The Notebooks of Leonardo Da Vinci Part 102

[O mighty and once living instrument of formative nature. Incapable of availing thyself of thy vast strength thou hast to abandon a life of stillness and to obey the law which G.o.d and time gave to procreative nature.]

Ah! how many a time the shoals of terrified dolphins and the huge tunny-fish were seen to flee before thy cruel fury, to escape; whilst thy fulminations raised in the sea a sudden tempest with buffeting and submersion of s.h.i.+ps in the great waves; and filling the uncovered sh.o.r.es with the terrified and desperate fishes which fled from thee, and left by the sea, remained in spots where they became the abundant prey of the people in the neighbourhood.

O time, swift robber of all created things, how many kings, how many nations hast thou undone, and how many changes of states and of various events have happened since the wondrous forms of this fish perished here in this cavernous and winding recess. Now destroyed by time thou liest patiently in this confined s.p.a.ce with bones stripped and bare; serving as a support and prop for the superimposed mountain.

[Footnote: The character of the handwriting points to an early period of Leonardo's life. It has become very indistinct, and is at present exceedingly difficult to decipher. Some pa.s.sages remain doubtful.]

[Footnote: Compare No. 1339, written on the same sheet.]

1218.

The watery element was left enclosed between the raised banks of the rivers, and the sea was seen between the uplifted earth and the surrounding air which has to envelope and enclose the complicated machine of the earth, and whose ma.s.s, standing between the water and the element of fire, remained much restricted and deprived of its indispensable moisture; the rivers will be deprived of their waters, the fruitful earth will put forth no more her light verdure; the fields will no more be decked with waving corn; all the animals, finding no fresh gra.s.s for pasture, will die and food will then be lacking to the lions and wolves and other beasts of prey, and to men who after many efforts will be compelled to abandon their life, and the human race will die out. In this way the fertile and fruitful earth will remain deserted, arid and sterile from the water being shut up in its interior, and from the activity of nature it will continue a little time to increase until the cold and subtle air being gone, it will be forced to end with the element of fire; and then its surface will be left burnt up to cinder and this will be the end of all terrestrial nature. [Footnote: Compare No. 1339, written on the same sheet.]

1219.

Why did nature not ordain that one animal should not live by the death of another? Nature, being inconstant and taking pleasure in creating and making constantly new lives and forms, because she knows that her terrestrial materials become thereby augmented, is more ready and more swift in her creating, than time in his destruction; and so she has ordained that many animals shall be food for others. Nay, this not satisfying her desire, to the same end she frequently sends forth certain poisonous and pestilential vapours upon the vast increase and congregation of animals; and most of all upon men, who increase vastly because other animals do not feed upon them; and, the causes being removed, the effects would not follow. This earth therefore seeks to lose its life, desiring only continual reproduction; and as, by the argument you bring forward and demonstrate, like effects always follow like causes, animals are the image of the world.

XX.

Humorous Writings.

Just as Michaelangelo's occasional poems reflect his private life as well as the general disposition of his mind, we may find in the writings collected in this section, the transcript of Leonardo's fanciful nature, and we should probably not be far wrong in a.s.suming, that he himself had recited these fables in the company of his friends or at the court festivals of princes and patrons. Era tanto piacevole nella conversazione- so relates Vasari-che tirava a se gli animi delle genti. And Paulus Jovius says in his short biography of the artist: Fuit ingenio valde comi, nitido, liberali, vultu autem longe venustissimo, et c.u.m elegantiae omnis deliciarumque maxime theatralium mirificus inventor ac arbiter esset, ad lyramque scito caneret, cunctis per omnem aetatem principibus mire placuit. There can be no doubt that the fables are the original offspring of Leonardo's brain, and not borrowed from any foreign source; indeed the schemes and plans for the composition of fables collected in division V seem to afford an external proof of this, if the fables themselves did not render it self-evident. Several of them- for instance No. l279-are so strikingly characteristic of Leonardo's views of natural science that we cannot do them justice till we are acquainted with his theories on such subjects; and this is equally true of the 'Prophecies'.

I have prefixed to these quaint writings the 'Studies on the life and habits of animals' which are singular from their peculiar aphoristic style, and I have transcribed them in exactly the order in which they are written in MS. H. This is one of the very rare instances in which one subject is treated in a consecutive series of notes, all in one MS., and Leonardo has also departed from his ordinary habits, by occasionally not completing the text on the page it is begun. These brief notes of a somewhat mysterious bearing have been placed here, simply because they may possibly have been intended to serve as hints for fables or allegories. They can scarcely be regarded as preparatory for a natural history, rather they would seem to be extracts. On the one hand the names of some of the animals seem to prove that Leonardo could not here be recording observations of his own; on the other hand the notes on their habits and life appear to me to dwell precisely on what must have interested him most-so far as it is possible to form any complete estimate of his nature and tastes.

