Music and Some Highly Musical People Part 1

Music and Some Highly Musical People.

by James M. Trotter.

PREFACE.

The purposes of this volume will be so very apparent to even the most casual observer, as to render an extended explanation here unnecessary. The author will therefore only say, that he has endeavored faithfully to perform what he was convinced was a much-needed service, not so much, perhaps, to the cause of music itself, as to some of its n.o.blest devotees and the race to which the latter belong.

The inseparable relations.h.i.+p existing between music and its worthy exponents gives, it is believed, full showing of propriety to the course hereinafter pursued,--that of mingling the praises of both.

But, in truth, there was little need to speak in praise of music. Its tones of melody and harmony require only to be heard in order to awaken in the breast emotions the most delightful. And yet who can speak at all of an agency so charming in other than words of warmest praise? Again: if music be a thing of such consummate beauty, what else can be done but to tender an offering of praise, and even of grat.i.tude, to those, who, by the invention of most pleasing combinations of tones, melodies, and harmonies, or by great skill in vocal or instrumental performance, so signally help us to the fullest understanding and enjoyment of it?

As will be seen by a reference to the introductory chapters, in which the subject of music is separately considered, an attempt has been made not only to form by them a proper setting for the personal sketches that follow, but also to render the book entertaining to lovers of the art in general.

While grouping, as has here been done, the musical celebrities of a single race; while gathering from near and far these many fragments of musical history, and recording them in one book,--the writer yet earnestly disavows all motives of a distinctively clannish nature. But the haze of complexional prejudice has so much obscured the vision of many persons, that they cannot see (at least, there are many who affect not to see) that musical faculties, and power for their _artistic_ development, are not in the exclusive possession of the fairer-skinned race, but are alike the beneficent gifts of the Creator to all his children. Besides, there are some well-meaning persons who have formed, for lack of the information which is here afforded, erroneous and unfavorable estimates of the art-capabilities of the colored race. In the hope, then, of contributing to the formation of a more just opinion, of inducing a cheerful admission of its existence, and of aiding to establish between both races relations of mutual respect and good feeling; of inspiring the people most concerned (if that be necessary) with a greater pride in their own achievements, and confidence in their own resources, as a basis for other and even greater acquirements, as a landmark, a partial guide, for a future and better chronicler; and, finally, as a sincere tribute to the winning power, the n.o.ble beauty, of music, a contemplation of whose own divine harmony should ever serve to promote harmony between man and man,--with these purposes in view, this humble volume is hopefully issued.

THE AUTHOR.

MUSIC AND SOME HIGHLY MUSICAL PEOPLE.

I.

A DESCRIPTION OF MUSIC.

"In the storm, in the smoke, in the fight, I come To help thee, dear, with my fife and my drum.

My name is Music: and, when the bell Rings for the dead men, I rule the knell; And, whenever the mariner wrecked through the blast Hears the fog-bell sound, it was I who pa.s.sed.

The poet hath told you how I, a young maid, Came fresh from the G.o.ds to the myrtle shade; And thence, by a power divine, I stole To where the waters of the Mincius roll; Then down by c.l.i.tumnus and Arno's vale I wandered, pa.s.sionate and pale, Until I found me at sacred Rome, Where one of the Medici gave me a home.

Leo--great Leo!--he wors.h.i.+pped me, And the Vatican stairs for my feet were free.

And, now I am come to your glorious land, Give me good greeting with open hand.

Remember Beethoven,--I gave him his art,-- And Sebastian Bach, and superb Mozart: Join _those_ in my wors.h.i.+p; and, when you go Wherever their mighty organs blow, Hear in them heaven's trumpets to men below."

T.W. PARSONS.

What is music? Quite easy is it to answer after the manner of the dictionaries, and say, "Music is (1) a number of sounds following each other in a natural, pleasing manner; (2) the science of harmonious sounds; and (3) the art of so combining them as to please the ear."

