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ELFIE. Yes, you can. I haven't worked in a year.
LAURA. But you don't understand, dear. I--I--Well, you know I--well, you know--I can't say what I want.
ELFIE. Oh, yes, you can. You can say anything to me--everybody else does. We've been pals. I know you got along a little faster in the business than I did. The chorus was my limit, and you went into the legitimate thing. But we got our living just the same way. I didn't suppose there was any secret between you and me about that.
LAURA. I know there wasn't then, Elfie, but I tell you I'm different now. I don't want to do that sort of thing, and I've been very unlucky. This has been a terribly hard season for me. I simply haven't been able to get an engagement.
ELFIE. Well, you can't get on this way. Won't [_Pauses, knocking ashes off cigarette to cover hesitation_.] Brockton help you out?
LAURA. What's the use of talking to you [_Rises and crosses to fireplace_.], Elfie; you don't understand.
ELFIE. [_Puffing deliberately on cigarette and crossing her legs in almost a masculine att.i.tude_.] No? Why don't I understand?
LAURA. Because you can't; you've never felt as I have.
ELFIE. How do you know?
LAURA. [_Turning impatiently_.] Oh, what's the use of explaining?
ELFIE. You know, Laura, I'm not much on giving advice, but you make me sick. I thought you'd grown wise. A young girl just b.u.t.ting into this business might possibly make a fool of herself, but you ought to be on to the game and make the best of it.
LAURA. [_Going over to her angrily_.] If you came up here, Elfie, to talk that sort of stuff to me, please don't. I was West this summer.
I met someone, a real man, who did me a whole lot of good,--a man who opened my eyes to a different way of going along--a man who--Oh, well, what's the use? You don't know--you don't know. [_Sits on bed_.
ELFIE. [_Throws cigarette into fireplace_.] I don't know, don't I? I don't know, I suppose, that when I came to this town from up state,--a little burg named Oswego,--and joined a chorus, that I didn't fall in love with just such a man. I suppose I don't know that then I was the best-looking girl in New York, and everybody talked about me? I suppose I don't know that there were men, all ages and with all kinds of money, ready to give me anything for the mere privilege of taking me out to supper? And I didn't do it, did I? For three years I stuck by this good man who was to lead me in a good way toward a good life.
And all the time I was getting older, never quite so pretty one day as I had been the day before. I never knew then what it was to be tinkered with by hair-dressers and manicures or a hundred and one of those other people who make you look good. I didn't have to have them then. [_Rises, crosses to right of table, facing_ LAURA.] Well, you know, Laura, what happened.
LAURA. Wasn't it partly your fault, Elfie?
ELFIE. [_Speaking across table angrily._] Was it my fault that time made me older and I took on a lot of flesh? Was it my fault that the work and the life took out the colour, and left the make-up? Was it my fault that other pretty young girls came along, just as I'd come, and were chased after, just as I was? Was it my fault the cabs weren't waiting any more and people didn't talk about how pretty I was? And was it my fault when he finally had me alone, and just because no one else wanted me, he got tired and threw me flat--cold flat [_Brings hand down on table._]--and I'd been on the dead level with him! [_With almost a sob, crosses up to bureau, powders nose, comes down back of table._] It almost broke my heart. Then I made up my mind to get even and get all I could out of the game. Jerry came along. He was a has-been and I was on the road to be. He wanted to be good to me, and I let him. That's all.
LAURA. Still, I don't see how you can live that way.
[_Lies on bed._
ELFIE. Well, you did, and you didn't kick.
LAURA. Yes, but things are different with me now. You'd be the same way if you were in my place.
ELFIE. No. I've had all the romance I want, and I'll stake you to all your love affairs. [_Crosses back of bed, touches picture over bed._]
I am out to gather in as much coin as I can in my own way, so when the old rainy day comes along I'll have a little change to buy myself an umbrella.
LAURA. [_Rising and angrily crossing to armchair._] What did you come here for? Why can't you leave me alone when I'm trying to get along?
ELFIE. Because I want to help you.
LAURA. [_During speech crosses to up-stage side of bed, angrily tosses quilt to floor and sits on bed in tears._] You can't help me. I'm all right--I tell you I am. What do you care anyway?
ELFIE. [_Sits on bed, crosses down stage to lower left side of bed, sits facing_ LAURA.] But I do care. I know how you feel with an old cat for a landlady and living up here on a side street with a lot of cheap burlesque people. Why, the room's cold [LAURA _rises, crosses to window._], and there's no hot water, and you're beginning to look shabby. You haven't got a job--chances are you won't have one. What does [_Indicating picture on bed with thumb._] this fellow out there do for you? Send you long letters of condolences? That's what I used to get. When I wanted to buy a new pair of shoes or a silk petticoat, he told me how much he loved me; so I had the other ones re-soled and turned the old petticoat. And look at you, you're beginning to show it. [_She surveys her carefully._] I do believe there are lines coming in your face [LAURA _crosses to dresser quickly, picks up hand mirror, and looks at herself._], and you hide in the house because you've nothing new to wear.
LAURA. [_Puts down mirror, crossing down to back of bed._] But I've got what you haven't got. I may have to hide my clothes, but I don't have to hide my face. And you with that man--he's old enough to be your father--a toddling dote hanging on your ap.r.o.n-strings. I don't see how you dare show your face to a decent woman.
ELFIE. [_Rises._] You don't!--but you did once and I never caught you hanging your head. You say he's old. I know he's old, but he's good to me. He's making what's left of my life pleasant. You think I like him.
I don't,--sometimes I hate him,--but he understands; and you can bet your life his check is in my mail every Sat.u.r.day night or there's a new lock on the door Sunday morning. [_Crossing to fireplace._
LAURA. How can you say such things to me?
ELFIE. [_Crosses to left end of table._] Because I want you to be square with yourself. You've lost all that precious virtue women gab about. When you've got the name, I say get the game.
LAURA. You can go now, Elfie, and don't come back.
ELFIE. [_Gathering up m.u.f.f, &c._] All right, if that's the way you want it to be, I'm sorry. [_A knock on the door._
LAURA. [_Controlling herself after a moment's hesitation._] Come in.
ANNIE _enters with a note, crosses, and hands it to_ LAURA.
ANNIE. Mis' Farley sent dis, Miss Laura.
[LAURA _takes the note and reads it. She is palpably annoyed_.
LAURA. There's no answer.
ANNIE. She tol' me not to leave until Ah got an answah.
LAURA. You must ask her to wait.
ANNIE. She wants an answah.
LAURA. Tell her I'll be right down--that it will be all right.
ANNIE. But, Miss Laura, she tol' me to get an answah.
[_Exit reluctantly_.
LAURA. [_Half to herself and half to_ ELFIE.] She's taking advantage of your being here. [_Standing near door_.
ELFIE. How?
LAURA. She wants money--three weeks' room-rent. I presume she thought you'd give it to me.
ELFIE. Huh! [_Moves to left_.
LAURA. [_Crossing to table_.] Elfie, I've been a little cross; I didn't mean it.
ELFIE. Well?
LAURA. Could--could you lend me thirty-five dollars until I get to work?