In No. 1293 lines 1-10, we have a sketch of a scheme for grouping the Prophecies. I have not however availed myself of it as a clue to their arrangement here because, in the first place, the texts are not so numerous as to render the suggested cla.s.sification useful to the reader, and, also, because in reading the long series, as they occur in the original, we may follow the author's mind; and here and there it is not difficult to see how one theme suggested another. I have however regarded Leonardo's scheme for the cla.s.sification of the Prophecies as available for that of the Fables and Jests, and have adhered to it as far as possible.

Among the humourous writings I might perhaps have included the 'Rebusses', of which there are several in the collection of Leonardo's drawings at Windsor; it seems to me not likely that many or all of them could be solved at the present day and the MSS. throw no light on them. Nor should I be justified if I intended to include in the literary works the well-known caricatures of human faces attributed to Leonardo- of which, however, it may be incidentally observed, the greater number are in my opinion undoubtedly spurious. Two only have necessarily been given owing to their presence in text, which it was desired to reproduce: Vol. I page 326, _and Pl. CXXII. It can scarcely be doubted that some satirical intention is conveyed by the drawing on Pl. LXIV (text No. 688).

My reason for not presenting Leonardo to the reader as a poet is the fact that the maxims and morals in verse which have been ascribed to him, are not to be found in the ma.n.u.scripts, and Prof. Uzielli has already proved that they cannot be by him. Hence it would seem that only a few short verses can be attributed to him with any certainty._

I.

STUDIES ON THE LIFE AND HABITS OF ANIMALS.

1220.

THE LOVE OF VIRTUE.

The gold-finch is a bird of which it is related that, when it is carried into the presence of a sick person, if the sick man is going to die, the bird turns away its head and never looks at him; but if the sick man is to be saved the bird never loses sight of him but is the cause of curing him of all his sickness.

Like unto this is the love of virtue. It never looks at any vile or base thing, but rather clings always to pure and virtuous things and takes up its abode in a n.o.ble heart; as the birds do in green woods on flowery branches. And this Love shows itself more in adversity than in prosperity; as light does, which s.h.i.+nes most where the place is darkest.

1221.

ENVY.

We read of the kite that, when it sees its young ones growing too big in the nest, out of envy it pecks their sides, and keeps them without food.

CHEERFULNESS.

Cheerfulness is proper to the c.o.c.k, which rejoices over every little thing, and crows with varied and lively movements.

SADNESS.

Sadness resembles the raven, which, when it sees its young ones born white, departs in great grief, and abandons them with doleful lamentations, and does not feed them until it sees in them some few black feathers.

1222.

PEACE.

We read of the beaver that when it is pursued, knowing that it is for the virtue [contained] in its medicinal t.e.s.t.i.c.l.es and not being able to escape, it stops; and to be at peace with its pursuers, it bites off its t.e.s.t.i.c.l.es with its sharp teeth, and leaves them to its enemies.

RAGE.

It is said of the bear that when it goes to the haunts of bees to take their honey, the bees having begun to sting him he leaves the honey and rushes to revenge himself. And as he seeks to be revenged on all those that sting him, he is revenged on none; in such wise that his rage is turned to madness, and he flings himself on the ground, vainly exasperating, by his hands and feet, the foes against which he is defending himself.

1223.

GRAt.i.tUDE.

The virtue of grat.i.tude is said to be more [developed] in the birds called hoopoes which, knowing the benefits of life and food, they have received from their father and their mother, when they see them grow old, make a nest for them and brood over them and feed them, and with their beaks pull out their old and shabby feathers; and then, with a certain herb restore their sight so that they return to a prosperous state.

AVARICE.

The toad feeds on earth and always remains lean; because it never eats enough:- it is so afraid lest it should want for earth.

1224.

INGRAt.i.tUDE.

Pigeons are a symbol of ingrat.i.tude; for when they are old enough no longer to need to be fed, they begin to fight with their father, and this struggle does not end until the young one drives the father out and takes the hen and makes her his own.

CRUELTY.

The basilisk is so utterly cruel that when it cannot kill animals by its baleful gaze, it turns upon herbs and plants, and fixing its gaze on them withers them up.

1225.

GENEROSITY.

It is said of the eagle that it is never so hungry but that it will leave a part of its prey for the birds that are round it, which, being unable to provide their own food, are necessarily dependent on the eagle, since it is thus that they obtain food.

DISCIPLINE.

When the wolf goes cunningly round some stable of cattle, and by accident puts his foot in a trap, so that he makes a noise, he bites his foot off to punish himself for his folly.

1226.