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The day after the funeral between seventeen and eighteen hundred people visited the grave. And, as in the case of Walt Whitman's grave, each one wanted a leaf or flower as a memento, so that it was necessary in both cases to have the place of sepulture guarded by special watchmen, in order that anything green be left.
The funeral of the poet was conducted as he himself wished. For in his will he wrote, "It is my wish that my funeral may be conducted in the plain and quiet way of the Society of Friends, with which I am connected not only by birthright, but also by a settled conviction of the truth of its principles and the importance of its testimonies." Mr. Whittier, by the way, in his will requests all who have letters of his to refrain from publis.h.i.+ng them unless with the consent of his literary executor, Mr. S. T. Pickard.
So beautifully ended a most beautiful life--beautiful because just and heroic in the defense of justice. As says of him James Herbert Morse:--
"Such was the man--no more than simple man, Plain Quaker, with the Norman-Saxon glow; But seeing beauty so, and justice so, We love to think him the American."
And as Lowell says:--
"Peaceful by birthright as a virgin lake, The lily's anchorage, which no eyes behold Save those of stars, yet for thy brother's sake That lay in bonds thou blew'st a blast as bold As that wherewith the heart of Roland brake, Far heard through Pyrenean valleys cold!"
The lines strong and resonant, of Stedman's "Ad Vatem," addressed to Whittier while living, might well have been uttered over his bier:--
"Whittier, the land that loves thee, she whose child Thou art, and whose uplifted hands thou long Hast staid with song availing like a prayer-- She feels a sudden pang who gave thee birth, And gave to thee the lineaments supreme Of her own freedom, that she could not make Thy tissues all immortal, or, if to change, To bloom through years coeval with her own; So that no touch of age nor frost of time Should wither thee, nor furrow thy dear face, Nor fleck thy hair with silver. Ay, she feels A double pang that thee, with each new year Glad youth may not revisit, like the spring That routs her northern winter and anew Melts off the h.o.a.r snow from her puissant hills."
Many pleasant anecdotes of the Quaker poet appeared shortly after his death. Col. T. W. Higginson, writing of the Amesbury home, said of Whittier's mother:--
"On one point only this blameless soul seemed to have a shadow of solicitude, this being the new wonder of Spiritualism just dawning on the world. I never went to the house that there did not come from the gentle lady very soon a placid inquiry from behind her knitting needles, 'Has thee any further information to give in regard to the spiritual communications, as they call them?' But if I attempted to treat seriously a matter which then, as now, puzzled most inquirers by its perplexing details, there would come some keen thrust from Elizabeth Whittier which would throw all serious solution further off than ever.
"She was indeed a brilliant person, unsurpa.s.sed in my memory for the light cavalry charges of wit; as unlike her mother and brother as if she had been born into a different race. Instead of his regular features, she had a wild, bird-like look, with prominent nose and large liquid dark eyes, whose expression vibrated every instant between melting softness and impetuous wit. There was nothing about her that was not sweet and kindly, but you were constantly taxed to keep up with her sallies and hold your own; while her graver brother listened with delighted admiration and rubbed his hands over bits of merry sarcasm which were utterly alien to his own vein. His manifold visitors were touched off in living colors; two plump and rosy Western girls among them, who had lately descended upon the household beaming with eagerness to see the poet.
"They had announced themselves as the Cary sisters, who had lately sent him their joint poems--verses, it will be remembered, crowded with deaths and melodious dirges that seemed ludicrously inconsistent with the blooming faces at the door. Mrs. Whittier met them rather guardedly and explained that her son was out. 'But we will come in and wait for him,' they smilingly replied. 'But he is in Boston, and may not be home for a week,' said the prudent mother.
'No matter,' they said, in the true spirit of Western hospitality; 'we can stay till he returns.' There was no resource but to admit them; and happily the poet came back next day, and there ensued a life-long friends.h.i.+p, in which the mother fully shared."
And another reminiscence appeared in the press, touching the poet's residence in Boston.
When Mrs. Celia Thaxter was boarding at the little English-like inn on the sunny slope of Beacon Hill called Hotel Winthrop, Mr. Whittier went there one day to see her. Mrs. Thaxter liked the quiet place, with its ivied window and its glimpse of the strong, short, green-draped tower of St. John the Evangelist's, and she praised it to her old friend. That was some time in 1881, and in November of that year he joined his Oak Knoll cousins, Mrs. Woodman and her daughter and the Misses Johnson, at the Winthrop. The ladies of the family came in September, but Mr.
Whittier did not join them until November. He said that he did not want to lose his vote in Amesbury.
