Blue Heaven Part 5

"Good."

"Yeah, it's him. We're ready."

"Let's get this over with, then," Swann said. "This is bad, you know?"

"I know. Newkirk is wavering on us. He looks like he's about to s.h.i.+t."

"I don't blame him."

"That was a good move, taking them home with you. G.o.d help us if some citizen saw us on the road with them."

Annie eased the phone down and hung it up, which was difficult because her hand was trembling.

She realized when she looked up that her eyes had adjusted to the dark of the room. She could see the photos above the dresser, and she approached them. More shots of Mr. Swann in his police uniform, another of him on a fis.h.i.+ng boat somewhere on the ocean or a big lake, and another of a group of men, fellow police officers. She looked carefully at it, and her heart began to race.

Mr. Swann stood in the middle of a group of five men. They had their arms around each other, and several had big grins. But not the Dark Man, who scowled. Singer, the Driver, stared at the camera with the same ice-blue intensity she had seen in his eyes at the campsite. The Ball Cap Man grinned. And the Wavy-Haired Man who had been killed that afternoon looked to be laughing so hard his face was blurred in the photo.

As she ran down the hallway she heard the office door being unlocked by Mr. Swann.

William saw her coming. Luckily, he had left the table and was standing next to the door. He was obviously surprised to see her running so fast, and there must have been something in her face because his eyes widened and his mouth contorted into the look he got before he started to cry.

"Let's go," she hissed at him. "Run!"

He didn't argue but threw open the door to the garage. Annie slammed it behind her. She heard Mr. Swann holler "HEY! Where are you going?" from down the hallway.

The garage was completely dark except for the nine blue squares of the garage door windows. She didn't know where the b.u.t.ton was for the garage door opener but saw a faint pink glow next to the doorjamb and pushed it. A dull light came on, and the middle door began to open.

"Go!" she yelled, and the two of them ran toward the opening and rolled under it as it rose.

"Stop!" Mr. Swann threw open the door to the garage and snapped on the overhead lights. "Get back here, now!" he yelled after them.

It was raining again. Annie had William's hand, and they ran past the hog pens. A huge ma.s.s blasted out of the shadows and hurled itself against the fence and squealed-King-causing them both to veer away and plunge into the dark brush.

As they ran, climbing over downed logs and pus.h.i.+ng through bushes that clawed back at them, Annie could hear Mr. Swann shouting back at the house.

"Stop running from me! You'll get lost out there! Get back here, now! I talked to your mother! Everything's okay, she's coming to get you!"

"Annie ..." William gasped, winded.

"He's lying," she answered, not stopping. "He's friends with those men we saw today."

William said something she couldn't understand. It sounded more like an animal noise. He was crying. She stopped and turned to hug him.

"No ..." he said, pus.h.i.+ng her away.

She reached out and grabbed him, holding his thin shoulders in her hands, thrusting her face into his. "William, I heard him talking to them, those men we saw today. Mr. Swann is friends with them. They're on their way up here to find us because we saw them kill that man today. We can't trust anybody, do you understand?"

He started to argue but looked away. "I just want to go home," he said in a little-boy voice that stabbed her in the heart.

"We can't go home yet," she said. "That's where they'll look for us first. That's the one thing Mr. Swann told us that wasn't a lie."

"Where do we go, then?"

She pulled him close, wrapping her arms around him, speaking into his ear. "As far away from here as we can get."

Friday, 10:30 P.M.

OKAY," Ex-Lt. Eric Singer said to Dennis Gonzalez and Jim Newkirk at the rear table in the Sand Creek Bar. "At least we know who they are."

Their names were Annie and William Taylor. Newkirk would rather he didn't know their names because it made what they were trying to do so much more personal.

The Sand Creek Bar was a dark, close, run-down local place just out of Kootenai Bay on the old highway, the kind of place silver miners and loggers used to stop at on their way home. It was a good place for the men to regroup. It had seen better days and stood as a remnant of an earlier time. Now, there were just a few vehicles outside in the gravel parking lot, two pickups and a UPS truck. The Sand Creek offered three kinds of beer on tap-Coors, Bud, and Widmer Hefeweizen from Oregon. Anything else was considered exotic and would be served in dusty bottles from the back. The ceiling bristled with hundreds of knives that had been hurled up there over the years into the sooty paneled wood. Seventy years' worth of pocket knives, hunting knives, fis.h.i.+ng knives, survival knives. A few rusty bayonets and an ax in the corner. Occasionally, a knife would drop and stick into a tabletop, the floor, or a drinker's thigh. Newkirk had been told by local friends that the credo of the Sand Creek was "Drink hard and fast because you never know when you might get cut and die," a maxim that applied to the general atmosphere of North Idaho's rough-and-tumble blue-collar past as well. He'd been there previously a couple of times with his softball team, but Singer and Gonzalez had not. Those two never went anywhere. When he was with them, Newkirk served as their guide even though he hadn't been in the area any longer than either of them.

