The Notebooks of Leonardo Da Vinci - LightNovelsOnl.com
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What is the difference between light and the l.u.s.tre which is seen on the polished surface of opaque bodies?
The lights which are produced from the polished surface of opaque bodies will be stationary on stationary objects even if the eye on which they strike moves. But reflected lights will, on those same objects, appear in as many different places on the surface as different positions are taken by the eye.
WHAT BODIES HAVE LIGHT UPON THEM WITHOUT l.u.s.tRE?
Opaque bodies which have a hard and rough surface never display any l.u.s.tre in any portion of the side on which the light falls.
WHAT BODIES WILL DISPLAY l.u.s.tRE BUT NOT LOOK ILLUMINATED?
Those bodies which are opaque and hard with a hard surface reflect light [l.u.s.tre] from every spot on the illuminated side which is in a position to receive light at the same angle of incidence as they occupy with regard to the eye; but, as the surface mirrors all the surrounding objects, the illuminated [body] is not recognisable in these portions of the illuminated body.
136.
The relations of luminous to illuminated bodies.
The middle of the light and shade on an object in light and shade is opposite to the middle of the primary light. All light and shadow expresses itself in pyramidal lines. The middle of the shadow on any object must necessarily be opposite the middle of its light, with a direct line pa.s.sing through the centre of the body. The middle of the light will be at a, that of the shadow at b. [Again, in bodies shown in light and shade the middle of each must coincide with the centre of the body, and a straight line will pa.s.s through both and through that centre.]
[Footnote: In the original MS., at the spot marked a of the first diagram Leonardo wrote primitiuo, and at the spot marked c-primitiva (primary); at the spot marked b he wrote dirivatiuo and at d deriuatiua (derived).]
Experiments on the relation of light and shadow within a room (137-140).
137.
SHOWS HOW LIGHT FROM ANY SIDE CONVERGES TO ONE POINT.
Although the b.a.l.l.s a b c are lighted from one window, nevertheless, if you follow the lines of their shadows you will see they intersect at a point forming the angle n.
[Footnote: The diagram belonging to this pa.s.sage is slightly sketched on Pl. x.x.xII; a square with three b.a.l.l.s below it. The first three lines of the text belonging to it are written above the sketch and the six others below it.]
138.
Every shadow cast by a body has a central line directed to a single point produced by the intersection of luminous lines in the middle of the opening and thickness of the window. The proposition stated above, is plainly seen by experiment. Thus if you draw a place with a window looking northwards, and let this be s f, you will see a line starting from the horizon to the east, which, touching the 2 angles of the window o f, reaches d; and from the horizon on the west another line, touching the other 2 angles r s, and ending at c; and their intersection falls exactly in the middle of the opening and thickness of the window. Again, you can still better confirm this proof by placing two sticks, as shown at g h; and you will see the line drawn from the centre of the shadow directed to the centre m and prolonged to the horizon n f.
[Footnote: B here stands for cerchio del' orizonte tramontano on the original diagram (the circle of the horizon towards the North); A for levante (East) and C for ponete (West).]
139.
Every shadow with all its variations, which becomes larger as its distance from the object is greater, has its external lines intersecting in the middle, between the light and the object. This proposition is very evident and is confirmed by experience. For, if a b is a window without any object interposed, the luminous atmosphere to the right hand at a is seen to the left at d. And the atmosphere at the left illuminates on the right at c, and the lines intersect at the point m.
[Footnote: A here stands for levante (East), B for ponente (West).]
140.
Every body in light and shade is situated between 2 pyramids one dark and the other luminous, one is visible the other is not. But this only happens when the light enters by a window. Supposing a b to be the window and r the body in light and shade, the light to the right hand z will pa.s.s the object to the left and go on to p; the light to the left at k will pa.s.s to the right of the object at i and go on to m and the two lines will intersect at c and form a pyramid. Then again a b falls on the shaded body at i g and forms a pyramid f i g. f will be dark because the light a b can never fall there; i g c will be illuminated because the light falls upon it.
Light and shadow with regard to the position of the eye (141-145).
141.
Every shaded body that is larger than the pupil and that interposes between the luminous body and the eye will be seen dark.
When the eye is placed between the luminous body and the objects illuminated by it, these objects will be seen without any shadow.
[Footnote: The diagram which in the original stands above line 1 is given on Plate II, No 2. Then, after a blank s.p.a.ce of about eight lines, the diagram Plate II No 3 is placed in the original. There is no explanation of it beyond the one line written under it.]
142.
Why the 2 lights one on each side of a body having two pyramidal sides of an obtuse apex leave it devoid of shadow.
[Footnote: The sketch ill.u.s.trating this is on Plate XLI No 1.]
143.
A body in shadow situated between the light and the eye can never display its illuminated portion unless the eye can see the whole of the primary light.
[Footnote: A stands for corpo (body), B for lume (light).]
144.
The eye which looks (at a spot) half way between the shadow and the light which surrounds the body in shadow will see that the deepest shadows on that body will meet the eye at equal angles, that is at the same angle as that of sight.
[Footnote: In both these diagrams A stands for lume (light) B for ombra (shadow).]
145.
OF THE DIFFERENT LIGHT AND SHADE IN VARIOUS ASPECTS AND OF OBJECTS PLACED IN THEM.
If the sun is in the East and you look towards the West you will see every thing in full light and totally without shadow because you see them from the same side as the sun: and if you look towards the South or North you will see all objects in light and shade, because you see both the side towards the sun and the side away from it; and if you look towards the coming of the sun all objects will show you their shaded side, because on that side the sun cannot fall upon them.
The law of the incidence of light.
146.
The edges of a window which are illuminated by 2 lights of equal degrees of brightness will not reflect light of equal brightness into the chamber within.
If b is a candle and a c our hemisphere both will illuminate the edges of the window m n, but light b will only illuminate f g and the hemisphere a will light all of d e.
147.
OF PAINTING.
That part of a body which receives the luminous rays at equal angles will be in a higher light than any other part of it.
And the part which the luminous rays strike between less equal angles will be less strongly illuminated.
SECOND BOOK ON LIGHT AND SHADE.
Gradations of strength in the shadows (148. 149).
