The Shadow Of The Torturer Part 14

"Father Inire did not hesitate before he answered her, or even blink-still, I understood that he was startled. He said, 'No, that is someone else, dulcinea. Can you see him plainly? No? Then come into my presence chamber tomorrow a little after Nones, and I'll show him to you.'"

"We were frightened when he left. Domnina swore a hundred times that she would not go. I applauded her resolution and tried to strengthen her in it. More to the point, we arranged that she should stay with me that night and the next day."

"It was all for nothing. A little before the appointed time, a servant in a livery neither of us had ever seen came for poor Domnina."

"A few days before I had been given a set of paper figures. There were soubrettes, columbines, coryphees, harlequinas, figurantes, and so on-the usual thing. I remember that I waited on the window seat all afternoon for Domnina, toying with these little people, coloring their costumes with wax pencils, arranging them in various ways and inventing games she and I would play when she came back."

"At last my nurse called me to supper. By that time I thought Father Inire had killed Domnina, or that he had sent her back to her mother with an order that she must never visit us again. Just as I was finis.h.i.+ng my soup there was a knock. I heard mother's servitrix go to answer the door, then Domnina burst in. I'll never forget her face-it was as white as the faces of the dolls. She cried and my nurse comforted her, and eventually we got the story out of her."

"The man who had been sent for her had taken her through halls she hadn't known existed. That, you understand, Severian, was frightening in itself. We both thought ourselves perfectly familiar with our wing of the House Absolute. Eventually he had led her into what must have been the presence chamber. She said it was a large room with hangings of a solid, dark red and almost no furniture except for vases taller than a man and wider than she could spread her arms."

"In the center was what she at first took to be a room within the room. The walls were octagonal and painted with labyrinths. Over it, just visible from where she stood at the entrance to the presence chamber, burned the brightest lamp she had ever seen. It was blue-white, she said, and so brilliant an eagle could not have kept his eyes on it."

"She had heard the click of the bolt when the door had been closed behind her. There was no other exit she could see. She ran to the curtains hoping to find another door behind them, but as soon as she pulled one aside, one of the eight walls painted with labyrinths opened and Father Inire stepped out. Behind him she saw what she called a bottomless hole filled with light."

"'There you are,' he said. 'You've come just in time. Child, the fish is nearly caught. You can watch the setting of the hook, and learn by what means his golden scales are to be meshed in our landing net.' He took her arm and led her into the octagonal enclosure."

At this point I was forced to interrupt my tale to help Agia through a section of the path almost completely overgrown. "You're talking to yourself," she said. "I can hear you muttering behind me."

"I'm telling myself the story I mentioned to you. You seemed to have no wish to hear it, and I wanted to listen to it again-besides, it concerns the specula of Father Inire, and may contain hints useful to us."

"Domnina drew away. In the center of the enclosure, just under the lamp, was a haze of yellow light. It was never still, she said. It moved up and down and from side to side with rapid flickerings, never leaving a s.p.a.ce that might have been four spans high and four long. It did indeed remind her of a fish. Much more than the faint flagae she had glimpsed in the mirrors of the Hall of Meaning ever had-a fish swimming in air, confined to an invisible bowl. Father Inire drew the wall of the octagon closed behind them. It was a mirror in which she could see his face and hand and s.h.i.+ning, indefinite robes reflected. Her own form too, and the fish's . . . but there seemed to be another girl-her own face peering over her shoulder; then another and another and another, each with a smaller face behind it. And so on ad infinitum, an endless chain of fainter Domnina-faces."

"She realized when she saw them that the wall of the octagonal enclosure through which she had pa.s.sed faced another mirror. In fact, all the others were mirrors. The light of the blue-white lamp was caught by them all and reflected from one to another as boys might pa.s.s silver b.a.l.l.s, interlacing and intertwining in an interminable dance. In the center, the fish flickered to and fro, a thing formed, as it seemed, by the convergence of the light."

"'Here you see him,' Father Inire said. 'The ancients, who knew this process at least as well as we and perhaps better, considered the Fish the least important and most common of the inhabitants of specula. With their false belief that the creatures they summoned were ever-present in the depths of the gla.s.s, we need not concern ourselves. In time they turned to a more serious question: By what means may travel be effected when the point of departure is at an astronomical distance from the place of arrival?'"

"'Can I put my hand through him?'"

