardens of favoured friends, apparently for the purpose of causing the plantain-trees to bear fruit more abundantly.

In various parts of Europe customs have prevailed both at spring and harvest which are clearly based on the same crude notion that the relation of the human s.e.xes to each other can be so used as to quicken the growth of plants. For example, in the Ukraine on St. George's Day (the twenty-third of April) the priest in his robes, attended by his acolytes, goes out to the fields of the village, where the crops are beginning to show green above the ground, and blesses them. After that the young married people lie down in couples on the sown fields and roll several times over on them, in the belief that this will promote the growth of the crops. In some parts of Russia the priest himself is rolled by women over the sprouting crop, and that without regard to the mud and holes which he may encounter in his beneficent progress. If the shepherd resists or remonstrates, his flock murmurs, "Little Father, you do not really wish us well, you do not wish us to have corn, although you do wish to live on our corn." In some parts of Germany at harvest the men and women, who have reaped the corn, roll together on the field. This again is probably a mitigation of an older and ruder custom designed to impart fertility to the fields by methods like those resorted to by the Pipiles of Central America long ago and by the cultivators of rice in Java at the present time.

To the student who cares to track the devious course of the human mind in its gropings after truth, it is of some interest to observe that the same theoretical belief in the sympathetic influence of the s.e.xes on vegetation, which has led some peoples to indulge their pa.s.sions as a means of fertilising the earth, has led others to seek the same end by directly opposite means. From the moment that they sowed the maize till the time that they reaped it, the Indians of Nicaragua lived chastely, keeping apart from their wives and sleeping in a separate place. They ate no salt, and drank neither cocoa nor chicha, the fermented liquor made from maize; in short the season was for them, as the Spanish historian observes, a time of abstinence. To this day some of the Indian tribes of Central America practise continence for the purpose of thereby promoting the growth of the crops. Thus we are told that before sowing the maize the Kekchi Indians sleep apart from their wives, and eat no flesh for five days, while among the Lanquineros and Cajab.o.n.e.ros the period of abstinence from these carnal pleasures extends to thirteen days. So amongst some of the Germans of Transylvania it is a rule that no man may sleep with his wife during the whole of the time that he is engaged in sowing his fields. The same rule is observed at Kalotaszeg in Hungary; the people think that if the custom were not observed the corn would be mildewed. Similarly a Central Australian headman of the Kaitish tribe strictly abstains from marital relations with his wife all the time that he is performing magical ceremonies to make the gra.s.s grow; for he believes that a breach of this rule would prevent the gra.s.s seed from sprouting properly. In some of the Melanesian islands, when the yam vines are being trained, the men sleep near the gardens and never approach their wives; should they enter the garden after breaking this rule of continence the fruits of the garden would be spoilt.

If we ask why it is that similar beliefs should logically lead, among different peoples, to such opposite modes of conduct as strict chast.i.ty and more or less open debauchery, the reason, as it presents itself to the primitive mind, is perhaps not very far to seek. If rude man identifies himself, in a manner, with nature; if he fails to distinguish the impulses and processes in himself from the methods which nature adopts to ensure the reproduction of plants and animals, he may leap to one of two conclusions. Either he may infer that by yielding to his appet.i.tes he will thereby a.s.sist in the multiplication of plants and animals; or he may imagine that the vigour which he refuses to expend in reproducing his own kind, will form as it were a store of energy whereby other creatures, whether vegetable or animal, will somehow benefit in propagating their species. Thus from the same crude philosophy, the same primitive notions of nature and life, the savage may derive by different channels a rule either of profligacy or of asceticism.