It was a winter full of pleasure to the poet. He was then not too feeble to go out evenings, and he spent many pleasant hours with friends like the Claflins and others. But the hours in the parlor of the hotel make the place historic, and give it a special interest and meaning for his future biographer. Mr. Whittier had room fourteen (the number of a sonnet's lines, twice seven, with luck for a poet), and the fire-escape made a little balcony for him on a corner toward St. John's. The landlord had a door cut through the thick old wall to the rooms adjoining, and these were the rooms of Mrs. Woodman and the rest. It is old Boston decidedly in that quarter. The brick of the houses is mellow old red, and there is nothing newfangled anywhere about. Mr. Whittier said he preferred coming here rather than to one of the big hotels, because there he was "overwhelmed with the service," and here it seemed "more like Amesbury," where people "are neighborly and drop in without knocking." He had "always been used to waiting upon himself," and he "liked being in a place where they would let him."
It was his custom, mornings, to come down into the little reception-room on the street floor, and "sitting right in that chair where you're sitting," as the writer was told, he "used to read his letters and throw all the papers in a pile on the floor and go off and leave them." That little room was a great place of congregation for "the family," as the boarders who were there with Mr. Whittier liked to call themselves.
The poet would sit on the sofa with a favored one on each side of him and the rest in a group about, "often on footstools or on the floor, as like as not," while he "told stories of war times." Gen. Stevens was there during one of the poet's long stays; he had been a cla.s.smate of Gen. Lee and of Jefferson Davis at West Point, and he and the abolition poet discussed these men and their times from the broader view of later days.
"Once a friend, a lady who had some property in Virginia, wrote Mr.
Whittier of having named a street in a new town for him, and of having set aside a portion of ground in his name. He replied with thanks, saying that he had that week received news of no less than three towns or streets being named for him with a gift of town lots, adding, 'If this sort of thing goes on much longer, I shall be land poor.'
"During the winters he was at the Winthrop, Mr. Whittier's favorite way of getting about was in a herdic. They were 'not pretty,' but they 'knew the way to places.' Politicians used to go there to see him and try to get him to banquets. But his life-long avoidance of politics in the minor sense made him easily resist their wiles. 'I have seen Mr. ---- (a well-known name) come here and just about go down on his knees to get Mr. Whittier to speak or even to come to a banquet,' says the landlord (who is, by the way, an old-time character worthy of a novelist's pen), 'but Mr. Whittier would just sit here--right in that chair you're in--and kind of smile to himself as if to say, "Oh! your talk don't amount to anything." Well, once Mr. ---- came here and staid and staid a-talking and persuading, and gave Mr. Whittier an earache if ever a man had one. But he didn't make anything by it, although he finally had to take a bed and stay all night.'"
Mr. Charles Brainard visited Whittier soon after the publication of "Snow-Bound." Finding his house painted and improved, he remarked to him, "It is evident that poetry has ceased to be a drug in the market."
"The next morning Mr. Whittier's answer came. It was in the winter, and, as the poet went up to the fire to warm his boots preparatory to putting them on, he said, 'Thee will have to excuse me, for I must go down to the office of the Collector.' Then, with a humorous gleam in his eye, he added, 'Since "Snow-Bound" was published, I have risen to the dignity of an income tax.'"
To an Englishman who visited him not long before his death, Mr. Whittier expressed his surprise that his guest should know so much of his poetry by heart. "I wonder," he said, "thou shouldst burden thy memory with all that rhyme. It is not well to have too much of it: better get rid of it as soon as possible. Why, I can't remember any of it. I once went to hear a wonderful orator, and he wound up his speech with a poetical quotation, and I clapped with all my might. Some one touched me on the shoulder, and said. 'Do you know who wrote that?' I said, 'No, I don't; but it's good.' It seems I had written it myself. The fault is I have written far too much."
Here is a story ill.u.s.trating Whittier's kind-heartedness: A young lady, a neighbor, was asked to take tea at his house. "He had no servant at the moment, and, with the a.s.sistance of his guest, prepared the simple meal with his own hand. She contributed to the press for her support, and prepared a minute account of the affair, of which Mr. Whittier chanced to be advised, and sent off a remonstrance post haste. But when the young author pleaded the real need of the money which the little story was to bring her, and the harmlessness to its subject of its effective details, the former reason (for the latter would never have overcome his abhorrence of what he must have felt a vivisection) actually prevailed, and he permitted the publication with a benignant forbearance."
The Hon. Nathan Crosby, LL. D., writes in the Ess.e.x Inst.i.tute Collections for 1880.
