The Lost Files: Six's Legacy Part 8

I pivot just enough to see Gabby's chair in my peripheral vision. I take a deep breath and, focusing all my energy on her chair, use my telekinesis to jerk it to the left. Then I quickly thrust it right so hard it nearly topples over. Gabby jumps up and yelps. I look at her in mock surprise.

"What?" La Gorda asks.

"I don't know; it felt like somebody just kicked my chair or something. Did you feel anything?"

"No," La Gorda says; and as soon as the word is uttered, I move her chair a few centimeters backwards, then jerk it to the right, all the while remaining at my spot by the window. Both of the girls scream this time. I thrust Gabby's chair, then La Gorda's again; and without giving their computer screens a second glance, they flee the room, screaming as they go.

"Yes!" I say, rus.h.i.+ng to the computer Gabby was using and quickly typing the web address of the news site I've deemed most reliable. Then I wait impatiently for the page to load. The old computers, combined with the slow internet here, are the bane of my existence.

The browser goes white and, line by line, the page forms. When a quarter of it has loaded, the final bell rings. One minute until prayers. I'm inclined to ignore the bell, even at the risk of being punished. At this point I don't really care. "Five more months," I whisper to myself.

Half of the page is now up, revealing the top of John Smith's face, his upturned eyes, which are dark and confident, though within them there's a sense of discomfort that seems almost out of place. I lean on the edge of my seat, waiting, the excitement bubbling up inside me, causing my hands to tremble.

"Come on," I say to the screen, trying in vain to hurry it. "Come on come on come on."

"Marina!" a voice barks from the open doorway. I jerk around and see Sister Dora, a portly woman who's the head cook in the kitchen, staring daggers at me. This is nothing new. She stares daggers at everyone who walks through the lunch line holding a tray, as though our needing sustenance is a personal affront. She presses her lips together in a perfect straight line, then narrows her eyes. "Come! Now! And I mean right now!"

I sigh, knowing I have no choice but to go. I clear the browser's history and close it, then follow Sister Dora down the dark hallway. There was something new on that screen; I just know it. Why else would John's face have taken up the entire page? A week and a half is long enough for any news to turn stale, so for him to command so much of the screen means there's some significant new piece of information.

We walk to Santa Teresa's nave, which is huge. Towering pillars lead to a high, vaulted ceiling and stained gla.s.s windows line the walls. Wooden pews run the length of the open room and can seat nearly three hundred people. Sister Dora and I are the last to enter. I sit alone in one of the center pews. Sister Lucia, who opened the door to Adelina and me when we first arrived and who still runs the convent, stands at the pulpit, closes her eyes, lowers her head and presses her hands together in front of her. Everyone else does the same.

"Padre divino," the prayer begins in somber unison. "Que nos bendiga y nos proteja en su amor . . ."

I tune it out and look at the back of the heads before me, all of which are bowed in concentration. Or just bowed. My eyes find Adelina, sitting in the very first row six pews in front of me and slightly to the right. She is on her knees, deeply meditative, her brown hair pulled into a tight braid that falls to the middle of her back. She doesn't look up once, doesn't try to find me at the back of the room like she used to during our first few years here, a covert smile on each of our faces as our eyes met, acknowledging our shared secret. We still share that secret, but somewhere along the way Adelina has stopped acknowledging it. Somewhere along the way the plan to bide our time until we felt strong enough and safe enough to leave has been replaced with Adelina's desire to simply stay-or her fear to leave.

Before the news of John Smith, which I'd told Adelina about when it broke, it had been months since we last talked about our mission. In September I had shown her my third scar, the third warning that said another Garde has died and that she and I are one step closer to being hunted and killed by the Mogadorians, and she had acted like it didn't exist. Like it didn't mean what we both know it means. Upon hearing the news about John, she merely rolled her eyes and told me to stop believing in fairy tales.

"En el nombre del Padre, y del Hijo, y del Espritu Santo. Amen," they say, and everyone in the room makes the sign of the cross in unison with this last sentence, myself included to keep up appearances: forehead, chest, left shoulder, right shoulder.

I had been asleep, dreaming of running down a mountain with my arms out at my sides as if I was about to take flight, when I had been awoken by the pain and glow of the third scar wrapping itself around my lower leg. The light had woken several girls in the room, but thankfully not the attending Sister. The girls thought I had a flashlight and a magazine under the covers and that I was breaking the rules of curfew. On the bed next to mine, Elena, a quiet sixteen-year-old with jet-black hair she often sticks in her mouth when speaking, had thrown a pillow at me. My flesh had begun to bubble, and the pain had been so intense I had to bite on the edge of my blanket to remain quiet. I couldn't help but cry, because somewhere Number Three had lost his or her life. There were six of us left now.