To readers bred in religion which is saturated with the ascetic idealism of the East, the explanation which I have given of the rule of continence observed under certain circ.u.mstances by rude or savage peoples may seem far-fetched and improbable. They may think that moral purity, which is so intimately a.s.sociated in their minds with the observance of such a rule, furnishes a sufficient explanation of it; they may hold with Milton that chast.i.ty in itself is a n.o.ble virtue, and that the restraint which it imposes on one of the strongest impulses of our animal nature marks out those who can submit to it as men raised above the common herd, and therefore worthy to receive the seal of the divine approbation. However natural this mode of thought may seem to us, it is utterly foreign and indeed incomprehensible to the savage. If he resists on occasion the s.e.xual instinct, it is from no high idealism, no ethereal aspiration after moral purity, but for the sake of some ulterior yet perfectly definite and concrete object, to gain which he is prepared to sacrifice the immediate gratification of his senses. That this is or may be so, the examples I have cited are amply sufficient to prove. They show that where the instinct of self-preservation, which manifests itself chiefly in the search for food, conflicts or appears to conflict with the instinct which conduces to the propagation of the species, the former instinct, as the primary and more fundamental, is capable of overmastering the latter. In short, the savage is willing to restrain his s.e.xual propensity for the sake of food. Another object for the sake of which he consents to exercise the same self-restraint is victory in war. Not only the warrior in the field but his friends at home will often bridle their sensual appet.i.tes from a belief that by so doing they will the more easily overcome their enemies. The fallacy of such a belief, like the belief that the chast.i.ty of the sower conduces to the growth of the seed, is plain enough to us; yet perhaps the self-restraint which these and the like beliefs, vain and false as they are, have imposed on mankind, has not been without its utility in bracing and strengthening the breed. For strength of character in the race as in the individual consists mainly in the power of sacrificing the present to the future, of disregarding the immediate temptations of ephemeral pleasure for more distant and lasting sources of satisfaction. The more the power is exercised the higher and stronger becomes the character; till the height of heroism is reached in men who renounce the pleasures of life and even life itself for the sake of keeping or winning for others, perhaps in distant ages, the blessings of freedom and truth.

XII. The Sacred Marriage

1. Diana as a G.o.ddess of Fertility

WE have seen that according to a widespread belief, which is not without a foundation in fact, plants reproduce their kinds through the s.e.xual union of male and female elements, and that on the principle of h.o.m.oeopathic or imitative magic this reproduction is supposed to be stimulated by the real or mock marriage of men and women, who masquerade for the time being as spirits of vegetation. Such magical dramas have played a great part in the popular festivals of Europe, and based as they are on a very crude conception of natural law, it is clear that they must have been handed down from a remote antiquity. We shall hardly, therefore, err in a.s.suming that they date from a time when the forefathers of the civilised nations of Europe were still barbarians, herding their cattle and cultivating patches of corn in the clearings of the vast forests, which then covered the greater part of the continent, from the Mediterranean to the Arctic Ocean. But if these old spells and enchantments for the growth of leaves and blossoms, of gra.s.s and flowers and fruit, have lingered down to our own time in the shape of pastoral plays and popular merry-makings, is it not reasonable to suppose that they survived in less attenuated forms some two thousand years ago among the civilised peoples of antiquity? Or, to put it otherwise, is it not likely that in certain festivals of the ancients we may be able to detect the equivalents of our May Day, Whitsuntide, and Midsummer celebrations, with this difference, that in those days the ceremonies had not yet dwindled into mere shows and pageants, but were still religious or magical rites, in which the actors consciously supported the high parts of G.o.ds and G.o.ddesses? Now in the first chapter of this book we found reason to believe that the priest who bore the t.i.tle of King of the Wood at Nemi had for his mate the G.o.ddess of the grove, Diana herself. May not he and she, as King and Queen of the Wood, have been serious counterparts of the merry mummers who play the King and Queen of May, the Whitsuntide Bridegroom and Bride in modern Europe? and may not their union have been yearly celebrated in a theogamy or divine marriage? Such dramatic weddings of G.o.ds and G.o.ddesses, as we shall see presently, were carried out as solemn religious rites in many parts of the ancient world; hence there is no intrinsic improbability in the supposition that the sacred grove at Nemi may have been the scene of an annual ceremony of this sort. Direct evidence that it was so there is none, but a.n.a.logy pleads in favour of the view, as I shall now endeavour to show.

