Casa Braccio Part 17

After all, she reflected, she had swallowed a quant.i.ty of cold water at Sor Tommaso's, whether the first gla.s.s had contained any poison or not.

She had not forgotten, either, that the same thing had once happened to her before, and that Dalrymple had made it pa.s.s with a spoonful of something that had stung her mouth and throat, but which had afterwards warmed her and cured her. She felt chilly now, and she wished that she had some of that same stinging, warming stuff.

Something moved, somewhere in the house. The girl listened intently for a moment. Probably Dalrymple had come back and was moving about in his room, was.h.i.+ng his hands, as he always did before supper, and taking off his heavy boots. His room was immediately under hers, facing in the same direction. She went towards the door, intending to go down at once and ask him for some of his medicine. By this time she was persuaded that she was not in any danger, and her common-sense told her that she had merely made herself momentarily ill with too many grapes, too much cold water, and too long exposure to the sun. She did not care to let her mother know anything about it, for Sora Nanna would scold her. It would be a simple matter to catch the Scotchman at his door, to get what she wanted from him with an easily given promise of secrecy, and then to come downstairs as though nothing had happened.

Annetta only hesitated a moment, and then went out into the dark staircase, and crept down, as she had crept up, feeling her way at the turnings, by the wall. She reached the door, and was surprised to see that there was no light within--none of that yellow light which a lamp makes, but only the grey glimmer of the moonlight through the shadow, creeping out by the hole of the latch-string. Her ears had deceived her, and Dalrymple was not there. Nevertheless she believed that he was.

The moonlight would be in his room as it was in hers, just overhead, and he might not have taken the trouble to light his lamp. It was very probable. She tapped softly, but there was no answer. She was afraid that her mother might come up the stairs and hear her speaking through the door, as though by stealth. She put her lips close to the hole of the latch and whistled softly. Her whistle was broken by her own smile as she fancied that Dalrymple might start at the unexpected sound.

But there was no response. Growing bolder, she called him gently.

"Signor! Are you there?"

There was no answer. Just then, as she stooped, the pain ran through her once more. She was so sure that she had heard him that she was convinced he must be within, very probably in his little laboratory beyond the bedroom. The pain hurt her, and he had the medicine. Very naturally she pulled the string and pushed the door open.

He was not there. The moonlight flooded everything, and the whitewashed walls reflected it, so that the place was as bright as day. The first object that met her eyes was a small bottle standing near the edge of the table in the middle of the room, where Dalrymple had carelessly set it down in the afternoon when Sora Nanna had called him to read her letter. It was directly in the line of the moon's rays, and the stopper gleamed like a little star.

Annetta started with joy as she saw it. It was the very bottle from which he had given her the camphor, less than a month ago--the same in size, in its transparent contents, in its label. It might have deceived a keener eye than hers.

The door of the laboratory stood open, as he had left it, being at the time preoccupied and careless. She only stopped a moment to a.s.sure herself that the bottle was the right one, reflecting that he had perhaps felt ill and had taken some of it himself. She went on and looked into the little room.

"Signore!" she called softly. But there was no answer.

It was clear that Dalrymple was either still out, or was downstairs at his supper, with her mother. He might be out, however. It was quite possible, on such a fine evening, for he was irregular in his hours. He would not like it if he came in suddenly and found her meddling with his belongings. She crossed the room again and softly shut the door. At least, if he came, she would not be found with the bottle in her hand.

She could give an excuse.

It was all so natural. It was the same bottle. She knew the right quant.i.ty, for she had the peasant's memory for such detail. There was a gla.s.s and a decanter of water on a white plate on the table. She had no spoon, but that did not matter. She took out the stopper with her strong fingers, though it stuck a little. The pain ran through her again as she poured some of the contents into the tumbler, and it made her hand shake so that she poured out a little more than necessary. But it did not matter. She filled it up with water, held the gla.s.s up to the moonlight, and drank it at a draught, and set the empty tumbler upon the table again.

Instantly her features changed. She felt as though she were struck through head and heart and body with red-hot steel. Maria Addolorata's death-mask rose before her in the moonlight.

"An evil death on you and all your house!" she tried to say.

But the words were not out of her mouth before she s.h.i.+vered, caught herself by the table, sank down, and lay stone dead upon the brick floor.

There was no noise. Dying, she thought she screamed, but only the faintest moan had pa.s.sed her lips.

The door was shut, and the quiet moonlight floated in and silvered her dark, dead face.

CHAPTER XIV.

AT moonrise on that evening, Maria Addolorata was standing at the open door of her cell, watching the dark clouds in the west, as they caught the light one by one, edge by edge. The black shadow of the convent covered all the garden still, and one pa.s.sing could hardly have seen her as she stood there. Her veil was raised, and the cold mountain breeze chilled her cheeks. But she did not feel it, for she had been long by the abbess's bedside, and then long, again, in the close choir of the church, and her head was hot and aching.

