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LAURA. [_Rising and going to the bureau_.] No. It's all gone.
ANNIE. Mah sakes! All dem rings and things? You ain't done sold them?
[_Sinks on bed_.
LAURA. They're p.a.w.ned. What did Mrs. Farley say she was going to do?
ANNIE. Guess maybe Ah'd better not tell.
[_Crosses to door hurriedly, carrying soiled towel_.
LAURA. Please do. [_Crosses to chair, left side_.
ANNIE. Yuh been so good to me, Miss Laura. Never was n.o.body in dis house what give me so much, and Ah ain't been gettin' much lately. And when Mis' Farley said yuh must either pay yo' rent or she would ask yuh for your room, Ah jest set right down on de back kitchen stairs and cried. Besides, Mis' Farley don't like me very well since you've ben havin' yo' breakfasts and dinners brought up here.
LAURA. Why not? [_Takes kimono of chair-back, crosses up to dresser, puts kimono in drawer, takes out purse_.
ANNIE. She has a rule in dis house dat n.o.body can use huh chiny or fo'ks or spoons who ain't boa'ding heah, and de odder day when yuh asked me to bring up a knife and fo'k she ketched me coming upstairs, and she says, "Where yuh goin' wid all dose things, Annie?" Ah said, "Ah'm just goin' up to Miss Laura's room with dat knife and fo'k." Ah said, "Ah'm goin' up for nothin' at all, Mis' Farley, she jest wants to look at them, Ah guess." She said, "She wants to eat huh dinner wid 'em, Ah guess." Ah got real mad, and Ah told her if she'd give me mah pay Ah'd brush right out o' here; dat's what Ah'd do, Ah'd brush right out o' here. [_Violently shaking out towel_.
LAURA. I'm sorry, Annie, if I've caused you any trouble. Never mind, I'll be able to pay the rent to-morrow or next day anyway. [_She fumbles in purse, takes out a quarter, and turns to_ ANNIE.] Here!
ANNIE. No, ma'am, Ah don' want dat.
[_Making a show of reluctance_.
LAURA. Please take it.
ANNIE. No, ma'am, Ah don' want it. You need dat. Dat's breakfast money for yuh, Miss Laura.
LAURA. Please take it, Annie. I might just as well get rid of this as anything else.
ANNIE. [_Takes it rather reluctantly_.] Yuh always was so good, Miss Laura. Sho' yuh don' want dis?
LAURA. Sure.
ANNIE. Sho' yo' goin' to get planty mo'?
LAURA. Sure.
MRS. FARLEY'S VOICE. [_Downstairs_.] Annie! Annie!
ANNIE. [_Going to door, opens it_.] Dat's Mis' Farley. [_To_ MRS.
FARLEY.] Ya.s.sum, Mis' Farley.
SAME VOICE. Is Miss Murdock up there?
ANNIE. Ya.s.sum, Mis' Farley, ya.s.sum!
MRS. FARLEY. Anything doin'?
ANNIE. Huh?
MRS. FARLEY. Anything doin'?
ANNIE. [_At door_.] Ah--Ah--hain't asked, Missy Farley.
MRS. FARLEY. Then do it.
LAURA. [_Coming to the rescue at the door. To_ ANNIE.] I'll answer her. [_Out of door to_ MRS. FARLEY.] What is it, Mrs. Farley?
MRS. FARLEY. [_Her voice softened_.] Did ye have any luck this morning, dearie?
LAURA. No; but I promise you faithfully to help you out this afternoon or to-morrow.
MRS. FARLEY. Sure? Are you certain?
LAURA. Absolutely.
MRS. FARLEY. Well, I must say these people expect me to keep--[_Door closed_.
LAURA _quietly closes the door, and_ MRS. FARLEY'S _rather strident voice is heard indistinctly_. LAURA _sighs and walks toward table; sits_. ANNIE _looks after her, and then slowly opens the door_.
ANNIE. Yo' sho' dere ain't nothin' I can do fo' yuh, Miss Laura?
LAURA. Nothing.
ANNIE _exits_. LAURA _sits down and looks at letter, opening it. It consists of several pages closely written. She reads some of them hurriedly, skims through the rest, and then turns to the last page without reading; glances at it; lays it on table; rises_.
LAURA. Hope, just nothing but hope.
_She crosses to bed, falls face down upon it, burying her face in her hands. Her despondency is palpable. As she lies there a hurdy-gurdy in the street starts to play a popular air. This arouses her and she rises, crosses to wardrobe, takes out box of crackers, opens window, gets bottle of milk off sill outside, places them on table, gets gla.s.s off washstand, at the same time humming the tune of the hurdy-gurdy, when a knock comes; she crosses quickly to dresser; powders her nose.
The knock is timidly repeated_.
LAURA. [_Without turning, and in a rather tired tone of voice_.] Come in.
JIM WESTON, _a rather shabby theatrical advance-agent of the old school, enters timidly, halting at the door and holding the k.n.o.b in his hand. He is a man of about forty years old, dressed in an ordinary manner, of medium height, and in fact has the appearance of a once prosperous clerk who has been in hard luck. His relations with_ LAURA _are those of pure friends.h.i.+p. They both live in the same lodging-place, and, both having been out of employment, they have naturally become acquainted_.
JIM. Can I come in?
LAURA. [_Without turning_.] h.e.l.lo, Jim Weston. [_He closes door and enters_.] Any luck?
JIM. Lots of it.
LAURA. That's good. Tell me.
JIM. It's bad luck. Guess you don't want to hear.
LAURA. I'm sorry. Where have you been?
JIM. I kind o' felt around up at Burgess's office. I thought I might get a job there, but he put me off until to-morrow. Somehow those fellows always do business to-morrow.