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The triple peaks of the Mene-Hom, one of the Montagnes Noires, is a prominent feature in the view. Islands are scattered over the gulf, and the island of Tristan, retreat of Fontenelle le Ligueur, is so close to Douarnenez, that it may be reached on foot at low water.
The hotel was crammed, gentlemen sleeping on the billiard-table, or littered down in the room of the table-d'hote: the place was crowded. All the world had flocked in to a.s.sist at the Pardon of Sainte Anne-la-Palue, which was to take place the following morning. No vehicle was to be had, and we were in despair of being able to go, when a good-natured voyageur kindly offered to drive us in his carriage-a proposal we thankfully accepted. In all our wanderings we had hitherto never been so fortunate as to see a Pardon, and we were very anxious to go.
The Pardon of Sainte Anne-la-Palue takes place the last Sunday in August, continuing three days, and is one of the most frequented in Finistere.
[Ill.u.s.tration: 59. Costume of a Finistere Bride.]
At Plonevez-Porzun we turned off the Crozon road, and about two miles further arrived at the chapel. The road all the way was lined with peasants walking to the Pardon. The young men of Douarnenez wear blue jackets, embroidered in colours, with rows of plated b.u.t.tons, the sleeves and waistcoat of a darker blue than the jacket, scarlet sashes, some with plaited bragou bras and s.h.i.+ning leather gaiters; but most of them wore trowsers, their hair long, and their hats with two or three rows of coloured variegated chenille. The women had square caps, and ap.r.o.ns with bibs. Those who were in mourning wore light yellow caps, called "bourladins," stained that colour with beeswax or saffron.
St. Anne is a newly-built church, standing on the slope of a down which separates it from the sea, in a perfectly insulated situation. It is only opened once a year for the Pardon. Round it were erected numerous stalls, with toys, epinglettes, and rosaries (chapelets), in heaps for sale; for rosaries must always be purchased at the Pardon, to preserve the wearer from thunder and hydrophobia. The great fabric for them is at Angers, where they are made in immense quant.i.ties. In the princ.i.p.al manufactory a steam-engine is used for turning the beads; in the others the common lathe. One maker told us she sent annually into Brittany alone rosaries to the value of 800_l_. There were tents and booths erected for the accommodation of the pilgrims who had arrived the preceding day. They eat, drink, and dance in the tents by day, and sleep on the tables at night.
At ten o'clock, at the ringing of a bell, a procession was formed, consisting of a long line of peasants, preceded by priests and banners, which made the round of the church; the penitents, en chemise to the waist, barefooted, carrying wax-tapers in their hands. The penance is sometimes executed by proxy: a rich sinner may, for a small sum, get his penance performed by another. One woman made the round of the church on her knees, telling her beads as she hobbled along. This was in performance of a vow made for some special deliverance.
We proceeded to the top of the hill, from which the beautiful Bay of Douarnenez presented a most lively appearance; fleets of small boats arriving from every direction, and a huge steamer from Brest, which was obliged to land its pa.s.sengers in small boats, on account of the shallowness of the water.
The appearance of the downs now became very animated, covered with gaily-dressed peasants arranged in groups, sitting or lying on the gra.s.s, in every kind of att.i.tude.
At four o'clock the grand procession took place. First came the priests of all the surrounding districts, with the banners and crosses of their parishes; then followed five girls (three and two) in white, carrying a banner, and eight more in similar attire, bearing a statue of the Virgin.
Next appeared the banner of Sainte Anne, carried by women in the gorgeous costume of the commune-gowns of cherry-coloured silk, trimmed half the way up with gold lace, a silver lace scarf, and ap.r.o.ns of gold tissue or rich silk brocade. Under their lace caps was a cap of gold or silver tissue.
Four more of these superbly-dressed bearers ("porteuses") carried the statue of Ste. Anne.
[Ill.u.s.tration: 60. Well of Ste. Anne-la-Palue.]
Girls carrying blue flags walked by their side. Troops of barefooted penitents and s.h.a.ggy-headed beggars closed the procession, which was followed by a countless train of the peasants. It slowly wound its way over the hill, and again descended to the church, where it mingled among the crowds of a.s.sembled spectators, which filled the churchyard and were seated on the steps of the calvary.
Not far from the church is the holy well of Ste. Anne, where devotees were engaged pouring the holy water over their hands and backs, dipping their children, and testing its miraculous efficacy by various other ablutions.
We proceeded next morning to Quimper, having had no opportunity of seeing Douarnenez itself. In the season it is a favourite watering-place, the bathing being about two miles from the town. It is a great place for the sardine fishery. From Quimper we went by rail to Rosporden, whence an omnibus runs to Concarneau. The church of Rosporden is situated on a little promontory, jutting out into a large etang fed by the river Aven, which runs through it and flows on to Pontaven.