They'd spent the last three and a half hours patrolling the state highways and old logging roads near Oscar Swann's house, looking for a sign of Annie and William Taylor. They'd found nothing. The timber was so thick and dark in places, they couldn't see into it, even with their spotlight. Some stands were old and dense, so crowded with tree trunks a man would have to turn sidewise to enter and walk through. Those kids could be anywhere in the forest and were small enough to be able to speed through it like rabbits. They would be impossible to find-unless they could have caught them on the move near a road. Swann had shown them their tracks near his pen of hogs, but the pine needles were so thick a quarter mile from his place that the tracks wouldn't hold. They could be anywhere, those kids.

Singer had a police scanner in his SUV, and as they patrolled the forest near Swann's they'd listened to the sheriff's dispatcher. Monica Taylor had called repeatedly. The dispatcher told a deputy of the calls from the mother saying her children weren't home yet from school. The calls were treated as routine, the a.s.sumption was the kids would likely show up later that night. There was no sense of urgency yet.

Newkirk felt numb, as if he weren't really there. He was tired, dirty, hungry. He hadn't been home all day. The first gla.s.s of beer from the pitcher Gonzalez had brought to the table affected him on an empty stomach. He poured another and topped up Singer's and Gonzalez's gla.s.ses. The beer tasted crisp and good.

"This is a critical time," Singer said, keeping his voice low, "before all h.e.l.l breaks loose. If those kids stop someone for a ride or show up at a house ..."

"We're f.u.c.ked," Gonzalez said, finis.h.i.+ng the sentence for his former boss.

"Yes."

"Where could they be?" Newkirk asked.

Singer and Gonzalez simply stared at him, as they did whenever he asked an unanswerable question.

"The sheriff probably won't take it seriously until tomorrow," Singer said. "He'll give it some time. It's obvious they think those kids will show up at home tonight."

That was why he'd ordered Swann to go into town and stake out the Taylor house. Swann knew where they lived and could contact Singer via cell phone if the kids showed up. Sofar, there had been no call.

"I think they're hunkered down in the woods," Gonzalez said. "There's a lot of country out there to get lost in. Nothing but trees all the way to Canada."

While they'd patrolled, Gonzalez had kept remarking on the absence of houses, the lack of lights back in the forest. It struck Newkirk as an odd observation, but understandable given the circ.u.mstances. Gonzalez and Singer kept to themselves. They rarely ventured out of their trophy homes, and made it a point not to get to know their neighbors. The thick forest insulated them from human interaction, and their locked gates kept out pa.s.sersby. Both lived in woodland fortresses with satellite television and Internet, wells for water, backup power generators at the ready. The only time they went to town was to transact necessary business-banking, groceries, whatever-and get back. They socialized with each other and the other ex-cops who'd come up together. Newkirk was different, and proud of it. He was the youngest of them, was married, and had kids at home. Two boys and a girl, all involved in school and sports. Newkirk and Maggie had met other parents, other families. They traveled to soccer and basketball games with locals, had gotten to know and like some of them. Newkirk liked to think of it as "making an effort." In a sense, he felt he was the only one of the ex-officers who actually lived here. The others were strangers by choice, although Swann was known to roam around town occasionally. Not Singer or Gonzalez. That's why they were always asking him where to find things, like the Sand Creek Bar.

Newkirk often thought bitterly that Singer and Gonzalez, by keeping to themselves the way they did, could create unwanted suspicion. It was as if they were bunkered in their hilltop mansions, looking down on everyone below them. Especially Singer, who rarely ventured out. It was as if he'd done his time with the human race and had no more use for it. And while people up here minded their own business, they didn't like being held in contempt-they wanted to be liked. Newkirk, for his part, found himself liking them, getting along. Singer, by holding himself above them, could create unnecessary animosity. It just hadn't happened yet.

"So what the f.u.c.k do we do?" Gonzalez asked Singer.

"Just let me think," Singer said.