Diana was essentially a G.o.ddess of the woodlands, as Ceres was a G.o.ddess of the corn and Bacchus a G.o.d of the vine. Her sanctuaries were commonly in groves, indeed every grove was sacred to her, and she is often a.s.sociated with the forest G.o.d Silva.n.u.s in dedications. But whatever her origin may have been, Diana was not always a mere G.o.ddess of trees. Like her Greek sister Artemis, she appears to have developed into a personification of the teeming life of nature, both animal and vegetable. As mistress of the greenwood she would naturally be thought to own the beasts, whether wild or tame, that ranged through it, lurking for their prey in its gloomy depths, munching the fresh leaves and shoots among the boughs, or cropping the herbage in the open glades and dells. Thus she might come to be the patron G.o.ddess both of hunters and herdsmen, just as Silva.n.u.s was the G.o.d not only of woods, but of cattle. Similarly in Finland the wild beasts of the forest were regarded as the herds of the woodland G.o.d Tapio and of his stately and beautiful wife. No man might slay one of these animals without the gracious permission of their divine owners. Hence the hunter prayed to the sylvan deities, and vowed rich offerings to them if they would drive the game across his path. And cattle also seem to have enjoyed the protection of those spirits of the woods, both when they were in their stalls and while they strayed in the forest. Before the Gayos of Sumatra hunt deer, wild goats, or wild pigs with hounds in the woods, they deem it necessary to obtain the leave of the unseen Lord of the forest. This is done according to a prescribed form by a man who has special skill in woodcraft. He lays down a quid of betel before a stake which is cut in a particular way to represent the Lord of the Wood, and having done so he prays to the spirit to signify his consent or refusal. In his treatise on hunting, Arrian tells us that the Celts used to offer an annual sacrifice to Artemis on her birthday, purchasing the sacrificial victim with the fines which they had paid into her treasury for every fox, hare, and roe that they had killed in the course of the year. The custom clearly implied that the wild beasts belonged to the G.o.ddess, and that she must be compensated for their slaughter.

But Diana was not merely a patroness of wild beasts, a mistress of woods and hills, of lonely glades and sounding rivers; conceived as the moon, and especially, it would seem, as the yellow harvest moon, she filled the farmer's grange with goodly fruits, and heard the prayers of women in travail. In her sacred grove at Nemi, as we have seen, she was especially wors.h.i.+pped as a G.o.ddess of childbirth, who bestowed offspring on men and women. Thus Diana, like the Greek Artemis, with whom she was constantly identified, may be described as a G.o.ddess of nature in general and of fertility in particular. We need not wonder, therefore, that in her sanctuary on the Aventine she was represented by an image copied from the many-breasted idol of the Ephesian Artemis, with all its crowded emblems of exuberant fecundity. Hence too we can understand why an ancient Roman law, attributed to King Tullus Hostilius, prescribed that, when incest had been committed, an expiatory sacrifice should be offered by the pontiffs in the grove of Diana. For we know that the crime of incest is commonly supposed to cause a dearth; hence it would be meet that atonement for the offence should be made to the G.o.ddess of fertility.

Now on the principle that the G.o.ddess of fertility must herself be fertile, it behoved Diana to have a male partner. Her mate, if the testimony of Servius may be trusted, was that Virbius who had his representative, or perhaps rather his embodiment, in the King of the Wood at Nemi. The aim of their union would be to promote the fruitfulness of the earth, of animals, and of mankind; and it might naturally be thought that this object would be more surely attained if the sacred nuptials were celebrated every year, the parts of the divine bride and bridegroom being played either by their images or by living persons. No ancient writer mentions that this was done in the grove at Nemi; but our knowledge of the Arician ritual is so scanty that the want of information on this head can hardly count as a fatal objection to the theory. That theory, in the absence of direct evidence, must necessarily be based on the a.n.a.logy of similar customs practised elsewhere. Some modern examples of such customs, more or less degenerate, were described in the last chapter. Here we shall consider their ancient counterparts.

2. The Marriage of the G.o.ds

AT BABYLON the imposing sanctuary of Bel rose like a pyramid above the city in a series of eight towers or stories, planted one on the top of the other. On the highest tower, reached by an ascent which wound about all the rest, there stood a s.p.a.cious temple, and in the temple a great bed, magnificently draped and cus.h.i.+oned, with a golden table beside it. In the temple no image was to be seen, and no human being pa.s.sed the night there, save a single woman, whom, according to the Chaldean priests, the G.o.d chose from among all the women of Babylon. They said that the deity himself came into the temple at night and slept in the great bed; and the woman, as a consort of the G.o.d, might have no intercourse with mortal man.

