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Running Sands Part 51

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"You don't understand me," she sobbed. "It is over. It is all over."

He withdrew his hand quickly; he caught his breath.

"What--what----" he stammered.

"O, Jim!" she cried.

"Muriel," he besought her, "tell me. What--how? When? You don't mean----"

"Yes, yes," she moaned, her hands still tight before her face.

Stainton stood erect. He clenched his fists in an effort to control himself. He pleaded to his ears that they had not heard correctly; his reason declared that, if his ears had heard aright, this was the fancy of an ailing woman; but his frame trembled, and his voice shook as he began again:

"You don't mean----"

"I do, I do. Oh, let me alone! Don't ask me any more!"

He had built for years upon his desire for physical immortality. Now the edifice that he had reared was shattered, and Stainton shook with its fall. He clutched the back of a frail chair that stood opposite Muriel's. Perceptibly he swayed.

"When?" he whispered out of dry lips. His mouth worked; his iron-grey brows fought their way to a meeting. "When?"

Her head sank lower in her hands.

"While you were at Lyons," she said. "The very day you left."

"Is that why you didn't go to the Boussingaults'?"

"I suppose so."

"You suppose?" Almost anger shot from his eyes. "Don't you know? You must know! How did this happen?"

Muriel's head nearly rested on her knees; her shoulders twitched. Her only reply was an inarticulate noise that seemed to tear itself from her breast.

"Answer me!" he demanded.

She rose and stumbled a few steps toward him. She held out her arms. Her face was like a sheet, and her eyes and mouth were like holes burnt into a sheet.

"I fell," she mumbled, and her words seemed to strike him. "I went for a drive. Coming back--here at the hotel--I fell from the cab--getting out.

I got up to the bedroom. And it happened. I sent for a doctor--_not_ Boussingault. He treated me, and I paid him. The nurse, too. They said it was easy--They said I would be all right in a week.--I thought I was--But I have suffered--O, Jim, Jim! Don't look like that! Don't, please, think----"

She crashed to the floor at his feet.

Then Stainton realised something of the bodily agony that had been hers while he was absent and of the mental agony that had driven her on their mad dash through Switzerland to Austria and Italy, the mental agony that lashed her now. He put aside, for the moment, his own suffering. He stooped and took her up and held her in his arms and, pressing her head against his breast and holding her sobbing body tight to his, tried to murmur broken, unthought words of comfort.

Gradually, very gradually, she grew a little quieter.

"My dear, my dear," he said in a voice so hoa.r.s.e that he scarcely knew it for his own, "why did you keep torturing yourself? You should have had rest, and instead----Why didn't you tell me? Why?"

"I was afraid," she said, simply.

"Dearie!" he cried. "Of me?"

Her words were a fresh stab.

"Yes. I knew how much you wanted----And I was afraid."

"You needn't have been. You see it now. You needn't have been. Tell me what I can do for you, dear. Only tell me."

"Take me away from Paris!" sobbed Muriel. "I have come to hate the place. I can't stand it another day. I can't stand it. Some other time, perhaps----Only now--oh, take me away!"

"We'll go home, Muriel," he said. "We'll sail by the first boat. Back to our own country. Back home."

But at that she shuddered.

"That would be worse," she said, rapidly. "It would be worse even than Paris. Don't you see? We left there happy, expecting----Not there. No, I couldn't bear that."

Stainton had put her on a chair and was kneeling beside her, stroking her hair and wrists. His fingers touched the dried blood on her hand, brown and horrible. But he kissed the blood.

She drew the hand from him.

"Your poor little hand!" said Jim. "Let me see the cut."

"It is--there is nothing to be seen. It was only a scratch. Let's talk about getting away."

"I thought," said Stainton, "that you wanted to come back here when we were in Italy."

"I did," she faltered. "It seemed there that it would be easier to tell you here, where it happened. But to-night scared me."

"To-night? Why to-night, dearest? Not what has just happened? Not anything I have said about it?"

"Not that. I don't know. Something before that----"

"Because you lost me in the crowd?"

"Yes, yes: because I lost you. Because I lost you for that hour on the boulevards. I don't like Paris any more. I'm afraid of Paris. I--I don't like the confetti. Let's go away, Jim. Please."

He wished that she would go back to New York. He argued for them both that the return would be wise. When something terrible has occurred in unfamiliar surroundings, if one reverts to surroundings that are familiar, it is often possible to forget the terror, or, if it must be remembered, to remember it with pangs that are less acute than those which one suffers on the scene of the occurrence.

New York, however, she would not hear of. Not yet, she said. They would do better, now, to go to some place that would be different from Paris and different from New York.

"We'll go to Ma.r.s.eilles," she said.

She spoke without much consideration. The name of Ma.r.s.eilles happened to be lying at the top of the names of cities in the back of her mind. It was merely readiest to hand. She did not care. She cared only that her effort to tell the truth had ended in more falsehood.

The next morning they left for Ma.r.s.eilles.

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About Running Sands Part 51 novel

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