"'At this stage you may, child. Later I would not advise it.'"

"She did so, and felt a sliding warmth. 'Is this how the cacogens come?'"

"'Has your mother ever taken you riding in her flier?'"

"'Of course.'"

"'And you have seen the toy fliers older children make on the pleasance at night, with paper hulls and parchment lanterns. What you see here is to the means used to travel between suns as those toy fliers are to real ones. Yet we can call up the Fish with these, and perhaps other things too. And just as the boys' fliers sometimes set the roof of a pavilion ablaze, so our mirrors, though their concentration is not powerful, are not without danger.'"

"'I thought that to travel to the stars you'd have to sit on the mirror.'"

"Father Inire smiled. It was the first time she had seen him smile, and though she knew he meant only that she had amused and pleased him (perhaps more than a grown woman could have) it was not pleasant. 'No, no. Let me outline the problem to you. When something moves very, very fast-as fast as you see all the familiar things in your nursery when your governess lights your candle-it grows heavy. Not larger, you understand, but only heavier. It is attracted to Urth or any other world more strongly. If it were to move swiftly enough, it would become a world itself, pulling other things to it. Nothing ever does, but if something did, that is what would happen. Yet even the light from your candle does not move swiftly enough to travel between the suns.'"

"(The Fish flickered up and down, forward and back.)"

"'Couldn't you make a bigger candle?' I feel sure Domnina was thinking of the paschal candle she saw each spring, thicker than a man's thigh."

"'Such a candle could be made, but its light would fly no more swiftly. Yet even though light is so weightless we have given its name to that condition, it presses against what it falls on, just as wind, which we cannot see, pushes the arms of a mill. See now what happens when we provide light to mirrors set face to face: The image they reflect travels from one to the other and returns. Suppose it meets itself in returning-what do you suppose happens then?'"

"Domnina laughed despite her fear, and said she could not guess."

"'Why it cancels itself. Think of two little girls running across a lawn without looking where they're going. When they meet, there are no more little girls running. But if the mirrors are well made and the distances between them are correct, the images do not meet. Instead, one comes behind the other. That has no effect when the light comes from a candle or a common star, because both the earlier light and the later light that would otherwise tend to drive it forward are only random white light, like the random waves a little girl might make by flinging a handful of pebbles into a lily pond. But if the light is from a coherent source, and forms the image reflected from an optically exact mirror, the orientation of the wave fronts is the same because the image is the same. Since nothing can exceed the speed of light in our universe, the accelerated light leaves it and enters another. When it slows again, it reenters ours-naturally at another place.'"

"'Is it just a reflection?' Domnina asked. She was looking at the Fish."

"'Eventually it will be a real being, if we do not darken the lamp or s.h.i.+ft the mirrors. For a reflected image to exist without an object to originate it violates the laws of our universe, and therefore an object will be brought into existence.'"

"Look," Agia said, "we're coming to something."

The shade of the tropical trees was so intense that spots of suns.h.i.+ne on the path seemed to blaze like molten gold. I squinted to peer beyond their burning shafts of light.

"A house set on stilts of yellow wood. It's thatched with palm fronds. Can't you see it?"

Something moved, and the hut seemed to spring at my eyes as it emerged from the pattern of greens, yellows, and blacks. A shadowed splotch became a doorway; two sloping lines, the angle of the roof. A man in light-colored clothes stood on a tiny veranda looking down the path at us. I straightened my mantle. "You don't have to do that," Agia said. "It doesn't matter in here. If you're hot, take it off."

I removed the mantle and folded it over my left arm. The man on the veranda turned with an expression of unmistakable terror and went into the hut.

Chapter 21.

THE HUT IN THE JUNGLE.

A ladder led to the veranda. It was made of the same k.n.o.bby-jointed wood as the hut, lashed together with vegetable fiber. "You're not going up that?" Agia protested.

"If we're going to see what's to be seen here we must," I said. "And recalling the state of your undergarments, I thought you might feel more comfortable if I preceded you."

She surprised me by blus.h.i.+ng. "It will only lead to such a house as was used in the hot parts of the world in ancient days. You'll soon be bored, believe me."

"Then we can come down, and we will have lost very little time." I swung myself up the ladder. It sagged and creaked alarmingly, but I knew that in a public pleasure-ground it was impossible that it should be really dangerous. When I was halfway up, I felt Agia behind me.