Tonight I file out of the nave with the rest of the girls and head to our sleeping quarters filled with creaky twin beds evenly s.p.a.ced apart, but in my mind I'm hatching a plan. To compensate for the hard beds and the concrete chill of every room, the linens are soft and the blankets heavy, the only real luxury we're afforded. My bed is in the back corner, farthest from the door, which is the most sought after spot; it's the quietest, and it took me a long time to get it, moving one bed closer as each girl left.

The lights are shut off once everyone is settled in. I lie on my back and stare at the faint, jagged outline of the high ceiling. An occasional whisper breaks the silence, followed immediately by the attending Sister shus.h.i.+ng whoever it came from. I keep my eyes open, waiting impatiently for everyone to fall asleep. After a half hour the whispers fade, replaced by the soft sounds of sleep, but I don't dare risk it yet. Too soon. Another fifteen minutes and still no sounds. Then I can't stand it any longer.

I hold my breath and inch my legs over the edge of the bed, listening to the rhythm of Elena's breathing beside me. My feet find the icy floor, and turn cold instantly. I stand slowly to keep the bed from creaking and then tiptoe across the room and towards the door, taking my time, being careful not to b.u.mp any beds. I reach the open doorway and rush out into the hall and down to the computer room. I pull out the chair and push the computer's power b.u.t.ton.

I fidget waiting for the computer to boot up and keep peering towards the hallway to see if anyone has followed. I'm finally able to type in the web address and the screen goes white, then two pictures take shape in the center of the page, surrounded by text with a top headline in bold black letters too blurry to read. Two images now-I wonder what changed since I tried to check earlier. And then, at last, they come into focus: International Terrorists?

John Smith, with his square jaw, s.h.a.ggy dark blond hair, and blue eyes, fills the left side of the screen, while his father-or more likely Cpan-Henri takes up the right. What's there isn't a photo but a black-and-white artist's sketch done in pencil. I skim the details I already know-demolished school, five deaths, abrupt disappearance-and then come to the breaking news only now being reported: In a bizarre twist, FBI investigators today uncovered what is believed to be the tools of a professional counterfeiter. Several machines typically used for the creation of doc.u.ments were found in the Paradise, Ohio, home rented by Henri and John Smith in a hatch beneath the floorboards of the master bedroom, leading investigators to consider possible links to terrorism. Creating local uproar within the Paradise community, Henri and John Smith are now considered a threat to national security, fugitives; and investigators are asking for any and all information that might lead to their whereabouts.

I scroll back to John's image, and when my gaze meets his, my hands begin to shake. His eyes-even in this sketch there's something familiar about them. How could I know them if not from the yearlong journey that brought us here? n.o.body can convince me now that he isn't one of the six remaining Garde, still alive in this foreign world.

I lean back and blow my bangs out of my eyes, wis.h.i.+ng I could go in search of John myself. Of course Henri and John Smith are able to elude police; they've kept hidden for eleven years now, just as Adelina and I have. But how can I possibly hope to be the one to find him when the whole world is looking? How can any of us hope to come together?

The eyes of the Mogadorians are everywhere. I have no idea how One or Three were found, but I believe they located Two because of a blog post he or she had written. I had found it, and then I'd sat there for fifteen minutes thinking how best to respond without giving myself away. Though the message itself had been obscure, it was very obvious to those of us looking: Nine, now eight. Are the rest of you out there? It had been posted by an account called Two. My fingers found the keyboard and I'd typed a quick response, and just before I hit the Post b.u.t.ton, the page refreshed-somebody else had responded first.

We are here, it read.

My mouth had dropped open, and I'd stared in utter shock. Hope flooded through me from those two brief messages, but just as my fingers had typed a different reply, a bright glow appeared at my feet and the sizzling sound of burning flesh reached my ears, followed closely by a searing pain so great that I'd dropped to the floor and writhed in agony, screaming at the top of my lungs for Adelina, holding my hands over my ankle so no one else would see. When Adelina arrived and realized what was happening, I'd pointed at the screen, but it was blank; both posts had been deleted.

I look away from John Smith's familiar eyes on the screen. Beside the computer sits a small flower that's been forgotten. It's wilted and tired, shrunken down to half its normal height, a brown, crispy tinge at the edge of its leaves. Several petals have dropped, now dry and crinkled on the desk around the pot. The flower isn't dead yet, but it's not far off. I lean forward and cup my hands around it, move my face near enough so that my lips brush against the edge of its leaves, and then I blow hot air over it. An icy feeling shoots down my spine and, in response, life bursts through the small flower. It springs upward and a verdant green floods the leaves and stalk and new petals bloom, colorless at first, then turning a brilliant purple. A mischievous grin sprouts on my face, and I can't help but think of how the Sisters would react if they were to see such a thing. But I'll never let them. It would be misinterpreted, and I don't want to be cast out into the cold. I'm not ready for that. Soon, but not just yet.

I turn off the computer and hurry back to bed while thoughts of John Smith, somewhere out there, swim in my head.

Be safe and stay hidden, I think. We'll find each other yet.

Also by Pittacus Lore.

I Am Number Four.

The Power of Six.

end.