We took a carriage at Rosporden for Le Faouet, pa.s.sing by Scaer on the Isole, a stream which rises at the foot of the Montagnes Noires, takes a curve round the town of Scaer, and joins the Laita. It is full of trout and salmon.
Scaer is a town remarkable for having preserved many old customs and superst.i.tions; among others, the bees are considered to be ent.i.tled to share in the joys and sorrows of the family. Their hives are surrounded with a red stuff on the occasion of a marriage; with a black on that of a death. This custom is still preserved in Wales. In all parts of Brittany bees are treated with special affection. As the redbreast is sacred, because she broke a thorn from the crown of our Lord that pierced His brow, so are the bees revered because, as we learn from the code of Hoel the Good, though they were sent from heaven to earth after the fall of man, the blessing of Heaven has ever followed them in their exile. This, too, is the reason the wax they produce has the privilege of lighting the altars for the divine office.
[Ill.u.s.tration: 61. Cross Stones.]
It was the day of a Pardon, and the peasants were all in gala dresses. A wrestling match unfortunately had just been finished; for throughout Cornouaille wrestling has been, from time immemorial, as favourite a game as in our county of the same name. Our driver tried without success to procure for us some of the little double crystals, intersecting each other at right angles, called "pierre de croix"-by mineralogists grenat.i.te-found in the Coatdry, a small affluent of the Aven, washed out of the mica slaty rocks in which they abound. The peasants a.s.sign to them a miraculous origin, and wear them in little bags round the neck as charms against headache, blindness, s.h.i.+pwreck, and hydrophobia, being, as they allege, signed with the cross. According to tradition, a pagan chief, having, in his impious rage, thrown down the cross in the chapel of Coatdry, Heaven, in memorial of the outrage, placed the sacred symbol upon the stones of the river.
At Le Faouet we again entered the department of the Morbihan. This pretty little town is situated between the Sterlaer and the Elle. We first walked to see the chapel of Ste. Barbe, perched, in the most singular manner, in the cleft of a high rock, about a mile from the town.
After a steep climb we reached the plateau of the hill, where is the monument of a M. Berenger, who desired to be buried in this elevated spot, which commands a charming view of the surrounding country, the silvery waters of the Elle winding at the base of the mountain. We then descended, by a flight of handsome, broad, granite steps, with bal.u.s.trades, to the chapel, placed on so narrow a s.p.a.ce that it was impossible to give it the usual inclination to the east. The entrance-porch is to the southwest, and the high altar opposite, against the walls of the chapel, to the north-east. On the top of the steps is the belfry, consisting of a roof, supported by four columns. The day of the Pardon each pilgrim rings the bell. The chapel was built in this singular spot, according to tradition, by a knight, who was overtaken by a storm in the valley of the Elle beneath. He saw an enormous ma.s.s of detached rock on the point of falling down and crus.h.i.+ng him, when he invoked the intercession of Sainte Barbe, the guardian saint against thunder, promising to build her a chapel, if delivered from the danger. His prayer was heard; the rock was stayed in its descent and rested on the cleft, where, next day, the grateful knight began building the chapel, as a thank-offering for his escape. Above Ste.
Barbe, stationed on an insulated rock, one of the highest peaks in Brittany, is a small chapel, dedicated to St. Michael, also approached by a flight of stone steps, like Ste. Barbe, with bridge built over an archway. The rock on which it stands is so abrupt, that rings are placed along the sides of the chapel for the pilgrims, when creeping round, to hold on by. Many have perished in the attempt; none, they say, have ever succeeded in making the circuit.
There was a wedding at Le Faouet during our stay there. Guests, invited from all quarters, to the number of 250, arrived in their gala costumes, some of them magnificent: one woman wore a gown entirely of gold tissue; it was her wedding-dress. The musicians, with biniou and hautboy, went round to summon the guests. We saw the procession going to church. The bride was prettily dressed, with a high cap, beautifully "got up," pointed in form, and trimmed with lace, and embroidered; a muslin ap.r.o.n, also lace-trimmed, and a double muslin shawl, similarly trimmed, the lace beautifully plaited; a violet silk dress, white moire sash, and a small bunch of white flowers. The bridegroom was "en bourgeois." Outside the church door were tables, laid out with cakes; after the service the bride and all the party took each a cake and put money in the plates, as an offering for the poor. They next adjourned to the Place, where they danced three "gavottes" under the trees. The ceremony of stealing away the bride then took place; that is, she was chased by some dozen of the youths of the company, and he who had the good fortune to capture her she treated to a cup of coffee at a cafe. Dinner followed, and then they returned to the interminable gavotte. They hold each other's hands "en grand rond," then wind themselves round the centre couple, executing most elaborate steps, and uncoil again to return to the grand rond. We counted as many as thirty couples in one gavotte. These festivities last two, or sometimes three, days, during which time all the wedding party are entertained free of expense.