The interior was hardly larger than one of our cells, but there all resemblance ceased. In our oubliette, the overwhelming impression was of solidity and ma.s.s. The metal plates of the walls echoed even the slightest sounds; the floors rang beneath the tread of the journeymen and gave not a hairsbreadth under the walker's weight; the ceiling could never fall-but if it should, it would crush everything below it.

If it is true that each of us has an antipolaric brother somewhere, a bright twin if we are dark, a dark twin if we are bright, then that hut was surely such a changeling to one of our cells. There were windows on all sides save the one through which we entered by the open door, and they had neither bars nor panes nor any other sort of closing. Floor and walls and window frames were of the branches of the yellow tree; branches not planed to boards but left in the round so that I could, in places, see sunlight through the walls, and if I had dropped a worn orichalk, it would very likely have come to rest on the ground below. There was no ceiling, only a triangular s.p.a.ce beneath the roof where pans and food bags hung.

A woman was reading aloud in a corner, with a naked man crouched at her feet. The man we had seen from the path stood at the window opposite the door, looking out. I felt that he knew we had come (and even if he had not seen us a few moments before, he must certainly have felt the hut shake when we climbed the ladder), but that he wished to pretend he did not. There is something in the line of the back when a man turns so as not to see, and it was evident in his. The woman read: "Then he went up from the plain to Mt. Nebo, the headland that faces the city, and the Compa.s.sionating showed him the whole country, all the land as far as the Western Sea. Then he said to him: 'This is the land I swore to your fathers I should give their sons. You have seen it, but you shall not set your feet upon it.' So there he died, and was buried in the ravine."

The naked man at her feet nodded. "It is even so with our own masters, Preceptress. With the smallest finger it is given. But the thumb is hooked into it, and a man has only to take the gift, and dig in the floor of his house, and cover all with a mat, than the thumb begins to pull and bit by bit the gift rises from the earth and ascends into the sky and is seen no more."

The woman seemed impatient with this, and began, "No, Isangoma-"

But the man at the window interrupted her without turning around. "Be quiet, Marie. I want to hear what he has to say. You can explain later."

"A nephew of mine," the naked man continued, "a member of my own fire circle, had no fish. And so he took up his gowdalie and went to a certain pool. So quietly did he lean over the water he might have been a tree." The naked man leaped up as he said this, and posed his sinewy frame as though to spear the woman's feet with a shaft of air. "Long, long he stood . . . until the monkeys no longer feared him and returned to drop sticks in the water, and the hesperorn fluttered to her nest. A big fish came out of his den in the sunken trunks. My nephew watched him circle, slowly, slowly. He swam near the surface, and then when my nephew was about to drive home the three-toothed spear, there was no longer a fish to be seen, but a lovely woman. At first my nephew thought the fish was the fish-king, who had changed his form that he might not be speared. Then he saw the fish moving beneath the woman's face, and knew that he saw a reflection. He looked up at once, but there was nothing to be seen but the whisk of the vines. The woman was gone!" The naked man looked up, mimicking very well the amazement of the fisherman. "That night my nephew went to the Numen, the Proud One, and slit the throat of a young oreodont, saying-"

Agia whispered to me, "In the name of the Theoanthropos, how long do you mean to stay here? This could go on all day."

"Let me look about the hut," I whispered back, "and we'll go."

"Mighty is the Proud One, sacred all his names. Everything found beneath leaves is his, the storms are carried in his arms, the poison holds no death unless his curse is p.r.o.nounced over it!"

The woman said, "I don't think we need all these praises of your fetish, Isangoma. My husband wishes to hear your story. Very well, but tell it and spare us your litanies."

"The Proud One protects his supplicant! Would not he be shamed if one who adores him were to die?"

"Isangoma!"

From the window, the man said, "He's afraid, Marie. Can't you hear it in his voice?"

"There is no fear for those who wear the sign of the Proud One! His breath is the mist that hides the infant uakaris from the claws of the margay!"

"Robert, if you won't do something about this, I will. Isangoma, be silent. Or leave and never return here again."

"The Proud One knows Isangoma loves the Preceptress. He would save her if he could."

"Save me from what? Do you think there's one of your dreadful beasts here? If there were, Robert would shoot it with his gun."