These are, however, only brief, cold, and arbitrary definitions: music is far more than as thus defined. Indeed, to go no farther in the description of this really sublime manifestation of the beautiful would be to very inadequately express its manifold meanings, its helpful, delightful uses. And yet the impressions made upon the mind and the depth of feeling awakened in the heart by music are such as to render only a partial (a far from satisfying one) description of the same possible, even to those most skilful and eloquent in the use of language; for, in fact, ordinary language, after exhausting all of its many resources in portraying the mind's conceptions, in depicting the heart's finer, deeper feelings, reveals, after all, its poverty, when sought to describe effects so entrancing, and emotions so deep-reaching, as those produced by music. No: the latter must be heard, it must be felt, its sweetly thrilling symphonies must touch the heart and fill the senses, in order that it may be, in its fulness, appreciated; for then it is that music is expressed in a language of most subtle power,--a language all its own, and universal, bearing with it ever an exquisitely touching pathos and sweetness that all mankind may feel.

And so I may not hope to bring here to the reader's mind more than a slight conception of what music is. Nor does he stand in need of any labored effort to teach him the nature and power, the beneficent attributes, of this beautiful art. With his own soul attuned to all the delightful sounds of melody and harmony that everywhere about him, in nature and in art, he constantly hears, the reader requires no great length of words in explanation of that which he so deeply feels, and therefore already understands. Nevertheless, a due regard for the laws of unity, as well as a sincere wish to make this volume, in all its departments, speak the befitting words of tribute to the love-inspiring art of which it aims to treat,--words which, although they may not have the merit of affording great instruction, may at least have that of furnis.h.i.+ng to the reader some degree of pleasure,--these are the motives that must serve as an excuse for the little that follows.

I have sometimes thought that only the elevated and elegant language of poetry should be employed in describing music: for music is poetry, and poetry is music; that is, in many of their characteristics they are one and the same. But, to put this idea in another form, let us say that Music is the beautiful sister of Poetry, that other soul-expressing medium; and who would create the latter must commune with the former, and be able to bring to his uses the sweet and finis.h.i.+ng graces of her rhythmic forms. In early times, the qualities of the poet and musician were generally actually united in the same person. The poet usually set to music, and in most instances sang, his effusions. Nor to this day have the

"Poets, who on earth have made us heirs Of truth and pure delight by heavenly lays,"

ceased to sing, in bewitching verse, the n.o.ble qualities of music.

I have said that music speaks a language all its own, and one that is universal. Bring together a representation of all the nations of the earth, in which body there shall be a very Babel of tongues. All will be confusion until the all-penetrating, the all-thrilling voice of music is heard. At once, silence reigns; each ear quickly catches and recognizes the delicious sounds. The language of each one in the concourse may be different: but with "music's golden tongue" all are alike innately acquainted; each heart beats in sympathy with the delightful, absorbing tones of melody; and all seem members of one nation.

Again: music may be called that strangely peculiar form of the beautiful, whose presence seems, indeed is, appropriate on occasions the most diverse in character. Its aid is sought alike to add to the joys of festive scenes, to soothe and elevate the heart on occasions of mourning, and to enhance the solemnity, the excellence, of divine wors.h.i.+p.

The poet Collins, aptly a.s.sociating music with the good and beautiful, calls it the "heavenly maid."

Martin Luther, himself a musical composer and performer of merit, paused in his great work of religious reform to declare, "I verily think, and am not ashamed to say, that, next to divinity, no art is comparable to music." And Disraeli utters this n.o.ble thought: "Were it not for music, we might in these days say the beautiful is dead."

"Touching musical harmony, whether by instrument or by voice, it being but of high and low in sounds a proportionable disposition, such, notwithstanding, is the force thereof, and so pleasing effects it hath in that part of man which is most divine, that some have thereby been induced to think that the soul itself is or hath in it harmony: a thing which delighteth all ages, and beseemeth all states; a thing as seasonable in grief as in joy; as decent being added unto actions of greatest weight and solemnity as being used when men most sequester themselves from action. The reason hereof is an admirable facility which music hath to express and represent to the mind, more inwardly than any other sensible means, the very steps and inflections of every way, the turns and varieties of all pa.s.sion whereunto the mind is subject."[1]

"I would fain know what music is. I seek it as a man seeks eternal wisdom. Yesterday evening I walked, late in the moonlight, in the beautiful avenue of lime-trees on the bank of the Rhine; and I heard a tapping noise and soft singing.