After taking his baseball cap off, running his fingers through his hair, and putting it back on, Newkirk watched Singer. Singer was the man in charge. The lieutenant was the most icily efficient commander Newkirk had ever served under, even in the Army. Singer was the man the department turned to when a case was spiraling in the wrong direction. The man was a fixer, the guy you brought in when a situation had turned into a cl.u.s.ter f.u.c.k. Singer brought his calm with him, but the downside of his facade was that palpable feeling of something tightly coiled up just beneath the skin, like a high-tension spring that continued to wind tighter, capable of being released with a snap to strike out like a serpent's head. Newkirk had seen that happen twice and never wanted to see it again. Singer was preternaturally unfl.u.s.terable, his voice rarely over a whisper. He was the kind of guy who got quieter and colder the worse things got, as if his concentration alone would cut a swath of reason through chaos; that only he was capable of thinking with clarity. Thing was, he was right. When Singer was in charge, like he was now, he was a marvel to watch. There were no wasted motions, no wasted words. He absorbed the vagaries of the situation, processed them, then flicked out commands and expected them to be obeyed. He missed nothing. But there was a profound deep-seated bitterness in Singer, and Newkirk had been there, on the LAPD, as it happened.

There had been a minor scandal, one of many, within the department. That particular one involved the loss of impounded vehicles. Several vocal inner-city leaders had complained to an on-the-make television news reporter that cops were taking or selling cars owned by racial minorities that had been impounded due to traffic violations. The station led with the story for four nights straight, and Singer was a.s.signed the interdepartmental investigation. He determined that the people at fault weren't officers but city contractors charged with towing the vehicles. Despite this finding, the television news reporter had his own agenda and edited Singer's comments in such a way that he sounded not only incompetent, but complicit. The edited report, complete with new questions asked by the reporter that were dubbed in after the interview, aired during sweeps week in Los Angeles, and Singer was referred to as "Stammering Singer" in news columns. The lieutenant, who had never had his reputation questioned before, was furious and asked the department to take action against the reporter and the television station, to at least defend him in public. The outgoing police chief, who later wound up being hired as an expert commentator for the network affiliated with the local station, bunkered down. Singer felt betrayed, and the dedication and pa.s.sion he had felt toward the department took a 180-degree turn. He was never the same after that, and the quiet and effective hatred he had once focused on criminals and spineless politicians pointed inward toward his employers. Only those close to him-his immediate subordinates-knew of the sea change. Like everything about Singer, the s.h.i.+fting of loyalty from the department to his small circle of men was swift, decisive, and devastating. The LAPD never knew what hit it.

Although Newkirk was physically outmatched by Ex-Sergeant Gonzalez, who sat at the table beside him, it was Singer, a head shorter than Newkirk, he feared the most.

Gonzalez let Singer think and sipped his beer. As always, he had chosen the chair with his back toward the wall so he could keep an eye on everything in front of him. Gonzalez was a big man. He worked out daily in his home gym, and he wore jeans and tight black T-s.h.i.+rts that called attention to his thick arms, barrel chest, and ma.s.sive hard belly. Gonzo was dark, smoldering, and violent. He fostered his image and persona. He was the kind of police officer, and man, who projected a dark malevolence even when he performed a simple, normal task like opening a door for someone or smiling at a joke. People around him, even strangers, always seemed relieved that Gonzalez had not decided to harm them. He had a way of looking up from hooded eyes that chilled the blood. Gonzalez was never troubled by doubt in his own judgment and never hesitated to follow up with his own kind of justice. He was the creator of the infamous L.A. mutilation known as the "guilty smile," where a man's cheeks were ripped back from the corners of his mouth to his ears. When the victim's face eventually healed, the mutilation made it look like a wide, clownish smile.

Singer had barely touched his beer. Newkirk and Gonzalez had emptied the pitcher, and Gonzo tried to get the attention of the bartender by lifting it whenever he thought the man looked over.

"What we've got to do is get control of the situation," Singer said softly, almost to himself. "We can't wait for things to happen, then react. We've got to get ahead of it so we can steer things in our favor."

"Like waiting for that motherf.u.c.ker to look over and get us a pitcher," Gonzalez said.

Newkirk sighed. "I'll get it."

He approached the bar. There were only two other drinkers, a skeletal man in stained Carhartts who looked like an old miner, and a much younger man in a brown UPS uniform. Newkirk perched between them and put the pitcher on the bar.

"What was it? Coors?" the bartender asked, rousing himself from where he leaned against the backbar and watched Sportscenter on the television mounted to the ceiling.

"Yes," Newkirk said. He shot a glance at the old miner, who nodded at him then went back to watching the television. The UPS man seemed to be waiting for Newkirk to say something. Oh no, he thought; a talker.