"The tokoloshe, Preceptress. The tokoloshe come. But the Proud One in his condescension will protect us. He is the mighty commander of all tokoloshe! When he roars, they hide beneath the fallen leaves."

"Robert, I think he's lost his mind."

"He has eyes, Marie, and you don't."

"What do you mean by that? And why do you keep looking out that window?" Quite slowly, the man turned to face us. For a moment he looked at Agia and me, then he turned away. His expression was the one I have seen our clients wear when Master Gurloes showed them the instruments to be used in their anacrisis.

"Robert, for goodness' sake tell me what's wrong with you."

"As Isangoma says, the tokoloshe are here. Not his, I think, but ours. Death and the Lady. Have you heard of them, Marie?"

The woman shook her head. She had risen from her seat and opened the lid of a small chest.

"You wouldn't have, I suppose. It's a picture-an artistic theme, rather. Pictures by several artists. Isangoma, I don't think your Proud One has much authority over these tokoloshe. These come from Paris, where I used to be a student, to remonstrate with me for giving up art for this."

The woman said, "You have a fever, Robert. That's obvious. I'm going to give you something, and you'll feel better soon."

The man looked toward us again, at Agia's face and my own, as though he did not wish to do so but found himself unable to control the motion of his eyes. "If I am ill, Marie, then the diseased know things the well have overlooked. Isangoma knows they're here too, don't forget. Didn't you feel the floor tremble while you were reading to him? That was when they came in, I think."

"I've just poured you a gla.s.s of water so you can swallow your quinine. There are no ripples in it."

"What are they, Isangoma? Tokoloshe-but what are tokoloshe?"

"Bad spirits, Preceptor. When man think bad thought or woman do bad thing, there is another tokoloshe. He stay behind. Man think: No one know, everyone dead. But tokoloshe remain until end of world. Then everyone will see, know what that man did."

The woman said, "What a horrible idea."

Her husband's hands clenched the yellow stick of the windowsill. "Don't you see they are only the results of what we do? They are the spirits of the future, and we make them ourselves."

"They are a lot of pagan nonsense, that's what I see, Robert. Listen. Your vision is so sharp, can't you listen for a moment?"

"I am listening. What do you want to say?"

"Nothing. I only want you to listen. What do you hear?"

The hut fell silent I listened too, and could not have not listened if I had wanted to. Outside the monkeys chattered, and the parrots screamed as before. Then I heard, over the jungle noises, a faint humming, as though an insect as large as a boat were flying far away.

"What is it?" the man asked.

"The mail plane. If you're lucky, you should be able to see it soon." The man craned his neck out the window, and I, curious to see what he was looking for, went to the window on his left and looked out as well. The foliage was so thick that at first it seemed impossible to see anything, but he was staring almost straight up past the edge of the thatch, and I found a patch of blue there.

The humming grew louder. Into view came the strangest flier I have ever seen. It was winged, as if it had been built by some race that had not yet realized that since it would not flap wings like a bird in any case, there was no reason its lift, like a kite's, could not come from its hull. There was a bulbous swelling on each argent pinion, and a third at the front of the hull; the light seemed to glimmer before these swellings.

"In three days we could be at the landing strip, Robert. The next time it comes, we would be waiting."

"If the Lord has sent us here-"

"Yes, Preceptor, we must do what the Proud One wishes! There is none like he! Preceptress, let me dance to the Proud One, and sing his song. Then it may be the tokoloshe will depart."

The naked man s.n.a.t.c.hed her book from the woman and began to beat it with the flat of his hand-rhythmic claps as though he played a tambour. His feet sc.r.a.ped the uneven floor, and his voice, beginning with a melodic stridulation, became the voice of a child:

"In the night when all is silent, Hear him screaming in the treetops!

See him dancing in the fire!

He lives in the arrow poison, Tiny as a yellow firefly!

Brighter than a falling star!

Hairy men walk in the forest-"

Agia said, "I'm leaving, Severian," and stepped through the doorway behind us. "If you want to stay and watch this, you can. But you'll have to get your avern yourself, and find your way to the Sanguinary Fields. Do you know what will happen if you fail to appear?"

"They'll employ a.s.sa.s.sins, you said."

"And the a.s.sa.s.sins will employ the snake called yellowbeard. Not on you, at first. On your family, if you have any, and your friends. Since I've been with you all over our quarter of the city, that probably means me."