At the door of a cottage, under the blooming lime-tree, sat a mother and her twin-babies: the one lay at her breast, the other in a cradle, which she rocked with her foot, keeping time to her singing. In the very germ, then, when the first trace of life begins to stir, music is the nurse of the soul: it murmurs in the ear, and the child sleeps; the tones are the companions of his dreams; they are the world in which he lives. He has nothing; the babe, although cradled in his mother's arms, is alone in the spirit: but tones find entrance into the half-conscious soul, and nourish it as earth nourishes the life of plants."[2]

[Footnote 1: Hooker.]

[Footnote 2: Bertini.]

II.

THE MUSIC OF NATURE.

"The lark sings loud, and the throstle's song Is heard from the depths of the hawthorn dale; And the rush of the streamlet the vales among Doth blend with the sighs of the whispering gale."

MATIN AND EVENING SONGS.

To the inventive genius of man must, of course, be attributed the present developments, and the beautiful, diversified forms, existing in musical art. But, before man was, the great Author of harmony had created what may be called the music of Nature.

Afterwards, the human ear, penetrated by sounds of melody issuing from wind, wave, or bird, the rapt mind in strange and pleasing wonder contemplating the new and charming harmonies,--then it was that man received his first impressions, and took his first lessons in delightful symphony.

Take from man all creative and performing power in music, leaving him only the ear to catch and the mind to comprehend the sounds, and there would still be left to him G.o.d's own music,--the music of Nature, which, springing as it did from eternity, shall last throughout eternity.

Pa.s.sing what must appear to human comprehension as vague (an attempt at the contemplation of which would be without profit in this connection), and what has been called the "music of the spheres,"[3]

we may proceed to briefly touch upon those forms of natural music which are ever within our hearing, and which constantly afford us pleasure.

[Footnote 3: Reference is supposed to be made to this in the Book of Job, in these words: "When the morning stars sang together, and all the sons of G.o.d shouted for joy."]

First let us go forth into the summer woods. The eye takes in the charming prospect,--the trees dressed in beautiful green; the "gra.s.sy carpet," parted ever and anon by a gliding, gurgling brooklet; the wild flower peeping up near the feet; a landscape of even surface, or at times pleasingly undulated. The atmosphere is freighted with a delightful fragrance; and from rustling bough, from warbling bird, from rippling brook, and from the joyous hum of insects almost innumerable,

"The air is full of noises, sounds, and sweet airs, That give delight, and hurt not."

All these, the beauties of animate and inanimate Nature, pleasantly affect the senses. But the chief influence there--the crowning glory of the groves--is the songs, the charming music of the birds, as they warble from tree to tree, untrammelled by the forms of art, their sweetest melodies. How often do their lightsome, inspiriting carollings ring out upon the morning air, persuasively calling us from our couches to listen in delight to Nature's minstrelsy! "After man,"

says a writer, "the birds occupy the highest rank in Nature's concerts. They make the woods, the gardens, and the fields resound with their merry warbles. Their warbled 'shake' has never been equalled by human gifts of voice, nor by art."

Indeed, it has been found that many of the songs of birds are sung in certain of the keys; while a learned musical writer has produced a book in which are printed many samples of the music often sung by birds. In very recent times it is stated, too, that birds have been taught to sing some of the popular tunes of the day; this being accomplished by placing a bird in a room for a while, allowing it to hear no other bird, and only the tune to be learned. Professor Brown of Aiken, S.C., has mocking-birds which he has taught to sing such songs as "The Star-spangled Banner" and "Yankee Doodle." These birds were to be taken to the Centennial Exhibition, to there exhibit their marvellous skill.