"James F. Otis, nephew of the Hon. H. G. Otis, while reading law in my office, found in some newspaper a piece of poetry which he said he was told had been written by a shoemaker boy in Haverhill, and he wished to go and find him. Upon his return he told me he found the young man by the name of Whittier at work in his shoe shop, and, making himself known to him, they spent the day together in wandering over the hills on the sh.o.r.e of the Merrimack, and in conversation upon literary matters. The next year he became an editor. Mr. Whittier is not only a poet, but is himself a poem."
Mr. Whittier, when interviewed some time ago as to his favorite works, replied: "Oh! really, I have none. Much that I have written I wish was as deep in the Red Sea as Pharaoh's chariot wheels. Much of the bread cast on the waters I wish had never returned. It is not fair to revive writings composed in the shadow of conditions that make every acceptable work impossible. In my early life I was not favored with good opportunities. Limited chances for education and a lack of books always stood in my way. When I began to write I had seen nothing, and virtually knew nothing of the world. Of course, things written then could not be worth much. In my father's house there were not a dozen books, and they were of a severe type. The only one that approached poetry was a rhymed history of King David, written by a contemporary of George Fox, the Quaker. There was one poor novel in the family. It belonged to an aunt.
This I secured one day, but when I had read it about half through I was discovered and it was taken away from me."
This was about the time when Judge Pickering, of Salem, and a party of ladies called at the farm-house to see him. "He was then an awkward boy of seventeen--as he used to tell the story--and was just then under the barn, looking for eggs. Hearing his name called, he came up with his hat full and found himself suddenly in the presence of people more elegant in appearance than any he had ever met. In telling the story, he added navely, 'They came to see the Quaker poet--and they saw him!' This must have been about the year 1824."
Mr. T. W. Ball (in the Boston _Journal_, Dec. 18, 1891, weekly edition), the journalist, wrote of his sole interview in 1848 with Whittier, in a little editorial den at the junction of Spring Lane and Water Street with Devons.h.i.+re Street (the building recently torn down), where Henry Wilson was then editing the Free-Soil paper (owned by him as well). "I was busy," says Mr. Ball, "getting up some local items one morning, when a gentleman of staid appearance, with a beaming countenance, a broad-brimmed fur hat--the old-fas.h.i.+oned fur hat, so different from the silk tile--and a brownish coat of formal cut, entered the room, and, after the usual courtesies of salutation, fell into a close chat with the 'Natick cobbler,' by which popular t.i.tle the future Vice-President was then known. It was the summer season, and Wilson was resplendent in a brown linen coat and a flaming red-checked velvet waistcoat, which was much affected in those days. As the conversation between the two waxed interesting, I noticed that the visitor unb.u.t.toned his vest for comfort, and possessed himself of an exchange paper which he converted into a fan. The interview closed, and the visitor, b.u.t.toning up his vest and donning his hat, turned to depart, when for the first time he appeared to take notice of my presence. With a rapid glance at Wilson, he said, 'Henry, who is thy young friend?'
"'Oh, that's William, my local reporter,' was the reply. 'Here, William, this is Mr. Whittier, the Quaker poet, that you have heard about; shake hands with him.' I timidly extended my hand, and the great man not only grasped it with a cordial grasp, but, patting me on the head with his other hand, said, 'My young friend, thee has chosen a n.o.ble calling.'"
Mr. Whittier, in speaking of Longfellow's works a few years ago, said, "'Evangeline' is a favorite with me. I think it is one of the most beautiful of poems. Longfellow had an easy life and superior advantages of a.s.sociation and education, and so did Emerson. It was widely different with me, and I am very thankful for the kind esteem that people have given my writings. Before 'Evangeline' was written I had hunted up the history of the banishment of the Acadians, and had intended to write upon it myself, but I put it off, and Hawthorne got hold of the story and gave it to Longfellow. I am very glad he did, for he was just the one to write it. If I had attempted it I should have spoiled the artistic effect of the poem by my indignation at the treatment of the exiles by the Colonial Government, who had a very hard lot after coming to this country. Families were separated and scattered about, only a few of them being permitted to remain in any given locality. The children were bound out to the families in the localities in which they resided, and I wrote a poem upon finding in the records of Haverhill the indenture that bound an Acadian girl as a servant in one of the families in that neighborhood. Gathering the story of her death, I wrote 'Marguerite.'"