At Thebes in Egypt a woman slept in the temple of Ammon as the consort of the G.o.d, and, like the human wife of Bel at Babylon, she was said to have no commerce with a man. In Egyptian texts she is often mentioned as "the divine consort," and usually she was no less a personage than the Queen of Egypt herself. For, according to the Egyptians, their monarchs were actually begotten by the G.o.d Ammon, who a.s.sumed for the time being the form of the reigning king, and in that disguise had intercourse with the queen. The divine procreation is carved and painted in great detail on the walls of two of the oldest temples in Egypt, those of Deir el Bahari and Luxor; and the inscriptions attached to the paintings leave no doubt as to the meaning of the scenes.

At Athens the G.o.d of the vine, Dionysus, was annually married to the Queen, and it appears that the consummation of the divine union, as well as the espousals, was enacted at the ceremony; but whether the part of the G.o.d was played by a man or an image we do not know. We learn from Aristotle that the ceremony took place in the old official residence of the King, known as the Cattle-stall, which stood near the Prytaneum or Town-hall on the north-eastern slope of the Acropolis. The object of the marriage can hardly have been any other than that of ensuring the fertility of the vines and other fruit-trees of which Dionysus was the G.o.d. Thus both in form and in meaning the ceremony would answer to the nuptials of the King and Queen of May.

In the great mysteries solemnised at Eleusis in the month of September the union of the sky-G.o.d Zeus with the corn-G.o.ddess Demeter appears to have been represented by the union of the hierophant with the priestess of Demeter, who acted the parts of G.o.d and G.o.ddess. But their intercourse was only dramatic or symbolical, for the hierophant had temporarily deprived himself of his virility by an application of hemlock. The torches having been extinguished, the pair descended into a murky place, while the throng of wors.h.i.+ppers awaited in anxious suspense the result of the mystic congress, on which they believed their own salvation to depend. After a time the hierophant reappeared, and in a blaze of light silently exhibited to the a.s.sembly a reaped ear of corn, the fruit of the divine marriage. Then in a loud voice he proclaimed, "Queen Brimo has brought forth a sacred boy Brimos," by which he meant, "The Mighty One has brought forth the Mighty." The corn-mother in fact had given birth to her child, the corn, and her travail-pangs were enacted in the sacred drama. This revelation of the reaped corn appears to have been the crowning act of the mysteries. Thus through the glamour shed round these rites by the poetry and philosophy of later ages there still looms, like a distant landscape through a sunlit haze, a simple rustic festival designed to cover the wide Eleusinian plain with a plenteous harvest by wedding the G.o.ddess of the corn to the sky-G.o.d, who fertilised the bare earth with genial showers. Every few years the people of Plataea, in Boeotia, held a festival called the Little Daedala, at which they felled an oak-tree in an ancient oak forest. Out of the tree they carved an image, and having dressed it as a bride, they set it on a bullock-cart with a bridesmaid beside it. The image seems then to have been drawn to the bank of the river Asopus and back to the town, attended by a piping and dancing crowd. Every sixty years the festival of the Great Daedala was celebrated by all the people of Boeotia; and at it all the images, fourteen in number, which had acc.u.mulated at the lesser festivals, were dragged on wains in procession to the river Asopus and then to the top of Mount Cithaeron, where they were burnt on a great pyre. The story told to explain the festivals suggests that they celebrated the marriage of Zeus to Hera, represented by the oaken image in bridal array. In Sweden every year a life-size image of Frey, the G.o.d of fertility, both animal and vegetable, was drawn about the country in a waggon attended by a beautiful girl who was called the G.o.d's wife. She acted also as his priestess in his great temple at Upsala. Wherever the waggon came with the image of the G.o.d and his blooming young bride, the people crowded to meet them and offered sacrifices for a fruitful year.