"Don't get too close to me," the UPS man slurred. "I'm radioactive."

"You are?" Newkirk asked pleasantly, but in a way he hoped would be dismissive.

"I'm f.u.c.king poison. I might rub off on you, and you don't want that."

Newkirk s.h.i.+fted to look him over. He was built; solid, tight clothes, thick thighs, but a broad friendly face. Newkirk guessed six-two, two-twenty. A bra.s.s-colored name tag on his uniform read TOM BOYD. It was unusual to see a package delivery employee in uniform so long after the workday was over. He remembered the truck outside.

"Don't you have to turn your truck in at night?"

Tom snorted. "S'posed to. But instead I pitched camp right here on this stool when I got done with my route. Right, Marty?" he said to the bartender, who had tilted the empty pitcher to fill it with beer from the tap.

"Yes, Tom," the bartender said wearily. Newkirk got the impression Tom had already talked Marty's ear off.

"I'll take care of that pitcher," Tom said, fis.h.i.+ng a wad of bills out of his pocket and slapping them on the bar. "And another double Jack for me."

"You sure you need another one?" Marty asked.

"What are you, a bartender or my f.u.c.king counselor? A knife could drop out of the sky at any second and kill my poor, pathetic a.s.s. So pour 'em!"

Marty shrugged, and Tom shook his head in drunken exaggeration. "That's right. That's right."

Neither Newkirk nor Marty said anything, not wanting to encourage him.

"I'm poison," Tom said again. "I'm f.u.c.king radioactive. Everything I touch turns to c.r.a.p."

Tom was one of those guys, Newkirk thought, who was practically begging to be asked what was wrong and wouldn't give up until he was.

"Women problems, eh?" Newkirk said, not really interested.

"Is there any other kind? I mean really?"

"Just call her. Let her talk it out and keep your mouth shut while she does. That's what works for me." To emphasize his point, Newkirk raised his hand and rotated the wedding band on his finger.

Tom said, "I tried to call her a while ago, and she hung up on me. She said she was waiting for the sheriff to call back and to get off her line. It's bulls.h.i.+t. That kid is just getting back at her by not coming home. I used to do that s.h.i.+t all the time."

Newkirk felt a trill race down his spine. "Why is she waiting for the sheriff to call her?"

"Her kids didn't come home from school," Tom said, rolling his eyes, smiling ruefully. "Somehow, that's my fault."

"What did you say her name was?" Newkirk asked, knowing Tom hadn't said it yet.

"Monica."

"Monica Treblehorn? I know her."

"No, Monica Taylor."

"Don't know her," Newkirk said.

"Consider yourself lucky."

"What'd you do?" Newkirk asked conversationally.

"p.i.s.sed her off," Tom said. "Forgot to take her little mama's boy fis.h.i.+ng, so she f.u.c.king threw me out. Threw me right out. Her and that little b.i.t.c.h daughter of hers-they conspired against me."

Boy and girl, Newkirk thought. Taylor.

"So they went on their own, huh?" Newkirk said, realizing as he said it that he should have kept quiet. Tom hadn't told him the kids were on their own. But no matter, Tom didn't catch it.

"Took my SIX-HUNDRED-DOLLAR SAGE ROD, too!"

"That sucks, doesn't it?"

"Let me give you a little bit of advice, my friend," Tom said, reaching out and gripping Newkirk's arm. "Don't go out with a woman who has kids."

"I'm married," Newkirk said. "I've got kids of my own."

"Then don't go out with her," Tom said, smiling stupidly. "They'll all conspire against you. They'll win, too. We're outnumbered by the women and the kids and the pansies. We're endangered species, us men, just like that f.u.c.king owl that stopped all the logging in the woods."

"Hear hear!" the old miner shouted from the end of the bar, raising his gla.s.s.

"Tom," Marty said, handing the pitcher to Newkirk, "advice is frowned on in this place." To Newkirk, Marty said, "Keep it on the tab?" Ignoring Tom Boyd's offer.

"Yes, and buy my new friend here another," Newkirk said.

When he returned to the table, Newkirk said, "You won't believe who I just met. Monica Taylor's boyfriend. And we've got a problem. He said she's waiting for the sheriff to call her back. Things might be moving faster than we thought. I'm guessing they'll form a search team to look for those kids. What if they find them?"

"Jesus Christ," Gonzalez whispered angrily. "Does everybody know?"

"Not like that. He just talked with her," Newkirk said, shaking his head. "He says she threw him out of her house tonight."

Singer looked at Newkirk, his face expressionless. Then, oddly, a tight faint smile.