In addition to what has been stated in this volume and elsewhere by me on the Barbara Frietchie ballad, are to be finally appended a few words, suggested by the one who sent the raw material of the ballad to Whittier, namely, Mrs. E. D. E. N. Southworth, who, soon after the poet's death, at her pretty home in Georgetown, D. C., recalled the circ.u.mstances as they occurred back in 1863. It seems that the story was told her by a neighbor of hers who was also a relative of Barbara--Mr.
C. S. Ramsburg. Mrs. Southworth's son, who was present, remarked, "What a grand subject for a poem by Whittier, mother!"
She thereupon sat down, and with tears in her eyes, wrote the incident out and sent it to Amesbury. Mr. Whittier replied as follows:--
"AMESBURY, 9mo. 8, 1863.
"MY DEAR MRS. SOUTHWORTH:--I heartily thank thee for thy very kind letter and its inclosed "message." It ought to have fallen into better hands, but I have just written out a little ballad of "Barbara Frietchie," which will appear in the next _Atlantic_. If it is good for anything thee deserves all the credit of it.
"With best wishes for thy health and happiness, I am most truly thy friend,
"JOHN G. WHITTIER."
It is said that Mr. Whittier expressed regret for having made a bonfire of nearly all the letters he had received from his correspondents for over half a century. It is to be hoped that his literary executor will be liberal-minded in allowing the publication of the most interesting of Whittier's own letters, for he put a good bit of his sister Elizabeth's wit and vivacity into his letters; and scarcely a day pa.s.sed that one or more of these was not written, overflowing with kindly words and good humor, though these, it is true, could give no hint of that lambent gleam of the marvelous eyes, nor of that sudden compression of the upper lip with which he repressed a smile when he had flashed out a bit of humor.
Whittier was not only quick in repartee, but quick and lithe in all his movements, and quick in his mental processes. His friend, Judge G. W.
Cate, says he latterly read books very rapidly by inspection, turning the leaves and seizing the contents by intuition. The poet's imagination, continues Judge Cate, was wonderful. Years ago he may have read an accurate description of some remote place--Malta, Jerusalem, or some smaller town in the far East. He would then converse at any time as readily about such a place as if he had been there. It was this vivid remembrance of places, Whittier himself said, which made him not care so much to visit them in person. He was never a traveler, not having been farther from home than Philadelphia (half a century ago), and Was.h.i.+ngton somewhat later. He said that he should like to be in California or Florida for a winter, but the getting there appalled him, and so he sat contentedly in his Northern study, with its bright open fire, finding in its crumbling embers a compensatory dream of the _Morgenland_ with its palms, mirages and luxuriant blossomry. He followed with deep interest the toils and adventures of his friend Greely in the arctic regions, and rejoiced with all his neighbors when word came of his rescue. And at another time he said he "would rather shake hands with Stanley than with any other man in the world just then."
The sincerest mourners at Whittier's funeral were women. One of the peculiarities of his life was the devotion and loving care given to him by n.o.ble women--sisters, mother, nieces, cousins and such poet friends as Lucy Larcom, Mrs. Spofford, Rose Terry Cooke, Sarah Orne Jewett, Celia Thaxter, Elizabeth Stuart Phelps and Mrs. Annie Fields. He was always an ardent defender of woman suffrage, and such advocates of that n.o.ble cause as Adelaide A. Claflin publicly expressed their sorrow on the death of their coadjutor and friend.
He was not only liberal in politics, but also in religion, and while remaining from choice in the creedless church of his fathers, yet he had sympathies that allied him with the broad humanitarian movements of the times in religion. There was no shred of bigotry in his nature. Who ever heard of a persecuting Quaker? It is they who have always patiently suffered persecution. Whittier, indeed, belonged with the advance guard of the Friends, in spirit at least, and he said in a letter written shortly before his death, "For years I have been desirous of a movement for uniting all Christians, with no other creed or pledge than a simple recognition of Christ as our leader."
The Whittier Club of Haverhill, an organization the poet had thoroughly enjoyed, not only because it represented the feeling of his native town toward him, but also from the constant attentions paid him by it, held a memorial service in Haverhill, October 7. It was a rare day of tribute and thanksgiving, and all who partic.i.p.ated in it felt grateful for the honor allowed them. It was just a month from the day when the loved poet and former citizen pa.s.sed from earth. Mr. George E. Elliott, the owner of Whittier's birthplace, very generously allowed the club to hold its meeting in the old homestead, and he furthered in every way their well-conceived plan by which the several rooms presented an appearance as near as possible to that of the poet's boyhood. The part.i.tion in the old kitchen, that had been put up of late years, was taken down, disclosing the array of ancient cupboards and queer little window; there was the kettle hanging on the crane in the wide fireplace, along whose hearth one almost expected to see "the apples sputtering in a row," as of yore. There were the iron fire-dogs and the antiquated chairs, the wainscoting untouched by the hand of Time, save to grow mellower of tint, and there was "the sagging beam," the uneven floor and the quaint staircase, all just as Whittier, the boy, saw and touched and lived amongst, all those impressible years of his life.
