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They would get so far--always darting down this byway and that of casuistry, only to find that the ways were blind alleys ending against the impregnable wall of arbitrary custom--and then she would come back to his point of view. She would came back with tears, which made her great eyes so lovely that he could only just restrain himself from taking her into his arms; and she would brush away the tears and smile, and, sitting apart, they would be joined in their high sorrow, made one in a pa.s.sion of abnegation.
But he could not leave the house. Each knew that when he did leave it must be forever. They were agreed upon the impossibility of a continued proximity, upon the mockery of a sentimental friends.h.i.+p, and they clung, with weak tenacity to every slipping moment of this concluding interview.
In one of their long pauses a clock struck twelve.
Muriel started.
"Twelve o'clock," said von Klausen. It was as if he spoke of a tolling bell.
"Twelve o'clock," repeated Muriel stupidly.
They rose simultaneously and faced each other; two children caught in that mesh of convention which men have devised to thwart the heart of man.
Then a timid recollection that had long been rankling in Muriel's mind rushed to her lips. She recalled her glimpse of von Klausen with the Spanish dancer at L'Abbaye, and she told him of it.
"How could you?" she asked. "How could you?"
With a waxing tide of earnestness, he told her of his emotional life. He told her of his escapades, of how lightly he had esteemed them when they occurred and how heavily they bore upon him now. He repented as pa.s.sionately as he had sinned, and he vowed himself thenceforth to chast.i.ty.
To Muriel, however, as he told it, all that he had done in the past seemed of moment only in a manner other than that in which he regarded it. She saw it, in one quick flash, as the natural deviations of a force balked by unnatural laws. She saw that this man had learned where Jim had remained ignorant. It even seemed to her well that dissipation had once held him, since at this last, by freeing himself, he was proving how much stronger was her hold on him.
"It doesn't matter," she said; "it doesn't matter." And she put out her hand.
They had come at last, they felt, to the parting of their ways. A moment more and they would go on, forever, apart.
He looked at her cheek, turned pale; at her wide eyes, stricken with pain. As she had appeared to Stainton on that night at the Metropolitan Opera House, so now she appeared to Stainton's successor, but richer, fuller, mature: she was slim and soft, this woman he was losing; her wonderful hair was as black as a thunder-cloud in May; she had high, curved brows and eyes that were large and dark and tender; her lips were damp, and she was warm and dusky and clothed in the light of the stars.
He took her hand and, at the touch, he gave a gasping cry and encircled her in his arms.
It was then that Stainton entered the room.
XIX
HUSBAND AND WIFE
They sprang apart. They could not be certain that he had seen them. Each was sure that their arms had loosed the moment when the handle of the door had rattled. Each communicated this certainty to the other in one glance. Each turned toward the husband.
Stainton smiled heartily.
"Didn't expect me so soon?" he asked. He went to his wife and kissed her. "h.e.l.lo, Captain," he said, shaking the Austrian's cold hand. "I see you have been good enough to come and cheer up Muriel as I asked you.
But, by Jove, you are rather a late stayer, aren't you? A custom of your country, perhaps? Oh, no offence. I'm glad you are here."
"When----" began Muriel.
"I got as far as Montelimart when they caught me with one of their blue telegrams, calmly postponing the meeting until next week. They will have to pay for that postponement, Captain. Lucky thing I wired them what train I was coming by, or I should have gone the last ninety-odd miles and landed at Lyons before I heard that--I wasn't wanted."
Von Klausen had keyed himself for heroics; Muriel had been on the verge of fainting; but Stainton's tone rea.s.sured them both. The Austrian, nevertheless, made for the door: to face disaster was one thing; to court it quite another.
"I have indeed remained late," he said. "I hope that I have not bored your good wife."
"Oh," answered Stainton, patting Muriel's pale cheek, "I am sure that my good wife has been entertained. Haven't you, dear?"
Muriel opened her lips. She stammered, but she managed at last distinctly to say:
"Captain von Klausen has been very kind."
"I thank you," said von Klausen, with his Continental bow.
"What's your hurry?" persisted Jim.
"You have said, sir, that it is late."
"Not so late that you can't stop a few minutes more."
The Captain thought otherwise. He really must go.
Stainton saw him to the front door, and then returned to the drawing-room, where his wife stood just on the spot where he had left her.
"Now," said the husband, quietly. "I think that it is time we had an explanation."
She swayed a little, and he came forward to catch her; but at his approach she flew into a storm of hot anger.
"Don't touch me!" she cried.
She had found herself at last. What she had been she looked at squarely, what she was she would be entire. Stainton, in his habitual role of fond protector, was a figure that she could feel gently towards, could even pity; but Stainton as an accusing husband she now realised that she could not but hate. She looked at him with a scorn that was not lessened by the fact that, goading it from a deep recess in her heart, there cringed an imp of fear. She knew that she hated him.
Jim stopped short.
"Don't touch me!" she repeated. "You believe I've deceived you. Well, you never meant to go to Lyons. You have tricked me. You have lied to me!"
Tradition always shows us the wronged husband in a towering rage, in the throes of consuming indignation. Truth, however, with no respect for either man or his traditions, occasionally a.s.signs to the deceiving wife the part of condemner. Constant though truth is, men are the slaves of their traditions, and when they meet truth, and tradition is contradicted, they are confused. In spite of the evidences of his senses, it did not for that moment so much as occur to Stainton to pursue the part of judge. Instead, he pulled a chair a little nearer to her.
"Won't you sit down?" he asked.
Muriel sat down.
"Well," she demanded, "what have you to say for yourself?"
"About my trip to Lyons?"
"About this spying on me, about this surprising me in my own house."
"I have some right, I think, to come home."
"You meant to trap me. You would never have dared to talk about an 'explanation' while the Captain was here to defend me!"