Le Faouet is a great fis.h.i.+ng quarter. The Elle, which flows round the town, is a stream of considerable size; and, four miles below Le Faouet, it is joined by the Laita, and before Quimperle unites its waters with the Isole, whence its mingled streams flow into the Atlantic, under the name of the Laita. We were told that large fish were taken in a pond in the grounds of the Abbey of Langonnet, not far from Le Faouet, but it is strictly preserved.
The people of this district retain all the old Breton superst.i.tions; they believe in the Car of Death, drawn by six black horses, driven by the "Ankou," or Phantom of Death, with an iron whip. They also have full faith in the Washerwomen of the Night (Lavandieres de la Nuit), who wash the shrouds for the dead, and fill the air with their melodious songs:-
"Si chretien ne vient nous sauver, Jusqu'au jugement faut laver: Au clair de la lune, au bruit du vent, Sous la neige, le linceul blanc."
"If no good soul our hands will stay, We must toil on till judgment-day: In strong wind or clear moonlight, We must wash the death-shroud white."
They engage the pa.s.ser-by to help them in wringing the linen; if he refuses, they drown him in their was.h.i.+ng trough, or suffocate him in a wet sheet. Should he show himself ill-disposed, after having agreed to help them, they dislocate his arm. If he wrings the wrong way, his fate is inevitable; but if docile and obliging, they give him some clothes and dismiss him.
[Ill.u.s.tration: 62. Rood-Screen or Jube, St Fiacre.]
A mile and a half from Le Faouet, on a height a little off the Quimperle road, is the beautiful church of Saint Fiacre, dating from the middle of the fifteenth century, celebrated for its carved wooden jube, or rood-screen, and its painted gla.s.s. The church is falling to decay. It would be tedious to enumerate all the figures, and describe the details of this beautiful jube. The carving is a perfect tracery of lace-work. Three large figures represent our Saviour and the two thieves. Then there are the Virgin and St. Joseph; the latter, with carpenter's plane and hammer.
Below, Adam and Eve, and the Angel with the flaming sword. Two angels hold cartouches, on one of which is inscribed, "L'an mil C/IIII XX/IIII (1480) fut fait cette sculpture par Olivier de Loergan;" and, on the other, "Cette pa.s.sion fut peinte l'an 1627. Yves Perez fabricant. Tous repaint en 1866." Below are panels carved in the flamboyant style, of exquisite workmans.h.i.+p. The two middle panels have the sacred monogram, those on the east side ermines surrounded by cordelieres.
The side of the rood-loft facing the choir has pendents with grotesque carvings of allegorical signification.
A man in an apple-tree, gathering the fruit, symbolizes theft. Next comes a disgusting representation of gluttony: a man relieving himself of a pig he has swallowed, the tail alone remaining in his mouth. Then follow a young man and woman, gaily attired, emblematic of luxury. So far, three of the "sept peches capitaux" are represented; but after these comes a national subject: a man playing on the bagpipe. The figures throughout the rood-screen are all boldly executed, and the tracery most elegant and delicate.
The painted gla.s.s in the church is considerable, and represents the Life of Our Saviour, that of St. Fiacre, the Feast of Herod, and the Martyrdom of the Baptist, figures of the Prophets of the Old Testament, with many others. In most of the subjects, the figures are much mutilated. On one window is inscribed, "Pierre Androuet ouvrier demeurant a Kemperle 1552."
Over one altar is a sculpture, representing the Martyrdom of Saint Sebastian, between two archers, in the quaint costume of the sixteenth century.
About six miles from Le Faouet, is the ruined castle of Poncallec, with its forest, etang, and forge; once the demesne of the young marquis of that name, who was implicated in that conspiracy to transfer the Regency from the Duke of Orleans to Philip V. of Spain, called the plot of Cellamare. Of the hundred and forty-eight gentlemen included in the accusation, all escaped to Spain, except Poncallec and three others.
Poncallec refused to accompany them from a superst.i.tious fear, a fortune-teller having foretold he should perish by the sea, "par la mer."
They took refuge in a church, but were surprised by a party of cavaliers who had m.u.f.fled the feet of their horses to reach them unheard. They escaped through a subterranean pa.s.sage, and, for fifteen days, lay concealed in the hollow of a yew-tree, fed in secret by faithful peasants.