It was a notable company gathered in that old homestead that beautiful October day--bidden there by the Whittier Club--not large in numbers, as the invitations were of necessity limited to the capacity of the old homestead. But they were mostly the poet's dear friends who came to do honor to his name. There was Lucy Larcom, William Lloyd Garrison, Jr., Mrs. Ednah D. Cheney and "Margaret Sidney" (Mrs. D. Lothrop); there was Charles Carleton Coffin and Mr. and Mrs. Frank Garrison and Miss Sparhawk, whose father, Dr. Thomas Sparhawk of Amesbury, was one of the poet's life-long friends. There was the dear Quaker presence of Mrs.
Purington, Mr. Whittier's cousin, and the members of his family at Oak Knoll, Mrs. Woodman, her daughter, Miss Phebe, and the Misses Johnson; there was Mr. S. T. Pickard of Portland, Maine, who married the poet's niece Lizzie, and who is Mr. Whittier's literary executor. And there were other relatives and friends and Haverhill citizens thronging the house, and listening outside the little many-paned windows to catch the echoes of the words being uttered within.
The day was all that one could desire who looked for sympathy in Nature toward this her favorite child who has so interpreted her woods and fields, her autumn skies and the trembling line of river and coast. The old kitchen was filled with chairs, and on them, and crowded in the doorways and peeping in the windows, were the interested and reverent listeners. Mr. Charles Howe, the president of the club, presided with great grace and dignity; with rare tact culling from the large amount of what waited to be read and said, just such choice extracts and bits of reminiscence as would best serve the purpose of the hour. Selections from "Snow-Bound" were read by a member of the club in that room where "Snow-Bound" was lived, if one may so express it. And to the listeners there came a vision of wintry fields and whirling storm; of the little knot of friends drawn close to the friendly comforting fire on the hearth; in the midst the thoughtful sensitive boy who was to awaken the love and veneration of future generations all over his country.
There were reminiscences of a visit to his birthplace paid by the poet some ten years since with Mr. S. T. Pickard, who told to the a.s.sembled company many amusing stories related by Mr. Whittier on that occasion.
There was the quaint staircase down which the poet, when a baby, wrapped in a blanket, was rolled by his sister only two years older, who probably thought it the greatest kindness in the world to thus project her infant brother into s.p.a.ce. There was the queer old cupboard where Mr. Whittier when a boy was dragged by his jacket collar by a tramp who had forcibly entered the house; and there he was compelled to stand while the unwelcome visitor searched high and low for any chance jug or bottle that would yield another supply to his already over-weighted condition. Seizing a jug from a dark corner, he ejected the cork without a glance at the contents, and took a long deep draught of whale oil used for filling lamps. The embryo poet took advantage of the confused spluttering that ensued, to make good his escape. Mr. Will Carleton recited with dramatic vigor "Barbara Frietchie," till the walls and rafters rang. Lucy Larcom read from the poet's writings, and Mr. William Lloyd Garrison, Jr. recited an original poem. A young English lady, who was visiting friends of Mr. Whittier's, read by request Tennyson's "Crossing the Bar," the Poet Laureate's death having just occurred.
There were reminiscences by Dr. Fiske of Newburyport, who told several characteristic stories connected with Joshua Coffin, the "Yankee Schoolmaster," and life-long friend of the poet; and Charles Carleton Coffin, the historian, gave the account of his capture of the big key of the last slave prison in Richmond, and of his giving it to Mr. Whittier who returned it to him a year or so ago. At the close of his remarks, Mr. Carleton hung the key on the nail above the fireplace where, in Whittier's boyhood, the big bull's-eye watch used to hang. Fitting place was it for the silent symbol of agony and shame to the slave brother; and all who witnessed it hanging there, felt the heart beat to a newer and a keener sense of the debt we owe to him whose songs (as one who gave a reminiscence that day told us) influenced Abraham Lincoln to project the Emanc.i.p.ation Proclamation upon the American people. The beautiful poem of Mr. Whittier's, "My Psalm," was rendered with deep feeling by Mrs. Julia Houston West for whom, several years ago, the verses had been set to music. And to bring to a fitting close these memorial exercises, the a.s.sembled company of relatives and friends rose and sang one stanza of of "Auld Lang Syne."