Thus the custom of marrying G.o.ds either to images or to human beings was widespread among the nations of antiquity. The ideas on which such a custom is based are too crude to allow us to doubt that the civilised Babylonians, Egyptians, and Greeks inherited it from their barbarous or savage forefathers. This presumption is strengthened when we find rites of a similar kind in vogue among the lower races. Thus, for example, we are told that once upon a time the Wotyaks of the Malmyz district in Russia were distressed by a series of bad harvests. They did not know what to do, but at last concluded that their powerful but mischievious G.o.d Keremet must be angry at being unmarried. So a deputation of elders visited the Wotyaks of Cura and came to an understanding with them on the subject. Then they returned home, laid in a large stock of brandy, and having made ready a gaily decked waggon and horses, they drove in procession with bells ringing, as they do when they are fetching home a bride, to the sacred grove at Cura. There they ate and drank merrily all night, and next morning they cut a square piece of turf in the grove and took it home with them. After that, though it fared well with the people of Malmyz, it fared ill with the people of Cura; for in Malmyz the bread was good, but in Cura it was bad. Hence the men of Cura who had consented to the marriage were blamed and roughly handled by their indignant fellow-villagers. "What they meant by this marriage ceremony," says the writer who reports it, "it is not easy to imagine. Perhaps, as Bechterew thinks, they meant to marry Keremet to the kindly and fruitful Mukylcin, the Earth-wife, in order that she might influence him for good." When wells are dug in Bengal, a wooden image of a G.o.d is made and married to the G.o.ddess of water.

Often the bride destined for the G.o.d is not a log or a cloud, but a living woman of flesh and blood. The Indians of a village in Peru have been known to marry a beautiful girl, about fourteen years of age, to a stone shaped like a human being, which they regarded as a G.o.d (huaca). All the villagers took part in the marriage ceremony, which lasted three days, and was attended with much revelry. The girl thereafter remained a virgin and sacrificed to the idol for the people. They showed her the utmost reverence and deemed her divine. Every year about the middle of March, when the season for fis.h.i.+ng with the dragnet began, the Algonquins and Hurons married their nets to two young girls, aged six or seven. At the wedding feast the net was placed between the two maidens, and was exhorted to take courage and catch many fish. The reason for choosing the brides so young was to make sure that they were virgins. The origin of the custom is said to have been this. One year, when the fis.h.i.+ng season came round, the Algonquins cast their nets as usual, but took nothing. Surprised at their want of success, they did not know what to make of it, till the soul or genius (oki) of the net appeared to them in the likeness of a tall well-built man, who said to them in a great pa.s.sion, "I have lost my wife and I cannot find one who has known no other man but me; that is why you do not succeed, and why you never will succeed till you give me satisfaction on this head." So the Algonquins held a council and resolved to appease the spirit of the net by marrying him to two such very young girls that he could have no ground of complaint on that score for the future. They did so, and the fis.h.i.+ng turned out all that could be wished. The thing got wind among their neighbours the Hurons, and they adopted the custom. A share of the catch was always given to the families of the two girls who acted as brides of the net for the year.

The Oraons of Bengal wors.h.i.+p the Earth as a G.o.ddess, and annually celebrate her marriage with the Sun-G.o.d Dharme at the time when the sal tree is in blossom. The ceremony is as follows. All bathe, then the men repair to the sacred grove (sarna), while the women a.s.semble at the house of the village priest. After sacrificing some fowls to the Sun-G.o.d and the demon of the grove, the men eat and drink. "The priest is then carried back to the village on the shoulders of a strong man. Near the village the women meet the men and wash their feet. With beating of drums and singing, dancing, and jumping, all proceed to the priest's house, which has been decorated with leaves and flowers. Then the usual form of marriage is performed between the priest and his wife, symbolising the supposed union between Sun and Earth. After the ceremony all eat and drink and make merry; they dance and sing obscene songs, and finally indulge in the vilest orgies. The object is to move the mother earth to become fruitful." Thus the Sacred Marriage of the Sun and Earth, personated by the priest and his wife, is celebrated as a charm to ensure the fertility of the ground; and for the same purpose, on the principle of h.o.m.oeopathic magic, the people indulge in licentious orgy.

