Bella Donna Part 70

"Oh, I think the less pretty politeness European women have from these Orientals the better!" she said, almost with a sneer.

"You're thinking of that horrible German woman in the Fayyum. But Baroudi's very well looked on by the English in Egypt. I found that out in Cairo, when I left you to go to the Fayyum. He's quite a _persona grata_ for an Egyptian. Everybody seems ready to do him a good turn.

That's partly why he's been so successful in all he's undertaken."

"I dare say he's not bad in his way, but as long as we've got his lovely boat I can do quite well without him" she said, smiling. "Where are we going to tie up tonight, and when?"

"When it gets dark. The Reis knows where. Isn't it glorious to be quite free and independent? We can stop wherever we like, in the lonely places, where there'll be no tourists to bother us."

"Yes," she said, echoing his enthusiasm, while she looked at him with smiling eyes. "Let's avoid the tourists and stop in the lonely places.

Well, I'm going down now."

"Why? What are you going to do? The sun will soon be setting. We ought to see the first afterglow from the _Loulia_ together."

"Call me, then, when it comes. But I'm going to take a lesson in coffee-making as they do it out here. It will amuse me to make our coffee after lunch. Besides, it will be something to do. And I want to take an interest in everything, in all the trifles of this odd new life."

He put his arm around her shoulder.

"Splendid!" he said.

His hand tightened upon her.

"But you must come for the afterglow."

"Call me, and I'll come."

As she went down the companion, he leaned over the rail and asked her:

"Who's going to give you your lesson in coffee-making?"

"Hamza," she answered.

And she disappeared.

XXVI

"All the way up the Nile we shall hear the old shaduf songs," Nigel had said, when the _Loulia_ set sail from Keneh.

As Mrs. Armine went down to meet Hamza, she was aware of the loud voices of the shaduf men. They came from both banks of the Nile--powerfully from the eastern, faintly from the western bank soon to be drowned in the showers of gold from the sinking sun. Yet she could hear that even those distant voices were calling loudly, that in their faintness there was violence. And she thought of the fellah's voice that cried to her in the orange-garden, and how for a moment she had thought of flight before she had found herself in a prison of prayer. Now she was in another prison. But even then the inexorable hands had closed upon her, and the final cry of the fellah had thrilled with a savage triumph. She had remembered "Ada" that day. She remembered it again now. Then, in her youth, she had believed that the pa.s.sion which had wrecked her was the pa.s.sion of her life, a madness of the senses, a delirium of the body which could never be repeated in later years for another object. How little she had known herself or life! How little she had known the cruel forces of mature age. That pa.s.sion of her girlhood seemed to her like an anaemic shadow of the wolfish truth that was alive in her now. In those days the power to feel, the power to crave, to shudder with jealousy, to go almost mad in the face of a menacing imagination, was not full-grown.

Now it was full-grown, and it was a giant. Yet in those days she had allowed the shadow to ruin her. In these she meant to be more wary. But now she was tortured by a nature that she feared.

The die was cast. She had no more thought of escape or of resistance.

The supreme selfishness of the materialist, which is like no other selfishness, was fully alive within her. Believing not at all in any future for her soul, she desired present joy for her clamorous body as no one not a materialist could ever desire. If she failed in having what she longed for now, while she still retained the glow of her Indian summer, she believed she would have nothing more at all, that all would be finally over for her, that the black gulf would gape for her and that she would vanish into it for ever. She was a desperate woman, beneath her mask of smiling calm, when the _Loulia_ set sail and glided into the path of the golden evening.

Nevertheless, directly she had descended the shallow steps, and come into the luxurious cabin that was to be her boudoir, she was conscious of a feeling of relief that was almost joy. The comfort, the perfect arrangements of the _Loulia_ gave her courage. She was able to look forward. The soul of her purred with a sensual satisfaction. She went on down the pa.s.sage to the room of the fountain and of the gilded ball. But today the fountain was not playing, and the little ball floated upon the water in the marble basin like a thing that had lost its life. She felt a slight shock of disappointment. Then she remembered that they were moving. Probably the fountain only played when the dahabeeyah was at rest. The grotesque monster, like a dragon with a dog's head, which she had seen on her first visit, looked down on her from its bracket. And she felt as if it welcomed her. The mashrebeeyeh lattices were closed over the windows, but the sliding doors that gave on to the balcony were pushed back, and let in the light of evening, and a sound of water, and of voices along the Nile. She sat down on the divan, and almost immediately Hamza came in.

"You are going to show me how to make Turkish coffee, Hamza?" she said, in her lazy and careless voice.

"Yes," he replied.

"Where shall we do it?"

He pointed towards the raised balcony in the stern.

"Out there!" she said.

She seemed disappointed, but she got up slowly and followed him out. The awning was spread so that the upper deck was not visible. When she saw that, the cloud pa.s.sed away from her face, and as she sat down to receive her lesson, there was a bright and hard eagerness and attention in her eyes and about her lips.

Hamza had already brought a brazier with iron legs, which was protected from the wind by a screen of canvas. On the polished wood close to it there were a s.h.i.+ning saucepan containing water, a bra.s.s bowl of freshly roasted and pounded coffee, two small open coffee-pots with handles that stuck straight out, two coffee-cups, a tiny bowl of powdered sugar, and some paper parcels which held sticks of mastic, ambergris, and seed of cardamom. As soon as Mrs. Armine was seated by the brazier Hamza, whose face looked as if he were quite alone, with slow and almost dainty delicacy and precision proceeded with his task. Squatting down upon his haunches, with his thin brown legs well under his reed-like body, he poured the water from the saucepan into one of the copper pots, set the pot on the brazier, and seemed to sink into a reverie, with his enigmatic eyes, that took all and gave nothing, fixed on the burning coals. Mrs. Armine was motionless, watching him, but he never looked at her. There was something animal in his abstraction. Presently there came from the pot a murmur. Instantly Hamza stretched out his hand, took the pot from the brazier and the bowl of coffee from the ground, let some of the coffee slip into the water, stirred it with a silver spoon which he produced from a carefully folded square of linen, and set the pot once more on the brazier. Then he unfolded the paper which held the ambergris, put a carat weight of it into the second pot and set that, too, on the brazier. The coffee began to simmer. He lit a stick of mastic, fumigated with its smoke the two little coffee-cups, took the coffee-pot, and gently poured the fragrant coffee into the pot containing the melted ambergris, let it simmer for a moment there, poured it out into the coffee-cups, creaming and now sending forth with its own warm perfume the enticing perfume of ambergris, added a dash of the cardamom seed, and then, at last, looked towards Mrs. Armine.

"It's ready? Then--then shall I put the sugar in?" she said.

"Yes," said Hamza, looking steadily at her.

She stretched out her hand, but not to the sugar bowl. Just as she did so a voice from over their heads called out:

"Ruby! Ruby!"

"Come down here!" she called, in answer.

"But I want you to come up and see the sunset and the afterglow with me."

"Come down here first," she called.

"Right!"

The coffee-making was finished. Hamza got up from his haunches, lifted up the brazier, and went softly away, carrying it with a nonchalant ease almost as if it were a cardboard counterfeit weighing nothing.

In a moment Nigel came into the dim room of the fountain.

"Where are you? Oh, there! We mustn't miss our first sunset."

"Coffee!" she said, smiling.

He came out on to the balcony, and she gave him one of the little cups.

"Did you make it yourself?"

"No. But I will to-morrow. Hamza has been showing me how to."

He took the cup.

"It smells delicious, as enticing as perfumes from Paradise. I think you must have made it."

"Drink it, and believe so--you absurd person!" she said, gently.