Merton of the Movies Part 21

"No, c'mon, I'll stay by you." They walked up the street of the Western village. The girl had started at a brisk pace and he was presently breathless.

"I guess I'll have to rest a minute," he said. They were now before the Crystal Palace Hotel and he sat on the steps.

"All in, are you? Well, take it easy."

He was not only all in, but his mind still played with incongruous sentences. He heard himself saying things that must sound foolish.

"I've slept in here a lot," he volunteered. The girl went to look through one of the windows.

"Blankets!" she exclaimed. "Well, you got the makings of a trouper in you, I'll say that. Where else did you sleep?"

"Well, there were two miners had a nice cabin down the street here with bunks and blankets, and they had a fight, and half a kettle of beans and some bread, and one of them shaved and I used his razor, but I haven't shaved since because I only had twenty cents day before yesterday, and anyway they might think I was growing them for a part, the way your father did, but I moved up here when I saw them put the blankets in, and I was careful and put them back every morning. I didn't do any harm, do you think? And I got the rest of the beans they'd thrown into the fireplace, and if I'd only known it I could have brought my razor and overcoat and some clean collars, but somehow you never seem to know when--"

He broke off, eyeing her vaguely. He had little notion what he had been saying or what he would say next.

"This is going to be good," said the Montague girl. "I can see that from here. But now you c'mon-we'll walk slow-and you tell me the rest when you've had a little snack."

She even helped him to rise, with a hand under his elbow, though he was quick to show her that he had not needed this help. "I can walk all right," he a.s.sured her.

"Of course you can. You're as strong as a horse. But we needn't go too fast." She took his arm in a friendly way as they completed the journey to the outside cafeteria.

At this early hour they were the only patrons of the place. Miss Montague, a little with the air of a solicitous nurse, seated her charge at a corner table and took the place opposite him.

"What's it going to be?" she demanded.

Visions of rich food raced madly through his awakened mind, wide platters heaped with sausage and steaks and ham and corned-beef hash.

"Steak," he ventured, "and something like ham and eggs and some hot cakes and coffee and--" He broke off. He was becoming too emotional under this golden spread of opportunity. The girl glanced up from the bill of fare and appraised the wild light in his eyes.

"One minute, Kid-let's be more restful at first. You know-kind of ease into the heavy eats. It'll prob'ly be better for you."

"Anything you say," he conceded. Her words of caution had stricken him with a fear that this was a dream; that he would wake up under blankets back in the Crystal Palace. It was like that in dreams. You seemed able to order all sorts of food, but something happened; it never reached the table. He would take no further initiative in this scene, whether dream or reality. "You order something," he concluded. His eyes trustfully sought the girl's.

"Well, I think you'll start with one orange, just to kind of hint to the old works that something good is coming. Then--lemme see"--she considered gravely. "Then I guess about two soft-boiled eggs--no, you can stand three--and some dry toast and some coffee. Maybe a few thin strips of bacon wouldn't hurt. We'll see can you make the grade." She turned to give the order to a waitress. "And shoot the coffee along, sister. A cup for me, too."

Her charge s.h.i.+vered again at the mere mention of coffee. The juncture was critical. He might still be dreaming, but in another moment he must know. He closely, even coolly, watched the two cups of coffee that were placed before them. He put a benumbed hand around the cup in front of him and felt it burn. It was too active a sensation for mere dreaming.

He put sugar into the cup and poured in the cream from a miniature pitcher, inhaling a very real aroma. Events thus far seemed normal.

He stirred the coffee and started to raise the cup. Now, after all, it seemed to be a dream. His hand shook so that the stuff spilled into the saucer and even out on to the table. Always in dreams you were thwarted at the last moment.

The Montague girl had noted the trembling and ineffective hand. She turned her back upon him to chat with the waitress over by the food counter. With no eye upon him, he put both hands about the cup and succeeded in raising it to his lips. The hands were still shaky, but he managed some sips of the stuff, and then a long draught that seemed to scald him. He wasn't sure if it scalded or not. It was pretty hot, and fire ran through him. He drained the cup--still holding it with both hands. It was an amazing sensation to have one's hand refuse to obey so simple an order. Maybe he would always be that way now, practically a cripple.

The girl turned back to him. "Atta boy," she said. "Now take the orange.

And when the toast comes you can have some more coffee." A dread load was off his mind. He did not dream this thing. He ate the orange, and ate wonderful toast to the accompaniment of another cup of coffee. The latter half of this he managed with but one hand, though it was not yet wholly under control. The three eggs seemed like but one. He thought they must have been small eggs. More toast was commanded and more coffee.

"Easy, easy!" cautioned his watchful hostess from time to time. "Don't wolf it--you'll feel better afterwards."

"I feel better already," he announced.

"Well," the girl eyed him critically, "you certainly got the main chandelier lighted up once more."

A strange exhilaration flooded all his being. His own thoughts babbled to him, and he presently began to babble to his new friend.

"You remind me so much of Tessie Kearns," he said as he sc.r.a.ped the sides of the egg cup.

"Who's she?"

"Oh, she's a scenario writer I know. You're just like her." He was now drunk--maudlin drunk--from the coffee. Sober, he would have known that no human beings could be less alike than Tessie Kearns and the Montague girl. Other walls of his reserve went down.

"Of course I could have written to Gashwiler and got some money to go back there--"

"Gashwiler, Gashwiler?" The girl seemed to search her memory. "I thought I knew all the tank towns, but that's a new one. Where is it?"