It deserves to be remarked that the supernatural being to whom women are married is often a G.o.d or spirit of water. Thus Mukasa, the G.o.d of the Victoria Nyanza lake, who was propitiated by the Baganda every time they undertook a long voyage, had virgins provided for him to serve as his wives. Like the Vestals they were bound to chast.i.ty, but unlike the Vestals they seem to have been often unfaithful. The custom lasted until Mw.a.n.ga was converted to Christianity. The Akikuyu of British East Africa wors.h.i.+p the snake of a certain river, and at intervals of several years they marry the snake-G.o.d to women, but especially to young girls. For this purpose huts are built by order of the medicine-men, who there consummate the sacred marriage with the credulous female devotees. If the girls do not repair to the huts of their own accord in sufficient numbers, they are seized and dragged thither to the embraces of the deity. The offspring of these mystic unions appears to be fathered on G.o.d (ngai); certainly there are children among the Akikuyu who pa.s.s for children of G.o.d. It is said that once, when the inhabitants of Cayeli in Buru-an East Indian island-were threatened with destruction by a swarm of crocodiles, they ascribed the misfortune to a pa.s.sion which the prince of the crocodiles had conceived for a certain girl. Accordingly, they compelled the damsel's father to dress her in bridal array and deliver her over to the clutches of her crocodile lover.

A usage of the same sort is reported to have prevailed in the Maldive Islands before the conversion of the inhabitants to Islam. The famous Arab traveller Ibn Batutah has described the custom and the manner in which it came to an end. He was a.s.sured by several trustworthy natives, whose names he gives, that when the people of the islands were idolaters there appeared to them every month an evil spirit among the jinn, who came from across the sea in the likeness of a s.h.i.+p full of burning lamps. The wont of the inhabitants, as soon as they perceived him, was to take a young virgin, and, having adorned her, to lead her to a heathen temple that stood on the sh.o.r.e, with a window looking out to sea. There they left the damsel for the night, and when they came back in the morning they found her a maid no more, and dead. Every month they drew lots, and he upon whom the lot fell gave up his daughter to the jinnee of the sea. The last of the maidens thus offered to the demon was rescued by a pious Berber, who by reciting the Koran succeeded in driving the jinnee back into the sea.

Ibn Batutah's narrative of the demon lover and his mortal brides closely resembles a well-known type of folk-tale, of which versions have been found from j.a.pan and Annam in the East to Senegambia, Scandinavia, and Scotland in the West. The story varies in details from people to people, but as commonly told it runs thus. A certain country is infested by a many-headed serpent, dragon, or other monster, which would destroy the whole people if a human victim, generally a virgin, were not delivered up to him periodically. Many victims have perished, and at last it has fallen to the lot of the king's own daughter to be sacrificed. She is exposed to the monster, but the hero of the tale, generally a young man of humble birth, interposes in her behalf, slays the monster, and receives the hand of the princess as his reward. In many of the tales the monster, who is sometimes described as a serpent, inhabits the water of a sea, a lake, or a fountain. In other versions he is a serpent or dragon who takes possession of the springs of water, and only allows the water to flow or the people to make use of it on condition of receiving a human victim.

It would probably be a mistake to dismiss all these tales as pure inventions of the story-teller. Rather we may suppose that they reflect a real custom of sacrificing girls or women to be the wives of waterspirits, who are very often conceived as great serpents or dragons.