To her, as she looked towards the western mountains and watched the piling clouds, and felt the cool, damp wind, it seemed as though there were something strangely tragic in the air that night. The wind whistled now and then through the cracks of the convent windows and over the crenellations of the old walls, as Death's scythe might whistle if he were mowing down men with a right good will, heaps upon heaps of slain.

The old bell struck the hour, sullenly, with a dead thud in the air after each stroke, as a bell tolls for a burial. The very clouds were black and silver in the sky, like a funeral pall.

Maria Addolorata leaned against the door-post and looked out, her hand white in the shadow against the dark wood, her face whiter still. But on her hand there were two marks, visible even in the dimness. They would have been red in the day, and the place hurt her from time to time, for she had bitten it savagely. It was her pledge, and the pain of it reminded her of what she had promised to do.

She needed the reminder; for now that he was not near her, the enormous crime stood out, black and lofty as death itself. It was different when Dalrymple was at her side. His violent vitality dragged hers into action, dragged, drove it, and goaded it, as unwilling soldiers have been driven into battle in barbarous armies. Then the fatality seemed irresistible, then the dangers seemed small, and the burning red shame was pale and weak. Those bony young hands of his had strength in them for two, his gleaming eyes burnt out the resistance in hers, and lighted them with their own glow. The hearty recklessness of his unbelief drove through and through her composite faith, and riddled it with loopholes for her soul's escape. Then the reality of her pa.s.sion made her n.o.bler love mad to be free, and to break through the solid walls in which it had been born and had grown too strong. When his love was there, hers matched itself with his, to smite fortune in the face, to dare and out-dare heaven and h.e.l.l for love's sake, with him, the bursting blood made iron of her hand, tingling to buffet coward fate's pale mouth. Then she was strong above women; then she was brave as brave men; then, having promised, to keep was but the natural hold of will, to die was but to dare one little adversary more.

But she was alone now, and thinking, as she looked out into the tragic night, and watched the blackness of the monumental clouds. She did not return to her former self, as some women do when the goad leaves the heart in peace for a moment. She did not say to herself that she would order the convent gate to be shut on Angus Dalrymple forever, and herself go back to the close choir, to sit in her seat amongst the rest, and sing holy songs with the others, restfully unhappy as many of them were. She knew far too well how strongly her heart could beat, and how icy cold her hands could grow when love was near her. Yet she shuddered with horror at what she had promised to do. She would struggle to the last, but she must yield when she heard his voice, and felt his hand, at the very last moment, when they should be at the garden gate, he drawing her on, she looking back.

It was perjury and sacrilege, and earthly shame, and eternal d.a.m.nation.

Nothing less. And the words had full and deadly meaning for her. It mattered little that he should think differently, being of another faith, or rather, of no faith at all. It was all true to her. It was not risk; it was certainty. What forgiveness had earth or heaven for a faithless nun? He talked of marriage, and he would marry her according to a rite that had a meaning in his eyes. Heaven would not divorce the sworn and plighted spouse of Christ to be the earthly wife of Angus Dalrymple.

Visions of eternal torment rose in her mind, a tangible searing h.e.l.l alive with flame and devils, a sea of liquid fire, an ocean of boiling pitch, Satan commanding in the midst, and a myriad of fiends working his tormenting will.

Her pale lips curled scornfully in the dark. Those were not the terrors that frightened her, nor the horrors from which she shrank. There was a question which was not to be answered by her own soul in d.a.m.nation or salvation, but by the lips of men hereafter--the question of the honour of her name. The traditions of the good old barons were not dead in that day, nor are they all dead yet. Many a Braccio had done evil deeds in his or her day, and one, at least, had evil deeds to do after Maria Addolorata had been laid in her grave. But sin was one thing, and dishonour was quite another, even in the eyes of the nun of Subiaco. For her sins she could and must answer with the weal or woe of her own soul. But her dishonour would be upon her father and her mother and upon all her race. Nor was there any dishonour deeper, more deadly, or more lasting than that brought upon a stainless name by a faithless nun.

Maria Braccio hesitated at disgrace, while Maria Addolorata smiled at perdition. It was not the first time that honour had taken G.o.d's part against the devil in the history of her family.

That was the great obstacle of all, and she knew it now. She was able to face all consequences but that, terrible as they might be. The barrier was there, the traditional old belief in honour as first, and above every consideration. They had played upon that very belief, when, at the last, she had hesitated to take the veil. She had gone so far, they had told her, that it would be cowardly and dishonourable to turn back at the last minute. The same argument existed now. Then, she would at least have had human right and ecclesiastical law on her side, if she had refused to become a nun. Now, all was against her. Then, she would have had to face but the condemning opinion of a few who spoke of implied obligation. Now, she must stand up and be ashamed before the whole world. There would be a horrible publicity about it. She was too high born not to feel that all the world in which she should ever move was as one great family. Dalrymple might promise her honour and respect, and the affection of his own father and mother for the love of her parents, a home, respected wifehood, and all the rest. With his strength, he might impose her upon his family, and they might treat her as he should dictate, for he was a strong and dominant man. But in their hearts, Protestants, English people, foreigners as they were to her race, even they could not tell themselves honestly that it was not a shameful thing to break such vows as hers, shameful and nothing less. And if, for a moment, he were not there to hold them in his check, she should see it in their faces, and she must hang her head, for she could have nothing to answer. For him, she must not only sacrifice her soul, wrench out her faith, break her promise to G.o.d, and her vows to the Church. She must give herself to public, earthly shame, for his sake.