Poncallec traversed France in the disguise of a priest, but was arrested at the Pyrenees. He with the three others were all convicted of high treason, and, a few hours after their condemnation, were beheaded at Nantes. Poncallec was the last to suffer. When ascending the scaffold, he asked the executioner his name; on his answering "La Mer," Poncallec felt the witch's prophecy was fulfilled.
The estates of the four victims were confiscated, their arms effaced from the fronts of their houses, the moats of their castles filled in, and their trees (hautes futaies) cut down, "a hauteur d'infamie," that is, within nine feet of the ground, in like manner as were those of Moor Park, after the execution of the Duke of Monmouth. A list was presented to the Regent Philip of other offenders, but he tore the paper, and published an amnesty. The story of Poncallec is dramatically told by Alexandre Dumas, in his novel, called 'Une fille du Regent.' The Bretons honoured the victims as martyrs, and M. de la Villemarque, in his 'Chansons Bretons,'
gives a touching elegy which shows the sympathy excited by the tragic fate of Poncallec:
"Quand il arriva a Nantes, il fut juge et cond.a.m.ne, Cond.a.m.ne non par ses pairs, Mais par des gens tombes de derriere les carrosses.
Ils demanderent a Poncallec: 'Seigneur marquis, qu'avez vous fait?
-Mon devoir; faites notre metier.'
Il est mort, chers pauvres, celui qui vous nourissait, Qui vous vetissait, qui vous soutenait; Il est mort celui qui vous aimait, habitants de Berne Celui qui aimait son pays et qui l'a aime jusqu'a mourir.
Il est mort a vingt-deux ans Comme meurent les martyrs et les saints; Que dieu ait pitie de son ame!
Le seigneur est mort ... Ma voix s'eteint, ...
Toi qui l'as trahi, sois maudit, sois maudit; Toi qui l'as trahi, sois maudit."
We left Le Faouet and its comfortable primitive inn, the "Lion d'Or," with much regret; the country around is beautiful, and we had arranged to set out early that we might cross the Montagnes Noires by daylight; but we were disappointed in procuring a carriage, and it was not till late in the afternoon that we were able to leave in a diligence, of which the coupe alone was reserved to us, the interior being occupied by Breton farmers, returning from a horse-fair. From the elevated wooded ground of Le Faouet, the road makes a precipitous descent, and crosses the little stream of Moulin-au-duc, after which it again rises, in a winding direction, along the side of a mountain with a valley and little stream beneath. Then a rapid descent brought us to Gourin, where we would gladly have risked staying the night, and waited till morning to pursue our road over the mountains, but we had paid our fare to Carhaix. Up hill and down again, like all the roads in mountainous Finistere, from Gourin we ascended again and pa.s.sed a crest of the Montagnes Noires, which separates the three departments of Finistere, Morbihan, and Cotes-du-Nord; and proceeded through a valley to Carhaix, where we arrived at midnight, and therefore had no opportunity of seeing the beauties of the mountain scenery.
Carhaix is a dirty, unpaved, dull town of the middle ages, much decayed from its ancient importance when capital of the country dismembered from Cornouaille, in the sixth century, by Comorre the Breton Bluebeard. It is situated on an eminence, commanding an extensive view of the barren monotonous surrounding country, bounded by the Arre mountains, the Alps of Finistere. It is the centre of Lower Brittany, and the Duke d'Aiguillon, Minister of Louis XV., caused six roads to be made from it to Brest, Quimper, Morlaix, St. Brieux, Vannes, and Chateaulin, with the hope of introducing commerce and civilisation into this barren district, "le dernier trou du monde," as it is styled by the Parisian.
La Tour d'Auvergne, Premier Grenadier de France, was born here, and a bronze statue of him, by Marochetti, has been erected to his memory. He is in the uniform of a private soldier, and presses to his heart the sword of honour just presented to him by the First Consul. Round the pedestal are four bas-reliefs, representing scenes in his life. In the first, he saves a wounded soldier; in the second, he forces the gates of Chambery; in the third, he takes leave of the parents of a youth, for whom he goes as a subst.i.tute into the army. The last represents his death; he was killed by a lance at Ober-hausen (Bavaria), fighting against the Austrians. The monument bears this inscription on its four sides:-
"La Tour d'Auvergne, 1^er Grenadier de France, ne a Carhaix le 23 Decembre, 1715; mort au champ d'honneur le 27 Juin, 1800.
"Ecrivain, Citoyen, Soldat, sa vie toujours glorieus.e.m.e.nt remplie ne laisse que de sublimes exemples a la posterite.
"Tant de talens, et de vertus, appartenaient a l'histoire et au premier Consul, de les devancer.