"It isn't a town; it's a gentleman I had a position with, and he said he'd keep it open for me." He flew to another thought with the inconsequence of the drunken. "Say, Kid"--He had even caught that form of address from her--"I'll tell you. You can keep this watch of mine till I pay you back this money." He drew it out. "It's a good solid-gold watch and everything. My uncle Sylvester gave it to me for not smoking, on my eighteenth birthday. He smoked, himself; he even drank considerable. He was his own worst enemy. But you can see it's a good solid--gold watch and keeps time, and you hold it till I pay you back, will you?"

The girl took the watch, examining it carefully, noting the inscription engraved on the case. There were puzzling glints in her eyes as she handed it back to him. "No; I'll tell you, it'll be my watch until you pay me back, but you keep it for me. I haven't any place to carry it except the pocket of my jacket, and I might lose it, and then where'd we be?"

"Well, all right." He cheerfully took back the watch. His present ecstasy would find him agreeable to all proposals.

"And say," continued the girl, "what about this Gashweiler, or whatever his name is? He said he'd take you back, did he? A farm?"

"No, an emporium--and you forgot his name just the way that lady in the casting office always does. She's funny. Keeps telling me not to forget the address, when of course I couldn't forget the town where I lived, could I? Of course it's a little town, but you wouldn't forget it when you lived there a long time--not when you got your start there."

"So you got your start in this town, did you?"

He wanted to talk a lot now. He prattled of the town and his life there, of the eight-hour talent-tester and the course in movie-acting. Of Tessie Kearns and her scenarios, not yet prized as they were sure to be later. Of Lowell Hardy, the artistic photographer, and the stills that he had made of the speaker as Clifford Armytage. Didn't she think that was a better stage name than Merton Gill, which didn't seem to sound like so much? Anyway, he wished he had his stills here to show her. Of course some of them were just in society parts, the sort of thing that Harold Parmalee played--had she noticed that he looked a good deal like Harold Parmalee? Lots of people had.

Tessie Kearns thought he was the dead image of Parmalee. But he liked Western stuff better--a lot better than cabaret stuff where you had to smoke one cigarette after another--and he wished she could see the stills in the Buck Benson outfit, chaps and sombrero and spurs and holster. He'd never had two guns, but the one he did have he could draw pretty well. There would be his hand at his side, and in a flash he would have the gun in it, ready to shoot from the hip. And roping--he'd need to practise that some. Once he got it smack over Dexter's head, but usually it didn't go so well.

Probably a new clothesline didn't make the best rope--too stiff. He could probably do a lot better with one of those hair ropes that the real cowboys used. And Metta Judson--she was the best cook anywhere around Simsbury. He mustn't forget to write to Metta, and to Tessie Kearns, to be sure and see The Blight of Broadway when it came to the Bijou Palace. They would be surprised to see those close--ups that Henshaw had used him in. And he was in that other picture. No close-ups in that, still he would show pretty well in the cage-scene--he'd had to smoke a few cigarettes there, because Arabs smoke all the time, and he hadn't been in the later scene where the girl and the young fellow were in the deserted tomb all night and he didn't lay a finger on her because he was a perfect gentleman.

He didn't know what he would do next. Maybe Henshaw would want him in Robinson Crusoe, Junior, where Friday's sister turned out to be the daughter of an English earl with her monogram tattooed on her left shoulder. He would ask Henshaw, anyway.

The Montague girl listened attentively to the long, wandering recital.

At times she would seem to be strongly moved, to tears or something.

But mostly she listened with a sympathetic smile, or perhaps with a perfectly rigid face, though at such moments there would be those curious glints of light far back in her gray eyes. Occasionally she would prompt him with a question.

In this way she brought out his version of the Sabbath afternoon experience with Dexter. He spared none of the details, for he was all frankness now. He even told how ashamed he had felt having to lead Dexter home from his scandalous grazing before the Methodist Church. He had longed to leap upon the horse and ride him back at a gallop, but he had been unable to do this because there was nothing from which to climb on him, and probably he would have been afraid to gallop the beast, anyway.

This had been one of the bits that most strangely moved his listener.

Her eyes were moist when he had finished, and some strong emotion seemed about to overpower her, but she had recovered command of herself, and become again the sympathetic provider and counsellor.

He would have continued to talk, apparently, for the influence of strong drink had not begun to wane, but the girl at length stopped him.

"Listen here, Merton--" she began; her voice was choked to a peculiar hoa.r.s.eness and she seemed to be threatened with a return of her late strong emotion. She was plainly uncertain of her control, fearing to trust herself to speech, but presently, after efforts which he observed with warmest sympathy, she seemed to recover her poise. She swallowed earnestly several times, wiped her moisture--dimmed eyes with her handkerchief, and continued, "It's getting late and I've got to be over at the show shop. So I'll tell you what to do next. You go out and get a shave and a haircut and then go home and get cleaned up--you said you had a room and other clothes, didn't you?"

Volubly he told her about the room at Mrs. Patterson's, and, with a brief return of lucidity, how the sum of ten dollars was now due this heartless society woman who might insist upon its payment before he would again enjoy free access to his excellent wardrobe.

"Well, lemme see--" She debated a moment, then reached under the table, fumbled obscurely, and came up with more money. "Now, here, here's twenty more besides that first I gave you, so you can pay the dame her money and get all fixed up again, fresh suit and clean collar and a s.h.i.+ne and everything. No, no--this is my scene; you stay out."