It was too much. She could bear anything but that. Rather than endure that, it was better to die.

The black clouds rose higher in the west, and the gloomy air blew upon her face. Her head was no longer hot, for a chilly horror had come upon her, like the shadow of something unspeakably awful, close at hand.

Suddenly, she was afraid to be alone. A bat, lured by the second twilight of the moon's rising, whirled down from above, with softly flapping wings, and almost brushed her face. She drew back quickly into the doorway. It was a very tragic night, she thought. She shut the door, and groped her way out beyond her cell to the corridor, dimly illuminated by a single light hanging from the vault by a running cord.

She entered the abbess's apartment. One of the sisters had taken her place, but Maria Addolorata sent her away by a gesture, and sat down by the bedside.

The old lady was either asleep, or did not notice her niece's coming.

Her face was grey as ashes, and upturned in the shadow. Upon the stone floor stood the primitive Italian night-light, a wick supported in a triangular bit of tin by three little corks in oil floating on water in a tumbler. The light was very clear and steady, though there was little of it, and to Maria, who had been long in comparative darkness, the room seemed bright enough. There was little furniture besides the plain bed, a little table, a couple of chairs, and a tall, dark wardrobe. A grim crucifix hung above the abbess's head, on the white wall, the work of an age in which horror was familiar to the eye, and needed exaggeration to teach hardened humanity.

Maria was too much occupied with her own thoughts to notice the sick woman's condition at once. Besides, during the last two days there had been no return of the syncope, and the abbess had seemed to be improving steadily. She breathed rather heavily and seemed to be asleep.

Gradually, however, as the nun sat motionless beside her and as the storm of thought subsided, she became aware that all was not right. Her aunt's face was unnaturally grey, the breathing was unusually slow and heavy. When the breath was drawn in, the thin nostrils flattened themselves strangely on each side, and the features had a peaked look.

Maria rose and felt the pulse. It was fluttering, and not always perceptible.

At first Maria's attention to these facts was only mechanical. Then, with a sudden sinking at her own heart, she realized what they might mean--another crisis like the one in which the abbess had so narrowly escaped death. It was true that on that occasion she had called for help more than once, showing that she had felt herself to be sinking. At present she seemed to be unconscious, which, if anything, was a worse feature.

Maria drew a long breath and held it, biting her lips, as people do in moments of suspense, doubt, and anxiety. It was as though fate had thrust the great decision onward at the last moment. The life that hung in the balance before her eyes meant the possibility of waiting, with the feeble consolation of being yet undecided.

She stood as still as a statue, her face like a mask, her hand on the unconscious woman's wrist. The stimulant which Dalrymple had shown her how to use was at hand--the gla.s.s with which to administer it. It would prolong life. It might save it.

Should she give it? The seconds ran to minutes, and the dreadful question was unanswered. If the abbess died, as die she almost certainly must within half an hour, if the medicine were not given to her--if she died, Maria would call the sisters, the portress would be instructed, and when Dalrymple came on the morrow, he would be told that all was over, and that he was no longer needed. Nothing could be more sure. He might do his utmost. He could not enter the convent again.

In a quick vision, as she stood stone-still, Maria saw herself alone in the chapel by night, prostrate, repentant, was.h.i.+ng the altar steps with tears, forgiven of G.o.d, since G.o.d could still forgive her, honoured on earth as before, since none but the silent confessor could ever know what she had done, still less what she had meant to do. Her sorrow would be real, overwhelming, able to move Heaven to mercy, her penance true-hearted and severe as she deserved. Her name would be unspotted and unblemished.

It would be so easy, if she had not to see him again. How could she resist him, if he could so much as touch her hand? But if she were defended from him, she could bury his love and pray for him in the memory of the thing dead. All that, if she but let that heavy breathing go on a little longer, if she did not raise her hand and set a gla.s.s to those grey, parted lips.

They were parted now. The laboured breath was drawn through the teeth.

The eyelids were a little raised, and showed but the white of the upturned eyes.

Maria stared fixedly into the pinched face, and a new horror came upon her.

It was murder she was doing. Nothing less. The power to save was there, and she would not use it. No--it could not be murder--it was not possible that she could do murder.

Still with wide eyes she stared. Surely the heavy breath had come more quickly a moment ago. It seemed an age between each rise and fall of the coverlet. There was a ghastly whistling sound of it between the teeth.

It was slower still. The eyelids were gradually opening--the blind white was horrible to see. Each breath was a convulsion that shook the frail body.