XIII. The Kings of Rome and Alba

1. Numa and Egeria

FROM THE FOREGOING survey of custom and legend we may infer that the sacred marriage of the powers both of vegetation and of water has been celebrated by many peoples for the sake of promoting the fertility of the earth, on which the life of animals and men ultimately depends, and that in such rites the part of the divine bridegroom or bride is often sustained by a man or woman. The evidence may, therefore, lend some countenance to the conjecture that in the sacred grove at Nemi, where the powers of vegetation and of water manifested themselves in the fair forms of shady woods, tumbling cascades, and gla.s.sy lake, a marriage like that of our King and Queen of May was annually celebrated between the mortal King of the Wood and the immortal Queen of the Wood, Diana. In this connexion an important figure in the grove was the water-nymph Egeria, who was wors.h.i.+pped by pregnant women because she, like Diana, could grant them an easy delivery. From this it seems fairly safe to conclude that, like many other springs, the water of Egeria was credited with a power of facilitating conception as well as delivery. The votive offerings found on the spot, which clearly refer to the begetting of children, may possibly have been dedicated to Egeria rather than to Diana, or perhaps we should rather say that the water-nymph Egeria is only another form of the great nature-G.o.ddess Diana herself, the mistress of sounding rivers as well as of umbrageous woods, who had her home by the lake and her mirror in its calm waters, and whose Greek counterpart Artemis loved to haunt meres and springs. The identification of Egeria with Diana is confirmed by a statement of Plutarch that Egeria was one of the oak-nymphs whom the Romans believed to preside over every green oak-grove; for, while Diana was a G.o.ddess of the woodlands in general, she appears to have been intimately a.s.sociated with oaks in particular, especially at her sacred grove of Nemi. Perhaps, then, Egeria was the fairy of a spring that flowed from the roots of a sacred oak. Such a spring is said to have gushed from the foot of the great oak at Dodona, and from its murmurous flow the priestess drew oracles. Among the Greeks a draught of water from certain sacred springs or wells was supposed to confer prophetic powers. This would explain the more than mortal wisdom with which, according to tradition, Egeria inspired her royal husband or lover Numa. When we remember how very often in early society the king is held responsible for the fall of rain and the fruitfulness of the earth, it seems hardly rash to conjecture that in the legend of the nuptials of Numa and Egeria we have a reminiscence of a sacred marriage which the old Roman kings regularly contracted with a G.o.ddess of vegetation and water for the purpose of enabling him to discharge his divine or magical functions. In such a rite the part of the G.o.ddess might be played either by an image or a woman, and if by a woman, probably by the Queen. If there is any truth in this conjecture, we may suppose that the King and Queen of Rome masqueraded as G.o.d and G.o.ddess at their marriage, exactly as the King and Queen of Egypt appear to have done. The legend of Numa and Egeria points to a sacred grove rather than to a house as the scene of the nuptial union, which, like the marriage of the King and Queen of May, or of the vine-G.o.d and the Queen of Athens, may have been annually celebrated as a charm to ensure the fertility not only of the earth but of man and beast. Now, according to some accounts, the scene of the marriage was no other than the sacred grove of Nemi, and on quite independent grounds we have been led to suppose that in that same grove the King of the Wood was wedded to Diana. The convergence of the two distinct lines of enquiry suggests that the legendary union of the Roman king with Egeria may have been a reflection or duplicate of the union of the King of the Wood with Egeria or her double Diana. This does not imply that the Roman kings ever served as Kings of the Wood in the Arician grove, but only that they may originally have been invested with a sacred character of the same general kind, and may have held office on similar terms. To be more explicit, it is possible that they reigned, not by right of birth, but in virtue of their supposed divinity as representatives or embodiments of a G.o.d, and that as such they mated with a G.o.ddess, and had to prove their fitness from time to time to discharge their divine functions by engaging in a severe bodily struggle, which may often have proved fatal to them, leaving the crown to their victorious adversary. Our knowledge of the Roman kings.h.i.+p is far too scanty to allow us to affirm any one of these propositions with confidence; but at least there are some scattered hints or indications of a similarity in all these respects between the priests of Nemi and the kings of Rome, or perhaps rather between their remote predecessors in the dark ages which preceded the dawn of legend.

2. The King as Jupiter

IN THE FIRST place, then, it would seem that the Roman king personated no less a deity than Jupiter himself. For down to imperial times victorious generals celebrating a triumph, and magistrates presiding at the games in the Circus, wore the costume of Jupiter, which was borrowed for the occasion from his great temple on the Capitol; and it has been held with a high degree of probability both by ancients and moderns that in so doing they copied the traditionary attire and insignia of the Roman kings. They rode a chariot drawn by four laurel-crowned horses through the city, where every one else went on foot: they wore purple robes embroidered or spangled with gold: in the right hand they bore a branch of laurel, and in the left hand an ivory sceptre topped with an eagle: a wreath of laurel crowned their brows: their face was reddened with vermilion; and over their head a slave held a heavy crown of ma.s.sy gold fas.h.i.+oned in the likeness of oak leaves. In this attire the a.s.similation of the man to the G.o.d comes out above all in the eagle-topped sceptre, the oaken crown, and the reddened face. For the eagle was the bird of Jove, the oak was his sacred tree, and the face of his image standing in his four-horse chariot on the Capitol was in like manner regularly dyed red on festivals; indeed, so important was it deemed to keep the divine features properly rouged that one of the first duties of the censors was to contract for having this done. As the triumphal procession always ended in the temple of Jupiter on the Capitol, it was peculiarly appropriate that the head of the victor should be graced by a crown of